124 Résultats
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Dark Places" explores the dim, claustrophobic interiors of haunted houses in horror movies, as well as the cinema auditorium itself, and their relation to the 'dark places' of the human pysche. Barry Curtis looks at the long, blood-soaked history of horror films: their fascination with re-animating the dead; the special effects, both sophisticated and crude, which have(...)
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Dark Places" explores the dim, claustrophobic interiors of haunted houses in horror movies, as well as the cinema auditorium itself, and their relation to the 'dark places' of the human pysche. Barry Curtis looks at the long, blood-soaked history of horror films: their fascination with re-animating the dead; the special effects, both sophisticated and crude, which have(...)
Titre:
Dark places: the haunted house in film
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Dark Places" explores the dim, claustrophobic interiors of haunted houses in horror movies, as well as the cinema auditorium itself, and their relation to the 'dark places' of the human pysche. Barry Curtis looks at the long, blood-soaked history of horror films: their fascination with re-animating the dead; the special effects, both sophisticated and crude, which have been contrived in order to bring spirits into the realm of the living; the structures, projections and architecture of horror movie sets; and the complex metaphorical life of 'ghosts' as harbingers of loss, amnesia, injustice and vengeance. A wide range of films is also discussed in which the 'haunted house' is reworked in new scenarios - the road, the apartment, the motel, the spaceship - and visually linked to the troubling archetypes of Gothic fictions. Barry Curtis is Emeritus Professor of Visual Culture at Middlesex University, Fellow of the London Consortium, and Visiting Tutor at the Royal College of Art. He has written widely on film, architecture, art and visual culture for magazines, newspapers and journals.
Dark places: the haunted house in film
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Résumé:
Dark Places" explores the dim, claustrophobic interiors of haunted houses in horror movies, as well as the cinema auditorium itself, and their relation to the 'dark places' of the human pysche. Barry Curtis looks at the long, blood-soaked history of horror films: their fascination with re-animating the dead; the special effects, both sophisticated and crude, which have been contrived in order to bring spirits into the realm of the living; the structures, projections and architecture of horror movie sets; and the complex metaphorical life of 'ghosts' as harbingers of loss, amnesia, injustice and vengeance. A wide range of films is also discussed in which the 'haunted house' is reworked in new scenarios - the road, the apartment, the motel, the spaceship - and visually linked to the troubling archetypes of Gothic fictions. Barry Curtis is Emeritus Professor of Visual Culture at Middlesex University, Fellow of the London Consortium, and Visiting Tutor at the Royal College of Art. He has written widely on film, architecture, art and visual culture for magazines, newspapers and journals.
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livres
livres
Publication:
janvier 2009, London
janvier 2009, London
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livres
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$36.95
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Résumé:
Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier(...)
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Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier(...)
Publication:
janvier 2009, Minneapolis, London
janvier 2009, Minneapolis, London
Titre:
Skyscraper cinema : architecture and gender in American film
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Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier establishes and explains the impact of actual skyscrapers on America’s ideologies about work, leisure, romance, sexual identity, and politics as seen in Hollywood movies.
Skyscraper cinema : architecture and gender in American film
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Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier establishes and explains the impact of actual skyscrapers on America’s ideologies about work, leisure, romance, sexual identity, and politics as seen in Hollywood movies.
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livres
livres
Publication:
janvier 2009, Minneapolis, London
janvier 2009, Minneapolis, London
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livres
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$24.95
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In 1983 visionary director John Cassavetes asked journalist Michael Ventura to write a unique film study - an on-set diary of the making of his film "Love Streams". Cassavetes laid out his expectations. He wanted 'a daring book, a tough book'. In Ventura's words, 'All I had to do for 'daring' and 'tough' was transcribe this man's audacity day by day.' "Cassavetes Directs"(...)
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In 1983 visionary director John Cassavetes asked journalist Michael Ventura to write a unique film study - an on-set diary of the making of his film "Love Streams". Cassavetes laid out his expectations. He wanted 'a daring book, a tough book'. In Ventura's words, 'All I had to do for 'daring' and 'tough' was transcribe this man's audacity day by day.' "Cassavetes Directs"(...)
Titre:
Cassavetes directs: John Cassavetes and the making of Love Streams
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In 1983 visionary director John Cassavetes asked journalist Michael Ventura to write a unique film study - an on-set diary of the making of his film "Love Streams". Cassavetes laid out his expectations. He wanted 'a daring book, a tough book'. In Ventura's words, 'All I had to do for 'daring' and 'tough' was transcribe this man's audacity day by day.' "Cassavetes Directs" describes the creation of "Love Streams" shot by shot, crisis by crisis. During production, the director learned that he was seriously ill, that this film might, as it tragically turned out, be his last. Starring alongside actress and wife Gena Rowlands, Cassavetes shot in sequence, reconceiving and revising his film almost nightly, in order that "Love Streams" could stand as his final statement. Both an intimate portrait of the man and an insight into his unique filmmaking philosophy, "Cassavetes Directs" documents a heroic moment in the life of a great !
Cassavetes directs: John Cassavetes and the making of Love Streams
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Résumé:
In 1983 visionary director John Cassavetes asked journalist Michael Ventura to write a unique film study - an on-set diary of the making of his film "Love Streams". Cassavetes laid out his expectations. He wanted 'a daring book, a tough book'. In Ventura's words, 'All I had to do for 'daring' and 'tough' was transcribe this man's audacity day by day.' "Cassavetes Directs" describes the creation of "Love Streams" shot by shot, crisis by crisis. During production, the director learned that he was seriously ill, that this film might, as it tragically turned out, be his last. Starring alongside actress and wife Gena Rowlands, Cassavetes shot in sequence, reconceiving and revising his film almost nightly, in order that "Love Streams" could stand as his final statement. Both an intimate portrait of the man and an insight into his unique filmmaking philosophy, "Cassavetes Directs" documents a heroic moment in the life of a great !
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livres
livres
Publication:
février 2008
février 2008
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livres
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$69.95
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Résumé:
'Spots in Shots' explores a selection of little-known but fascinating short films made in Europe and the US between 1990 and 2017 that tell stories about architecture and urban development. Based on interviews with the filmmakers, the book asks how cinema can stir public interest in the oeuvres of architects.
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'Spots in Shots' explores a selection of little-known but fascinating short films made in Europe and the US between 1990 and 2017 that tell stories about architecture and urban development. Based on interviews with the filmmakers, the book asks how cinema can stir public interest in the oeuvres of architects.
Titre:
Spots in shots: narrating the built environment in short film
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'Spots in Shots' explores a selection of little-known but fascinating short films made in Europe and the US between 1990 and 2017 that tell stories about architecture and urban development. Based on interviews with the filmmakers, the book asks how cinema can stir public interest in the oeuvres of architects.
Spots in shots: narrating the built environment in short film
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Résumé:
'Spots in Shots' explores a selection of little-known but fascinating short films made in Europe and the US between 1990 and 2017 that tell stories about architecture and urban development. Based on interviews with the filmmakers, the book asks how cinema can stir public interest in the oeuvres of architects.
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livres
livres
Publication:
mars 2019
mars 2019
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livres
livres
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$43.95
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Résumé:
Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and(...)
$43.95
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Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and(...)
Titre:
The moving eye: film, television, architecture, visual art, and the modern
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Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Her books have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. "The Moving Eye" gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality.
The moving eye: film, television, architecture, visual art, and the modern
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$43.95
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Résumé:
Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Her books have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. "The Moving Eye" gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality.
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livres
livres
Publication:
juin 2019
juin 2019
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livres
livres
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$64.95
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Résumé:
The publication is the first comprehensive study of Baruchello’s relationship with the moving image from the sixties on. Produced on the occasion of the exhibition "Gianfranco Baruchello: Cold Cinema". "Film, video e opere 1960-1999", held at La Triennale di Milano in 2014 and 2015, the book opens with a densely packed montage of Baruchello’s own notes, images, and(...)
$64.95
(disponible en magasin)
Résumé:
The publication is the first comprehensive study of Baruchello’s relationship with the moving image from the sixties on. Produced on the occasion of the exhibition "Gianfranco Baruchello: Cold Cinema". "Film, video e opere 1960-1999", held at La Triennale di Milano in 2014 and 2015, the book opens with a densely packed montage of Baruchello’s own notes, images, and(...)
Publication:
avril 2018
avril 2018
Titre:
Gianfranco Baruchello : archive of moving images, 1960-2016
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$64.95
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The publication is the first comprehensive study of Baruchello’s relationship with the moving image from the sixties on. Produced on the occasion of the exhibition "Gianfranco Baruchello: Cold Cinema". "Film, video e opere 1960-1999", held at La Triennale di Milano in 2014 and 2015, the book opens with a densely packed montage of Baruchello’s own notes, images, and documents, presented by means of a medium dear to the artist, photocopies. An essay by Alessandro Rabottini takes us through the rooms of the exhibition at La Triennale di Milano, while a conversation between Baruchello and Massimiliano Gioni highlights some key aspects of his ideas about cinema. Carla Subrizi’s text winds its way through his entire production of films and videos, whereas an essay by Philippe-Alain Michaud examines some of the historical roots of Verifica incerta (1964-65).
Gianfranco Baruchello : archive of moving images, 1960-2016
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$64.95
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Résumé:
The publication is the first comprehensive study of Baruchello’s relationship with the moving image from the sixties on. Produced on the occasion of the exhibition "Gianfranco Baruchello: Cold Cinema". "Film, video e opere 1960-1999", held at La Triennale di Milano in 2014 and 2015, the book opens with a densely packed montage of Baruchello’s own notes, images, and documents, presented by means of a medium dear to the artist, photocopies. An essay by Alessandro Rabottini takes us through the rooms of the exhibition at La Triennale di Milano, while a conversation between Baruchello and Massimiliano Gioni highlights some key aspects of his ideas about cinema. Carla Subrizi’s text winds its way through his entire production of films and videos, whereas an essay by Philippe-Alain Michaud examines some of the historical roots of Verifica incerta (1964-65).
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livres
livres
Publication:
avril 2018
avril 2018
Classification:
livres
livres
Titre:
Exhibiting the moving image
Exhibiting the moving image
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
$39.95
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Résumé:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
Publication:
mars 2016
mars 2016
Titre:
Exhibiting the moving image
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$39.95
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Résumé:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
Exhibiting the moving image
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Résumé:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
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livres
livres
Publication:
mars 2016
mars 2016
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livres
livres
Titre:
Sur le film
Sur le film
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$75.95
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Résumé:
Ce livre propose une lecture rétrospective, non linéaire et décentrée de l’histoire des images en mouvement : il s’appuie sur une analyse de la pensée filmique telle qu’elle se déploie, indépendamment de ses applications techniques, dans l’histoire des représentations, et constitue un repérage de la manière dont les propriétés du film, disjointes de l’appareil qui(...)
$75.95
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Résumé:
Ce livre propose une lecture rétrospective, non linéaire et décentrée de l’histoire des images en mouvement : il s’appuie sur une analyse de la pensée filmique telle qu’elle se déploie, indépendamment de ses applications techniques, dans l’histoire des représentations, et constitue un repérage de la manière dont les propriétés du film, disjointes de l’appareil qui(...)
Titre:
Sur le film
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$75.95
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Ce livre propose une lecture rétrospective, non linéaire et décentrée de l’histoire des images en mouvement : il s’appuie sur une analyse de la pensée filmique telle qu’elle se déploie, indépendamment de ses applications techniques, dans l’histoire des représentations, et constitue un repérage de la manière dont les propriétés du film, disjointes de l’appareil qui conditionne le spectacle cinématographique, agissent dans les différents champs des pratiques artistiques.
Sur le film
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$75.95
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Résumé:
Ce livre propose une lecture rétrospective, non linéaire et décentrée de l’histoire des images en mouvement : il s’appuie sur une analyse de la pensée filmique telle qu’elle se déploie, indépendamment de ses applications techniques, dans l’histoire des représentations, et constitue un repérage de la manière dont les propriétés du film, disjointes de l’appareil qui conditionne le spectacle cinématographique, agissent dans les différents champs des pratiques artistiques.
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livres
livres
Publication:
mai 2016
mai 2016
Classification:
livres
livres
Titre:
Cinematic city
Cinematic city
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$52.95
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Innovative and thought-provoking volume offering a wealth of insights into the cityscape, screenscape and the interconnections between the two. Illustrated throughout with movie stills, a diverse selection of film genres, cities and historical periods are examined by leading names in the field.
$52.95
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Résumé:
Innovative and thought-provoking volume offering a wealth of insights into the cityscape, screenscape and the interconnections between the two. Illustrated throughout with movie stills, a diverse selection of film genres, cities and historical periods are examined by leading names in the field.
Titre:
Cinematic city
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$52.95
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Innovative and thought-provoking volume offering a wealth of insights into the cityscape, screenscape and the interconnections between the two. Illustrated throughout with movie stills, a diverse selection of film genres, cities and historical periods are examined by leading names in the field.
Cinematic city
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$52.95
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Innovative and thought-provoking volume offering a wealth of insights into the cityscape, screenscape and the interconnections between the two. Illustrated throughout with movie stills, a diverse selection of film genres, cities and historical periods are examined by leading names in the field.
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livres
livres
Publication:
mai 1997, London
mai 1997, London
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livres
livres
Titre:
Claude Jutra
Claude Jutra
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Cette biographie du cinéaste Québecois Claude Jutra est le récit de la vie d'un homme complexe. C'est aussi une réévaluation critique de l'ouvre du cinéaste et un portrait de la venue au monde du cinéma québécois.
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Résumé:
Cette biographie du cinéaste Québecois Claude Jutra est le récit de la vie d'un homme complexe. C'est aussi une réévaluation critique de l'ouvre du cinéaste et un portrait de la venue au monde du cinéma québécois.
Titre:
Claude Jutra
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Cette biographie du cinéaste Québecois Claude Jutra est le récit de la vie d'un homme complexe. C'est aussi une réévaluation critique de l'ouvre du cinéaste et un portrait de la venue au monde du cinéma québécois.
Claude Jutra
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Cette biographie du cinéaste Québecois Claude Jutra est le récit de la vie d'un homme complexe. C'est aussi une réévaluation critique de l'ouvre du cinéaste et un portrait de la venue au monde du cinéma québécois.
Classification:
livres
livres
Publication:
février 2016
février 2016
