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The firm's style, mostly grounded in glass and steel, covers a diverse range of projects : a pedestrian bridge in Santiago, Chile; the conversion of the historic Flagey building in Brussels; Fina service stations; and the design and renovation of auditoriums, offices, and museums. Philippe Samyn's reputation arose from his ecologically sustainable low-tech projects and(...)
Architecture, monographies
août 2005, Ghent
Samyn & partners : architects and engineers
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The firm's style, mostly grounded in glass and steel, covers a diverse range of projects : a pedestrian bridge in Santiago, Chile; the conversion of the historic Flagey building in Brussels; Fina service stations; and the design and renovation of auditoriums, offices, and museums. Philippe Samyn's reputation arose from his ecologically sustainable low-tech projects and the interdisciplinary approach of his office, whose aim is to "conceive intelligible and relevant constructions that transform complexity into clarity." As well as providing an overview of the firm's 25 years in business, the authors delve into detail on some 20 projects.
Architecture, monographies
$85.00
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From a converted printing house in Rotterdam and the experimental minds therein that brought you the Pig City project (an analysis of the pork industry’s manufacturing conditions) comes KM3, another contribution from the iconoclastic idea lab and architecture firm MVRDV. The office, which for more than a decade has been studying density as it relates to contemporary life(...)
MVRDV : KM3 excursions on capacities
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From a converted printing house in Rotterdam and the experimental minds therein that brought you the Pig City project (an analysis of the pork industry’s manufacturing conditions) comes KM3, another contribution from the iconoclastic idea lab and architecture firm MVRDV. The office, which for more than a decade has been studying density as it relates to contemporary life and architecture, bases its theories for the uses of space on complex data. Classic projects include the gravity-defying WoZoCo home for the eldery in Amsterdam, the headquarters for public broadcasting company VPRO in Hilversum, the Dutch pavilion for World Expo 2000 in Hanover, and the Housing Silo in Amsterdam. The firm’s buildings overthrow the primacy of an architectural "footprint" for more innovative and varied spatial paradigms. A follow-up to the publication of FARMAX, which sought to question and analyze the growing suburban "greyness" of the Netherlands and to propose new ways of thinking about the homogenization of landscape, KM3 extends that idea to a three-dimensional model, one that "generates space instead of consuming it" and encourages variety in form. This book explores three different strategies each in Rotterdam and Amsterdam on their spatial and technical capacity for creating a "3D city," one of cantilevers and underground connections, airiness and, most of all, diverse spaces. This is thinking at the forefront of a new urbanism. DVD with software and films included.
Architecture, monographies
At home : Heren 5 architects
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Aimed at a wider audience than most usual architectural studies, this book presents seven diverse residential projects designed by the architectural practice Heren 5. A key reference point in their design process is the concept “at home”, and how this feeling along with different desires for privacy and community can be effectively translated into a building design. Each(...)
Architecture, monographies
août 2005, Amsterdam
At home : Heren 5 architects
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Aimed at a wider audience than most usual architectural studies, this book presents seven diverse residential projects designed by the architectural practice Heren 5. A key reference point in their design process is the concept “at home”, and how this feeling along with different desires for privacy and community can be effectively translated into a building design. Each project comes accompanied with project documentation and an interview with the residents.
Architecture, monographies
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Located in New York City since 1972, Peter L. Gluck and Partners is known for its integrity of design and sensitivity to the relationship between architectural form and context. Rather than specializing in a particular building type or specific architectural style, the firm provides appropriate responses to often difficult and conflicting requirements, and has designed(...)
Peter L. Gluck and partners: the modern impulse
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Located in New York City since 1972, Peter L. Gluck and Partners is known for its integrity of design and sensitivity to the relationship between architectural form and context. Rather than specializing in a particular building type or specific architectural style, the firm provides appropriate responses to often difficult and conflicting requirements, and has designed buildings throughout the United States, ranging from houses, schools, religious buildings, and community centers to hotels, corporate interiors, university buildings, and historic restorations. This extensive overview of the firm's practice includes architectural drawings, digital and physical models, and photographs of finished projects.
Architecture, monographies
Ferrari research center
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The building site is in the centre of the Ferrara Industrial Complex (Maranello, Italy) which is undergoing major changes and developments. This project is born out of the desire of bringing the natural environment within this highly technological complex in order to create a comfortable working context (...) this building, dedicated to a car manufacturing company that(...)
Ferrari research center
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The building site is in the centre of the Ferrara Industrial Complex (Maranello, Italy) which is undergoing major changes and developments. This project is born out of the desire of bringing the natural environment within this highly technological complex in order to create a comfortable working context (...) this building, dedicated to a car manufacturing company that has represented, for generations, the realization of a dream, becomes part of this poetry, magic and reverie.
Architecture, monographies
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L'œuvre de Renzo Piano semble de plus en plus en phase avec notre époque. Il est l'un des rares architectes à s'impliquer personnellement dans chaque étape de la conception d'un édifice, de l'étude préliminaire aux ultimes finitions, et l'analyse qu'il fait de ses projets est riche d'enseignements. Chacune de ses créations s'avère à la fois novatrice et fascinante. Dans(...)
Un tour d'horizon avec Renzo Piano
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L'œuvre de Renzo Piano semble de plus en plus en phase avec notre époque. Il est l'un des rares architectes à s'impliquer personnellement dans chaque étape de la conception d'un édifice, de l'étude préliminaire aux ultimes finitions, et l'analyse qu'il fait de ses projets est riche d'enseignements. Chacune de ses créations s'avère à la fois novatrice et fascinante. Dans cet ouvrage, Renzo Piano nous guide à travers vingt-deux de ses réalisations. Chacune est introduite par un texte de l'architecte, suivi d'un reportage photographique qui mène le lecteur de l'extérieur vers l'intérieur du bâtiment, jusqu'au plus infime détail. Parmi les réalisations sélectionnées figurent le Centre Georges-Pompidou, le Centre culturel Jean-Marie -Tjibaou et le musée de la Fondation Beyeler. Présentant également le Renzo Piano Building Workshop, ces pages permettent de comprendre le travail de l'un des architectes les plus reconnus et les plus visionnaires de notre temps.
Architecture, monographies
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When architect Rafael Vinoly was commissioned to design a major new centre for the arts at Duke University, he set about creating his first museum in North America and the first stand-alone museum in Duke's eighty-year history. The resulting 65,000-square-foot building has changed the cultural landscape of the university and indeed the Southeast. This book(...)
Architecture, monographies
octobre 2005, Durham, North Carolina
The Nasher Museum of Art at Duke University : Rafael Vinoly Architects
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When architect Rafael Vinoly was commissioned to design a major new centre for the arts at Duke University, he set about creating his first museum in North America and the first stand-alone museum in Duke's eighty-year history. The resulting 65,000-square-foot building has changed the cultural landscape of the university and indeed the Southeast. This book documents the genesis and design of the new museum, which opens on October 2, 2005. The building is named in honor of the family of Raymond D. Nasher, an internationally prominent art collector who graduated from Duke in 1943. The brilliant core of the Nasher at Duke is a 13,000-square-foot glass and steel canopy rising to a height of 45 feet above the central gallery space. The faceted roof soars above the irregular pentagonal great hall, where five concrete pavilions fan out at different angles. The pavilions will house three large gallery spaces, an auditorium, offices, university and community classrooms, a museum shop, and a café with outdoor seating overlooking a sculpture garden. Set in the forest on Duke's campus, the museum's full-height glass walls and green slate floor connect the pavilions and further blur the division between building and nature. With an essay by art historian Annabel Jane Wharton, a design statement by architect Rafael Vinoly, a foreword by museum namesake Raymond D. Nasher, and photographs by Brad Feinknopf and Jerry Blow, this book documents the building that will become a cornerstone for cultural activities for the university and the public.
Architecture, monographies
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In "Tower and Office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war(...)
octobre 2005, Cambridge
Tower and office : from Modernist theory to contemporary practice
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In "Tower and Office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war was the source of powerful new structural models and construction methods. The authors examine the ways these technologies have been inflected over the last half century by more subjective and integrated processes of spatial organization. In the first part of the book, Abalos and Herreros focus on the work of Le Corbusier, revealing the degree of complexity achieved in his interpretation of the modern skyscraper. In the second part, they look at the intersection of technical and cultural determinants in the design of high-rise structures since World War II. Among the issues they consider are the evolution of the load-bearing frame, the impact of high-tech systems on tall buildings, and the transparent building skin. In the third part, they address developments in office design and planning, tracing an evolution from the repetitive and homogeneous office skyscraper to the present-day mixed-use structure. Overall they demonstrate how the objective technical analysis associated with modernist architectural theory has given way in recent building practice to a variety of flexible, pragmatic, and environmental approaches. These, they suggest, have opened the way to new urban and architectural forms.
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This volume provides a critical look at that which has been a watershed in Perrault’s creative development, namely the realization of the Olympic Velodrome and Swimming Pool in Berlin. It examines his recent works which have been characterized by a continuous attention to research on architectural language and the relationship between public and private space in an(...)
Architecture, monographies
janvier 1900, Milano
Dominique Perrault : recent works
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This volume provides a critical look at that which has been a watershed in Perrault’s creative development, namely the realization of the Olympic Velodrome and Swimming Pool in Berlin. It examines his recent works which have been characterized by a continuous attention to research on architectural language and the relationship between public and private space in an attempt to trace a “third way” — moving towards an integration with the environment in which the geographic matrix and experimentation take precedence over historical aspects. The volume features two very recent projects under way started in 2004 and 2003 respectively : the Ewha Women’s Campus in Seoul, Korea and the new Mariinsky Opera House in Saint Petersburg.
Architecture, monographies
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"Prairie skyscraper" traces the history and evolution of Wright's recently restored nineteen-story-skyscraper masterwork, which takes its place beside the S.C. Johnson Wax Research Tower as one of Wright's only two vertical structures-and, at 221 feet tall, his largest. Built as a multi-use skyscraper in 1956, the building is now a luxury hotel and arts center, featuring(...)
Prairie skycraper : Frank Lloyd Wright's Price tower
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"Prairie skyscraper" traces the history and evolution of Wright's recently restored nineteen-story-skyscraper masterwork, which takes its place beside the S.C. Johnson Wax Research Tower as one of Wright's only two vertical structures-and, at 221 feet tall, his largest. Built as a multi-use skyscraper in 1956, the building is now a luxury hotel and arts center, featuring collections of the works of Bruce Goff and Frank Lloyd Wright, and soon a new museum facility designed by Zaha Hadid. Now, with all-new color photography, we are given access to this extraordinary architectural gem and the Wright-designed furnishings custom made for it.
Architecture, monographies