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In this anthropological history, Mary E. Hancock examines the politics of public memory in the southern Indian city of Chennai. Once a colonial port, Chennai is now poised to become a centre for India's "new economy" of information technology, export processing, and back-office services. State and local governments promote tourism and a heritage-conscious cityscape to(...)
Arch Moyen-Orient
décembre 2008, Bloomington, Indianapolis
The politics of heritage from Madras to Chennai
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In this anthropological history, Mary E. Hancock examines the politics of public memory in the southern Indian city of Chennai. Once a colonial port, Chennai is now poised to become a centre for India's "new economy" of information technology, export processing, and back-office services. State and local governments promote tourism and a heritage-conscious cityscape to make Chennai a recognizable "brand" among investment and travel destinations. Using a range of textual, visual, architectural, and ethnographic sources, Hancock grapples with the question of how people in Chennai remember and represent their past, considering the political and economic contexts and implications of those memory practices. Working from specific sites, including a historic district created around an ancient Hindu temple, a living history museum, neo-traditional and vernacular architecture, and political memorials, Hancock examines the spatialization of memory under the conditions of neo-liberalism.
Arch Moyen-Orient
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Even a casual observer can spy traces of Islamic architecture and design on buildings all over the world, a reminder that artistic traditions and visual culture have never been limited to their region or country of origin, but rather are highly diffusible. This book brings together scholars from architectural studies, design, art history, and other fields to(...)
Islamic architecture on the move: motion and modernity
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Even a casual observer can spy traces of Islamic architecture and design on buildings all over the world, a reminder that artistic traditions and visual culture have never been limited to their region or country of origin, but rather are highly diffusible. This book brings together scholars from architectural studies, design, art history, and other fields to challenge and expand concepts of Islamic architecture. Ranging from eighteenth-century Ottoman tents to manifestations of Islamic motifs in 1960s Hawaii, this richly illustrated volume raises key questions about Islamic architecture, and, more broadly, about how we can rethink our understanding of material, artistic, and cultural mobility in the modern world.
livres
septembre 2016
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Chandigarh is in India
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Chandigarh is in India tells the stories of the city of Chandigarh through the works of Indian and Western artists. The Swiss-French architect Le Corbusier's weathered buildings have long circulated as the dominant image of Chandigarh. However, there is much else that is of importance behind and alongside his buildings.Seeking to present differing articulations by artists(...)
Chandigarh is in India
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Chandigarh is in India tells the stories of the city of Chandigarh through the works of Indian and Western artists. The Swiss-French architect Le Corbusier's weathered buildings have long circulated as the dominant image of Chandigarh. However, there is much else that is of importance behind and alongside his buildings.Seeking to present differing articulations by artists about Chandigarh, the book consciously makes room for all the freely associative, fantastical and complex responses that make this city so beguiling. It explores how the architecture and the city itself have been used, adopted and adapted in the creative process. Featured artists include Cyprien Gaillard, Dominique Gonzalez-Foerster, Gavin Hipkins, Madan Mahatta, Manuel Bougot, Pradeep Dalal, Seher Shah, Shezad Dawood, Thukral and Tagra, and Yamini Nayar.
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A protocol drawn up long ago in 1945 by Otto Koenigsberger, adopted in nearly one hundred instances in India and in more than half the world, provides the framework and rules for the planning of the prototypes of planned cities, and tells us that the so-called "participative architecture" aimed at intercultural inclusion, originated in the post-colonial territories(...)
Warm modernity: Indian architecture building democracy
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A protocol drawn up long ago in 1945 by Otto Koenigsberger, adopted in nearly one hundred instances in India and in more than half the world, provides the framework and rules for the planning of the prototypes of planned cities, and tells us that the so-called "participative architecture" aimed at intercultural inclusion, originated in the post-colonial territories between India and Africa. The catalogue, the fruition of a 5-year long Italian-Indian research, illustrates the consequences of democratic choice in independent India, its factual existence and its globalized outcomes, present even today. Presented in the installation, are four examples of Democratic New Towns – Jamshedpur, Bhubaneswar, Faridabad and Chandigarh- outcomes of the interface between the experiences of Frey, Drew and Le Corbusier and the ideas of their Indian counterparts, Varma, Doshi, Correa, Rewal. The cities are analytically described and documented through photographs of their present condition, preserved as the modern protected areas in Europe.
Arch Moyen-Orient
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After seizing Jerusalem's eastern precincts from Jordan at the conclusion of the Six-Day War in 1967, Israel unilaterally unified the city and plunged into an ambitious building program, eager to transform the very meaning of one of the world's most emotionally charged urban spaces. The goal was as simple as it was controversial: to both Judaize and modernize Jerusalem.(...)
Seizing Jerusalem: the architectures of unilateral unification
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After seizing Jerusalem's eastern precincts from Jordan at the conclusion of the Six-Day War in 1967, Israel unilaterally unified the city and plunged into an ambitious building program, eager to transform the very meaning of one of the world's most emotionally charged urban spaces. The goal was as simple as it was controversial: to both Judaize and modernize Jerusalem. Seizing Jerusalem, the first architectural history of "united Jerusalem," chronicles how numerous disciplines, including architecture, landscape design, and urban planning, as well as everyone from municipal politicians to state bureaucrats, from Israeli-born architects to international luminaries such as Louis Kahn, Buckminster Fuller, and Bruno Zevi, competed to create Jerusalem's new image. This decade-long competition happened with the Palestinian residents still living in the city, even as the new image was inspired by the city's Arab legacy. The politics of space in the Holy City, still contested today, were shaped in this post-1967 decade not only by the legacy of the war and the politics of dispossession, but curiously also by emerging trends in postwar architectural culture.Drawing on previously unexamined archival documents and in-depth interviews with architects, planners, and politicians, Alona Nitzan-Shiftan analyzes the cultural politics of the Israeli state and, in particular, of Jerusalem's influential mayor, Teddy Kollek, whose efforts to legitimate Israeli rule over Jerusalem provided architects a unique, real-world laboratory to explore the possibilities and limits of modernist design--as built form as well as political and social action. Seizing Jerusalem reveals architecture as an active agent in the formation of urban and national identity, and demonstrates how contemporary debates about Zionism, and the crisis within the discipline of architecture over postwar modernism, affected Jerusalem's built environment in ways that continue to resonate today.
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Following two publications in 2016 and 2017 on Modern Architecture of Kuwait, this new publication expands on the growing interest for the building and urban practice exchange between territories throughout the Middle Eastern region which remains at the threshold of architectural theory, postcolonial critique, and visual cultures studies. This book format exposes relevant(...)
Arch Moyen-Orient
janvier 2021
Pan-Arab modernism 1968-2018: the history of architectural practice in the middle east
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Following two publications in 2016 and 2017 on Modern Architecture of Kuwait, this new publication expands on the growing interest for the building and urban practice exchange between territories throughout the Middle Eastern region which remains at the threshold of architectural theory, postcolonial critique, and visual cultures studies. This book format exposes relevant and critical material on the individual’s education and experiences as well as the architecture practice and influence in the Middle East. Using Kuwait as a case study and Pan Arab Modernism as a lens, this book comes to fill two voids in the literature on Middle Eastern architecture: one is in practice and the other is in history. The current practice of architecture in Kuwait, the Gulf and the larger Middle East, is typically a-contextual and lacking any understanding of the local context. The architectural history, on the other hand, ignores the larger context of the Middle East and the influence of Pan Arabism is not configured into many analyses. Thus, this project seeks to tackle both. By providing a [re]contextualizing of the architectural history of Kuwait and bringing forgotten protagonists back into the dialogue, a nuanced reading of Pan Arab Modern architecture emerges.
Arch Moyen-Orient
Beyrouth dans ses ruines
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Comment, au-delà du symbole, les ruines deviennent un enjeu artistique. Depuis le début des années 1990 (fin de la guerre civile), Beyrouth connaît de profondes transformations. Instabilité politique, conflits armés, entreprises de reconstruction et spéculation foncière font de la ville un territoire en mutation permanente. Après avoir abordé la notion de patrimoine au(...)
Beyrouth dans ses ruines
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Comment, au-delà du symbole, les ruines deviennent un enjeu artistique. Depuis le début des années 1990 (fin de la guerre civile), Beyrouth connaît de profondes transformations. Instabilité politique, conflits armés, entreprises de reconstruction et spéculation foncière font de la ville un territoire en mutation permanente. Après avoir abordé la notion de patrimoine au Liban depuis 1840, l’autrice a identifié les formes d’une poétique des ruines – photographique, notamment - dont l’ambiguïté réside dans sa capacité à élever au rang de catégorie esthétique les traces d’une violence destructrice. Urbanistes, architectes, défenseurs du patrimoine, anciens propriétaires ou usagers de ces quartiers expriment attachement ou désaffection, faisant émerger des conceptions ordinaires ou savantes des objets urbains familiers comme des lieux symboliques de la ville.
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A beautifully written rumination on memory and forgetting, place and displacement, this essay uncovers the ramifying layers of one great city's buried history as it asks what it means, everywhere, to be foreign and to belong.
Till we have built Jerusalem: architects of a new city
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A beautifully written rumination on memory and forgetting, place and displacement, this essay uncovers the ramifying layers of one great city's buried history as it asks what it means, everywhere, to be foreign and to belong.
Arch Moyen-Orient
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"Chandigarh rethink" captures the rich, ongoing discourse on radically transforming urbanities within the Global South with specific reference to India's social, historical, economic and cultural repositioning. It examines urban edge 'figures' and their rural 'grounds', relevant not just to Chandigarh, but also to cities in general, while suggesting narrative strategies(...)
Chandigarh rethink: transforming ruralities & edeg(ness) in global urbanities
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"Chandigarh rethink" captures the rich, ongoing discourse on radically transforming urbanities within the Global South with specific reference to India's social, historical, economic and cultural repositioning. It examines urban edge 'figures' and their rural 'grounds', relevant not just to Chandigarh, but also to cities in general, while suggesting narrative strategies via provocative design studio design work. These introspections are framed within themed contributions from a globally recognized group of scholars who represent the diverse disciplines of architecture, planning, urban design, landscape ecologies and the humanities. As a topical publication on global urbanities transforming a 'signature' urban project, "Chandigarh rethink" anticipates the Buildings-Landscapes-Cultures (blc) program and SARUP's efforts to uniquely aligning urban research, pedagogy and critical design practice towards examining global urbanities that continue to defy normative urban analysis. Beyond serving as an exemplar for globally aware architectural schools nationwide and beyond, it is also directed to serve as an instructive primer for design students and instructors examining global urban sites.
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Compiled by Mexico City–based architects Miquel Adrià and Andrea Griborio, this volume features projects in Argentina, Brazil, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Guatemala, Mexico, Paraguay, Peru, Uruguay and Venezuela, offering a panoramic view of some of the freshest work in contemporary Latin American architecture.
Radical: 50 Latin American Architectures
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Compiled by Mexico City–based architects Miquel Adrià and Andrea Griborio, this volume features projects in Argentina, Brazil, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Guatemala, Mexico, Paraguay, Peru, Uruguay and Venezuela, offering a panoramic view of some of the freshest work in contemporary Latin American architecture.
Arch Moyen-Orient