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The International Borromini Prize for Architecture honours works by young architects that are both well designed and carefully fitted to the place and the time in which they were built; works that advance both architecture and community. This volume details the works of the fifty finalists nominated for the 2001 International Borromini Prize for Architecture. The work of(...)
-40 The new generation of international architecture
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The International Borromini Prize for Architecture honours works by young architects that are both well designed and carefully fitted to the place and the time in which they were built; works that advance both architecture and community. This volume details the works of the fifty finalists nominated for the 2001 International Borromini Prize for Architecture. The work of these finalists – all architects under forty years of age — represents a wide variety of buildings including exhibition spaces, schools, public spaces, gardens, offices, hospitals and private dwellings from North America, Europe, Asia and the Near East. Each nominee’s project is presented with color photos of the site, annotated renderings and critical commentary by the member of the committee of established architects who selected them as a finalist.
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Focusing on 35 distinct areas of the city, this book presents the new face of the German capital including the former West, the new center, and the government district with stunning photographs that look at the startling contrasts between old and new. Both local and international architects have carried out rebuilding projects, most famously Renzo Piano ’s Daimler(...)
juin 2002, München / Berlin / London / New York
Berlin Heute - today - aujourd'hui
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Focusing on 35 distinct areas of the city, this book presents the new face of the German capital including the former West, the new center, and the government district with stunning photographs that look at the startling contrasts between old and new. Both local and international architects have carried out rebuilding projects, most famously Renzo Piano ’s Daimler Chrysler project, Michael Wilford ’s British Embassy in Berlin, Norman Foster ’s Reichstagconversion, Helmut Jahn ’s piece for Sony, Daniel Libeskind ’s Jewish Museum Berlin. Architectural historian Christiane Kruse examines Berlin ’s vibrant, checkered past, offering surprising insights into its rebirth as a thriving, thoroughly modern metropolis and using texts that place current developments in a historical context. Rare, archive photographs from the GDR and before the war show the transformation of the city.
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juin 2002, München / Berlin / London / New York
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"Young architects" is an annual review of the most important designers as selected by the Architectural Leaugue of New York. "City limits", the third volume in the series, explores possibilities for urban development in clever texts and dazzling graphics.
mai 2002, New York
Young architects 3 : city limits
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"Young architects" is an annual review of the most important designers as selected by the Architectural Leaugue of New York. "City limits", the third volume in the series, explores possibilities for urban development in clever texts and dazzling graphics.
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Forced to find beauty in mediocrity, poetry in pragmatism, history in the absence of monuments and the future in the past, Crimson has been shaped by the experience of living and working in Rotterdam, the city that never thinks. Over the past seven years they have produced research projects, plans and initiatives that range from purely historical studies, book reviews and(...)
janvier 1900, Rotterdam
Too blessed to be depressed : Crimson architectural historians 1994-2002
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Forced to find beauty in mediocrity, poetry in pragmatism, history in the absence of monuments and the future in the past, Crimson has been shaped by the experience of living and working in Rotterdam, the city that never thinks. Over the past seven years they have produced research projects, plans and initiatives that range from purely historical studies, book reviews and critiques of contemporary architecture to exhibitions, panoramas and urban planning schemes. For them, history is not a clear-cut period in the past but a total panoramic experience in which mythology, truth, writing, building and demolition intermingle. The Crimson historians don’t keep their distance, they dive right in. Too Blessed To Be Depressed is a coming-of-age book, one that shows the development of a practice and an attitude towards the outside world based not on analysis and simplification but on an endless quest for all the narratives, contradi ctions, and obsessions that make the city what it is. It presents an initial selection of work by Crimson divided among three themes: History (what to make of it, how to deal with it), Obsession (theirs along with those of others) and Top Down (the impact of large-scale infrastructural and other interventions on the city).
1950-2000 Arts contemporains
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Cet ouvrage dresse un état des lieux assez réussi des arts contemporains du dernier demi-siècle. Entouré de critiques spécialisés, Camille Saint-Jacques évoque à grands traits l’histoire de plusieurs disciplines. Le livre aborde des domaines artistiques aussi divers et variés que l’architecture, la musique, la danse, le cirque, le graphisme, la bande dessinée, le cinéma,(...)
novembre 2002, Paris
1950-2000 Arts contemporains
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Cet ouvrage dresse un état des lieux assez réussi des arts contemporains du dernier demi-siècle. Entouré de critiques spécialisés, Camille Saint-Jacques évoque à grands traits l’histoire de plusieurs disciplines. Le livre aborde des domaines artistiques aussi divers et variés que l’architecture, la musique, la danse, le cirque, le graphisme, la bande dessinée, le cinéma, la photographie, les arts plastiques, le théâtre et le design. Il invite à découvrir des disciplines moins familières et situe dans leur contexte les artistes et tendances connues. Un historique de chaque discipline, ponctué par des figures marquantes de chaque domaine, suit ces interrogations.
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La médiocrité esthétique et le fonctionnalisme primaire de la reconstruction post 1945 sécrète une crise durable qui affecte l’architecture et l’urbanisme dans l’ensemble du monde occidental. A la "Cité radieuse" des années 1930 succède, au milieu du siècle, une nouvelle utopie la "Mégastructure". Hybride colossal traversant des territoires sans frontières, elle règle du(...)
octobre 2004, Paris
Superarchitecture : le futur de l'architecture 1950-1970
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La médiocrité esthétique et le fonctionnalisme primaire de la reconstruction post 1945 sécrète une crise durable qui affecte l’architecture et l’urbanisme dans l’ensemble du monde occidental. A la "Cité radieuse" des années 1930 succède, au milieu du siècle, une nouvelle utopie la "Mégastructure". Hybride colossal traversant des territoires sans frontières, elle règle du même élan, et l’architecture, et l’urbanisme, et les infrastructures. Mais l’engouement pour ces grandes machines sensées résoudre les problèmes à l’échelle planétaire s’émousse durant les sixties. La "Mégastructure" cède le pas à l’"Architecture radicale", ce faisant on assiste au basculement d’une approche de l’architecture dont les références sont le besoin et la construction à une autre dont les références sont l’immédiateté et la consommation, les objets mobiles et le plaisir du corps. Cette transformation correspond au passage d’une architecture conçue en terme de progrès social et de bonheur humain, à une architecture de la révélation du monde existant. Première monographie exhaustive sur la période, Superarchitecture est abondamment illustrée à l’aide d’une iconographie originale issue des archives des Smithson, d’Hollein, de Fuller, Friedman, Archigram, Price, Archizoom, Superstudio, etc. De l’utopie critique qui se dégage des projets de ces acteurs et de la puissance évocatrice de leurs dessins, les architectes contemporains comme Koolhaas, Tschumi ou MRDV se sont fortement inspirés pour construire leur univers conceptuel.
livres
London : bread and circuses
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Wherever and whenever state and church, state and autocracy, political and architectural ambition have met and loved one another hungrily, domes have raised their imperious, lofty heads. At once magnificent and messy, old-fashioned and ultra-modern, opulent and squalid, London is something of a mongrel city, cross-bred over the centuries from cut-throat commerce, high(...)
London : bread and circuses
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Wherever and whenever state and church, state and autocracy, political and architectural ambition have met and loved one another hungrily, domes have raised their imperious, lofty heads. At once magnificent and messy, old-fashioned and ultra-modern, opulent and squalid, London is something of a mongrel city, cross-bred over the centuries from cut-throat commerce, high finance and unrestrained creativity. For all its inventiveness, however, it is now also a city unable to provide its citizens with decent public transport, housing or services, beset and betrayed by governments who take from it but refuse to give back. In the lead-up to the much-hyped Millennium, a fortune was spent on lavish building projects—giant wheels, great courts, titanic art galleries, ambitious museums, a Brobdingnagian dome—but little in the way of public services, intelligent urban planning and infrastructure except by default. Has the right kind of money been spent on the wrong sort of projects? Who, in this pluralistic age, will cut through the layers of bureaucracy to restore some of the city’s unruly splendour? In this elegant and polemical book, the architecture critic Jonathan Glancey explores London’s Millennial follies and asks how and where London might now channel its energies. Combining anecdote and analysis with a sustained critique of the way the city is governed and financed, he draws a detailed picture of the state London’s in and speculates on how it might be transformed.
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novembre 2001, London
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This publication attempts to critically present and interpret the urbanisation processes of the contemporary Greek city-- a product of post-War modernisation-- through five fields/constituent conditions: poly-katoikia, poli(s)-katoikia, form-less, border-less, place-less. These are conditions of indeterminacy that seem to establish the difference and, simultaneously, the(...)
janvier 1900, Athens
The contemporary (Greek) city
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This publication attempts to critically present and interpret the urbanisation processes of the contemporary Greek city-- a product of post-War modernisation-- through five fields/constituent conditions: poly-katoikia, poli(s)-katoikia, form-less, border-less, place-less. These are conditions of indeterminacy that seem to establish the difference and, simultaneously, the challenge within the new metropolitan landscape. Bilingual publication: Greek-English.
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janvier 1900, Athens
livres
Perfect Acts of Architecture
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Between 1977 and 1987, a sluggish world economy that all but curtailed new building moved the most talented architects into teaching positions. In the academic environment, graphic experimentation proliferated and architects encountered an intellectual scene filled with passionate debates about philosophy, criticism, and social thought. This set the stage for an eruption(...)
septembre 2001, New York
Perfect Acts of Architecture
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Between 1977 and 1987, a sluggish world economy that all but curtailed new building moved the most talented architects into teaching positions. In the academic environment, graphic experimentation proliferated and architects encountered an intellectual scene filled with passionate debates about philosophy, criticism, and social thought. This set the stage for an eruption of "paper architecture" of incomparable beauty and depth. Perfect Acts of Architecture identifies the preeminent achievements of five architects working during that turbulent period: Peter Eisenman, Rem Koolhaas, Daniel Libeskind, Thom Mayne, and Bernard Tschumi. Catalogue of the exhibition at the Wexner Center for the Arts.
livres
septembre 2001, New York
In-Ex 02 : customize
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Everywhere we see evidence of standardisation, the serial production of goods and services, uniformity across the globe, and people are beginning to react against this trend. The wish to alter, modify, improve, and distort the standard model is becoming increasingly apparent, and it applies as much to products, building components or plans for town development, as to(...)
In-Ex 02 : customize
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Everywhere we see evidence of standardisation, the serial production of goods and services, uniformity across the globe, and people are beginning to react against this trend. The wish to alter, modify, improve, and distort the standard model is becoming increasingly apparent, and it applies as much to products, building components or plans for town development, as to cultural commonplaces and rituals. This publication provides reports on some of the rebellious strategies that have been discovered in Paris, Wuppertal, Seoul, and London. Includes interviews with architects in Belgium, Holland, Switzerland, Spain, France, and the USA.