Montréal at the crossroads
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City residents the world over are questioning how best to deal with aging infrastructure built for the automobile, during the cheap fuel era. Montréal is no exception. This volume brings together a range of viewpoints that enriches the current discussion. With various aging highway projects due for renewal in the city, debate has been refocused on balancing the quality(...)
Architecture du Canada
juin 2009
Montréal at the crossroads
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City residents the world over are questioning how best to deal with aging infrastructure built for the automobile, during the cheap fuel era. Montréal is no exception. This volume brings together a range of viewpoints that enriches the current discussion. With various aging highway projects due for renewal in the city, debate has been refocused on balancing the quality of urban neighbourhoods with the requirements of suburban traffic.
Architecture du Canada
Tokyo from Vancouver 2
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Documenting a highly productive four month visit by a group of students from the University of British Columbia to Tokyo, this publication, edited by George Wagner, packs an impressive collection of projects and observations from both students and young practicing Japanese architects. Generously illustrated throughout with photographs, plans, drawings and details of(...)
Tokyo from Vancouver 2
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Documenting a highly productive four month visit by a group of students from the University of British Columbia to Tokyo, this publication, edited by George Wagner, packs an impressive collection of projects and observations from both students and young practicing Japanese architects. Generously illustrated throughout with photographs, plans, drawings and details of recent research and projects the book features work and thoughts from Dana Buntrock, Manabu Chiba, Sou Fujimoto, David Stewart and Kumiko Inui.
Architecture du Canada
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This publication was born of a collaboration between Artspeak and Presentation House Gallery and is printed following the exhibition Territory (June 10 - August 6, 2006).
Territory: artspeak presentation house gallery
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This publication was born of a collaboration between Artspeak and Presentation House Gallery and is printed following the exhibition Territory (June 10 - August 6, 2006).
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In the late 2000s human society entered a new urban epoch in which the majority of human beings live in cities. Whilst the city has historically been viewed as the foundation of democracy and citizenship, the geo-political spaces of modern cities are widely misunderstood despite their key role in shaping contemporary global society. How and why have cities become the(...)
Rise of cities: Montréal, Toronto, Vancouver and other cities
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In the late 2000s human society entered a new urban epoch in which the majority of human beings live in cities. Whilst the city has historically been viewed as the foundation of democracy and citizenship, the geo-political spaces of modern cities are widely misunderstood despite their key role in shaping contemporary global society. How and why have cities become the command centres of the world economy? Does globalization menace cities as we know them? Are cities able to exercise democratic control and strategic choice when multinational corporate competition increasingly limits the importance of place? The Rise of Cities offers intriguing responses to these questions by analyzing how cities coalesce, develop and thrive, and how they can remake themselves for better for worse. Examining key issues such as the parasitic relationships cities have with Nature, the webs of trade and immigration they rely on to survive, and the spatial structure of the contemporary metropolis, the contributors develop a startling outline of cities in crisis and demonstrate why the State has failed, and must fail, to end the urban crisis. These themes are explored through a variety of concrete, real-world examples of the challenges of urban politics: metropolitan governance, urban redevelopment policy, housing problems, grass roots activism and urban planning. In the background looms the spectre of neo-liberal globalization, with the development of influential world cities related to the emergence of modern telecommunications, the growth of multinational corporations and the generation of a world economy with an increased movement of cultural symbols and artifacts across national borders.
Architecture du Canada
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Canada and the Idea of North examines the ways in which Canadians have defined them-selves as a northern people in their literature, art, music, drama, history, geography, politics, and popular culture.
Canada and the idea of the north
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Canada and the Idea of North examines the ways in which Canadians have defined them-selves as a northern people in their literature, art, music, drama, history, geography, politics, and popular culture.
Architecture du Canada
Sandra Meigs: strange loop
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A catalogue of Carleton University Art Gallery's exhibition of paintings of architectural interiors by Victoria painter Sandra Meigs. Rendered in grey-scale and complex linear perspective, the paintings are based on studies of 19th-century mansions in Newport, Rhode Island. The essay analyzes Meigs’s work in relation to Gaston Bachelard’s theories on the psychological(...)
Sandra Meigs: strange loop
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A catalogue of Carleton University Art Gallery's exhibition of paintings of architectural interiors by Victoria painter Sandra Meigs. Rendered in grey-scale and complex linear perspective, the paintings are based on studies of 19th-century mansions in Newport, Rhode Island. The essay analyzes Meigs’s work in relation to Gaston Bachelard’s theories on the psychological meanings of the house.
Manon de Pauw: intrigues
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Ce catalogue présentant plus d’une soixantaine de reproductions des œuvres de l’artiste, est en cours de préparation. Il s’agira de la première monographie consacrée à Manon de Pauw dont la pratique, malgré son importance, n’a pas encore fait l’objet d’une étude approfondie et reste peu documentée. Le livre reflétera de près le contenu de l’exposition tout en faisant le(...)
Manon de Pauw: intrigues
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Ce catalogue présentant plus d’une soixantaine de reproductions des œuvres de l’artiste, est en cours de préparation. Il s’agira de la première monographie consacrée à Manon de Pauw dont la pratique, malgré son importance, n’a pas encore fait l’objet d’une étude approfondie et reste peu documentée. Le livre reflétera de près le contenu de l’exposition tout en faisant le point sur le parcours de l’artiste depuis les dix dernières années.
livres
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Troisième monographie par la MAQ avec l’Atelier Pierre Thibault, agence reconnue au Québec mais aussi ailleurs dans le monde. Détentrice de nombreux prix dont le Prix de Rome en architecture du Canada, l’agence la plus connue du grand public québécois célèbre ses 25 ans et se voit ici analysée et placée dans un contexte plus large par les théoriciens en histoire et(...)
juin 2014
Pierre Thibault: l'architecture comme paysage
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Troisième monographie par la MAQ avec l’Atelier Pierre Thibault, agence reconnue au Québec mais aussi ailleurs dans le monde. Détentrice de nombreux prix dont le Prix de Rome en architecture du Canada, l’agence la plus connue du grand public québécois célèbre ses 25 ans et se voit ici analysée et placée dans un contexte plus large par les théoriciens en histoire et architecture Georges Teyssot et Alessandra Ponte. L’œuvre est également vue et présentée à travers l’œil du cinéaste oscarisé Denys Arcand et du photographe attitré de l’architecte depuis un quart de siècle, Alain Laforest (plus de 100 photos couleurs dans une section bonus spéciale).
livres
juin 2014
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At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender,(...)
octobre 2014
Negotiations in a vacant lot: studying the visual in Canada
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At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders.
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Spectacular, scientific, and educational cultural practices were used to establish and define public identities in the British colonies of nineteenth-century Canada. In Visibly Canadian, Karen Stanworth argues that visual representations were the era's primary mode of expressing identity, and shows how the citizenry of Quebec and Ontario was - or was not - represented in(...)
Visibly Canadian: imaging collective identities in the Canadas, 1820-1910
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Spectacular, scientific, and educational cultural practices were used to establish and define public identities in the British colonies of nineteenth-century Canada. In Visibly Canadian, Karen Stanworth argues that visual representations were the era's primary mode of expressing identity, and shows how the citizenry of Quebec and Ontario was - or was not - represented in the visual culture of the time.Through nine case studies, each representing key moments of identity formation and contestation, Stanworth investigates how a broad range of cultural phenomena, from fine arts to institutional histories to public spectacles, were used to order, resist, and articulate identities within specific social and economic contexts. The negotiation and planning underpinning civic culture are evident in rare moments of compromise such as the surprising proposal from the Saint-Jean-Baptiste Society to merge their annual parade with the celebration of Queen Victoria's Diamond Jubilee in 1897. Equally astounding is the scale of nineteenth-century public spectacles; reenactments of Victorian scenes of war often attracted crowds of upwards of 10,000 people. Illustrated with over fifty images, many unseen for over a century, Visibly Canadian establishes the significance of artwork and public spectacles in cutting across language, religion, and class to tell stories of nationhood, belonging, and difference.
Architecture du Canada