181 Résultats
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''The political voice'’ is the subject of the second volume of ''Sonic Urbanism'' publications. This volume explores the political voice as a particular sonic phenomenon, asking how and where it is possible to have a '‘voice'’ in urban politics, the relationship between material and metaphorical readings of political speech, and how voices can be amplified or silenced in(...)
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''The political voice'’ is the subject of the second volume of ''Sonic Urbanism'' publications. This volume explores the political voice as a particular sonic phenomenon, asking how and where it is possible to have a '‘voice'’ in urban politics, the relationship between material and metaphorical readings of political speech, and how voices can be amplified or silenced in(...)
Titre:
Sonic urbanism: The political voice
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''The political voice'’ is the subject of the second volume of ''Sonic Urbanism'' publications. This volume explores the political voice as a particular sonic phenomenon, asking how and where it is possible to have a '‘voice'’ in urban politics, the relationship between material and metaphorical readings of political speech, and how voices can be amplified or silenced in cities. Responses explored vocal contestations and noisy citizenship, technologies that transmit or transform voices, and the ways that sound art and experimental music stage collective voicings.
Sonic urbanism: The political voice
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''The political voice'’ is the subject of the second volume of ''Sonic Urbanism'' publications. This volume explores the political voice as a particular sonic phenomenon, asking how and where it is possible to have a '‘voice'’ in urban politics, the relationship between material and metaphorical readings of political speech, and how voices can be amplified or silenced in cities. Responses explored vocal contestations and noisy citizenship, technologies that transmit or transform voices, and the ways that sound art and experimental music stage collective voicings.
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livres
livres
Publication:
août 2020
août 2020
Sujet:
Acoustique
Acoustique
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livres
livres
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$17.00
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Following their first colloquium, ‘'Crafting a Sonic Urbanism'’, which took place at the MSH Paris Nord in September 2018, Theatrum Mundi presents a publication on ''Sonic Urbanism''. It invites participants to share essays on sonic communities, urban composition, acoustic architectures, phonographic methods, and public performance projects.
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Following their first colloquium, ‘'Crafting a Sonic Urbanism'’, which took place at the MSH Paris Nord in September 2018, Theatrum Mundi presents a publication on ''Sonic Urbanism''. It invites participants to share essays on sonic communities, urban composition, acoustic architectures, phonographic methods, and public performance projects.
Titre:
Sonic urbanism: Resonances in a new field
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Following their first colloquium, ‘'Crafting a Sonic Urbanism'’, which took place at the MSH Paris Nord in September 2018, Theatrum Mundi presents a publication on ''Sonic Urbanism''. It invites participants to share essays on sonic communities, urban composition, acoustic architectures, phonographic methods, and public performance projects.
Sonic urbanism: Resonances in a new field
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$17.00
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Following their first colloquium, ‘'Crafting a Sonic Urbanism'’, which took place at the MSH Paris Nord in September 2018, Theatrum Mundi presents a publication on ''Sonic Urbanism''. It invites participants to share essays on sonic communities, urban composition, acoustic architectures, phonographic methods, and public performance projects.
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livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
DNA #21: Sound Space Sense
DNA #21: Sound Space Sense
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Audio perception is a highly individual phenomenon and there is still much uncertainty about the physics, biology and unconscious processes that contribute to auditory experiences. This book applies artistic research methods to this field, exploring the intersections between mental space, social practice and interactions with sound.
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Résumé:
Audio perception is a highly individual phenomenon and there is still much uncertainty about the physics, biology and unconscious processes that contribute to auditory experiences. This book applies artistic research methods to this field, exploring the intersections between mental space, social practice and interactions with sound.
Sujet:
Acoustique
Acoustique
Publication:
juillet 2024
juillet 2024
Titre:
DNA #21: Sound Space Sense
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Audio perception is a highly individual phenomenon and there is still much uncertainty about the physics, biology and unconscious processes that contribute to auditory experiences. This book applies artistic research methods to this field, exploring the intersections between mental space, social practice and interactions with sound.
DNA #21: Sound Space Sense
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Résumé:
Audio perception is a highly individual phenomenon and there is still much uncertainty about the physics, biology and unconscious processes that contribute to auditory experiences. This book applies artistic research methods to this field, exploring the intersections between mental space, social practice and interactions with sound.
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livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Acoustique
Acoustique
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livres
livres
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$24.95
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In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the(...)
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In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the(...)
Titre:
Noise orders : jazz, improvisation, and architecture
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In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise — an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. "Noise orders" identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, "Noise orders" suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approace, "Noise orders" argues for a deeper understanding of the infinite potential inherent in both music and architecture.
Noise orders : jazz, improvisation, and architecture
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In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise — an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. "Noise orders" identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, "Noise orders" suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approace, "Noise orders" argues for a deeper understanding of the infinite potential inherent in both music and architecture.
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livres
livres
Publication:
février 2006, Minneapolis, London
février 2006, Minneapolis, London
Sujet:
Acoustique
Acoustique
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livres
livres
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of(...)
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of(...)
Titre:
Dissonant waves: Ernst Schoen and experimental sound in the 20th century
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of permitted experimentalism under the Weimar Republic for those who would foster aesthetic, technical, and political revolution. The counterreaction was Nazism—and Schoen and his milieux fell victim to it, found ways out of it, or hit against it with all their might. ''Dissonant waves'' tracks the life of Ernst Schoen—poet, composer, radio programmer, theorist, and best friend of Walter Benjamin from childhood—as he moves between Frankfurt, Berlin, Paris, and London. It casts radio history and practice into concrete spaces, into networks of friends and institutions, into political exigencies and domestic plights, and into broader aesthetic discussions of the politicization of art and the aestheticization of politics. Through friendship and comradeship, a position in state-backed radio, imprisonment, exile, networking in a new country, re-emigration, ill-treatment, neglect, Schoen suffers the century and articulates its broken promises.
Dissonant waves: Ernst Schoen and experimental sound in the 20th century
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of permitted experimentalism under the Weimar Republic for those who would foster aesthetic, technical, and political revolution. The counterreaction was Nazism—and Schoen and his milieux fell victim to it, found ways out of it, or hit against it with all their might. ''Dissonant waves'' tracks the life of Ernst Schoen—poet, composer, radio programmer, theorist, and best friend of Walter Benjamin from childhood—as he moves between Frankfurt, Berlin, Paris, and London. It casts radio history and practice into concrete spaces, into networks of friends and institutions, into political exigencies and domestic plights, and into broader aesthetic discussions of the politicization of art and the aestheticization of politics. Through friendship and comradeship, a position in state-backed radio, imprisonment, exile, networking in a new country, re-emigration, ill-treatment, neglect, Schoen suffers the century and articulates its broken promises.
Classification:
livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$45.95
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Résumé:
''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the(...)
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''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the(...)
Titre:
Sonic signatures: Music, migration and the city at night
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''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the anthology consider a wide array of genres—including EDM, batida do gueto, and iSicathamiya—to understand how migrants resist oppression, long for people and places, and shape their adopted cities through music.
Sonic signatures: Music, migration and the city at night
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Résumé:
''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the anthology consider a wide array of genres—including EDM, batida do gueto, and iSicathamiya—to understand how migrants resist oppression, long for people and places, and shape their adopted cities through music.
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livres
livres
Publication:
août 2023
août 2023
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$18.95
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Résumé:
New York, 1966. Alors qu'il passe deux semaines à New York afin de recueillir les témoignages de musiciens de jazz en train de « transformer le genre », l'écrivain et journaliste Frank Kofsky (1935-1997) finit par rencontrer son idole, John Coltrane. Cette longue conversation, ici traduite en français par Patricia Miquel, fera l'un des chapitres de la somme qu'il publia(...)
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New York, 1966. Alors qu'il passe deux semaines à New York afin de recueillir les témoignages de musiciens de jazz en train de « transformer le genre », l'écrivain et journaliste Frank Kofsky (1935-1997) finit par rencontrer son idole, John Coltrane. Cette longue conversation, ici traduite en français par Patricia Miquel, fera l'un des chapitres de la somme qu'il publia(...)
Titre:
John Coltrane Frank Kofsky: Conversation
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New York, 1966. Alors qu'il passe deux semaines à New York afin de recueillir les témoignages de musiciens de jazz en train de « transformer le genre », l'écrivain et journaliste Frank Kofsky (1935-1997) finit par rencontrer son idole, John Coltrane. Cette longue conversation, ici traduite en français par Patricia Miquel, fera l'un des chapitres de la somme qu'il publia en 1971, « Black Nationalism and the Revolution in Music » que Pathfinder Press rééditera plus tard sous le titre « John Coltrane and the Jazz Revolution of the 1960s. »
John Coltrane Frank Kofsky: Conversation
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New York, 1966. Alors qu'il passe deux semaines à New York afin de recueillir les témoignages de musiciens de jazz en train de « transformer le genre », l'écrivain et journaliste Frank Kofsky (1935-1997) finit par rencontrer son idole, John Coltrane. Cette longue conversation, ici traduite en français par Patricia Miquel, fera l'un des chapitres de la somme qu'il publia en 1971, « Black Nationalism and the Revolution in Music » que Pathfinder Press rééditera plus tard sous le titre « John Coltrane and the Jazz Revolution of the 1960s. »
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$40.00
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Résumé:
The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around(...)
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The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around(...)
Titre:
A book of noises: Notes on the auraculous
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The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around the natural and human world, the forty-eight essays that make up A Book of Noises are a celebration of all things ''auraculous.'' Henderson calls on his characteristic curiosity to explore sounds related to humans (anthropophony), other life (biophony), the planet (geophony), and space (cosmophony). Henderson finds the beauty in everyday sounds, like the ringing of a bell, the buzz of a bee, or the ''earworm'' songs that get stuck in our heads.''A book of noises'' also explores the marvelous, miraculous sounds we may never get the chance to hear, like the deep boom of a volcano or the quiet, rustling sound of the Northern Lights. ''A book of noises'' will teach readers to really listen to the sounds of the world around them, to broaden and deepen their appreciation of the humans, animals, rocks, and trees simultaneously broadcasting across the whole spectrum of sentience.
A book of noises: Notes on the auraculous
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The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In ''A book of noises,'' Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness. Describing sounds from around the natural and human world, the forty-eight essays that make up A Book of Noises are a celebration of all things ''auraculous.'' Henderson calls on his characteristic curiosity to explore sounds related to humans (anthropophony), other life (biophony), the planet (geophony), and space (cosmophony). Henderson finds the beauty in everyday sounds, like the ringing of a bell, the buzz of a bee, or the ''earworm'' songs that get stuck in our heads.''A book of noises'' also explores the marvelous, miraculous sounds we may never get the chance to hear, like the deep boom of a volcano or the quiet, rustling sound of the Northern Lights. ''A book of noises'' will teach readers to really listen to the sounds of the world around them, to broaden and deepen their appreciation of the humans, animals, rocks, and trees simultaneously broadcasting across the whole spectrum of sentience.
Classification:
livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$25.00
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Résumé:
Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
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Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
Titre:
La recherche comme composition
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Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
La recherche comme composition
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$25.00
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Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
Classification:
livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$52.95
(disponible sur commande)
Résumé:
Du Big Bang au silence absolu, de l’écholocalisation des chauves-souris à la Symphonie n° 11 de Chostakovitch, en passant par les grésillements d’un disque vinyle, les crépitements d’une aurore boréale ou encore la longue résonance d’un bonsho japonais, les quarante-huit chapitres d’ « Une histoire naturelle des sons » nous font prêter l’oreille au monde fascinant des(...)
$52.95
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Du Big Bang au silence absolu, de l’écholocalisation des chauves-souris à la Symphonie n° 11 de Chostakovitch, en passant par les grésillements d’un disque vinyle, les crépitements d’une aurore boréale ou encore la longue résonance d’un bonsho japonais, les quarante-huit chapitres d’ « Une histoire naturelle des sons » nous font prêter l’oreille au monde fascinant des(...)
Publication:
janvier 2025
janvier 2025
Titre:
Une histoire naturelle des sons : Notes sur l'audible
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$52.95
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Du Big Bang au silence absolu, de l’écholocalisation des chauves-souris à la Symphonie n° 11 de Chostakovitch, en passant par les grésillements d’un disque vinyle, les crépitements d’une aurore boréale ou encore la longue résonance d’un bonsho japonais, les quarante-huit chapitres d’ « Une histoire naturelle des sons » nous font prêter l’oreille au monde fascinant des sonorités qui nous entourent. Avec sa prodigieuse érudition scientifique et son sens unique du merveilleux, Caspar Henderson nous ouvre la voie des espaces sonores méconnus ou inaccessibles, plus généralement de l’aventure des sons, qu’ils appartiennent à des temps très anciens, ou qu’ils demeurent l’objet de spéculations scientifiques — quand ils ne relèvent pas carrément de la science-fiction.
Une histoire naturelle des sons : Notes sur l'audible
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Du Big Bang au silence absolu, de l’écholocalisation des chauves-souris à la Symphonie n° 11 de Chostakovitch, en passant par les grésillements d’un disque vinyle, les crépitements d’une aurore boréale ou encore la longue résonance d’un bonsho japonais, les quarante-huit chapitres d’ « Une histoire naturelle des sons » nous font prêter l’oreille au monde fascinant des sonorités qui nous entourent. Avec sa prodigieuse érudition scientifique et son sens unique du merveilleux, Caspar Henderson nous ouvre la voie des espaces sonores méconnus ou inaccessibles, plus généralement de l’aventure des sons, qu’ils appartiennent à des temps très anciens, ou qu’ils demeurent l’objet de spéculations scientifiques — quand ils ne relèvent pas carrément de la science-fiction.
Classification:
livres
livres
Publication:
janvier 2025
janvier 2025
