Paysages marocains
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Quadrilat�re irr�gulier, bord� par l�oc�an Atlantique, la mer M�diterran�e et le Sahara, le Maroc frappe par la diversit� et le caract�re spectaculaire de ses paysages. Au fil des saisons, ils offrent la beaut� des sommets enneig�s et des plaines arides et rougeoyantes, les couleurs vibrantes des champs de roses, de lauriers, d�amandiers en fleurs(...)
Arch Moyen-Orient
octobre 2007, Gen�ve
Paysages marocains
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Quadrilat�re irr�gulier, bord� par l�oc�an Atlantique, la mer M�diterran�e et le Sahara, le Maroc frappe par la diversit� et le caract�re spectaculaire de ses paysages. Au fil des saisons, ils offrent la beaut� des sommets enneig�s et des plaines arides et rougeoyantes, les couleurs vibrantes des champs de roses, de lauriers, d�amandiers en fleurs ou de menthe� Sans doute un des pays les plus photog�niques au monde.
Arch Moyen-Orient
Brazil's Modern Architecture
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Brazil's architecture is strikingly distinct from Latin America as a whole and diverse in itself. Yet coverage of the architecture of twentieth-century Brazil is all too often confined to the work of one man (Oscar Niemeyer) or the buildings of two cities (Rio de Janeiro and São Paulo). In Brazil's Modern Architecture, a new generation of Brazilian cities and historians(...)
Arch Moyen-Orient
octobre 2007, London, New York
Brazil's Modern Architecture
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Brazil's architecture is strikingly distinct from Latin America as a whole and diverse in itself. Yet coverage of the architecture of twentieth-century Brazil is all too often confined to the work of one man (Oscar Niemeyer) or the buildings of two cities (Rio de Janeiro and São Paulo). In Brazil's Modern Architecture, a new generation of Brazilian cities and historians sets the record straight, providing a truly comprehensive survey and analysis of twentieth-century Brazilian architecture.
Arch Moyen-Orient
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"India by Design : colonial history and cultural display" maps for the first time a series of historical events - from the Raj in the mid-nineteenth century up to the present day - through which India was made fashionable to Western audiences within the popular cultural arenas of the imperial metropole. Situated at the convergence of discussions in anthropology, art(...)
Arch Moyen-Orient
novembre 2007, Berkeley, Los Angeles, London
India by design : colonial history and cultural display
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"India by Design : colonial history and cultural display" maps for the first time a series of historical events - from the Raj in the mid-nineteenth century up to the present day - through which India was made fashionable to Western audiences within the popular cultural arenas of the imperial metropole. Situated at the convergence of discussions in anthropology, art history, museum studies, and postcolonial criticism, this dynamic study investigates with vivid historical detail how Indian objects, bodies, images, and narratives circulated through metropolitan space and acquired meaning in an emergent nineteenth-century consumer economy. Through an examination of India as represented in department stores, museums, exhibitions, painting, and picture postcards of the era, the book carefully confronts the problems and politics of postcolonial display and offers an original and provocative account of the implications of colonial practices for visual production in our contemporary world.
Arch Moyen-Orient
livres
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Only a few decades ago, Dubai was merely a tranquil Bedouin city. Today, the skyline of a boomtown rises from the desert. Reports about it are distinguished by superlatives. In particular, reports regardign new buildings in this country of little shadow overshadow anything that has been constructed before. Burj Al Arab, currently the world's largest luxury hotel, with its(...)
Dubai : Architecture & design
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Only a few decades ago, Dubai was merely a tranquil Bedouin city. Today, the skyline of a boomtown rises from the desert. Reports about it are distinguished by superlatives. In particular, reports regardign new buildings in this country of little shadow overshadow anything that has been constructed before. Burj Al Arab, currently the world's largest luxury hotel, with its also technically unique facade is just one example of these buildings. Palm Project or Hydropolis, both visionary, artificially created islands belong to the same category. As does the construction of the world's highest apartment tower. Dubai presents a kind of preview of the ultramodern - a trend that is also reflected in the design of various restaurants, hotels and label stores. Representing the most important gate to the Middle East, this city is primarily one thing: thoroghly international and with incredible power on its way to a new future. This is the theme of this book, with chosen objects and crucial information concerning them.
livres
février 2007
Arch Moyen-Orient
$48.00
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"Africas: The Artist and the City" contains a double affirmation. It corroborates the existence of an "other" urban and artistic reality in Africa, and it asserts that these realities do not correspond with what stereotypes would have us see as Africa's sole reality. In the words of Pep Subiros, we should talk not of Africa but of Africas. Yet until now, there has been(...)
Arch Moyen-Orient
janvier 1900, Barcelona
Africas : The artist and the city -a journey and an exhibition
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"Africas: The Artist and the City" contains a double affirmation. It corroborates the existence of an "other" urban and artistic reality in Africa, and it asserts that these realities do not correspond with what stereotypes would have us see as Africa's sole reality. In the words of Pep Subiros, we should talk not of Africa but of Africas. Yet until now, there has been little said about the Africas depicted here, about urban centers like Dakar, Cape Town, and Abidjan that are undergoing urbanization and growth at breakneck speed. And what of the work of artists based in these cities? "Africas: The Artist and the City" aims to illustrate a moment in which a fertile collision is taking place between tradition and modernity, between the local and the global--and to introduce the settings where this confluence is taking place.
Arch Moyen-Orient
$40.00
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A protocol drawn up long ago in 1945 by Otto Koenigsberger, adopted in nearly one hundred instances in India and in more than half the world, provides the framework and rules for the planning of the prototypes of planned cities, and tells us that the so-called "participative architecture" aimed at intercultural inclusion, originated in the post-colonial territories(...)
Warm modernity: Indian architecture building democracy
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A protocol drawn up long ago in 1945 by Otto Koenigsberger, adopted in nearly one hundred instances in India and in more than half the world, provides the framework and rules for the planning of the prototypes of planned cities, and tells us that the so-called "participative architecture" aimed at intercultural inclusion, originated in the post-colonial territories between India and Africa. The catalogue, the fruition of a 5-year long Italian-Indian research, illustrates the consequences of democratic choice in independent India, its factual existence and its globalized outcomes, present even today. Presented in the installation, are four examples of Democratic New Towns – Jamshedpur, Bhubaneswar, Faridabad and Chandigarh- outcomes of the interface between the experiences of Frey, Drew and Le Corbusier and the ideas of their Indian counterparts, Varma, Doshi, Correa, Rewal. The cities are analytically described and documented through photographs of their present condition, preserved as the modern protected areas in Europe.
Arch Moyen-Orient
$58.95
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After seizing Jerusalem's eastern precincts from Jordan at the conclusion of the Six-Day War in 1967, Israel unilaterally unified the city and plunged into an ambitious building program, eager to transform the very meaning of one of the world's most emotionally charged urban spaces. The goal was as simple as it was controversial: to both Judaize and modernize Jerusalem.(...)
Seizing Jerusalem: the architectures of unilateral unification
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After seizing Jerusalem's eastern precincts from Jordan at the conclusion of the Six-Day War in 1967, Israel unilaterally unified the city and plunged into an ambitious building program, eager to transform the very meaning of one of the world's most emotionally charged urban spaces. The goal was as simple as it was controversial: to both Judaize and modernize Jerusalem. Seizing Jerusalem, the first architectural history of "united Jerusalem," chronicles how numerous disciplines, including architecture, landscape design, and urban planning, as well as everyone from municipal politicians to state bureaucrats, from Israeli-born architects to international luminaries such as Louis Kahn, Buckminster Fuller, and Bruno Zevi, competed to create Jerusalem's new image. This decade-long competition happened with the Palestinian residents still living in the city, even as the new image was inspired by the city's Arab legacy. The politics of space in the Holy City, still contested today, were shaped in this post-1967 decade not only by the legacy of the war and the politics of dispossession, but curiously also by emerging trends in postwar architectural culture.Drawing on previously unexamined archival documents and in-depth interviews with architects, planners, and politicians, Alona Nitzan-Shiftan analyzes the cultural politics of the Israeli state and, in particular, of Jerusalem's influential mayor, Teddy Kollek, whose efforts to legitimate Israeli rule over Jerusalem provided architects a unique, real-world laboratory to explore the possibilities and limits of modernist design--as built form as well as political and social action. Seizing Jerusalem reveals architecture as an active agent in the formation of urban and national identity, and demonstrates how contemporary debates about Zionism, and the crisis within the discipline of architecture over postwar modernism, affected Jerusalem's built environment in ways that continue to resonate today.
Arch Moyen-Orient
$24.00
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A beautifully written rumination on memory and forgetting, place and displacement, this essay uncovers the ramifying layers of one great city's buried history as it asks what it means, everywhere, to be foreign and to belong.
Till we have built Jerusalem: architects of a new city
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A beautifully written rumination on memory and forgetting, place and displacement, this essay uncovers the ramifying layers of one great city's buried history as it asks what it means, everywhere, to be foreign and to belong.
Arch Moyen-Orient
$64.95
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Following two publications in 2016 and 2017 on Modern Architecture of Kuwait, this new publication expands on the growing interest for the building and urban practice exchange between territories throughout the Middle Eastern region which remains at the threshold of architectural theory, postcolonial critique, and visual cultures studies. This book format exposes relevant(...)
Arch Moyen-Orient
janvier 2021
Pan-Arab modernism 1968-2018: the history of architectural practice in the middle east
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Following two publications in 2016 and 2017 on Modern Architecture of Kuwait, this new publication expands on the growing interest for the building and urban practice exchange between territories throughout the Middle Eastern region which remains at the threshold of architectural theory, postcolonial critique, and visual cultures studies. This book format exposes relevant and critical material on the individual’s education and experiences as well as the architecture practice and influence in the Middle East. Using Kuwait as a case study and Pan Arab Modernism as a lens, this book comes to fill two voids in the literature on Middle Eastern architecture: one is in practice and the other is in history. The current practice of architecture in Kuwait, the Gulf and the larger Middle East, is typically a-contextual and lacking any understanding of the local context. The architectural history, on the other hand, ignores the larger context of the Middle East and the influence of Pan Arabism is not configured into many analyses. Thus, this project seeks to tackle both. By providing a [re]contextualizing of the architectural history of Kuwait and bringing forgotten protagonists back into the dialogue, a nuanced reading of Pan Arab Modern architecture emerges.
Arch Moyen-Orient
Beyrouth dans ses ruines
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Comment, au-delà du symbole, les ruines deviennent un enjeu artistique. Depuis le début des années 1990 (fin de la guerre civile), Beyrouth connaît de profondes transformations. Instabilité politique, conflits armés, entreprises de reconstruction et spéculation foncière font de la ville un territoire en mutation permanente. Après avoir abordé la notion de patrimoine au(...)
Beyrouth dans ses ruines
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Comment, au-delà du symbole, les ruines deviennent un enjeu artistique. Depuis le début des années 1990 (fin de la guerre civile), Beyrouth connaît de profondes transformations. Instabilité politique, conflits armés, entreprises de reconstruction et spéculation foncière font de la ville un territoire en mutation permanente. Après avoir abordé la notion de patrimoine au Liban depuis 1840, l’autrice a identifié les formes d’une poétique des ruines – photographique, notamment - dont l’ambiguïté réside dans sa capacité à élever au rang de catégorie esthétique les traces d’une violence destructrice. Urbanistes, architectes, défenseurs du patrimoine, anciens propriétaires ou usagers de ces quartiers expriment attachement ou désaffection, faisant émerger des conceptions ordinaires ou savantes des objets urbains familiers comme des lieux symboliques de la ville.
Arch Moyen-Orient