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Louis Le Roy has been working for more than thirty years on an enormous structure in a meadow at the Friesian settlement of Mildam near Heerenveen. There, on a two-hectare site, he piles up with his bare hands paving bricks, paving stones, kerbstones and other discarded street rubble while allowing nature to proceed about him unhindered. Le Roy calls this fascinating(...)
janvier 2003, Rotterdam
Louis G. Le Roy : nature culture fusion
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Louis Le Roy has been working for more than thirty years on an enormous structure in a meadow at the Friesian settlement of Mildam near Heerenveen. There, on a two-hectare site, he piles up with his bare hands paving bricks, paving stones, kerbstones and other discarded street rubble while allowing nature to proceed about him unhindered. Le Roy calls this fascinating jungle populated by large stacked edifices an 'Eco-Cathedral'. Inspired by the Nobel Prize-winner Ilya Prigogine, Le Roy pondered the following question: 'What can one person achieve working with nature in space and time? This book zooms in on those two aspects crucial to his work: space and time. Le Roy's position on these concepts is at odds with the often rapid, super-efficient, function-hugging approach to greenspace and nature in the Netherlands. The Eco-Cathedral is a place where time regains space and space regains time. So the project he began is expected to be continued by others at least until the year 3000. The ideas underpinning Le Roy's project - the importance of the time factor in spatial processes, and working with complex, dynamic systems and networks - make it relevant to current discourse on architecture, urban design and spatial planning.
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Telling the story of one of the most important gardens in Europe, created by the internationally celebrated architectural critic and designer Charles Jencks and his late wife, the landscape architect and author Maggie Keswick, this book looks at The Garden of Cosmic Speculation. It is a landscape that celebrates the new sciences of complexity and chaos theory and(...)
octobre 2003, London
The garden of cosmic speculation
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Telling the story of one of the most important gardens in Europe, created by the internationally celebrated architectural critic and designer Charles Jencks and his late wife, the landscape architect and author Maggie Keswick, this book looks at The Garden of Cosmic Speculation. It is a landscape that celebrates the new sciences of complexity and chaos theory and consists of a series of metaphors exploring the origins, the destiny and the substance of the Universe. The garden is full of ideas, associations, games and memories; Jencks weaves his personal account of the garden's creation into an investigation into the revelations of recent science, using landscape and design to shed light on the way we can now conceive of the Universe. This book is illustrated with year-round photography
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Illustrated with 150 photographs, plans, and drawings, Howett’s study analyzes the singular convergence of influences that occurred in the imagination of a highly unusual woman. The book provides welcome insight into the culture of the New South and into a richly inventive period in the history of American landscape architecture.
mai 2007, Amherst
A world of her own making: Katharine Smith Reynolds and the landscape of Reynolda
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Illustrated with 150 photographs, plans, and drawings, Howett’s study analyzes the singular convergence of influences that occurred in the imagination of a highly unusual woman. The book provides welcome insight into the culture of the New South and into a richly inventive period in the history of American landscape architecture.
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By the late twentieth century, idyllic depictions of eighteenth-century manorial landscapes had become artistic expressions of dislocation. Western agricultural paradigms had shifted, as had the relationship between art and agriculture. The Cultivated Landscape uses over seventy illustrations to look at the development of Western agriculture from feudal times to the(...)
février 2008, Montréal, Kingston, London, Ithaca
The cultivated landscape: an exploration of art and agriculture
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By the late twentieth century, idyllic depictions of eighteenth-century manorial landscapes had become artistic expressions of dislocation. Western agricultural paradigms had shifted, as had the relationship between art and agriculture. The Cultivated Landscape uses over seventy illustrations to look at the development of Western agriculture from feudal times to the present. Craig Pearson and Judith Nasby discuss the evolution of how we think about agriculture, its use of the land and impact on landscape, and how landscape has been portrayed historically in art. They also offer a wider discussion on the role that science and economics have played in agricultural development and the parallels to changes in art form. The Cultivated Landscape ends with a discussion of the complex issues facing agriculture today, the need for greater connectivity between agriculture and our environment, and options for the future.
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In December 2006, close to Zurich airport, Opfikerpark was completed after a construction period of 79 weeks. Central element of the park is a concrete sculpture, over 500m-long, accommodating a lake surrounded by sandy beaches and a reed belt. The idea for the design of the park was the result of an international competition initiated in 2001 and won by Berlin practice(...)
juillet 2007, Berlin
79 KW Zurich : building Opfikerpark
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In December 2006, close to Zurich airport, Opfikerpark was completed after a construction period of 79 weeks. Central element of the park is a concrete sculpture, over 500m-long, accommodating a lake surrounded by sandy beaches and a reed belt. The idea for the design of the park was the result of an international competition initiated in 2001 and won by Berlin practice Kiefer. As the second exhibition at gallery AedesLand, this project will be introduced in June 2007. Contrary to the usual approach, the exhibition does not aim to present an already completed construction but rather make transparent the process of creation and realization of the building project ‘opfikerpark’. The efforts and challenges to create a complex and outstanding structure, which were faced by client, planners, engineers as well as executing contractors, shall be recorded in a commented illustration of the construction work. Building sites are temporary production sites involving a multitude of disciplines and trades which need to be coordinated. The exhibition reflects the progressing technological, organizational and design process as well as the objective and subjective influences in effect and thus aims to convey a realistic image of the building activities. Photographer Hanns Joosten has documented the construction progress at regular intervals. His high-quality, large-scale images communicate the special aesthetics of a building site in all its diversity and affect the atmosphere of the exhibition. The whole exhibition space will be part of the exhibition, even floors and ceilings. In addition, a media installation explains the progress of constructing Opfikerpark where viewpoints of diverse disciplines and participants meet. The players get a chance to speak and express their personal perspective on the building process with spoken commentaries. How is a large park constructed? How does a building site work? What do you need so many planners for? And how do they work together? Based on these questions, spontaneous contributions shall throw a critical and ironic light on the expert discourse.
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Presented by ETH Studio Jan De Vylder, Carrousel Confessions Confusion is a series revealing both the authors’ personal interests and the studio’s own pursuits in the form of confessions. Landscape architect Christophe Girot is the featured personage in this volume. Girot writes about his experiences growing up in England and France, and how the juxtaposition of the(...)
juin 2023
Christophe Girot: Beyond the edge
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Presented by ETH Studio Jan De Vylder, Carrousel Confessions Confusion is a series revealing both the authors’ personal interests and the studio’s own pursuits in the form of confessions. Landscape architect Christophe Girot is the featured personage in this volume. Girot writes about his experiences growing up in England and France, and how the juxtaposition of the regions’ landscapes already happened in his mind, long before he had ever heard or studied anything about it. These contradictory aesthetic and cultural values drove him to study landscape architecture someplace else entirely – Berkeley, California, in the 1980s – where he found his own values challenged anew.
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With the first living laboratory created on Alnarp Campus in the 1980s, ''Woods go urban'' delves into the three innovative landscape laboratories in Sweden. Explaining the hands-on design approach of integrating natural landscapes into urban environments, this book includes photographs, and illustrations, as well as detailed insights and knowledge from fourteen landscape(...)
juillet 2023
Woods go urban: Landscape laboratories in Scandinavia
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With the first living laboratory created on Alnarp Campus in the 1980s, ''Woods go urban'' delves into the three innovative landscape laboratories in Sweden. Explaining the hands-on design approach of integrating natural landscapes into urban environments, this book includes photographs, and illustrations, as well as detailed insights and knowledge from fourteen landscape architects and urban planners who were involved in these projects. Combined with creative management, interactive education, research, and citizen participation, discover new urban planning practices and a transdisciplinary model for healthier and more harmonious urban living environments.
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Nelson Byrd Woltz (NBW) is one of the most in-demand and respected firms working in landscape architecture today with major commissions across the United States. This collection of twelve projects illustrates the power of design to create vital public realms at the heart of communities. Through the celebrated firm’s process, ecological and cultural histories are revealed(...)
novembre 2024
The land is full: Nelson Byrd Woltz Landscape architecture
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Nelson Byrd Woltz (NBW) is one of the most in-demand and respected firms working in landscape architecture today with major commissions across the United States. This collection of twelve projects illustrates the power of design to create vital public realms at the heart of communities. Through the celebrated firm’s process, ecological and cultural histories are revealed and integrated into meaningful public experiences. The firm has worked with exceptionally sensitive sites across the United States, including those that hold the vital histories of enslaved peoples, the rich cultures of indigenous peoples, and the natural habitats that have been threatened by infrastructure and construction.
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Mien Ruys, who worked mostly in the Netherlands for almost 60 years, was one of the most influential landscape architects of the 20th Century. A leading proponent of modernist design, she introduced clean lines, geometric shapes and innovative materials. One of the few women members of CIAM, she collaborated regularly with architects including Aldo van Eyck and Gerrit(...)
Mien Ruys: The mother of modernist gardens
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Mien Ruys, who worked mostly in the Netherlands for almost 60 years, was one of the most influential landscape architects of the 20th Century. A leading proponent of modernist design, she introduced clean lines, geometric shapes and innovative materials. One of the few women members of CIAM, she collaborated regularly with architects including Aldo van Eyck and Gerrit Rietveld, often on much needed social housing schemes. Uniquely, she combined this modernist approach with an extensive knowledge of plants and planting, which she learnt in her father’ s Royal Moerheim Nursery in Dedemsvaart. At the nursery, she met Gertrude Jekyll - who greatly influenced Mien as she developed her own loose, natural style of planting - and created 30 experimental gardens from which lessons which can still be learnt.
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Gilmore D. Clarke and Michael Rapuano were the foremost spatial designers of the American century. Their vast portfolio of public landscapes propelled the legacy of Frederick Law Olmsted and Calvert Vaux into the motor age, touching the lives of millions and changing the face of the nation. This book recovers the forgotten legacy of Clarke and Rapuano, whose parks and(...)
Designing the American century: The public landscapes of Clarke and Rapuano, 1915-1965
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Gilmore D. Clarke and Michael Rapuano were the foremost spatial designers of the American century. Their vast portfolio of public landscapes propelled the legacy of Frederick Law Olmsted and Calvert Vaux into the motor age, touching the lives of millions and changing the face of the nation. This book recovers the forgotten legacy of Clarke and Rapuano, whose parks and parkways, highways and housing estates helped modernize—for better or worse—the American metropolis. With the patronage of public-works titan Robert Moses, Clarke and Rapuano transformed New York over a span of fifty years, revitalizing the city’s immense park system but also planning expressways, public housing, and urban renewal projects that laid waste to entire sections of the city. In this work, Thomas J. Campanella describes how Clarke and Rapuano helped create some of the metropolitan region’s most iconic landscapes, from the Central Park Zoo and Conservatory Garden to the Henry Hudson Parkway and Riverside Park, Jones Beach, the Palisades and Taconic State Parkways, and the Brooklyn Heights Promenade. He shows how they left their mark far beyond Gotham as well, with projects as diverse as Yellowstone’s Mammoth Hot Springs, the Mount Vernon Memorial Highway, site plans for the Pentagon and CIA headquarters, and Montreal’s Olympic Park.