174 Résultats
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livres
livres
Titre:
Soundwalk collective: medea
Soundwalk collective: medea
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Soundwalk is an international sound collective founded in the early 2000s by Stephan Crasneanscki and based in New York City. In the summer of 2011, the collective retraced Medea’s mythical journey along the coast of the Black Sea, collecting fragments of voices, music, Morse code and ambient sound, collaging them into a work of sound art. The book follows the sound(...)
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Soundwalk is an international sound collective founded in the early 2000s by Stephan Crasneanscki and based in New York City. In the summer of 2011, the collective retraced Medea’s mythical journey along the coast of the Black Sea, collecting fragments of voices, music, Morse code and ambient sound, collaging them into a work of sound art. The book follows the sound(...)
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Soundwalk collective: medea
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Soundwalk is an international sound collective founded in the early 2000s by Stephan Crasneanscki and based in New York City. In the summer of 2011, the collective retraced Medea’s mythical journey along the coast of the Black Sea, collecting fragments of voices, music, Morse code and ambient sound, collaging them into a work of sound art. The book follows the sound composition of the CD (included here) and also gathers photographs by Stephan Crasneanscki and texts by Arthur Larrue.
Soundwalk collective: medea
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Soundwalk is an international sound collective founded in the early 2000s by Stephan Crasneanscki and based in New York City. In the summer of 2011, the collective retraced Medea’s mythical journey along the coast of the Black Sea, collecting fragments of voices, music, Morse code and ambient sound, collaging them into a work of sound art. The book follows the sound composition of the CD (included here) and also gathers photographs by Stephan Crasneanscki and texts by Arthur Larrue.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$25.00
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Résumé:
Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat(...)
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Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat(...)
Titre:
Sonic warfare : sound, affect, and the ecology of fear
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Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths
Sonic warfare : sound, affect, and the ecology of fear
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$25.00
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Résumé:
Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$32.95
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Résumé:
MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through(...)
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MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through(...)
Titre:
Jonathan Sterne : MP3, the meaning of a format
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MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous social life since the mid 1990s.
Jonathan Sterne : MP3, the meaning of a format
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Résumé:
MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous social life since the mid 1990s.
Classification:
livres
livres
Publication:
août 2012
août 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$32.00
(disponible en magasin)
Résumé:
Sounds belong to the City. They determine spaces and identities. For years, artists have been using city noises as a material to stage or to question urban space - new territory, however, for most architects and planners within the routines of functional planning rocedures. Tuned City: Between Sound and Space Speculation searches for a new evaluation of architectural(...)
$32.00
(disponible en magasin)
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Sounds belong to the City. They determine spaces and identities. For years, artists have been using city noises as a material to stage or to question urban space - new territory, however, for most architects and planners within the routines of functional planning rocedures. Tuned City: Between Sound and Space Speculation searches for a new evaluation of architectural(...)
Titre:
Tuned city: between sound and space speculation
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$32.00
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Sounds belong to the City. They determine spaces and identities. For years, artists have been using city noises as a material to stage or to question urban space - new territory, however, for most architects and planners within the routines of functional planning rocedures. Tuned City: Between Sound and Space Speculation searches for a new evaluation of architectural spaces from the perspective of acoustics. This volume presents various positions of architects, artists and theorists to expand the architectural discourse with the dimension of listening.
Tuned city: between sound and space speculation
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$32.00
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Résumé:
Sounds belong to the City. They determine spaces and identities. For years, artists have been using city noises as a material to stage or to question urban space - new territory, however, for most architects and planners within the routines of functional planning rocedures. Tuned City: Between Sound and Space Speculation searches for a new evaluation of architectural spaces from the perspective of acoustics. This volume presents various positions of architects, artists and theorists to expand the architectural discourse with the dimension of listening.
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livres
livres
Publication:
septembre 2008
septembre 2008
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$37.95
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Résumé:
This is David Byrne’s celebration of a subject he has spent a lifetime thinking about. In it he explores how profoundly music is shaped by its time and place, and he explains how the advent of recording technology in the twentieth century forever changed our relationship to playing, performing, and listening to music.
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Résumé:
This is David Byrne’s celebration of a subject he has spent a lifetime thinking about. In it he explores how profoundly music is shaped by its time and place, and he explains how the advent of recording technology in the twentieth century forever changed our relationship to playing, performing, and listening to music.
Titre:
David Byrne : How music works
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This is David Byrne’s celebration of a subject he has spent a lifetime thinking about. In it he explores how profoundly music is shaped by its time and place, and he explains how the advent of recording technology in the twentieth century forever changed our relationship to playing, performing, and listening to music.
David Byrne : How music works
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Résumé:
This is David Byrne’s celebration of a subject he has spent a lifetime thinking about. In it he explores how profoundly music is shaped by its time and place, and he explains how the advent of recording technology in the twentieth century forever changed our relationship to playing, performing, and listening to music.
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$18.95
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Résumé:
À travers l’évocation d’expériences souvent hors du commun, Oliver Sacks explore la dimension musicale de l’homme : comment la musique nous habite, nous change et parfois même nous guérit. Souvent perçue comme dénuée de signification, la musique nous touche pourtant à plusieurs degrés. Elle a sur nous une portée émotionnelle, qu’elle nous arrache à la dépression ou(...)
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À travers l’évocation d’expériences souvent hors du commun, Oliver Sacks explore la dimension musicale de l’homme : comment la musique nous habite, nous change et parfois même nous guérit. Souvent perçue comme dénuée de signification, la musique nous touche pourtant à plusieurs degrés. Elle a sur nous une portée émotionnelle, qu’elle nous arrache à la dépression ou(...)
Titre:
Oliver Sacks : Musicophilia, la musique, le cerveau et nous (format poche)
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À travers l’évocation d’expériences souvent hors du commun, Oliver Sacks explore la dimension musicale de l’homme : comment la musique nous habite, nous change et parfois même nous guérit. Souvent perçue comme dénuée de signification, la musique nous touche pourtant à plusieurs degrés. Elle a sur nous une portée émotionnelle, qu’elle nous arrache à la dépression ou qu’elle nous rende mélancolique. Nous incitant à la danse, elle est aussi une expérience sensorielle. Il arrive même que notre rapport à elle soit symptomatique d’un problème médical ; inversement elle peut avoir des vertus thérapeutiques. Il y avait donc matière à s’interroger sur la dimension musicale de l’homme pour un neurologue aussi compétent et curieux qu’Oliver Sacks. Et c’est en déployant une galerie de portraits – du chirurgien devenu pianiste après avoir été frappé par la foudre au frère manchot de Wittgenstein, en passant par les familiers de la synesthésie ou les arriérés mentaux mélomanes – qu’il questionne les rapports du cerveau et de la musique.
Oliver Sacks : Musicophilia, la musique, le cerveau et nous (format poche)
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Résumé:
À travers l’évocation d’expériences souvent hors du commun, Oliver Sacks explore la dimension musicale de l’homme : comment la musique nous habite, nous change et parfois même nous guérit. Souvent perçue comme dénuée de signification, la musique nous touche pourtant à plusieurs degrés. Elle a sur nous une portée émotionnelle, qu’elle nous arrache à la dépression ou qu’elle nous rende mélancolique. Nous incitant à la danse, elle est aussi une expérience sensorielle. Il arrive même que notre rapport à elle soit symptomatique d’un problème médical ; inversement elle peut avoir des vertus thérapeutiques. Il y avait donc matière à s’interroger sur la dimension musicale de l’homme pour un neurologue aussi compétent et curieux qu’Oliver Sacks. Et c’est en déployant une galerie de portraits – du chirurgien devenu pianiste après avoir été frappé par la foudre au frère manchot de Wittgenstein, en passant par les familiers de la synesthésie ou les arriérés mentaux mélomanes – qu’il questionne les rapports du cerveau et de la musique.
Classification:
livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$29.95
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du(...)
$29.95
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du(...)
Titre:
Vertiges ou les fondements d'une cyberécologie
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du Val-d’Oise pour réaliser cet ouvrage. Ce livre se présente sous la forme d’un recueil de textes et de photographies réunis lors de la création de la Marche Sonore commandée par le centre d’art contemporain de l’Abbaye de Maubuisson ainsi que du CD audio.
Vertiges ou les fondements d'une cyberécologie
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du Val-d’Oise pour réaliser cet ouvrage. Ce livre se présente sous la forme d’un recueil de textes et de photographies réunis lors de la création de la Marche Sonore commandée par le centre d’art contemporain de l’Abbaye de Maubuisson ainsi que du CD audio.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$94.95
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Résumé:
The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film(...)
$94.95
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Résumé:
The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film(...)
Titre:
Architecture music: Boa Baumann and Fritz Hauser
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The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film music, theatre and sound installation, Hauser is a percussionist who is one of Switzerland’s most diverse musicians. He and Baumann have created spaces and performed in New York, Melbourne and throughout the world. Author Hubertus Adam interviews Baumann, Hauser and others, and fashions a narrative text enhanced by large-format images by artists Andreas Fahrni, Christian Lichtenberg and Isabel Bürgin.
Architecture music: Boa Baumann and Fritz Hauser
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$94.95
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Résumé:
The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film music, theatre and sound installation, Hauser is a percussionist who is one of Switzerland’s most diverse musicians. He and Baumann have created spaces and performed in New York, Melbourne and throughout the world. Author Hubertus Adam interviews Baumann, Hauser and others, and fashions a narrative text enhanced by large-format images by artists Andreas Fahrni, Christian Lichtenberg and Isabel Bürgin.
Classification:
livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$25.00
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop(...)
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop(...)
Titre:
Almost nothing with Luc Ferrari
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop sensual, proto-ambient narrative that he termed "anecdotal music" or "cinema for the ear." Perhaps the most notorious instance of this approach was Danses Organiques (1973), for which Ferrari recorded the meeting and sexual encounter of two young women, cut with other ambient and music sound. In his final decades Ferrari was championed by David Grubbs (of Gastr del Sol), who brought his music to a postrock audience. Almost Nothing is the first publication on this composer. It alternates Jacqueline Caux's interviews with 14 "imaginary autobiographies" by the composer, offering a lively account of new music's most revolutionary era.
Almost nothing with Luc Ferrari
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop sensual, proto-ambient narrative that he termed "anecdotal music" or "cinema for the ear." Perhaps the most notorious instance of this approach was Danses Organiques (1973), for which Ferrari recorded the meeting and sexual encounter of two young women, cut with other ambient and music sound. In his final decades Ferrari was championed by David Grubbs (of Gastr del Sol), who brought his music to a postrock audience. Almost Nothing is the first publication on this composer. It alternates Jacqueline Caux's interviews with 14 "imaginary autobiographies" by the composer, offering a lively account of new music's most revolutionary era.
Classification:
livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
A brief history of new music
A brief history of new music
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$29.95
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Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
$29.95
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Résumé:
Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
Titre:
A brief history of new music
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$29.95
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Résumé:
Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
A brief history of new music
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Prix:
$29.95
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Résumé:
Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Acoustique
Acoustique
