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In December 2006, close to Zurich airport, Opfikerpark was completed after a construction period of 79 weeks. Central element of the park is a concrete sculpture, over 500m-long, accommodating a lake surrounded by sandy beaches and a reed belt. The idea for the design of the park was the result of an international competition initiated in 2001 and won by Berlin practice(...)
juillet 2007, Berlin
79 KW Zurich : building Opfikerpark
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In December 2006, close to Zurich airport, Opfikerpark was completed after a construction period of 79 weeks. Central element of the park is a concrete sculpture, over 500m-long, accommodating a lake surrounded by sandy beaches and a reed belt. The idea for the design of the park was the result of an international competition initiated in 2001 and won by Berlin practice Kiefer. As the second exhibition at gallery AedesLand, this project will be introduced in June 2007. Contrary to the usual approach, the exhibition does not aim to present an already completed construction but rather make transparent the process of creation and realization of the building project ‘opfikerpark’. The efforts and challenges to create a complex and outstanding structure, which were faced by client, planners, engineers as well as executing contractors, shall be recorded in a commented illustration of the construction work. Building sites are temporary production sites involving a multitude of disciplines and trades which need to be coordinated. The exhibition reflects the progressing technological, organizational and design process as well as the objective and subjective influences in effect and thus aims to convey a realistic image of the building activities. Photographer Hanns Joosten has documented the construction progress at regular intervals. His high-quality, large-scale images communicate the special aesthetics of a building site in all its diversity and affect the atmosphere of the exhibition. The whole exhibition space will be part of the exhibition, even floors and ceilings. In addition, a media installation explains the progress of constructing Opfikerpark where viewpoints of diverse disciplines and participants meet. The players get a chance to speak and express their personal perspective on the building process with spoken commentaries. How is a large park constructed? How does a building site work? What do you need so many planners for? And how do they work together? Based on these questions, spontaneous contributions shall throw a critical and ironic light on the expert discourse.
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Fertilizers: olin/eisenman
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Architect Peter Eisenman and landscape architect Laurie Olin have been collaborating since 1980 on projects both built and unbuilt. Their key works include the Wexner Center for the Arts and the Holocaust Memorial in Berlin. This first book on their important and unusually egalitarian working relationship offers a revealing look at the development of a 25-year(...)
juin 2007, Philadelphia
Fertilizers: olin/eisenman
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Architect Peter Eisenman and landscape architect Laurie Olin have been collaborating since 1980 on projects both built and unbuilt. Their key works include the Wexner Center for the Arts and the Holocaust Memorial in Berlin. This first book on their important and unusually egalitarian working relationship offers a revealing look at the development of a 25-year collaboration, beginning with the title work, a recent site-specific environmental installation, and continuing through a survey of their portfolio. Each of the two also maintains an individual practice and teaches: Olin is the Practice Professor of Landscape Architecture and Regional Planning at the University of Pennsylvania and the author of Across the Open Field, Essays Drawn on the English Landscape, and co-author of Vizcaya, An American Villa and its Makers. Peter Eisenman was the first Irwin S. Chanin Distinguished Professor of Architecture at The Cooper Union and is currently the Louis I. Kahn Professor of Architecture at Yale. His books include Diagram Diaries and Chora L Works, co-authored with Jacques Derrida. Fertilizers includes essays by each of them, an interview and many seldom-seen images.
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juin 2007, Philadelphia
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Presented by ETH Studio Jan De Vylder, Carrousel Confessions Confusion is a series revealing both the authors’ personal interests and the studio’s own pursuits in the form of confessions. Landscape architect Christophe Girot is the featured personage in this volume. Girot writes about his experiences growing up in England and France, and how the juxtaposition of the(...)
juin 2023
Christophe Girot: Beyond the edge
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Presented by ETH Studio Jan De Vylder, Carrousel Confessions Confusion is a series revealing both the authors’ personal interests and the studio’s own pursuits in the form of confessions. Landscape architect Christophe Girot is the featured personage in this volume. Girot writes about his experiences growing up in England and France, and how the juxtaposition of the regions’ landscapes already happened in his mind, long before he had ever heard or studied anything about it. These contradictory aesthetic and cultural values drove him to study landscape architecture someplace else entirely – Berkeley, California, in the 1980s – where he found his own values challenged anew.
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With the first living laboratory created on Alnarp Campus in the 1980s, ''Woods go urban'' delves into the three innovative landscape laboratories in Sweden. Explaining the hands-on design approach of integrating natural landscapes into urban environments, this book includes photographs, and illustrations, as well as detailed insights and knowledge from fourteen landscape(...)
juillet 2023
Woods go urban: Landscape laboratories in Scandinavia
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With the first living laboratory created on Alnarp Campus in the 1980s, ''Woods go urban'' delves into the three innovative landscape laboratories in Sweden. Explaining the hands-on design approach of integrating natural landscapes into urban environments, this book includes photographs, and illustrations, as well as detailed insights and knowledge from fourteen landscape architects and urban planners who were involved in these projects. Combined with creative management, interactive education, research, and citizen participation, discover new urban planning practices and a transdisciplinary model for healthier and more harmonious urban living environments.
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Nelson Byrd Woltz (NBW) is one of the most in-demand and respected firms working in landscape architecture today with major commissions across the United States. This collection of twelve projects illustrates the power of design to create vital public realms at the heart of communities. Through the celebrated firm’s process, ecological and cultural histories are revealed(...)
novembre 2024
The land is full: Nelson Byrd Woltz Landscape architecture
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Nelson Byrd Woltz (NBW) is one of the most in-demand and respected firms working in landscape architecture today with major commissions across the United States. This collection of twelve projects illustrates the power of design to create vital public realms at the heart of communities. Through the celebrated firm’s process, ecological and cultural histories are revealed and integrated into meaningful public experiences. The firm has worked with exceptionally sensitive sites across the United States, including those that hold the vital histories of enslaved peoples, the rich cultures of indigenous peoples, and the natural habitats that have been threatened by infrastructure and construction.
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Mien Ruys, who worked mostly in the Netherlands for almost 60 years, was one of the most influential landscape architects of the 20th Century. A leading proponent of modernist design, she introduced clean lines, geometric shapes and innovative materials. One of the few women members of CIAM, she collaborated regularly with architects including Aldo van Eyck and Gerrit(...)
Mien Ruys: The mother of modernist gardens
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Mien Ruys, who worked mostly in the Netherlands for almost 60 years, was one of the most influential landscape architects of the 20th Century. A leading proponent of modernist design, she introduced clean lines, geometric shapes and innovative materials. One of the few women members of CIAM, she collaborated regularly with architects including Aldo van Eyck and Gerrit Rietveld, often on much needed social housing schemes. Uniquely, she combined this modernist approach with an extensive knowledge of plants and planting, which she learnt in her father’ s Royal Moerheim Nursery in Dedemsvaart. At the nursery, she met Gertrude Jekyll - who greatly influenced Mien as she developed her own loose, natural style of planting - and created 30 experimental gardens from which lessons which can still be learnt.
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Gilmore D. Clarke and Michael Rapuano were the foremost spatial designers of the American century. Their vast portfolio of public landscapes propelled the legacy of Frederick Law Olmsted and Calvert Vaux into the motor age, touching the lives of millions and changing the face of the nation. This book recovers the forgotten legacy of Clarke and Rapuano, whose parks and(...)
Designing the American century: The public landscapes of Clarke and Rapuano, 1915-1965
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Gilmore D. Clarke and Michael Rapuano were the foremost spatial designers of the American century. Their vast portfolio of public landscapes propelled the legacy of Frederick Law Olmsted and Calvert Vaux into the motor age, touching the lives of millions and changing the face of the nation. This book recovers the forgotten legacy of Clarke and Rapuano, whose parks and parkways, highways and housing estates helped modernize—for better or worse—the American metropolis. With the patronage of public-works titan Robert Moses, Clarke and Rapuano transformed New York over a span of fifty years, revitalizing the city’s immense park system but also planning expressways, public housing, and urban renewal projects that laid waste to entire sections of the city. In this work, Thomas J. Campanella describes how Clarke and Rapuano helped create some of the metropolitan region’s most iconic landscapes, from the Central Park Zoo and Conservatory Garden to the Henry Hudson Parkway and Riverside Park, Jones Beach, the Palisades and Taconic State Parkways, and the Brooklyn Heights Promenade. He shows how they left their mark far beyond Gotham as well, with projects as diverse as Yellowstone’s Mammoth Hot Springs, the Mount Vernon Memorial Highway, site plans for the Pentagon and CIA headquarters, and Montreal’s Olympic Park.
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C'est à Vaux le Vicomte, chez le surintendant Fouquet, que le futur jardinier de Louis XIV, Le Nôtre, utilise pour la première fois les jeux de perspectives et d'illusion optiques qui devaient bientôt définir son style. Michel Brix décrit et explique dans cet ouvrage chacun des procédés nouveaux mis en oeuvre par le grand jardinier. Ces principes donneront naissance au(...)
André Le Nôtre, magicien de l'espace : tout commence à Vaux le Vicomte
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C'est à Vaux le Vicomte, chez le surintendant Fouquet, que le futur jardinier de Louis XIV, Le Nôtre, utilise pour la première fois les jeux de perspectives et d'illusion optiques qui devaient bientôt définir son style. Michel Brix décrit et explique dans cet ouvrage chacun des procédés nouveaux mis en oeuvre par le grand jardinier. Ces principes donneront naissance au jardin à la française, bientôt copiés dans toute l'Europe.
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For sixty years Fletcher Steele practiced landscape architecture as a fine art, designing nearly seven hundred gardens, from Boston to Detroit, and New Brunswick, Canada, to Asheville, North Carolina. Often brilliant, always original, Steele’s work is considered by many to constitute the essential link between nineteenth-century Beaux-Arts formalism and modern landscape design.
août 2003, Amherst, Mass.
Fletcher Steele, landscape architect : an account of the gardenmaker's life, 1885 - 1971
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For sixty years Fletcher Steele practiced landscape architecture as a fine art, designing nearly seven hundred gardens, from Boston to Detroit, and New Brunswick, Canada, to Asheville, North Carolina. Often brilliant, always original, Steele’s work is considered by many to constitute the essential link between nineteenth-century Beaux-Arts formalism and modern landscape design.
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Collaboration with the greatest botanists of his time, an instinctive humanitarianism, and a natural ingenuity in landscape design combined to make Thomas Jefferson a pioneer in American landscape architecture. Frederick D. Nichols and Ralph E. Griswold, in this close study of Jefferson’s many notes, letters, and sketches, present a clear and detailed interpretation of(...)
juin 2003, Charlottesville
Thomas Jefferson, landscape architect
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Collaboration with the greatest botanists of his time, an instinctive humanitarianism, and a natural ingenuity in landscape design combined to make Thomas Jefferson a pioneer in American landscape architecture. Frederick D. Nichols and Ralph E. Griswold, in this close study of Jefferson’s many notes, letters, and sketches, present a clear and detailed interpretation of his extraordinary accomplishments in the field. "Thomas Jefferson, Landscape Architect" investigates the many influences on — and of — the Jeffersonian legacy in architecture. Jefferson’s personality, friendships, and convictions, complemented by his extensive reading and travels, clearly influenced his architectural work. His fresh approach to incorporating foreign elements into domestic designs, his revolutionary approach to relating the house to the surrounding land, and his profound influences on the architectural character of the District of Columbia are just a few of Jefferson’s contributions to the American landscape. Eighteenth- and nineteenth-century maps, plans, and drawings, as well as pictures of the species of trees that Jefferson used for his designs, generously illustrate the engaging narrative in "Thomas Jefferson, Landscape Architect".