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The story behind Vancouver’s emerging urban form: the buildings, public spaces, extraordinary landscapes and cultural values that have turned the city into the poster-child of North American urbanism. Located at the edge of a continent and at the corresponding edge of national public consciousness, Vancouver has developed in unique and unanticipated ways. It is now(...)
Architecture du Canada
avril 2005, Vancouver
Dream city : Vancouver and the global imagination
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The story behind Vancouver’s emerging urban form: the buildings, public spaces, extraordinary landscapes and cultural values that have turned the city into the poster-child of North American urbanism. Located at the edge of a continent and at the corresponding edge of national public consciousness, Vancouver has developed in unique and unanticipated ways. It is now emerging as an experiment in contemporary city-making, with international interest in Vancouver as a model of post-industrial urbanism increasing exponentially. Lance Berelowitz explores the links between the city’s seductive natural setting, its turbulent political history and changing civic values, and its planning and design culture. He also makes the startling case that Vancouver is to Canada’s imagination what Los Angeles is to the American — a mythologized place of endless possibilities, while being grounded in an altogether more limited set of socio-economic and environmental limitations. Dream City is richly illustrated with both historical and contemporary photographs of many significant buildings and public spaces, as well as specially commissioned maps that reveal the underlying patterns of growth and change of Canada’s youngest metropolis.
Architecture du Canada
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Lavoie médite sur la relation entre un acte final, soit la pose du dernier crampon du Chemin de fer Canadien Pacifique traversant le pays d'est en ouest en 1885 et, en même temps, fondateur puisqu'il permettait de donner réalité à l'idée même de "pays". Cet évènement historique est revisité afin d'y inclure le rôle de tout gouvernement quant à l'établissement du concept(...)
Images premières : mutations d'une icône nationale / Primal images : transmutations of a national icon
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Lavoie médite sur la relation entre un acte final, soit la pose du dernier crampon du Chemin de fer Canadien Pacifique traversant le pays d'est en ouest en 1885 et, en même temps, fondateur puisqu'il permettait de donner réalité à l'idée même de "pays". Cet évènement historique est revisité afin d'y inclure le rôle de tout gouvernement quant à l'établissement du concept de "la naissance de la nation". Illustrées avec des photographies, des dessins et des affiches d'époque, cette publication est le volet canadien de l'exposition du Mois de la Photo à Paris 2004 et accompagnera cette même exposition qui sera présentée au Musée McCord dans le cadre du Mois de la Photo à Montréal 2005. En français et anglais. -- This publication accompanies exhibitions in two international photography bienniales. Le Mois de la Photo à Paris 2004 and Le Mois de la Photo à Montréal 2005. The primal image referred to is the photograph recording the completion of Canada's national railway in 1885: "the driving of the last spike". Supported by a wide variety of historical and contemporary documentation, Lavoie shows how this apparently straightforward historical record was used to create the notion of Canada. By looking at the countless reproductions, copies and caricatures of this primal image he dissects the deliberate and ideological construction of nationhood. Profusely illustrated with photographs, film stills, posters and political cartoons from over 100 years. Produced in collaboration with the McCord Museum. In English and French.
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janvier 2005, Paris
Architecture du Canada
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Le monde des arts et la société en général se souviennent encore de cette décennie que fut les années soixante au Canada. Que se soit le mélange révolutionnaire et hautement créatif des divers moyens d'expression ou des multiples manifestations artistiques, les années soixante ont été une pierre angulaire de l'art et ont donné naissance au néo-dadaïste, pop art et(...)
Architecture du Canada
janvier 2005, Ottawa
Les années soixante au Canada
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Le monde des arts et la société en général se souviennent encore de cette décennie que fut les années soixante au Canada. Que se soit le mélange révolutionnaire et hautement créatif des divers moyens d'expression ou des multiples manifestations artistiques, les années soixante ont été une pierre angulaire de l'art et ont donné naissance au néo-dadaïste, pop art et minimalisme, pour ne nommer quelques nouveaux courants de l'époque. Cette publication rappelle les expressions artistiques qui abondaient au Canada durant cette décennie : les expériences alliant art et technologie, l'influence de puissants médias de masse, toiles modernistes de pointe, les débuts de l'art conceptuel et photographique, ainsi que les premières créations de films et vidéos expérimentaux.
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janvier 2005, Ottawa
Architecture du Canada
livres
The Sixties in Canada
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The sixties were a decade of questioning and experimentation, of testing the limits and pushing the boundaries of artistic forms. This frenzy of activity resulted in diverse artistic manifestations, including innovations in photography, a medium that was redefined during this period from a simple practical tool to a recognized art form. This comprehensive catalogue(...)
Architecture du Canada
janvier 2005, Ottawa
The Sixties in Canada
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The sixties were a decade of questioning and experimentation, of testing the limits and pushing the boundaries of artistic forms. This frenzy of activity resulted in diverse artistic manifestations, including innovations in photography, a medium that was redefined during this period from a simple practical tool to a recognized art form. This comprehensive catalogue accompanies the exhibition, “The Sixties: Photography in Question” held at the Canadian Museum of Contemporary Photography.
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janvier 2005, Ottawa
Architecture du Canada
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Those familiar with Nova Scotia understand the austere beauty of this Canadian landscape, with its wide open skies and rugged terrain pushing up against the Atlantic. MacKay-Lyons's work responds to this unique topography and to the vernacular building traditions that define its communities. His houses, commercial buildings, and public projects combine regional forms with(...)
Plain Modern : the architecture of Brian MacKay-Lyons
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Those familiar with Nova Scotia understand the austere beauty of this Canadian landscape, with its wide open skies and rugged terrain pushing up against the Atlantic. MacKay-Lyons's work responds to this unique topography and to the vernacular building traditions that define its communities. His houses, commercial buildings, and public projects combine regional forms with local materials, technologies, and building practices to create works that are linked to their environments right down to their DNA. Peaked gables, shed roofs, and sliding doors are inspired by local barn types; corrugated metal cladding comes from the buildings used by the area's fishing industry; structural wooden frames are based on local ship-building traditions. These elements communicate a sense of place that is sophisticated, accessible, and free of sentimentality. Novelist and historian Malcolm Quantrill weaves together an intimate portrait of MacKay-Lyons and his work, elucidating the "peculiar regionality" of his subject's architecture.
Architecture du Canada
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The red maple leaf is the quintessential symbol of Canada and the flag that popularized it throughout the world was designed in the 1960s as a result of government legislation aimed at creating a vital, new Canadian national identity through objects, events, and building projects. Made in Canada looks at the development of Canadian craft, design, and culture through(...)
Made in Canada : craft and design in the sixties
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The red maple leaf is the quintessential symbol of Canada and the flag that popularized it throughout the world was designed in the 1960s as a result of government legislation aimed at creating a vital, new Canadian national identity through objects, events, and building projects. Made in Canada looks at the development of Canadian craft, design, and culture through ambitious government programs meant to reinforce the country's identity as a modern, sophisticated, and autonomous nation. As well, it documents the demise of a singular notion of modern life and its replacement with a focus on personal identity and consumerism. Changes in the 1960s included the building of modern airports, first space satellite, and new national symbols such as the maple leaf flag. Canadians embraced this heightened sense of individuality and demanded products that were equally individual. As a result pop culture objects sat on cool furniture influenced by Scandinavian modernism while handmade crafts reflected a growing concern with environmental issues. Expo 67 was the turning point - one final expression of optimism before Canada was rocked by social change and varied struggles for identity. Made in Canada examines national dreams and expressions of individuality in thoughtful and illuminating essays. Contributors include Sandra Alfoldy (NSCAD University), Paul Bourassa (Musée des beaux-arts de Québec), Brent Cordner (designer and educator, Toronto), Douglas Coupland (artist and author, Vancouver), Bernard Flaman (Government of Saskatchewan), Rachel Gotlieb (freelance curator and writer, Toronto), Michael Large (Sheridan College Institute of Technology and Advanced Learning), and Michael Prokopow (Design Exchange).
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février 2005, Montreal
Architecture du Canada
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De Douglas Coupland à Paul Bourassa, des artistes, conservateurs et historiens de I'art renommés jettent un regard sur le design et I'identité canadienne des années soixante.
Fabriqué au Canada : métiers d'art et design dans les années soixante
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De Douglas Coupland à Paul Bourassa, des artistes, conservateurs et historiens de I'art renommés jettent un regard sur le design et I'identité canadienne des années soixante.
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février 2005, Montréal
Architecture du Canada
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Three series of intricate graphite drawings depict, with arresting realism, real-world examples of assembled, grown, and built objects common to distinct milieus of Vancouver: the shopping carts piled high with belongings that clatter along sidewalks in the downtown core; the long, high hedges that insulate single-family homes from the din of arterial traffic; and the(...)
Architecture du Canada
septembre 2024
Taizo Yamamoto: Carts, hedges, lions
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Three series of intricate graphite drawings depict, with arresting realism, real-world examples of assembled, grown, and built objects common to distinct milieus of Vancouver: the shopping carts piled high with belongings that clatter along sidewalks in the downtown core; the long, high hedges that insulate single-family homes from the din of arterial traffic; and the sculptural lions placed for good luck atop fenceposts in front of many homes, especially on the city's east side. In creating snapshots and then laborious drawings of these objects, Taizo Yamamoto, the principal of Yamamoto Architecture, was driven by a fascination with how the recurrence of these seemingly mundane objects speaks to omnipresent issues of housing unaffordability, densification, and the aspirations of diasporic communities - concerns that have an uneasy relationship to celebrated narratives of Vancouver but play a prominent role in residents' everyday lives. To this work he brings not just sustained careful attention but an architect's eye for details both structural and textural, resulting in immersive, richly nuanced drawings.
Architecture du Canada
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Modern urban planning has long promised to improve the quality of human life. But how is human life defined? "Displacing Blackness" develops a unique critique of urban planning by focusing, not on its subservience to economic or political elites, but on its efforts to improve people’s lives. While focused on twentieth-century Halifax, "Displacing Blackness" develops(...)
Displacing Blackness: Planning, power, and race in twentieth-century Halifax
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Modern urban planning has long promised to improve the quality of human life. But how is human life defined? "Displacing Blackness" develops a unique critique of urban planning by focusing, not on its subservience to economic or political elites, but on its efforts to improve people’s lives. While focused on twentieth-century Halifax, "Displacing Blackness" develops broad insights about the possibilities and limitations of modern planning. Drawing connections between the history of planning and emerging scholarship in Black Studies, Ted Rutland positions anti-blackness at the heart of contemporary city-making. Moving through a series of important planning initiatives, from a social housing project concerned with the moral and physical health of working-class residents to a sustainability-focused regional plan, Displacing Blackness shows how race – specifically blackness – has defined the boundaries of the human being and guided urban planning, with grave consequences for the city’s Black residents.
Architecture du Canada
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In the early 2000s, a remarkable renewal of Toronto's Regent Park neighbourhood began. Designed as a garden city" in the 1940s, the area gained a reputation over the decades as a "no go" zone. In 2005, Toronto's City Council approved a revitalization that would effectively turn Regent Park into one of the city's "go to" neighbourhoods. Through captivating narrative that(...)
Rhythms of change: Reflections on the Regent Park Revitalization
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In the early 2000s, a remarkable renewal of Toronto's Regent Park neighbourhood began. Designed as a garden city" in the 1940s, the area gained a reputation over the decades as a "no go" zone. In 2005, Toronto's City Council approved a revitalization that would effectively turn Regent Park into one of the city's "go to" neighbourhoods. Through captivating narrative that transcends urban planning, architecture, community development, and business, "Rhythms of change" explores the revitalization journey through the eyes of Mitchell Cohen-a social activist, a musician, and the visionary CEO of The Daniels Corporation. The Regent Park revitalization is now the gold standard for reimagining and transforming stigmatized neighbourhoods. Cohen's firsthand account unveils key elements underlying an extraordinary metamorphosis into a healthy, resilient, and inclusive community.
Architecture du Canada