124 Résultats
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Titre:
Cinema and landscape
Cinema and landscape
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The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and(...)
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The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and(...)
Publication:
février 2010
février 2010
Titre:
Cinema and landscape
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The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment. This volume both extends the existing field of film studies and stakes claims to overlapping, contested territories in the humanities and social sciences.
Cinema and landscape
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The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment. This volume both extends the existing field of film studies and stakes claims to overlapping, contested territories in the humanities and social sciences.
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livres
livres
Publication:
février 2010
février 2010
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Tucked away in a garden on the edge of Paris is a multimedia archive like no other: Albert Kahn's Archives de la Planète (1908-1931). The first comprehensive study of Kahn's films, Counter-Archive also offers a vital historical perspective on debates involving archives, media, and memory.
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Tucked away in a garden on the edge of Paris is a multimedia archive like no other: Albert Kahn's Archives de la Planète (1908-1931). The first comprehensive study of Kahn's films, Counter-Archive also offers a vital historical perspective on debates involving archives, media, and memory.
Titre:
Counter-archive: Film, the everyday, and Albert Kahn's archives de lal Planète
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Tucked away in a garden on the edge of Paris is a multimedia archive like no other: Albert Kahn's Archives de la Planète (1908-1931). The first comprehensive study of Kahn's films, Counter-Archive also offers a vital historical perspective on debates involving archives, media, and memory.
Counter-archive: Film, the everyday, and Albert Kahn's archives de lal Planète
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Tucked away in a garden on the edge of Paris is a multimedia archive like no other: Albert Kahn's Archives de la Planète (1908-1931). The first comprehensive study of Kahn's films, Counter-Archive also offers a vital historical perspective on debates involving archives, media, and memory.
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livres
livres
Publication:
août 2010
août 2010
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livres
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This publication illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People’s Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not(...)
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This publication illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People’s Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not(...)
Publication:
avril 2010
avril 2010
Titre:
Painting the city red : Chinese cinema and the urban contract
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This publication illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People’s Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not only of China’s abandonment of Maoist economic planning in favor of capitalist globalization but also of a shift in visual practices. Rather than simply reflect urban culture, movies and stage dramas have facilitated the development of new perceptions of space and time, representing the future city variously as an ideal socialist city, a metropolis integrated into the global economy, and a site for preserving cultural heritage. Drawing on extensive archival research, interviews with leading filmmakers and urban planners, and close readings of scripts and images, Braester describes how films and stage plays have promoted and opposed official urban plans and policies as they have addressed issues such as demolition-and-relocation plans, the preservation of vernacular architecture, and the global real estate market. He shows how the cinematic rewriting of historical narratives has accompanied the spatial reorganization of specific urban sites, including Nanjing Road in Shanghai; veterans’ villages in Taipei; and Tiananmen Square, centuries-old courtyards, and postmodern architectural landmarks in Beijing.
Painting the city red : Chinese cinema and the urban contract
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Résumé:
This publication illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People’s Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not only of China’s abandonment of Maoist economic planning in favor of capitalist globalization but also of a shift in visual practices. Rather than simply reflect urban culture, movies and stage dramas have facilitated the development of new perceptions of space and time, representing the future city variously as an ideal socialist city, a metropolis integrated into the global economy, and a site for preserving cultural heritage. Drawing on extensive archival research, interviews with leading filmmakers and urban planners, and close readings of scripts and images, Braester describes how films and stage plays have promoted and opposed official urban plans and policies as they have addressed issues such as demolition-and-relocation plans, the preservation of vernacular architecture, and the global real estate market. He shows how the cinematic rewriting of historical narratives has accompanied the spatial reorganization of specific urban sites, including Nanjing Road in Shanghai; veterans’ villages in Taipei; and Tiananmen Square, centuries-old courtyards, and postmodern architectural landmarks in Beijing.
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livres
livres
Publication:
avril 2010
avril 2010
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livres
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$37.95
(disponible en magasin)
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Into the Past provides a complete and systematic critical commentary on each of Maddin's feature films and shorts, from his 1986 debut film The Dead Father through to his highly successful 2008 full-length 'docu-fantasia' My Winnipeg.
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Into the Past provides a complete and systematic critical commentary on each of Maddin's feature films and shorts, from his 1986 debut film The Dead Father through to his highly successful 2008 full-length 'docu-fantasia' My Winnipeg.
Titre:
Into the past: the cinema of Guy Maddin
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Into the Past provides a complete and systematic critical commentary on each of Maddin's feature films and shorts, from his 1986 debut film The Dead Father through to his highly successful 2008 full-length 'docu-fantasia' My Winnipeg.
Into the past: the cinema of Guy Maddin
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Résumé:
Into the Past provides a complete and systematic critical commentary on each of Maddin's feature films and shorts, from his 1986 debut film The Dead Father through to his highly successful 2008 full-length 'docu-fantasia' My Winnipeg.
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livres
livres
Publication:
mai 2010
mai 2010
Classification:
livres
livres
Titre:
Cinema architecture
Cinema architecture
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$78.00
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Cinema Architecture explores different types of movie theatres. These range from self-contained buildings to cinemas that are components of entertainment or cultural centres, cinemas that are outside of their usual context, for instance in hotels, as well as multi-functional mobile screening constructions. The volume also focusses on the interior design which spans from(...)
$78.00
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Cinema Architecture explores different types of movie theatres. These range from self-contained buildings to cinemas that are components of entertainment or cultural centres, cinemas that are outside of their usual context, for instance in hotels, as well as multi-functional mobile screening constructions. The volume also focusses on the interior design which spans from(...)
Titre:
Cinema architecture
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$78.00
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Cinema Architecture explores different types of movie theatres. These range from self-contained buildings to cinemas that are components of entertainment or cultural centres, cinemas that are outside of their usual context, for instance in hotels, as well as multi-functional mobile screening constructions. The volume also focusses on the interior design which spans from flamboyant, luxurious and opulent to minimalist, modern and refined.
Cinema architecture
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$78.00
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Cinema Architecture explores different types of movie theatres. These range from self-contained buildings to cinemas that are components of entertainment or cultural centres, cinemas that are outside of their usual context, for instance in hotels, as well as multi-functional mobile screening constructions. The volume also focusses on the interior design which spans from flamboyant, luxurious and opulent to minimalist, modern and refined.
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livres
livres
Publication:
décembre 2009
décembre 2009
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livres
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$78.95
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Des artistes de différents horizons témoignent de leur attachement à l’œuvre de Jacques Tati ( Pierre Étaix, David Lynch, Olivier Assayas, Jean-Claude Carrière, Sempé, Philippe Delerm, Jean-Philippe Toussaint…). Si le livre reproduit les objets, souvenirs, photogrammes des films rassemblés dans l’exposition que la Cinémathèque française consacre au cinéaste, il est,(...)
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Des artistes de différents horizons témoignent de leur attachement à l’œuvre de Jacques Tati ( Pierre Étaix, David Lynch, Olivier Assayas, Jean-Claude Carrière, Sempé, Philippe Delerm, Jean-Philippe Toussaint…). Si le livre reproduit les objets, souvenirs, photogrammes des films rassemblés dans l’exposition que la Cinémathèque française consacre au cinéaste, il est,(...)
Publication:
mai 2009
mai 2009
Titre:
Jacques Tati: deux temps, trois mouvements
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Des artistes de différents horizons témoignent de leur attachement à l’œuvre de Jacques Tati ( Pierre Étaix, David Lynch, Olivier Assayas, Jean-Claude Carrière, Sempé, Philippe Delerm, Jean-Philippe Toussaint…). Si le livre reproduit les objets, souvenirs, photogrammes des films rassemblés dans l’exposition que la Cinémathèque française consacre au cinéaste, il est, au-delà d’un catalogue, une création graphique, un objet ludique qui réussit à restituer l’esprit et la fantaisie si singulière de Tati.
Jacques Tati: deux temps, trois mouvements
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$78.95
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Des artistes de différents horizons témoignent de leur attachement à l’œuvre de Jacques Tati ( Pierre Étaix, David Lynch, Olivier Assayas, Jean-Claude Carrière, Sempé, Philippe Delerm, Jean-Philippe Toussaint…). Si le livre reproduit les objets, souvenirs, photogrammes des films rassemblés dans l’exposition que la Cinémathèque française consacre au cinéaste, il est, au-delà d’un catalogue, une création graphique, un objet ludique qui réussit à restituer l’esprit et la fantaisie si singulière de Tati.
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livres
livres
Publication:
mai 2009
mai 2009
Classification:
livres
livres
Titre:
Tu n'as rien vu à Hiroshima
Tu n'as rien vu à Hiroshima
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Le 28 juillet 1958, le cinéaste Alain Resnais partait au Japon tourner l'essentiel de ce qui allait devenir un film mythique de l'histoire du cinéma : Hiroshima mon amour. C'est son premier long-métrage et le premier scénario de l'écrivain Marguerite Duras. Le cinquantième anniversaire de ce tournage historique est l'occasion de proposer un regard nouveau sur ce film à(...)
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Le 28 juillet 1958, le cinéaste Alain Resnais partait au Japon tourner l'essentiel de ce qui allait devenir un film mythique de l'histoire du cinéma : Hiroshima mon amour. C'est son premier long-métrage et le premier scénario de l'écrivain Marguerite Duras. Le cinquantième anniversaire de ce tournage historique est l'occasion de proposer un regard nouveau sur ce film à(...)
Publication:
août 2009
août 2009
Titre:
Tu n'as rien vu à Hiroshima
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$49.50
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Résumé:
Le 28 juillet 1958, le cinéaste Alain Resnais partait au Japon tourner l'essentiel de ce qui allait devenir un film mythique de l'histoire du cinéma : Hiroshima mon amour. C'est son premier long-métrage et le premier scénario de l'écrivain Marguerite Duras. Le cinquantième anniversaire de ce tournage historique est l'occasion de proposer un regard nouveau sur ce film à travers des textes de Chihiro Minato, Marie-Christine de Navacelle, Dominique Noguez, et aussi d'un entretien avec Emmanuelle Riva. Un remarquable ensemble de photographies, qu'elle a prises avant le tournage, de la ville d'Hiroshima, de ses habitants et surtout de ses enfants, est présenté pour la première fois. Ces images exceptionnelles éclairent le film comme elles éclairent la résurrection, treize ans après le drame du 6 août 1945, de la première ville frappée par la bombe atomique.
Tu n'as rien vu à Hiroshima
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Le 28 juillet 1958, le cinéaste Alain Resnais partait au Japon tourner l'essentiel de ce qui allait devenir un film mythique de l'histoire du cinéma : Hiroshima mon amour. C'est son premier long-métrage et le premier scénario de l'écrivain Marguerite Duras. Le cinquantième anniversaire de ce tournage historique est l'occasion de proposer un regard nouveau sur ce film à travers des textes de Chihiro Minato, Marie-Christine de Navacelle, Dominique Noguez, et aussi d'un entretien avec Emmanuelle Riva. Un remarquable ensemble de photographies, qu'elle a prises avant le tournage, de la ville d'Hiroshima, de ses habitants et surtout de ses enfants, est présenté pour la première fois. Ces images exceptionnelles éclairent le film comme elles éclairent la résurrection, treize ans après le drame du 6 août 1945, de la première ville frappée par la bombe atomique.
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livres
livres
Publication:
août 2009
août 2009
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livres
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Marc Augé was eleven or twelve years old when he first saw Casablanca. The film-with its recurring scenes of waiting, menace, and flight-occupies a significant place in Augé's own memory of his uprooted childhood and the wartime exploits of his family. Seamlessly weaving together film criticism and memoir, Casablanca moves between Augé's insights into the filmgoing(...)
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Marc Augé was eleven or twelve years old when he first saw Casablanca. The film-with its recurring scenes of waiting, menace, and flight-occupies a significant place in Augé's own memory of his uprooted childhood and the wartime exploits of his family. Seamlessly weaving together film criticism and memoir, Casablanca moves between Augé's insights into the filmgoing(...)
Titre:
Casablanca: movies and memory
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Marc Augé was eleven or twelve years old when he first saw Casablanca. The film-with its recurring scenes of waiting, menace, and flight-occupies a significant place in Augé's own memory of his uprooted childhood and the wartime exploits of his family. Seamlessly weaving together film criticism and memoir, Casablanca moves between Augé's insights into the filmgoing experience and his reflections on his own life, the collective trauma of France's wartime history, and how such events as the fall of Paris, the exodus of refugees, and the Occupation-all depicted in the film-were lived and are remembered.
Casablanca: movies and memory
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Marc Augé was eleven or twelve years old when he first saw Casablanca. The film-with its recurring scenes of waiting, menace, and flight-occupies a significant place in Augé's own memory of his uprooted childhood and the wartime exploits of his family. Seamlessly weaving together film criticism and memoir, Casablanca moves between Augé's insights into the filmgoing experience and his reflections on his own life, the collective trauma of France's wartime history, and how such events as the fall of Paris, the exodus of refugees, and the Occupation-all depicted in the film-were lived and are remembered.
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livres
livres
Publication:
octobre 2009
octobre 2009
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livres
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$60.00
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Hollywood is not only the secret world capital of dreams and the fictions of the subconscious, but also the capital of architecture. Hollywood is the Rome and the Versailles of the 20th and 21st centuries. A new awareness of space spanning the entire world was created here. These backgrounds, stage sets and filmic spaces are indelibly fixed in every spectator's mind.
$60.00
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Résumé:
Hollywood is not only the secret world capital of dreams and the fictions of the subconscious, but also the capital of architecture. Hollywood is the Rome and the Versailles of the 20th and 21st centuries. A new awareness of space spanning the entire world was created here. These backgrounds, stage sets and filmic spaces are indelibly fixed in every spectator's mind.
Titre:
Learning from Hollywood: Architecture and film
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$60.00
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Hollywood is not only the secret world capital of dreams and the fictions of the subconscious, but also the capital of architecture. Hollywood is the Rome and the Versailles of the 20th and 21st centuries. A new awareness of space spanning the entire world was created here. These backgrounds, stage sets and filmic spaces are indelibly fixed in every spectator's mind.
Learning from Hollywood: Architecture and film
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$60.00
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Résumé:
Hollywood is not only the secret world capital of dreams and the fictions of the subconscious, but also the capital of architecture. Hollywood is the Rome and the Versailles of the 20th and 21st centuries. A new awareness of space spanning the entire world was created here. These backgrounds, stage sets and filmic spaces are indelibly fixed in every spectator's mind.
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livres
livres
Publication:
novembre 2010
novembre 2010
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livres
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$39.95
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Reimagining Cinem explores the innovations that film and media artists offered Expo audiences and presents extensive visual material to reconstruct the viewer's experience.The book reflects how the Expo 67 film-events were encountered as creative experimentations that resonated with broader 1960s arts and culture, and as institutional collaborations with artists. More(...)
$39.95
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Résumé:
Reimagining Cinem explores the innovations that film and media artists offered Expo audiences and presents extensive visual material to reconstruct the viewer's experience.The book reflects how the Expo 67 film-events were encountered as creative experimentations that resonated with broader 1960s arts and culture, and as institutional collaborations with artists. More(...)
Publication:
novembre 2014
novembre 2014
Titre:
Reimagining cinema: film at Expo 67
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$39.95
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Reimagining Cinem explores the innovations that film and media artists offered Expo audiences and presents extensive visual material to reconstruct the viewer's experience.The book reflects how the Expo 67 film-events were encountered as creative experimentations that resonated with broader 1960s arts and culture, and as institutional collaborations with artists. More displays of photographic, cinematic, and telematic technology were experienced at Expo 67 than in any other previous world exposition. Reimagining Cinema captures the complexity and imaginative fervour of this exciting period in film history.
Reimagining cinema: film at Expo 67
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$39.95
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Résumé:
Reimagining Cinem explores the innovations that film and media artists offered Expo audiences and presents extensive visual material to reconstruct the viewer's experience.The book reflects how the Expo 67 film-events were encountered as creative experimentations that resonated with broader 1960s arts and culture, and as institutional collaborations with artists. More displays of photographic, cinematic, and telematic technology were experienced at Expo 67 than in any other previous world exposition. Reimagining Cinema captures the complexity and imaginative fervour of this exciting period in film history.
Classification:
livres
livres
Publication:
novembre 2014
novembre 2014
