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livres
livres
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New spatial notational systems for protecting and regaining Indigenous lands in the United States. Nina Valerie Kolowratnik challenges the conditions under which Indigenous rights to protect and regain traditional lands are currently negotiated in United States legal frameworks. This tenth volume in the Critical Spatial Practice series responds to the urgent need for(...)
$27.00
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New spatial notational systems for protecting and regaining Indigenous lands in the United States. Nina Valerie Kolowratnik challenges the conditions under which Indigenous rights to protect and regain traditional lands are currently negotiated in United States legal frameworks. This tenth volume in the Critical Spatial Practice series responds to the urgent need for(...)
Titre:
The language of secret proof: indigenous truth and representation. Critical spatial practice
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New spatial notational systems for protecting and regaining Indigenous lands in the United States. Nina Valerie Kolowratnik challenges the conditions under which Indigenous rights to protect and regain traditional lands are currently negotiated in United States legal frameworks. This tenth volume in the Critical Spatial Practice series responds to the urgent need for alternative modes of evidentiary production by introducing an innovative system of architectural drawing and notation. Kolowratnik focuses on the double bind in which Native Pueblo communities in the United States find themselves when they become involved in a legal effort to reclaim and protect ancestral lands; the process of producing evidence runs counter to their structural organization around oral history and cultural secrecy. The spatial notational systems developed by Kolowratnik with Hemish tribal members from northern New Mexico and presented in this volume are an attempt to produce evidentiary documentation that speaks Native truths while respecting demands on secrecy. These systems also attempt to instigate a dialogue where there currently is none, working to deconstruct the fixed opposition between secrecy and disclosure within Western legal systems.
The language of secret proof: indigenous truth and representation. Critical spatial practice
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$27.00
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Résumé:
New spatial notational systems for protecting and regaining Indigenous lands in the United States. Nina Valerie Kolowratnik challenges the conditions under which Indigenous rights to protect and regain traditional lands are currently negotiated in United States legal frameworks. This tenth volume in the Critical Spatial Practice series responds to the urgent need for alternative modes of evidentiary production by introducing an innovative system of architectural drawing and notation. Kolowratnik focuses on the double bind in which Native Pueblo communities in the United States find themselves when they become involved in a legal effort to reclaim and protect ancestral lands; the process of producing evidence runs counter to their structural organization around oral history and cultural secrecy. The spatial notational systems developed by Kolowratnik with Hemish tribal members from northern New Mexico and presented in this volume are an attempt to produce evidentiary documentation that speaks Native truths while respecting demands on secrecy. These systems also attempt to instigate a dialogue where there currently is none, working to deconstruct the fixed opposition between secrecy and disclosure within Western legal systems.
Classification:
livres
livres
Publication:
mars 2020
mars 2020
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$61.95
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Résumé:
A cultural history of gigantism in architecture and digital culture, from the Eiffel Tower to the World Trade Center. The gigantic is everywhere, and gigantism is manifest in everything from excessively tall skyscrapers to globe-spanning digital networks. In this book, Henriette Steiner and Kristin Veel map and critique the trajectory of gigantism in architecture and(...)
$61.95
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A cultural history of gigantism in architecture and digital culture, from the Eiffel Tower to the World Trade Center. The gigantic is everywhere, and gigantism is manifest in everything from excessively tall skyscrapers to globe-spanning digital networks. In this book, Henriette Steiner and Kristin Veel map and critique the trajectory of gigantism in architecture and(...)
Titre:
Tower to tower: gigantism in architecture and digital culture
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A cultural history of gigantism in architecture and digital culture, from the Eiffel Tower to the World Trade Center. The gigantic is everywhere, and gigantism is manifest in everything from excessively tall skyscrapers to globe-spanning digital networks. In this book, Henriette Steiner and Kristin Veel map and critique the trajectory of gigantism in architecture and digital culture-the convergence of tall buildings and networked infrastructures-from the Eiffel Tower to One World Trade Center. They show how these two forms of gigantism intersect in the figure of the skyscraper with a transmitting antenna on its roof, a gigantic building that is also a nodal point in a gigantic digital infrastructure.
Tower to tower: gigantism in architecture and digital culture
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A cultural history of gigantism in architecture and digital culture, from the Eiffel Tower to the World Trade Center. The gigantic is everywhere, and gigantism is manifest in everything from excessively tall skyscrapers to globe-spanning digital networks. In this book, Henriette Steiner and Kristin Veel map and critique the trajectory of gigantism in architecture and digital culture-the convergence of tall buildings and networked infrastructures-from the Eiffel Tower to One World Trade Center. They show how these two forms of gigantism intersect in the figure of the skyscraper with a transmitting antenna on its roof, a gigantic building that is also a nodal point in a gigantic digital infrastructure.
Classification:
livres
livres
Publication:
mai 2020
mai 2020
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$75.00
(disponible en magasin)
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Presenting a range of original perspectives on the theoretical work of Canadian architect George Baird, this publication constructs for the first time a critical framework of his contribution to architectural discourse over a period of more than 50 years. The influence of his writing on more recent scholarly work is also addressed. The book includes previously unpublished(...)
$75.00
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Presenting a range of original perspectives on the theoretical work of Canadian architect George Baird, this publication constructs for the first time a critical framework of his contribution to architectural discourse over a period of more than 50 years. The influence of his writing on more recent scholarly work is also addressed. The book includes previously unpublished(...)
Titre:
The Architect and the public: On George Baird's contribution to architecture
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$75.00
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Presenting a range of original perspectives on the theoretical work of Canadian architect George Baird, this publication constructs for the first time a critical framework of his contribution to architectural discourse over a period of more than 50 years. The influence of his writing on more recent scholarly work is also addressed. The book includes previously unpublished essays and interviews with key protagonists, among them Peter Eisenman and Kenneth Frampton, who have enjoyed intellectual exchanges with Baird. In total, eighteen contributors converge on Baird’s complex career as an example of the architect’s public engagement in contemporary society.
The Architect and the public: On George Baird's contribution to architecture
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$75.00
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Résumé:
Presenting a range of original perspectives on the theoretical work of Canadian architect George Baird, this publication constructs for the first time a critical framework of his contribution to architectural discourse over a period of more than 50 years. The influence of his writing on more recent scholarly work is also addressed. The book includes previously unpublished essays and interviews with key protagonists, among them Peter Eisenman and Kenneth Frampton, who have enjoyed intellectual exchanges with Baird. In total, eighteen contributors converge on Baird’s complex career as an example of the architect’s public engagement in contemporary society.
Classification:
livres
livres
Publication:
juillet 2020
juillet 2020
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
CARTHA: On making heimat
CARTHA: On making heimat
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and publishes four issues on a topic in its online magazine, which are then(...)
$29.95
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and publishes four issues on a topic in its online magazine, which are then(...)
Titre:
CARTHA: On making heimat
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$29.95
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and publishes four issues on a topic in its online magazine, which are then brought together in an annual book. In 2016, CARTHA collaborated with the German Pavilion at the International Architecture Exhibition of the 2016 Venice Biennale. Titled Making Heimat: Germany, Arrival Country, the German Pavilion explored the challenges and potential of the recent influx of refugees to Germany has posed for architecture and urban design, and contributions to CARTHA further reflect on this topic. Contributors include, among others, architect Arno Brandlhuber, critic Marina Otero Verzier, and design studio Urban ThinkTank, and the book also features interviews with Iverna McGowan of Amnesty International; David Harvey of Graduate Center, CUNY; Saskia Sassen of Columbia University; and Giovanna Borasi, of the Canadian Centre for Architecture.
CARTHA: On making heimat
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$29.95
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and publishes four issues on a topic in its online magazine, which are then brought together in an annual book. In 2016, CARTHA collaborated with the German Pavilion at the International Architecture Exhibition of the 2016 Venice Biennale. Titled Making Heimat: Germany, Arrival Country, the German Pavilion explored the challenges and potential of the recent influx of refugees to Germany has posed for architecture and urban design, and contributions to CARTHA further reflect on this topic. Contributors include, among others, architect Arno Brandlhuber, critic Marina Otero Verzier, and design studio Urban ThinkTank, and the book also features interviews with Iverna McGowan of Amnesty International; David Harvey of Graduate Center, CUNY; Saskia Sassen of Columbia University; and Giovanna Borasi, of the Canadian Centre for Architecture.
Classification:
livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$48.95
(disponible sur commande)
Résumé:
Architects, we like to believe, shape the world as they please. Reinier de Graaf draws on his own tragicomic experiences to present a candid account of what it is really like to work as an architect. To achieve anything, he notes, architects must serve the powers they strive to critique, finding themselves in a perpetual conflict of interest.
$48.95
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Résumé:
Architects, we like to believe, shape the world as they please. Reinier de Graaf draws on his own tragicomic experiences to present a candid account of what it is really like to work as an architect. To achieve anything, he notes, architects must serve the powers they strive to critique, finding themselves in a perpetual conflict of interest.
Titre:
Four walls and a roof: the complex nature of a simple profession
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Architects, we like to believe, shape the world as they please. Reinier de Graaf draws on his own tragicomic experiences to present a candid account of what it is really like to work as an architect. To achieve anything, he notes, architects must serve the powers they strive to critique, finding themselves in a perpetual conflict of interest.
Four walls and a roof: the complex nature of a simple profession
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$48.95
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Résumé:
Architects, we like to believe, shape the world as they please. Reinier de Graaf draws on his own tragicomic experiences to present a candid account of what it is really like to work as an architect. To achieve anything, he notes, architects must serve the powers they strive to critique, finding themselves in a perpetual conflict of interest.
Classification:
livres
livres
Publication:
septembre 2017
septembre 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
The social (re)production of architecture: politics, values and actions in contemporary practice
The social (re)production of architecture: politics, values and actions in contemporary practice
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''The Social (Re)Production of Architecture'' brings the debates of the 'right to the city' into today’s context of ecological, economic and social crises. Building on the 1970s' discussions about the 'production of space', which French sociologist Henri Lefebvre considered a civic right, the authors question who has the right to make space, and explore the kinds of(...)
$76.90
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''The Social (Re)Production of Architecture'' brings the debates of the 'right to the city' into today’s context of ecological, economic and social crises. Building on the 1970s' discussions about the 'production of space', which French sociologist Henri Lefebvre considered a civic right, the authors question who has the right to make space, and explore the kinds of(...)
Titre:
The social (re)production of architecture: politics, values and actions in contemporary practice
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$76.90
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Résumé:
''The Social (Re)Production of Architecture'' brings the debates of the 'right to the city' into today’s context of ecological, economic and social crises. Building on the 1970s' discussions about the 'production of space', which French sociologist Henri Lefebvre considered a civic right, the authors question who has the right to make space, and explore the kinds of relations that are produced in the process. In the emerging post-capitalist era, this book addresses urgent social and ecological imperatives for change and opens up questions around architecture's engagement with new forms of organization and practice. The book asks what (new) kinds of 'social' can architecture (re)produce, and what kinds of politics, values and actions are needed.
The social (re)production of architecture: politics, values and actions in contemporary practice
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Résumé:
''The Social (Re)Production of Architecture'' brings the debates of the 'right to the city' into today’s context of ecological, economic and social crises. Building on the 1970s' discussions about the 'production of space', which French sociologist Henri Lefebvre considered a civic right, the authors question who has the right to make space, and explore the kinds of relations that are produced in the process. In the emerging post-capitalist era, this book addresses urgent social and ecological imperatives for change and opens up questions around architecture's engagement with new forms of organization and practice. The book asks what (new) kinds of 'social' can architecture (re)produce, and what kinds of politics, values and actions are needed.
Classification:
livres
livres
Publication:
août 2017
août 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$131.00
(disponible en magasin)
Résumé:
Upon its publication by the MIT Press in 1972, "Learning from Las Vegas" was immediately influential and controversial. The authors made an argument that was revolutionary for its time—that the billboards and casinos of Las Vegas were worthy of architectural attention—and offered a challenge for contemporary architects obsessed with the heroic and monumental. The physical(...)
$131.00
(disponible en magasin)
Résumé:
Upon its publication by the MIT Press in 1972, "Learning from Las Vegas" was immediately influential and controversial. The authors made an argument that was revolutionary for its time—that the billboards and casinos of Las Vegas were worthy of architectural attention—and offered a challenge for contemporary architects obsessed with the heroic and monumental. The physical(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2017
septembre 2017
Titre:
Learning from Las Vegas, facsimile edition
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$131.00
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Résumé:
Upon its publication by the MIT Press in 1972, "Learning from Las Vegas" was immediately influential and controversial. The authors made an argument that was revolutionary for its time—that the billboards and casinos of Las Vegas were worthy of architectural attention—and offered a challenge for contemporary architects obsessed with the heroic and monumental. The physical book itself, designed by MIT’s iconic designer Muriel Cooper, was hailed as a masterpiece of modernist design, but the book’s design struck the authors as too monumental for a text that praised the ugly and ordinary over the heroic and monumental. The MIT Press published a revised version in 1977—a modest paperback that the authors felt was more in keeping with the argument of the book—and the original Cooper-designed book fell out of print and became a highly sought-after collectors’ item; it now sells for thousands of dollars in the rare book market, while the author-redesigned paperback has remained continuously in print at a price affordable to students. Now, decades after the original hardcover edition sold out, the MIT Press is publishing a facsimile edition of the original large-format Cooper-designed edition of Learning from Las Vegas, complete with translucent glassine wrap. This edition also features a spirited preface by Denise Scott Brown, looking back on the creation of the book and explaining her and Robert Venturi’s reservations about the original design.
Learning from Las Vegas, facsimile edition
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$131.00
(disponible en magasin)
Résumé:
Upon its publication by the MIT Press in 1972, "Learning from Las Vegas" was immediately influential and controversial. The authors made an argument that was revolutionary for its time—that the billboards and casinos of Las Vegas were worthy of architectural attention—and offered a challenge for contemporary architects obsessed with the heroic and monumental. The physical book itself, designed by MIT’s iconic designer Muriel Cooper, was hailed as a masterpiece of modernist design, but the book’s design struck the authors as too monumental for a text that praised the ugly and ordinary over the heroic and monumental. The MIT Press published a revised version in 1977—a modest paperback that the authors felt was more in keeping with the argument of the book—and the original Cooper-designed book fell out of print and became a highly sought-after collectors’ item; it now sells for thousands of dollars in the rare book market, while the author-redesigned paperback has remained continuously in print at a price affordable to students. Now, decades after the original hardcover edition sold out, the MIT Press is publishing a facsimile edition of the original large-format Cooper-designed edition of Learning from Las Vegas, complete with translucent glassine wrap. This edition also features a spirited preface by Denise Scott Brown, looking back on the creation of the book and explaining her and Robert Venturi’s reservations about the original design.
Classification:
livres
livres
Publication:
septembre 2017
septembre 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
The future
The future
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$21.95
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The future is like an unwritten book. It is not something we see in a crystal ball, or can only hope to predict, like the weather. In this volume of the MIT Press's Essential Knowledge series, Nick Montfort argues that the future is something to be made, not predicted. Montfort offers what he considers essential knowledge about the future, as seen in the work of writers,(...)
$21.95
(disponible sur commande)
Résumé:
The future is like an unwritten book. It is not something we see in a crystal ball, or can only hope to predict, like the weather. In this volume of the MIT Press's Essential Knowledge series, Nick Montfort argues that the future is something to be made, not predicted. Montfort offers what he considers essential knowledge about the future, as seen in the work of writers,(...)
Titre:
The future
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$21.95
(disponible sur commande)
Résumé:
The future is like an unwritten book. It is not something we see in a crystal ball, or can only hope to predict, like the weather. In this volume of the MIT Press's Essential Knowledge series, Nick Montfort argues that the future is something to be made, not predicted. Montfort offers what he considers essential knowledge about the future, as seen in the work of writers, artists, inventors, and designers (mainly in Western culture) who developed and described the core components of the futures they envisioned. Montfort's approach is not that of futurology or scenario planning; instead, he reports on the work of making the future -- the thinkers who devoted themselves to writing pages in the unwritten book.
The future
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$21.95
(disponible sur commande)
Résumé:
The future is like an unwritten book. It is not something we see in a crystal ball, or can only hope to predict, like the weather. In this volume of the MIT Press's Essential Knowledge series, Nick Montfort argues that the future is something to be made, not predicted. Montfort offers what he considers essential knowledge about the future, as seen in the work of writers, artists, inventors, and designers (mainly in Western culture) who developed and described the core components of the futures they envisioned. Montfort's approach is not that of futurology or scenario planning; instead, he reports on the work of making the future -- the thinkers who devoted themselves to writing pages in the unwritten book.
Classification:
livres
livres
Publication:
décembre 2017
décembre 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$66.00
(disponible sur commande)
Résumé:
"Plaster monuments" unsettles conventional thinking about copies and originals. As Mari Lending shows, casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often(...)
$66.00
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Résumé:
"Plaster monuments" unsettles conventional thinking about copies and originals. As Mari Lending shows, casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often(...)
Titre:
Plaster monuments: architecture and the power of reproduction
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$66.00
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Résumé:
"Plaster monuments" unsettles conventional thinking about copies and originals. As Mari Lending shows, casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. The first comprehensive history of these full-scale replicas, "Plaster monuments" examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today.
Plaster monuments: architecture and the power of reproduction
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$66.00
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Résumé:
"Plaster monuments" unsettles conventional thinking about copies and originals. As Mari Lending shows, casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. The first comprehensive history of these full-scale replicas, "Plaster monuments" examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today.
Classification:
livres
livres
Publication:
décembre 2017
décembre 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$22.95
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Résumé:
Why do walls marking national boundaries proliferate amid widespread proclamations of global connectedness and despite anticipation of a world without borders? Why are barricades built of concrete, steel, and barbed wire when threats to the nation today are so often miniaturized, vaporous, clandestine, dispersed, or networked? In "Walled states, waning sovereignty", Wendy(...)
$22.95
(disponible sur commande)
Résumé:
Why do walls marking national boundaries proliferate amid widespread proclamations of global connectedness and despite anticipation of a world without borders? Why are barricades built of concrete, steel, and barbed wire when threats to the nation today are so often miniaturized, vaporous, clandestine, dispersed, or networked? In "Walled states, waning sovereignty", Wendy(...)
Titre:
Walled states, waning sovereignty, New edition
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$22.95
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Résumé:
Why do walls marking national boundaries proliferate amid widespread proclamations of global connectedness and despite anticipation of a world without borders? Why are barricades built of concrete, steel, and barbed wire when threats to the nation today are so often miniaturized, vaporous, clandestine, dispersed, or networked? In "Walled states, waning sovereignty", Wendy Brown considers the recent spate of wall building in contrast to the erosion of nation-state sovereignty. Drawing on classical and contemporary political theories of state sovereignty in order to understand how state power and national identity persist amid its decline, Brown considers both the need of the state for legitimacy and the popular desires that incite the contemporary building of walls. The new walls—dividing Texas from Mexico, Israel from Palestine, South Africa from Zimbabwe—consecrate the broken boundaries they would seem to contest and signify the ungovernability of a range of forces unleashed by globalization. Yet these same walls often amount to little more than theatrical props, frequently breached, and blur the distinction between law and lawlessness that they are intended to represent. But if today’s walls fail to resolve the conflicts between globalization and national identity, they nonetheless project a stark image of sovereign power. Walls, Brown argues, address human desires for containment and protection in a world increasingly without these provisions. Walls respond to the wish for horizons even as horizons are vanquished.
Walled states, waning sovereignty, New edition
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$22.95
(disponible sur commande)
Résumé:
Why do walls marking national boundaries proliferate amid widespread proclamations of global connectedness and despite anticipation of a world without borders? Why are barricades built of concrete, steel, and barbed wire when threats to the nation today are so often miniaturized, vaporous, clandestine, dispersed, or networked? In "Walled states, waning sovereignty", Wendy Brown considers the recent spate of wall building in contrast to the erosion of nation-state sovereignty. Drawing on classical and contemporary political theories of state sovereignty in order to understand how state power and national identity persist amid its decline, Brown considers both the need of the state for legitimacy and the popular desires that incite the contemporary building of walls. The new walls—dividing Texas from Mexico, Israel from Palestine, South Africa from Zimbabwe—consecrate the broken boundaries they would seem to contest and signify the ungovernability of a range of forces unleashed by globalization. Yet these same walls often amount to little more than theatrical props, frequently breached, and blur the distinction between law and lawlessness that they are intended to represent. But if today’s walls fail to resolve the conflicts between globalization and national identity, they nonetheless project a stark image of sovereign power. Walls, Brown argues, address human desires for containment and protection in a world increasingly without these provisions. Walls respond to the wish for horizons even as horizons are vanquished.
Classification:
livres
livres
Publication:
avril 2017
avril 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
