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In 1983 visionary director John Cassavetes asked journalist Michael Ventura to write a unique film study - an on-set diary of the making of his film "Love Streams". Cassavetes laid out his expectations. He wanted 'a daring book, a tough book'. In Ventura's words, 'All I had to do for 'daring' and 'tough' was transcribe this man's audacity day by day.' "Cassavetes Directs"(...)
Cassavetes directs: John Cassavetes and the making of Love Streams
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In 1983 visionary director John Cassavetes asked journalist Michael Ventura to write a unique film study - an on-set diary of the making of his film "Love Streams". Cassavetes laid out his expectations. He wanted 'a daring book, a tough book'. In Ventura's words, 'All I had to do for 'daring' and 'tough' was transcribe this man's audacity day by day.' "Cassavetes Directs" describes the creation of "Love Streams" shot by shot, crisis by crisis. During production, the director learned that he was seriously ill, that this film might, as it tragically turned out, be his last. Starring alongside actress and wife Gena Rowlands, Cassavetes shot in sequence, reconceiving and revising his film almost nightly, in order that "Love Streams" could stand as his final statement. Both an intimate portrait of the man and an insight into his unique filmmaking philosophy, "Cassavetes Directs" documents a heroic moment in the life of a great !
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In anticipation that the cultural industry would be an engine of power for a new growth in the 21st century, our city Busan succeeded in inviting 'Pusan International Film Festival' (PIFF) already a decade ago and since then, it has been firmly reputed and positioned as international moving image city in both terms of name and reality.
Film and Architecture: busan cinema complex international invited competition
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In anticipation that the cultural industry would be an engine of power for a new growth in the 21st century, our city Busan succeeded in inviting 'Pusan International Film Festival' (PIFF) already a decade ago and since then, it has been firmly reputed and positioned as international moving image city in both terms of name and reality.
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Cette nouvelle édition a été soigneusement mise à jour et augmentée; elle propose notamment une bibliographie révisée, des développements inédits sur le théâtre baroque européen et français ainsi qu'une lecture emblématique rhétorique ou allégorique des décors à la Renaissance et au XVIIe siècle.
Scénographies du théâtre occidental
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Cette nouvelle édition a été soigneusement mise à jour et augmentée; elle propose notamment une bibliographie révisée, des développements inédits sur le théâtre baroque européen et français ainsi qu'une lecture emblématique rhétorique ou allégorique des décors à la Renaissance et au XVIIe siècle.
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Cinema and photography are both intimately associated with time—cinema with time in passing, the photograph with the lost moment. In Photography, Cinema, Memory, Damian Peter Sutton explores time in both media to present a radical new understanding of the photographic image as always coming into being.
Photography , cinema, memory: the crystal image of time
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Cinema and photography are both intimately associated with time—cinema with time in passing, the photograph with the lost moment. In Photography, Cinema, Memory, Damian Peter Sutton explores time in both media to present a radical new understanding of the photographic image as always coming into being.
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Dark Places" explores the dim, claustrophobic interiors of haunted houses in horror movies, as well as the cinema auditorium itself, and their relation to the 'dark places' of the human pysche. Barry Curtis looks at the long, blood-soaked history of horror films: their fascination with re-animating the dead; the special effects, both sophisticated and crude, which have(...)
Dark places: the haunted house in film
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Dark Places" explores the dim, claustrophobic interiors of haunted houses in horror movies, as well as the cinema auditorium itself, and their relation to the 'dark places' of the human pysche. Barry Curtis looks at the long, blood-soaked history of horror films: their fascination with re-animating the dead; the special effects, both sophisticated and crude, which have been contrived in order to bring spirits into the realm of the living; the structures, projections and architecture of horror movie sets; and the complex metaphorical life of 'ghosts' as harbingers of loss, amnesia, injustice and vengeance. A wide range of films is also discussed in which the 'haunted house' is reworked in new scenarios - the road, the apartment, the motel, the spaceship - and visually linked to the troubling archetypes of Gothic fictions. Barry Curtis is Emeritus Professor of Visual Culture at Middlesex University, Fellow of the London Consortium, and Visiting Tutor at the Royal College of Art. He has written widely on film, architecture, art and visual culture for magazines, newspapers and journals.
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Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier(...)
janvier 2009, Minneapolis, London
Skyscraper cinema : architecture and gender in American film
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Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier establishes and explains the impact of actual skyscrapers on America’s ideologies about work, leisure, romance, sexual identity, and politics as seen in Hollywood movies.
LAbook architecture cinéma
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Ce programme d'étude intensifest avant tout un atelier de recherche expérimentale misant sur la méthodologie et l'exploration pour développer une architecture nouvelle. Les «ateliers de recherche» proposent habituellement l'analyse comme méthode de design, et s'appuient principalement sur les processus de collecte d'informations, d'analyse et de synthèse que l'architecte(...)
janvier 2008, Montréal
LAbook architecture cinéma
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Ce programme d'étude intensifest avant tout un atelier de recherche expérimentale misant sur la méthodologie et l'exploration pour développer une architecture nouvelle. Les «ateliers de recherche» proposent habituellement l'analyse comme méthode de design, et s'appuient principalement sur les processus de collecte d'informations, d'analyse et de synthèse que l'architecte entreprend, dans les premières phases de la conception du projet, pour structurer visuellement sa pensée et son interprétation d'un contexte donné. Ceci permet aux étudiants de l'été 2007 d'établir un nouveau regard et de créer un imaginaire tout en contribuant à la connaissance générale du sujet. Étant donné la complexité et l'envergure du thème et les contraintes particulières de ce court programme d'étude, le choix d'une méthodologie linéaire assez souple et ouverte à l'exploration était de mise. L'objectif de cet atelier est de proposer des architectures radicales.
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This book showcases the drawings of Ken Adam, the man who has created some of the most iconic and memorable sets in the history of film. Presented chronologically, the book takes us from design sketches for his earliest movies, including "Around the World in Eighty Days", through his Oscar-winning work with Stanley Kubrick, to production designs for what are probably his(...)
novembre 2008, New York
Ken Adams designs the movies: james bond and beyond
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This book showcases the drawings of Ken Adam, the man who has created some of the most iconic and memorable sets in the history of film. Presented chronologically, the book takes us from design sketches for his earliest movies, including "Around the World in Eighty Days", through his Oscar-winning work with Stanley Kubrick, to production designs for what are probably his most celebrated films the first seven "James Bond" movies, including "Dr. No", "Goldfinger", "Diamonds are Forever" and "Moonraker". Also included are production drawings for classics such as "Chitty Chitty Bang Bang", "Goodbye", "Mr Chips", "Sleuth" and "The Last Emperor". Adam's virtuoso sketches for films and other projects are accompanied by illuminating commentary from the eminent Sir Christopher Frayling, and together present an unrivaled archive of breathtaking and inspirational production design.
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Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion and ambivalence, mining societal upheaval for revolutionary cinematic topics. Yana Hashamova explores this largely uncharted territory in Pride and Panic.
mai 2007, Bristol
Pride & panic: Russian imagination of the west in post-soviet film
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Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion and ambivalence, mining societal upheaval for revolutionary cinematic topics. Yana Hashamova explores this largely uncharted territory in Pride and Panic.
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5+1AA - Rudy Ricciotti: the new cinema palace of Venice / le nouveau palais du cinéma de Venise
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Le concours est rendu en mars 2005, il neige depuis une semaine a Gênes. Le 26 Mai 5+1AA et Rudy Ricciotti sont déclarés lauréats. Le projet fait partie des réalisations architecturales programmés pour la célébrations du cent cinquantième anniversaire de l'unité de l'Italie en 2011. Le 28 Août 2008, les travaux commencent. En 2011, Venise aura son nouveau palais du cinéma.
octobre 2008, Milano
5+1AA - Rudy Ricciotti: the new cinema palace of Venice / le nouveau palais du cinéma de Venise
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Le concours est rendu en mars 2005, il neige depuis une semaine a Gênes. Le 26 Mai 5+1AA et Rudy Ricciotti sont déclarés lauréats. Le projet fait partie des réalisations architecturales programmés pour la célébrations du cent cinquantième anniversaire de l'unité de l'Italie en 2011. Le 28 Août 2008, les travaux commencent. En 2011, Venise aura son nouveau palais du cinéma.
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octobre 2008, Milano