$69.99
(disponible sur commande)
Résumé:
In anticipation that the cultural industry would be an engine of power for a new growth in the 21st century, our city Busan succeeded in inviting 'Pusan International Film Festival' (PIFF) already a decade ago and since then, it has been firmly reputed and positioned as international moving image city in both terms of name and reality.
Film and Architecture: busan cinema complex international invited competition
Actions:
Prix:
$69.99
(disponible sur commande)
Résumé:
In anticipation that the cultural industry would be an engine of power for a new growth in the 21st century, our city Busan succeeded in inviting 'Pusan International Film Festival' (PIFF) already a decade ago and since then, it has been firmly reputed and positioned as international moving image city in both terms of name and reality.
$68.95
(disponible sur commande)
Résumé:
Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion and ambivalence, mining societal upheaval for revolutionary cinematic topics. Yana Hashamova explores this largely uncharted territory in Pride and Panic.
mai 2007, Bristol
Pride & panic: Russian imagination of the west in post-soviet film
Actions:
Prix:
$68.95
(disponible sur commande)
Résumé:
Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion and ambivalence, mining societal upheaval for revolutionary cinematic topics. Yana Hashamova explores this largely uncharted territory in Pride and Panic.
livres
5+1AA - Rudy Ricciotti: the new cinema palace of Venice / le nouveau palais du cinéma de Venise
$48.00
(disponible sur commande)
Résumé:
Le concours est rendu en mars 2005, il neige depuis une semaine a Gênes. Le 26 Mai 5+1AA et Rudy Ricciotti sont déclarés lauréats. Le projet fait partie des réalisations architecturales programmés pour la célébrations du cent cinquantième anniversaire de l'unité de l'Italie en 2011. Le 28 Août 2008, les travaux commencent. En 2011, Venise aura son nouveau palais du cinéma.
octobre 2008, Milano
5+1AA - Rudy Ricciotti: the new cinema palace of Venice / le nouveau palais du cinéma de Venise
Actions:
Prix:
$48.00
(disponible sur commande)
Résumé:
Le concours est rendu en mars 2005, il neige depuis une semaine a Gênes. Le 26 Mai 5+1AA et Rudy Ricciotti sont déclarés lauréats. Le projet fait partie des réalisations architecturales programmés pour la célébrations du cent cinquantième anniversaire de l'unité de l'Italie en 2011. Le 28 Août 2008, les travaux commencent. En 2011, Venise aura son nouveau palais du cinéma.
livres
octobre 2008, Milano
LAbook architecture cinéma
$24.00
(disponible sur commande)
Résumé:
Ce programme d'étude intensifest avant tout un atelier de recherche expérimentale misant sur la méthodologie et l'exploration pour développer une architecture nouvelle. Les «ateliers de recherche» proposent habituellement l'analyse comme méthode de design, et s'appuient principalement sur les processus de collecte d'informations, d'analyse et de synthèse que l'architecte(...)
janvier 2008, Montréal
LAbook architecture cinéma
Actions:
Prix:
$24.00
(disponible sur commande)
Résumé:
Ce programme d'étude intensifest avant tout un atelier de recherche expérimentale misant sur la méthodologie et l'exploration pour développer une architecture nouvelle. Les «ateliers de recherche» proposent habituellement l'analyse comme méthode de design, et s'appuient principalement sur les processus de collecte d'informations, d'analyse et de synthèse que l'architecte entreprend, dans les premières phases de la conception du projet, pour structurer visuellement sa pensée et son interprétation d'un contexte donné. Ceci permet aux étudiants de l'été 2007 d'établir un nouveau regard et de créer un imaginaire tout en contribuant à la connaissance générale du sujet. Étant donné la complexité et l'envergure du thème et les contraintes particulières de ce court programme d'étude, le choix d'une méthodologie linéaire assez souple et ouverte à l'exploration était de mise. L'objectif de cet atelier est de proposer des architectures radicales.
$72.00
(disponible sur commande)
Résumé:
This book showcases the drawings of Ken Adam, the man who has created some of the most iconic and memorable sets in the history of film. Presented chronologically, the book takes us from design sketches for his earliest movies, including "Around the World in Eighty Days", through his Oscar-winning work with Stanley Kubrick, to production designs for what are probably his(...)
novembre 2008, New York
Ken Adams designs the movies: james bond and beyond
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
This book showcases the drawings of Ken Adam, the man who has created some of the most iconic and memorable sets in the history of film. Presented chronologically, the book takes us from design sketches for his earliest movies, including "Around the World in Eighty Days", through his Oscar-winning work with Stanley Kubrick, to production designs for what are probably his most celebrated films the first seven "James Bond" movies, including "Dr. No", "Goldfinger", "Diamonds are Forever" and "Moonraker". Also included are production drawings for classics such as "Chitty Chitty Bang Bang", "Goodbye", "Mr Chips", "Sleuth" and "The Last Emperor". Adam's virtuoso sketches for films and other projects are accompanied by illuminating commentary from the eminent Sir Christopher Frayling, and together present an unrivaled archive of breathtaking and inspirational production design.
$20.00
(disponible en magasin)
Résumé:
Dans cette histoire des sciences et des technologies, Thomas Alva Edison (1847 – 1931) occupe une place centrale – et méritée. Avec son équipe, il a mis au point ou perfectionné un grand nombre d’inventions décisives, qui ont changé le monde – et notre perception du monde : l’enregistrement du son avec le phonographe (1877), l’ampoule électrique durable (1880), la(...)
septembre 2014
Menlo Park 3 machines uchroniques
Actions:
Prix:
$20.00
(disponible en magasin)
Résumé:
Dans cette histoire des sciences et des technologies, Thomas Alva Edison (1847 – 1931) occupe une place centrale – et méritée. Avec son équipe, il a mis au point ou perfectionné un grand nombre d’inventions décisives, qui ont changé le monde – et notre perception du monde : l’enregistrement du son avec le phonographe (1877), l’ampoule électrique durable (1880), la production et la distribution d’éle tricité (1880), le cinéma avec le kinétographe (une caméra, 1891), le kinétoscope (une visionneuse individuelle, 1891), la Black Maria (un studio de cinéma, 1893) et le kinétophone (qui synchronise un kinétoscope et un phonographe, 1895), etc. Il a mis sur pied l’un des premiers laboratoires de recherche industriels, d’abord à Menlo Park, N. J. (1876 – 1886), puis à West Orange, N. J. (1887 – 1931), avec plusieurs associés et un grand nombre de chercheurs salariés, qui travaillaient en parallèle sur des dizaines de projets et déposaient annuellement des centaines de brevets. Pour comme cialiser ses inventions, il a fondé une douzaine de compagnies, dont la Edison General Electric (1890) qui deviendra la General Electric.
$20.00
(disponible sur commande)
Résumé:
The publication is an anthology of contemporary reflections, scholarly texts, historical documents and visual documentation that examines the depth, brilliance and contradictions of Toronto’s media arts history and ecology. With a focus on artists’ film and video organizations, practices, manifestos, and guiding debates, this volume takes stock of where we’ve been and(...)
septembre 2013
Explosion in the movie machine: essays and documents on Toronto artists' film and video
Actions:
Prix:
$20.00
(disponible sur commande)
Résumé:
The publication is an anthology of contemporary reflections, scholarly texts, historical documents and visual documentation that examines the depth, brilliance and contradictions of Toronto’s media arts history and ecology. With a focus on artists’ film and video organizations, practices, manifestos, and guiding debates, this volume takes stock of where we’ve been and speculates on where we’re headed.
$46.00
(disponible sur commande)
Résumé:
Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively(...)
Agnes Varda: between film, photography and art
Actions:
Prix:
$46.00
(disponible sur commande)
Résumé:
Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture.
$46.95
(disponible sur commande)
Résumé:
Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. On the outside, they have become icons of corporate identity, while on the inside, they have remained invisible in order to be(...)
In the studio: Visual creation and its material environments
Actions:
Prix:
$46.95
(disponible sur commande)
Résumé:
Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. On the outside, they have become icons of corporate identity, while on the inside, they have remained invisible in order to be seen. As such, they have actively faded into the background of critical discourse and into the margins of film and media history. Recovering their hidden role in the history of visual creation, ''In the studio'' demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the material, ecological, social, political, and economic dynamics that quietly mark the worlds on our screens.
Design in a frame of emotion
$24.00
(disponible en magasin)
Résumé:
A conversation about design, filmmaking, Afrofuturism, world-building, and other topics with Hannah Beachler, Academy-Award-winning production designer of "Black Panther". Hannah Beachler is known as an award-winning production designer, but she tells an audience that she considers herself to be more of a story designer. As film stills and concept art from a few of those(...)
février 2021
Design in a frame of emotion
Actions:
Prix:
$24.00
(disponible en magasin)
Résumé:
A conversation about design, filmmaking, Afrofuturism, world-building, and other topics with Hannah Beachler, Academy-Award-winning production designer of "Black Panther". Hannah Beachler is known as an award-winning production designer, but she tells an audience that she considers herself to be more of a story designer. As film stills and concept art from a few of those stories--"Moonlight", "Miles Ahead", "Creed", "Lemonade", and "Black Panther"--flash across a screen, Beachler engages in a meandering conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and illustrates her role: a designer behind on-screen tableaux that provide not only visual feasts of artistry and imagination, but also intimate spaces of emotion, humanity, and constructed memory.