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Photography by Andrea Brizzi
Cuba : 400 years of architectural heritage
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Photography by Andrea Brizzi
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mars 2000, New York
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Mexique contemporain
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Aux composantes clés de l'architecture mexicaine - le patio, l'escalier et une utilisation débridée de la couleur -, architectes et designers ajoutent aujourd'hui leur fascination pour la matière - adobe, acier rouillé, pierres volcaniques - et pour les formes monumentales. À travers les travaux récents les plus significatifs d'architectes et de designers(...)
Mexique contemporain
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Aux composantes clés de l'architecture mexicaine - le patio, l'escalier et une utilisation débridée de la couleur -, architectes et designers ajoutent aujourd'hui leur fascination pour la matière - adobe, acier rouillé, pierres volcaniques - et pour les formes monumentales. À travers les travaux récents les plus significatifs d'architectes et de designers reconnus tels Luis Barragan, José de Yturbe et Manuel de Mestre, Mexique contemporain explore tout à la fois l'audace de ces créateurs et la diversité des racines auxquelles ils restent fidèles.
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avril 1998, Paris
Arch Moyen-Orient
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Ilay Cooper, who has travelled extensively in India since 1965, surveys the vernacular buildings of each region with an expert knowledge of materials and techniques, as well as of history and tradition. Barry Dawson's photographs bring us into intimate contact with the rural towns and villages of India where ninety per cent of the population live and work.(...)
Traditional Buildings of India
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Ilay Cooper, who has travelled extensively in India since 1965, surveys the vernacular buildings of each region with an expert knowledge of materials and techniques, as well as of history and tradition. Barry Dawson's photographs bring us into intimate contact with the rural towns and villages of India where ninety per cent of the population live and work. Through this colourful, intimate and humane study of traditional architecture, the many personalities of India are revealed.
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mai 1998, London
Arch Moyen-Orient
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"Les chefs-d'œuvre de l'architecture traditionnelle de l'Inde" donnent un riche aperçu sur l'héritage et l'architecture indiens en promenant le lecteur à travers les siècles. Réservé initialement aux chercheurs, cet ouvrage présente une myriade d'informations sur les formes, écoles et styles d'architecture et aborde les différents aspects de l'esthétique indienne, de(...)
Les chefs-d'œuvre de l'architecture traditionnelle de l'Inde
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"Les chefs-d'œuvre de l'architecture traditionnelle de l'Inde" donnent un riche aperçu sur l'héritage et l'architecture indiens en promenant le lecteur à travers les siècles. Réservé initialement aux chercheurs, cet ouvrage présente une myriade d'informations sur les formes, écoles et styles d'architecture et aborde les différents aspects de l'esthétique indienne, de l'ingénierie des constructions, de l'histoire et des idées philosophiques afin de redonner à l'architecture indienne sa grandeur et sa majesté. "Les chefs-d'œuvre de l'architecture traditionnelle de l'Inde" est un ouvrage complet qui illustre l'évolution des formes architecturales et leur usage au cours des siècles. Il explique comment différentes cultures, religions et populations ont contribué à créer des styles divers. Des merveilles d'architecture ont ainsi été réalisées : des minars d'une hauteur imposante de l'architecture islamique à l'exquise architecture rocheuse des bouddhistes, de l'éblouissant temple de Dilwara au glorieux temple du Soleil. Source prodigieuse d'informations, ce livre est en outre brillamment illustré.
Arch Moyen-Orient
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''Checkpoint 300'', the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most.(...)
Checkpoint 3000: Colonial space in Palestine
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''Checkpoint 300'', the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space, Mark Griffiths reveals ''Checkpoint 300'' as a stark symbol of Israeli colonialism that embodies larger systems of control and violence. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade.
Arch Moyen-Orient
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"India by Design : colonial history and cultural display" maps for the first time a series of historical events - from the Raj in the mid-nineteenth century up to the present day - through which India was made fashionable to Western audiences within the popular cultural arenas of the imperial metropole. Situated at the convergence of discussions in anthropology, art(...)
Arch Moyen-Orient
novembre 2007, Berkeley, Los Angeles, London
India by design : colonial history and cultural display
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"India by Design : colonial history and cultural display" maps for the first time a series of historical events - from the Raj in the mid-nineteenth century up to the present day - through which India was made fashionable to Western audiences within the popular cultural arenas of the imperial metropole. Situated at the convergence of discussions in anthropology, art history, museum studies, and postcolonial criticism, this dynamic study investigates with vivid historical detail how Indian objects, bodies, images, and narratives circulated through metropolitan space and acquired meaning in an emergent nineteenth-century consumer economy. Through an examination of India as represented in department stores, museums, exhibitions, painting, and picture postcards of the era, the book carefully confronts the problems and politics of postcolonial display and offers an original and provocative account of the implications of colonial practices for visual production in our contemporary world.
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Only a few decades ago, Dubai was merely a tranquil Bedouin city. Today, the skyline of a boomtown rises from the desert. Reports about it are distinguished by superlatives. In particular, reports regardign new buildings in this country of little shadow overshadow anything that has been constructed before. Burj Al Arab, currently the world's largest luxury hotel, with its(...)
Dubai : Architecture & design
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Only a few decades ago, Dubai was merely a tranquil Bedouin city. Today, the skyline of a boomtown rises from the desert. Reports about it are distinguished by superlatives. In particular, reports regardign new buildings in this country of little shadow overshadow anything that has been constructed before. Burj Al Arab, currently the world's largest luxury hotel, with its also technically unique facade is just one example of these buildings. Palm Project or Hydropolis, both visionary, artificially created islands belong to the same category. As does the construction of the world's highest apartment tower. Dubai presents a kind of preview of the ultramodern - a trend that is also reflected in the design of various restaurants, hotels and label stores. Representing the most important gate to the Middle East, this city is primarily one thing: thoroghly international and with incredible power on its way to a new future. This is the theme of this book, with chosen objects and crucial information concerning them.
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février 2007
Arch Moyen-Orient
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"Africas: The Artist and the City" contains a double affirmation. It corroborates the existence of an "other" urban and artistic reality in Africa, and it asserts that these realities do not correspond with what stereotypes would have us see as Africa's sole reality. In the words of Pep Subiros, we should talk not of Africa but of Africas. Yet until now, there has been(...)
Arch Moyen-Orient
janvier 1900, Barcelona
Africas : The artist and the city -a journey and an exhibition
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"Africas: The Artist and the City" contains a double affirmation. It corroborates the existence of an "other" urban and artistic reality in Africa, and it asserts that these realities do not correspond with what stereotypes would have us see as Africa's sole reality. In the words of Pep Subiros, we should talk not of Africa but of Africas. Yet until now, there has been little said about the Africas depicted here, about urban centers like Dakar, Cape Town, and Abidjan that are undergoing urbanization and growth at breakneck speed. And what of the work of artists based in these cities? "Africas: The Artist and the City" aims to illustrate a moment in which a fertile collision is taking place between tradition and modernity, between the local and the global--and to introduce the settings where this confluence is taking place.
Arch Moyen-Orient
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The african city : a history
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This unique book is comprehensive both in terms of time coverage, from before the Pharaohs to the present moment and in that it tries to consider cities from the entire continent, not just Sub-Saharan Africa. Apart from factual information and rich description material culled from many sources, it looks at many issues from why urban life emerged in the first place to how(...)
The african city : a history
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This unique book is comprehensive both in terms of time coverage, from before the Pharaohs to the present moment and in that it tries to consider cities from the entire continent, not just Sub-Saharan Africa. Apart from factual information and rich description material culled from many sources, it looks at many issues from why urban life emerged in the first place to how present-day African cities cope in difficult times. Instead of seeing towns and cities as somehow extraneous to the real Africa, it views them as an inherent part of developing Africa, indigenous, colonial, and post-colonial and emphasizes the extent to which the future of African society and African culture will likely be played out mostly in cities. The book is written to appeal to students of history but equally to geographers, planners, sociologists and development specialists interested in urban problems.
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novembre 2006, New York
Arch Moyen-Orient
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Following two publications in 2016 and 2017 on Modern Architecture of Kuwait, this new publication expands on the growing interest for the building and urban practice exchange between territories throughout the Middle Eastern region which remains at the threshold of architectural theory, postcolonial critique, and visual cultures studies. This book format exposes relevant(...)
Arch Moyen-Orient
janvier 2021
Pan-Arab modernism 1968-2018: the history of architectural practice in the middle east
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Following two publications in 2016 and 2017 on Modern Architecture of Kuwait, this new publication expands on the growing interest for the building and urban practice exchange between territories throughout the Middle Eastern region which remains at the threshold of architectural theory, postcolonial critique, and visual cultures studies. This book format exposes relevant and critical material on the individual’s education and experiences as well as the architecture practice and influence in the Middle East. Using Kuwait as a case study and Pan Arab Modernism as a lens, this book comes to fill two voids in the literature on Middle Eastern architecture: one is in practice and the other is in history. The current practice of architecture in Kuwait, the Gulf and the larger Middle East, is typically a-contextual and lacking any understanding of the local context. The architectural history, on the other hand, ignores the larger context of the Middle East and the influence of Pan Arabism is not configured into many analyses. Thus, this project seeks to tackle both. By providing a [re]contextualizing of the architectural history of Kuwait and bringing forgotten protagonists back into the dialogue, a nuanced reading of Pan Arab Modern architecture emerges.
Arch Moyen-Orient