125 Résultats
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Technique d’animation image par image, le stop motion fascine, attire et intrigue. Cet ouvrage présente cet art centenaire qui permet d’insuffler la vie et le mouvement à des objets inanimés. Pas à pas, il nous entraîne dans les coulisses des films, détaillant les aspects techniques du tournage et dévoilant les secrets de création des décors et des marionnettes.
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Technique d’animation image par image, le stop motion fascine, attire et intrigue. Cet ouvrage présente cet art centenaire qui permet d’insuffler la vie et le mouvement à des objets inanimés. Pas à pas, il nous entraîne dans les coulisses des films, détaillant les aspects techniques du tournage et dévoilant les secrets de création des décors et des marionnettes.
Titre:
Les essentiels de l'animation: stop motion
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Technique d’animation image par image, le stop motion fascine, attire et intrigue. Cet ouvrage présente cet art centenaire qui permet d’insuffler la vie et le mouvement à des objets inanimés. Pas à pas, il nous entraîne dans les coulisses des films, détaillant les aspects techniques du tournage et dévoilant les secrets de création des décors et des marionnettes.
Les essentiels de l'animation: stop motion
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Technique d’animation image par image, le stop motion fascine, attire et intrigue. Cet ouvrage présente cet art centenaire qui permet d’insuffler la vie et le mouvement à des objets inanimés. Pas à pas, il nous entraîne dans les coulisses des films, détaillant les aspects techniques du tournage et dévoilant les secrets de création des décors et des marionnettes.
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livres
livres
Publication:
janvier 2012
janvier 2012
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livres
livres
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World film locations: Paris
World film locations: Paris
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Reviewers consider cinematic movements and genres such as Poetic Realism; the New Wave; the Left Bank Group; cinéma-vérité; the Cinéma du Look, while essays foreground contributions from francophone African directors, émigré filmmakers, and the occasionally demonized Paris of some of Claire Denis’ films. Screengrabs illustrate the importance of location, while(...)
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Reviewers consider cinematic movements and genres such as Poetic Realism; the New Wave; the Left Bank Group; cinéma-vérité; the Cinéma du Look, while essays foreground contributions from francophone African directors, émigré filmmakers, and the occasionally demonized Paris of some of Claire Denis’ films. Screengrabs illustrate the importance of location, while(...)
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World film locations: Paris
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Reviewers consider cinematic movements and genres such as Poetic Realism; the New Wave; the Left Bank Group; cinéma-vérité; the Cinéma du Look, while essays foreground contributions from francophone African directors, émigré filmmakers, and the occasionally demonized Paris of some of Claire Denis’ films. Screengrabs illustrate the importance of location, while contemporary photographs coincide with cinematic narratives set in the storied City of Light.
World film locations: Paris
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Reviewers consider cinematic movements and genres such as Poetic Realism; the New Wave; the Left Bank Group; cinéma-vérité; the Cinéma du Look, while essays foreground contributions from francophone African directors, émigré filmmakers, and the occasionally demonized Paris of some of Claire Denis’ films. Screengrabs illustrate the importance of location, while contemporary photographs coincide with cinematic narratives set in the storied City of Light.
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livres
livres
Publication:
mars 2012
mars 2012
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livres
livres
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Hollywood Cinema and the Real Los Angeles traces the interaction of the real city, its movie business, and filmed image, focusing on the crucial period from the construction of the first studios in the 1910s to the decline of the studio system fifty years later. As Los Angeles gradually became one of the ten largest cities in the world, the film industry made key(...)
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Hollywood Cinema and the Real Los Angeles traces the interaction of the real city, its movie business, and filmed image, focusing on the crucial period from the construction of the first studios in the 1910s to the decline of the studio system fifty years later. As Los Angeles gradually became one of the ten largest cities in the world, the film industry made key(...)
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Hollywood cinema and the real Los Angeles
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Hollywood Cinema and the Real Los Angeles traces the interaction of the real city, its movie business, and filmed image, focusing on the crucial period from the construction of the first studios in the 1910s to the decline of the studio system fifty years later. As Los Angeles gradually became one of the ten largest cities in the world, the film industry made key contributions to its rapid growth and frequent crises in economic, social, political and cultural life. Whether filmmakers engaged with the real city on location or recreated it on a studio set, Los Angeles shaped the films that were made there and circulated influentially worldwide. The book pays particular attention to early cinema, slapstick comedy, movies about the movies and film noir, which are each explored in new ways, with an emphasis on urban and architectural space and its representation, as well as filmmaking style and technique.
Hollywood cinema and the real Los Angeles
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Hollywood Cinema and the Real Los Angeles traces the interaction of the real city, its movie business, and filmed image, focusing on the crucial period from the construction of the first studios in the 1910s to the decline of the studio system fifty years later. As Los Angeles gradually became one of the ten largest cities in the world, the film industry made key contributions to its rapid growth and frequent crises in economic, social, political and cultural life. Whether filmmakers engaged with the real city on location or recreated it on a studio set, Los Angeles shaped the films that were made there and circulated influentially worldwide. The book pays particular attention to early cinema, slapstick comedy, movies about the movies and film noir, which are each explored in new ways, with an emphasis on urban and architectural space and its representation, as well as filmmaking style and technique.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
livres
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For more than 30 years, internationally renowned moving image artists and designers the Quay Brothers have been in the avant-garde of stop-motion puppet animation. Creating work in the tradition of Czech Surrealists Jan Svankmajer and Jiri Trnka, Russian animator Yuri Norstein and Polish animator Walerian Borowczyk, the twin brothers practice a design aesthetic influenced(...)
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For more than 30 years, internationally renowned moving image artists and designers the Quay Brothers have been in the avant-garde of stop-motion puppet animation. Creating work in the tradition of Czech Surrealists Jan Svankmajer and Jiri Trnka, Russian animator Yuri Norstein and Polish animator Walerian Borowczyk, the twin brothers practice a design aesthetic influenced(...)
Titre:
Quay Brothers: on deciphering the pharmacist’s prescription for lip-reading puppets
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For more than 30 years, internationally renowned moving image artists and designers the Quay Brothers have been in the avant-garde of stop-motion puppet animation. Creating work in the tradition of Czech Surrealists Jan Svankmajer and Jiri Trnka, Russian animator Yuri Norstein and Polish animator Walerian Borowczyk, the twin brothers practice a design aesthetic influenced by the graphic surrealism of Polish poster artists of the 1950s and 1960s. Since 1971, they have produced more than 45 moving images, including features, music videos, dance films and documentaries, and have designed sets and projections for opera, drama and concert performances. Published to accompany an exhibition at The Museum of Modern Art, this publication presents their films as well as previously unseen moving image works and graphic design, drawings, typography and notebooks for films.
Quay Brothers: on deciphering the pharmacist’s prescription for lip-reading puppets
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For more than 30 years, internationally renowned moving image artists and designers the Quay Brothers have been in the avant-garde of stop-motion puppet animation. Creating work in the tradition of Czech Surrealists Jan Svankmajer and Jiri Trnka, Russian animator Yuri Norstein and Polish animator Walerian Borowczyk, the twin brothers practice a design aesthetic influenced by the graphic surrealism of Polish poster artists of the 1950s and 1960s. Since 1971, they have produced more than 45 moving images, including features, music videos, dance films and documentaries, and have designed sets and projections for opera, drama and concert performances. Published to accompany an exhibition at The Museum of Modern Art, this publication presents their films as well as previously unseen moving image works and graphic design, drawings, typography and notebooks for films.
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livres
livres
Publication:
août 2012
août 2012
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livres
livres
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$19.95
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Résumé:
Une conversation imaginaire entre deux réalisateurs, libanais et israélien, qui évoque, à partir de souvenirs des conflits locaux, la manière dont le souvenir et le témoignage mêlent inéluctablement fiction et documentaire, qui apporte un éclairage singulier sur l'histoire récente du Moyen-Orient et qui pose aussi la question de ce que signifie « faire des images » aujourd'hui.
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Une conversation imaginaire entre deux réalisateurs, libanais et israélien, qui évoque, à partir de souvenirs des conflits locaux, la manière dont le souvenir et le témoignage mêlent inéluctablement fiction et documentaire, qui apporte un éclairage singulier sur l'histoire récente du Moyen-Orient et qui pose aussi la question de ce que signifie « faire des images » aujourd'hui.
Publication:
juillet 2012
juillet 2012
Titre:
Conversation avec un cinéaste israélien imaginé : Avi Mograbi
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Une conversation imaginaire entre deux réalisateurs, libanais et israélien, qui évoque, à partir de souvenirs des conflits locaux, la manière dont le souvenir et le témoignage mêlent inéluctablement fiction et documentaire, qui apporte un éclairage singulier sur l'histoire récente du Moyen-Orient et qui pose aussi la question de ce que signifie « faire des images » aujourd'hui.
Conversation avec un cinéaste israélien imaginé : Avi Mograbi
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Une conversation imaginaire entre deux réalisateurs, libanais et israélien, qui évoque, à partir de souvenirs des conflits locaux, la manière dont le souvenir et le témoignage mêlent inéluctablement fiction et documentaire, qui apporte un éclairage singulier sur l'histoire récente du Moyen-Orient et qui pose aussi la question de ce que signifie « faire des images » aujourd'hui.
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livres
livres
Publication:
juillet 2012
juillet 2012
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livres
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This book explores the experience of driving cars as a way of encountering landscapes and cities around the world. A richly illustrated cultural history, drawing on social and urban history, art, literature and music, Drive explores in particular how car driving is portrayed in cinema and other moving images, from America to Europe and Asia, and from Hollywood to the(...)
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This book explores the experience of driving cars as a way of encountering landscapes and cities around the world. A richly illustrated cultural history, drawing on social and urban history, art, literature and music, Drive explores in particular how car driving is portrayed in cinema and other moving images, from America to Europe and Asia, and from Hollywood to the(...)
Titre:
Drive : journeys through film, cities and landscapes
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This book explores the experience of driving cars as a way of encountering landscapes and cities around the world. A richly illustrated cultural history, drawing on social and urban history, art, literature and music, Drive explores in particular how car driving is portrayed in cinema and other moving images, from America to Europe and Asia, and from Hollywood to the avant-garde. Drive is about dynamic journeys, experiences and speeds, rooted in specific places and roads, and expanded into the realm of cinema, art and video games. It moves from the gentle deserts of The Grapes of Wrath to the adventurous city streets of The Italian Job, from the aesthetic delights of Rain Man and Traffic to the existential musings of Two-Lane Blacktop, Thelma and Louise and Vanishing Point, from the contemplative freeway pleasures of Lift to the Scaffold, Radio On and London Orbital to the hallucinatory high-speed dangers of Crash, Bullitt, Death Proof and C’était un Rendezvous. It shows how various kinds of driving – with different speeds, cars, attitudes, roads and cities – provide experiences and values that we ignore at our peril.
Drive : journeys through film, cities and landscapes
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This book explores the experience of driving cars as a way of encountering landscapes and cities around the world. A richly illustrated cultural history, drawing on social and urban history, art, literature and music, Drive explores in particular how car driving is portrayed in cinema and other moving images, from America to Europe and Asia, and from Hollywood to the avant-garde. Drive is about dynamic journeys, experiences and speeds, rooted in specific places and roads, and expanded into the realm of cinema, art and video games. It moves from the gentle deserts of The Grapes of Wrath to the adventurous city streets of The Italian Job, from the aesthetic delights of Rain Man and Traffic to the existential musings of Two-Lane Blacktop, Thelma and Louise and Vanishing Point, from the contemplative freeway pleasures of Lift to the Scaffold, Radio On and London Orbital to the hallucinatory high-speed dangers of Crash, Bullitt, Death Proof and C’était un Rendezvous. It shows how various kinds of driving – with different speeds, cars, attitudes, roads and cities – provide experiences and values that we ignore at our peril.
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livres
livres
Publication:
septembre 2012
septembre 2012
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livres
livres
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$41.50
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Covering an array of films that ranges from early classics to contemporary star vehicles, this volume features detailed analyses of forty-six key scenes from productions shot on location across the city, as well as spotlight essays in which contributors with expertise in German studies, urban history, and film studies focus on issues central to understanding Berlin(...)
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Covering an array of films that ranges from early classics to contemporary star vehicles, this volume features detailed analyses of forty-six key scenes from productions shot on location across the city, as well as spotlight essays in which contributors with expertise in German studies, urban history, and film studies focus on issues central to understanding Berlin(...)
Titre:
World film locations : Berlin
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Covering an array of films that ranges from early classics to contemporary star vehicles, this volume features detailed analyses of forty-six key scenes from productions shot on location across the city, as well as spotlight essays in which contributors with expertise in German studies, urban history, and film studies focus on issues central to understanding Berlin cinema. Among the topics discussed are the roles of rubble, construction sites, and music in films set and shot in Berlin, as well as key personalities, including Marlene Dietrich and Leni Riefenstahl. With the help of full-color illustrations that include film stills and contemporary location shots, World Film Locations: Berlin cinematically maps the city’s long twentieth century, taking readers behind the scenes and shedding new light on the connections between many favorite and possibly soon to be favorite films.
World film locations : Berlin
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Covering an array of films that ranges from early classics to contemporary star vehicles, this volume features detailed analyses of forty-six key scenes from productions shot on location across the city, as well as spotlight essays in which contributors with expertise in German studies, urban history, and film studies focus on issues central to understanding Berlin cinema. Among the topics discussed are the roles of rubble, construction sites, and music in films set and shot in Berlin, as well as key personalities, including Marlene Dietrich and Leni Riefenstahl. With the help of full-color illustrations that include film stills and contemporary location shots, World Film Locations: Berlin cinematically maps the city’s long twentieth century, taking readers behind the scenes and shedding new light on the connections between many favorite and possibly soon to be favorite films.
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livres
livres
Publication:
septembre 2012
septembre 2012
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livres
livres
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$19.95
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship(...)
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship(...)
Publication:
septembre 2012
septembre 2012
Titre:
World film locations : Reykjavik
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$19.95
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship between Iceland and its capital city; youth culture and night life; the relationship between film and the local music community; cinematic representations of Scandinavian crime; and filmmakers’ response to the 2008 banking crisis. Together, these varied contributions show how films shot in Reykjavík have been shaped both by Iceland’s remoteness from the rest of the world and by Icelandic filmmakers’ sense that the city remains forever on the brink of desolate and harsh wilderness.
World film locations : Reykjavik
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship between Iceland and its capital city; youth culture and night life; the relationship between film and the local music community; cinematic representations of Scandinavian crime; and filmmakers’ response to the 2008 banking crisis. Together, these varied contributions show how films shot in Reykjavík have been shaped both by Iceland’s remoteness from the rest of the world and by Icelandic filmmakers’ sense that the city remains forever on the brink of desolate and harsh wilderness.
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livres
livres
Publication:
septembre 2012
septembre 2012
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livres
livres
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$45.00
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With the birth of film came the birth of a revolutionary visual language. This book examines the relationship between the visual language of film and the onscreen perception of space and architectural design, revealing how film's visual vocabulary influenced architecture in the twentieth century and continues to influence it today.
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With the birth of film came the birth of a revolutionary visual language. This book examines the relationship between the visual language of film and the onscreen perception of space and architectural design, revealing how film's visual vocabulary influenced architecture in the twentieth century and continues to influence it today.
Titre:
The architecture of the screen
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With the birth of film came the birth of a revolutionary visual language. This book examines the relationship between the visual language of film and the onscreen perception of space and architectural design, revealing how film's visual vocabulary influenced architecture in the twentieth century and continues to influence it today.
The architecture of the screen
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With the birth of film came the birth of a revolutionary visual language. This book examines the relationship between the visual language of film and the onscreen perception of space and architectural design, revealing how film's visual vocabulary influenced architecture in the twentieth century and continues to influence it today.
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livres
livres
Publication:
février 2013
février 2013
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livres
livres
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$27.95
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Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity's least remarkable structures, Kate Marshall discovers a rich network of connections between corridors and novels, one that also(...)
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Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity's least remarkable structures, Kate Marshall discovers a rich network of connections between corridors and novels, one that also(...)
Titre:
Corridor: media architecture in american fiction
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Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity's least remarkable structures, Kate Marshall discovers a rich network of connections between corridors and novels, one that also sheds new light on the nature of modern media.
Corridor: media architecture in american fiction
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Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity's least remarkable structures, Kate Marshall discovers a rich network of connections between corridors and novels, one that also sheds new light on the nature of modern media.
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livres
livres
Publication:
février 2013
février 2013
