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Dieter Kienast (1945–1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in societal understandings of nature, he sought a synthesis between design and ecology. He designed spaces to make the dissolving opposition between city and countryside legible and to enable aesthetic experience to help cope with increasingly complex everyday(...)
The landscapes of Dieter Kienast
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Dieter Kienast (1945–1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in societal understandings of nature, he sought a synthesis between design and ecology. He designed spaces to make the dissolving opposition between city and countryside legible and to enable aesthetic experience to help cope with increasingly complex everyday life. Kienast introduced new challenges into the discussion of those fields. Critique of urban planning, processes of participation and the significance of urban vegetation played just as much a role in these discussions as did art, literature, architecture, and the popularity of postmodernism.
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The Chimneys is home to one of Frederick Law Olmsted Jr.’s finest surviving Italianate gardens. On a 1902 commission by Boston financier and philanthropist Gardiner Martin Lane and his wife, Emma, Olmsted designed the garden as a series of distinct rooms, forming sequential terraces in an architectural response to the downward sloping topography. By 1991, when Nola(...)
Immersion: Living and learning in an Olmsted garden
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The Chimneys is home to one of Frederick Law Olmsted Jr.’s finest surviving Italianate gardens. On a 1902 commission by Boston financier and philanthropist Gardiner Martin Lane and his wife, Emma, Olmsted designed the garden as a series of distinct rooms, forming sequential terraces in an architectural response to the downward sloping topography. By 1991, when Nola Anderson and her husband, Jim Mullen, purchased The Chimneys, the garden was in ruins, having not been maintained for nearly forty years. The garden’s renewal became Ms. Anderson’s three-decade, hands-on personal passion as she rebuilt, restored, and recreated the garden, honoring the original Olmsted intent while completing the design with historic and contemporary plantings that pleased her evolving personal taste. The renewed gardens are, once again, the centerpiece of The Chimneys estate and a vibrant extension of a family home.
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Berlin-based landscape architecture firm Topotek 1 (founded in 1996) traverses disciplines, landscape typologies and scales. This publication showcases ten significant projects including The Big Dig in Xi’an, China, Superkilen in Copenhagen, Denmark, the Heerenschürli sports facilities in Zurich and the Castle Park in.
Creative infidelities: landscape architecture of Topotek 1
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Berlin-based landscape architecture firm Topotek 1 (founded in 1996) traverses disciplines, landscape typologies and scales. This publication showcases ten significant projects including The Big Dig in Xi’an, China, Superkilen in Copenhagen, Denmark, the Heerenschürli sports facilities in Zurich and the Castle Park in.
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In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one(...)
Cornelia Hahn Oberlander: making the modern landscape
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In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University’s Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes, including the 1970s design of the Robson Square landscape and its adjoining Provincial Law Courts—one of Vancouver’s most famous spaces. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal.
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This monograph explores the design philosophy of the three partners of Surfacedesign, who are committed to solutions that emerge from the site itself and challenge conventional approaches to landscape. The work is informed by the vast openness and frontier spirit of the West, expressed in rugged materials and sustainable planting. Surfacedesign focuses on cultivating a(...)
octobre 2019
Surafcedesign: material landscapes
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This monograph explores the design philosophy of the three partners of Surfacedesign, who are committed to solutions that emerge from the site itself and challenge conventional approaches to landscape. The work is informed by the vast openness and frontier spirit of the West, expressed in rugged materials and sustainable planting. Surfacedesign focuses on cultivating a sense of connection to the built and natural world, pushing people to engage with the landscape in new ways. The design approach emphasizes and celebrates the unique context and imaginative potential of each project. The studio's process is rooted in asking novel questions and listening to a site and its users, a process that has led to engaging and inspiring landscapes that are rugged, contemporary, and crafted.
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In "Designing a Garden", Van Valkenburgh presents the design of the Monk's Garden at the Isabella Stewart Gardner Museum, an intimate, walled garden that Laurie Olin has described as "a masterpiece, and not a minor one." The book documents the evolution of the garden's design, which is based on the concept of meandering paths through a dreamlike woodland to create a(...)
octobre 2019
Designing a garden: Monk's Garden at the Isabella Stewart Gardner Museum
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In "Designing a Garden", Van Valkenburgh presents the design of the Monk's Garden at the Isabella Stewart Gardner Museum, an intimate, walled garden that Laurie Olin has described as "a masterpiece, and not a minor one." The book documents the evolution of the garden's design, which is based on the concept of meandering paths through a dreamlike woodland to create a contemplative space. Sketches and models show how the idea was worked out, and lush photographs reveal the completed garden through the seasons. Van Valkenburgh's text explores the origins of his love of landscape and plants in his family farm in Upstate New York and how this has influenced his intuitions as a designer. He shares the full background story of the Monk's Garden, focusing on the experimental nature of design work as well as the challenges and satisfactions of the small scale and the historic and cultural context.
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''Architecture Monogram'' is a book series on emerging architects, landscape designers, photographers, and writers from Belgium and the Netherlands in which the designers reveal the personal obsessions and motivations that stimulate their design process. In this second issue of the series Swiss-Dutch landscape architect Anouk Vogel reflects upon ten years of independent(...)
Architecture monogram 2: Anouk Vogel, Soliloquy
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''Architecture Monogram'' is a book series on emerging architects, landscape designers, photographers, and writers from Belgium and the Netherlands in which the designers reveal the personal obsessions and motivations that stimulate their design process. In this second issue of the series Swiss-Dutch landscape architect Anouk Vogel reflects upon ten years of independent practice in the form of short conversations with her alter ego that reveal the way in which she explores the margins of the discipline.
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Anyone viewing what we call a “landscape” from a distance will recognize that it is an artifact, a habitat created by humans as part of our built environment. Mutation and Morphosis looks at all the many aspects involved in the collective process of designing and shaping landscapes, from planning to implementation. The model as a tool and the collection as a driving force(...)
mai 2020
Mutation and morphosis: landscape as aggregate
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Anyone viewing what we call a “landscape” from a distance will recognize that it is an artifact, a habitat created by humans as part of our built environment. Mutation and Morphosis looks at all the many aspects involved in the collective process of designing and shaping landscapes, from planning to implementation. The model as a tool and the collection as a driving force are illustrated on the basis of an astonishing variety of topics. In theoretical discussions and the examination of detailed dossiers of facts on the ground, a trajectory is traced: from the emergence of new landscapes as a result of climate change to the migration of the wolf to Central Europe, from the impact of invasive plants to the study of geological formation processes. The panorama that unfolds gives us insights into the broad context that landscape architects must consider in their work, exemplified by the outstanding projects realized by VOGT.
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''Kengo Kuma: Portland Japanese Garden'' introduces the star Japanese architect's first public project in the United States. Kuma won the Portland Japanese Garden invitational competition by proposing a design that, while executed with contemporary materials and the latest construction technology, also builds on the principles of traditional architecture and(...)
avril 2019
Kengo Kuma: Portland Japanese garden
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''Kengo Kuma: Portland Japanese Garden'' introduces the star Japanese architect's first public project in the United States. Kuma won the Portland Japanese Garden invitational competition by proposing a design that, while executed with contemporary materials and the latest construction technology, also builds on the principles of traditional architecture and craftsmanship. The resulting group of small buildings superbly blends with its magnificent natural environment and provides an outstanding example of Kuma's artistry of seamlessly connecting nature and architecture as well as past and present without falling into the trap of mimicry or sentimentality. The book includes chapters on the reverence of nature and Japanese culture, on architecture and gardens in Japan, on the architecture of Kengo Kuma beyond the garden, and on craftsmanship and design, as well as on the new buildings and the garden itself, which is widely considered the most beautiful such garden outside Japan.
Robert Royston
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Over nearly six decades of practice, Robert Royston (1918–2008) shaped the postwar Bay Area landscape with visionary designs for public spaces. Early in his career, Royston conceived of the "landscape matrix," a system of interconnected parks, plazas, and parkways that he hoped could bring order and amenity to rapidly developing suburbs. The idea would inform his work on(...)
mars 2020
Robert Royston
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Over nearly six decades of practice, Robert Royston (1918–2008) shaped the postwar Bay Area landscape with visionary designs for public spaces. Early in his career, Royston conceived of the "landscape matrix," a system of interconnected parks, plazas, and parkways that he hoped could bring order and amenity to rapidly developing suburbs. The idea would inform his work on more than two thousand projects as diverse as school grounds, new towns, transit corridors, and housing tracts. As an apprentice of Thomas Church, Royston gained experience with residential gardens that influenced his early designs for public parks. At a time when neighborhood parks were typically limited to playing fields and stock playground equipment, Royston created imaginative facilities for the American family, offering activities for people of all ages.