119 Résultats
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Video (television, film, the moving image generally) is today's most popular information medium. Two-thirds of the world's internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. "The moving image" is the first authoritative account of how we have arrived here, together with the first(...)
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Video (television, film, the moving image generally) is today's most popular information medium. Two-thirds of the world's internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. "The moving image" is the first authoritative account of how we have arrived here, together with the first(...)
Titre:
The moving image: A user's manual
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Video (television, film, the moving image generally) is today's most popular information medium. Two-thirds of the world's internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. "The moving image" is the first authoritative account of how we have arrived here, together with the first definitive manual to help writers, educators, and publishers use video more effectively. Drawing on decades as an educator, publisher, and producer, MIT's Peter Kaufman presents new tools, best practices, and community resources for integrating film and sound into media that matters.
The moving image: A user's manual
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Résumé:
Video (television, film, the moving image generally) is today's most popular information medium. Two-thirds of the world's internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. "The moving image" is the first authoritative account of how we have arrived here, together with the first definitive manual to help writers, educators, and publishers use video more effectively. Drawing on decades as an educator, publisher, and producer, MIT's Peter Kaufman presents new tools, best practices, and community resources for integrating film and sound into media that matters.
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livres
livres
Publication:
février 2025
février 2025
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livres
livres
Titre:
Dance in Herland
Dance in Herland
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''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting(...)
$69.99
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''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting(...)
Titre:
Dance in Herland
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$69.99
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''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting 20th-century San Francisco and Cuba, tracing history through the neons of Chinatown and the echoes of Cantonese opera. For the dancers and performers documented in this book, their bodies act as living archives; their memories and unspoken emotions may be concealed in their steps, fingertips, and gazes.
Dance in Herland
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Résumé:
''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting 20th-century San Francisco and Cuba, tracing history through the neons of Chinatown and the echoes of Cantonese opera. For the dancers and performers documented in this book, their bodies act as living archives; their memories and unspoken emotions may be concealed in their steps, fingertips, and gazes.
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livres
livres
Publication:
avril 2025
avril 2025
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$41.95
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Résumé:
Although a few among us are intrepid architectural tourists, visiting buildings and landscapes our cameras at the ready, most of us experience architecture through the windshield of a moving vehicle, the architectural experience reduced to a blurry and momentary drive-by. And the rest of our architectural "tourism" is through the images of cameras, movies, and television(...)
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Although a few among us are intrepid architectural tourists, visiting buildings and landscapes our cameras at the ready, most of us experience architecture through the windshield of a moving vehicle, the architectural experience reduced to a blurry and momentary drive-by. And the rest of our architectural "tourism" is through the images of cameras, movies, and television(...)
Publication:
mai 2004, New York
mai 2004, New York
Titre:
Zoomscape : architecture and motion in media
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Although a few among us are intrepid architectural tourists, visiting buildings and landscapes our cameras at the ready, most of us experience architecture through the windshield of a moving vehicle, the architectural experience reduced to a blurry and momentary drive-by. And the rest of our architectural "tourism" is through the images of cameras, movies, and television programs—that is, through the lens of another's eye. Architectural historian Mitchell Schwarzer calls this new mediated architectural experience the "zoomscape." In this thought-provoking book, he argues that the perception of architecture has been fundamentally altered by the technologies of transportation and the camera - we now look at buildings, neighborhoods, cities, and even entire continents as we ride in trains, cars, and planes, and/or as we view photographs, movies, and television. "Zoomscape" shows how we now perceive buildings and places at high speeds, across great distances, through edited and multiple reproductions. Nowadays, our views of the architectural landscape are modulated by the accelerator pedal and the remote control, by studio production techniques and airplane flight paths. Using examples from high art and popular culture - from the novels of Don DeLillo to the opening credits of "The Sopranos" - Mitchell Schwarzer shows that the zoomscape has brought about unprecedented and often marvelous new ways of perceiving the built environment.
Zoomscape : architecture and motion in media
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Résumé:
Although a few among us are intrepid architectural tourists, visiting buildings and landscapes our cameras at the ready, most of us experience architecture through the windshield of a moving vehicle, the architectural experience reduced to a blurry and momentary drive-by. And the rest of our architectural "tourism" is through the images of cameras, movies, and television programs—that is, through the lens of another's eye. Architectural historian Mitchell Schwarzer calls this new mediated architectural experience the "zoomscape." In this thought-provoking book, he argues that the perception of architecture has been fundamentally altered by the technologies of transportation and the camera - we now look at buildings, neighborhoods, cities, and even entire continents as we ride in trains, cars, and planes, and/or as we view photographs, movies, and television. "Zoomscape" shows how we now perceive buildings and places at high speeds, across great distances, through edited and multiple reproductions. Nowadays, our views of the architectural landscape are modulated by the accelerator pedal and the remote control, by studio production techniques and airplane flight paths. Using examples from high art and popular culture - from the novels of Don DeLillo to the opening credits of "The Sopranos" - Mitchell Schwarzer shows that the zoomscape has brought about unprecedented and often marvelous new ways of perceiving the built environment.
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livres
livres
Publication:
mai 2004, New York
mai 2004, New York
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livres
livres
Titre:
Memoria, 2nd edition
Memoria, 2nd edition
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$94.00
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Résumé:
A chronicle of the genesis and creation of "Memoria," the new film by Apichatpong Weerasethakul. After visiting Colombia in 2017, Apichatpong chose the country as the location for his first feature shot outside of his native Thailand. In the following two years, he returned for several visits and travelled extensively, listening to the stories of the people he met along(...)
$94.00
(disponible en magasin)
Résumé:
A chronicle of the genesis and creation of "Memoria," the new film by Apichatpong Weerasethakul. After visiting Colombia in 2017, Apichatpong chose the country as the location for his first feature shot outside of his native Thailand. In the following two years, he returned for several visits and travelled extensively, listening to the stories of the people he met along(...)
Titre:
Memoria, 2nd edition
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$94.00
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Résumé:
A chronicle of the genesis and creation of "Memoria," the new film by Apichatpong Weerasethakul. After visiting Colombia in 2017, Apichatpong chose the country as the location for his first feature shot outside of his native Thailand. In the following two years, he returned for several visits and travelled extensively, listening to the stories of the people he met along the way. The book "Memoria" gathers the memories he collected, in the form of photographs, a personal diary and sketchbook, research notes, treatment excerpts, and email correspondence.
Memoria, 2nd edition
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$94.00
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Résumé:
A chronicle of the genesis and creation of "Memoria," the new film by Apichatpong Weerasethakul. After visiting Colombia in 2017, Apichatpong chose the country as the location for his first feature shot outside of his native Thailand. In the following two years, he returned for several visits and travelled extensively, listening to the stories of the people he met along the way. The book "Memoria" gathers the memories he collected, in the form of photographs, a personal diary and sketchbook, research notes, treatment excerpts, and email correspondence.
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livres
Publication:
mai 2024
mai 2024
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livres
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Résumé:
Cette nouvelle édition a été soigneusement mise à jour et augmentée; elle propose notamment une bibliographie révisée, des développements inédits sur le théâtre baroque européen et français ainsi qu'une lecture emblématique rhétorique ou allégorique des décors à la Renaissance et au XVIIe siècle.
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Résumé:
Cette nouvelle édition a été soigneusement mise à jour et augmentée; elle propose notamment une bibliographie révisée, des développements inédits sur le théâtre baroque européen et français ainsi qu'une lecture emblématique rhétorique ou allégorique des décors à la Renaissance et au XVIIe siècle.
Titre:
Scénographies du théâtre occidental
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Résumé:
Cette nouvelle édition a été soigneusement mise à jour et augmentée; elle propose notamment une bibliographie révisée, des développements inédits sur le théâtre baroque européen et français ainsi qu'une lecture emblématique rhétorique ou allégorique des décors à la Renaissance et au XVIIe siècle.
Scénographies du théâtre occidental
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Cette nouvelle édition a été soigneusement mise à jour et augmentée; elle propose notamment une bibliographie révisée, des développements inédits sur le théâtre baroque européen et français ainsi qu'une lecture emblématique rhétorique ou allégorique des décors à la Renaissance et au XVIIe siècle.
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livres
livres
Publication:
janvier 2007
janvier 2007
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livres
livres
Prix:
$29.99
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Résumé:
Cinema and photography are both intimately associated with time—cinema with time in passing, the photograph with the lost moment. In Photography, Cinema, Memory, Damian Peter Sutton explores time in both media to present a radical new understanding of the photographic image as always coming into being.
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Résumé:
Cinema and photography are both intimately associated with time—cinema with time in passing, the photograph with the lost moment. In Photography, Cinema, Memory, Damian Peter Sutton explores time in both media to present a radical new understanding of the photographic image as always coming into being.
Titre:
Photography , cinema, memory: the crystal image of time
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$29.99
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Résumé:
Cinema and photography are both intimately associated with time—cinema with time in passing, the photograph with the lost moment. In Photography, Cinema, Memory, Damian Peter Sutton explores time in both media to present a radical new understanding of the photographic image as always coming into being.
Photography , cinema, memory: the crystal image of time
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$29.99
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Résumé:
Cinema and photography are both intimately associated with time—cinema with time in passing, the photograph with the lost moment. In Photography, Cinema, Memory, Damian Peter Sutton explores time in both media to present a radical new understanding of the photographic image as always coming into being.
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livres
livres
Publication:
juin 2009
juin 2009
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livres
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$25.95
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In this illuminating and provocative survey, Stephen Barber examines the historical relationship between film and the urban landscape. "Projected cities" looks with particular focus at the cinema of Europe and Japan, two closely linked cinematic cultures which have been foremost in the use of urban imagery, to reveal elements of culture, architecture and history. By(...)
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In this illuminating and provocative survey, Stephen Barber examines the historical relationship between film and the urban landscape. "Projected cities" looks with particular focus at the cinema of Europe and Japan, two closely linked cinematic cultures which have been foremost in the use of urban imagery, to reveal elements of culture, architecture and history. By(...)
Publication:
novembre 2002, London
novembre 2002, London
Titre:
Projected cities: cinema and urban space
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In this illuminating and provocative survey, Stephen Barber examines the historical relationship between film and the urban landscape. "Projected cities" looks with particular focus at the cinema of Europe and Japan, two closely linked cinematic cultures which have been foremost in the use of urban imagery, to reveal elements of culture, architecture and history. By examining this imagery, especially at moments of turmoil and experimentation, the author reveals how cinema has used images of cities to influence our perception of everything from history to the human body, and how cinematic images of cities have been fundamental to the ways in which the city has been imagined, formulated and remembered. The book goes on to assess the impact of media culture on the status of film and cinema spaces, and concludes by considering digital renderings of the modern city.
Projected cities: cinema and urban space
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$25.95
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Résumé:
In this illuminating and provocative survey, Stephen Barber examines the historical relationship between film and the urban landscape. "Projected cities" looks with particular focus at the cinema of Europe and Japan, two closely linked cinematic cultures which have been foremost in the use of urban imagery, to reveal elements of culture, architecture and history. By examining this imagery, especially at moments of turmoil and experimentation, the author reveals how cinema has used images of cities to influence our perception of everything from history to the human body, and how cinematic images of cities have been fundamental to the ways in which the city has been imagined, formulated and remembered. The book goes on to assess the impact of media culture on the status of film and cinema spaces, and concludes by considering digital renderings of the modern city.
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livres
livres
Publication:
novembre 2002, London
novembre 2002, London
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livres
livres
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$18.50
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Résumé:
Dark Places" explores the dim, claustrophobic interiors of haunted houses in horror movies, as well as the cinema auditorium itself, and their relation to the 'dark places' of the human pysche. Barry Curtis looks at the long, blood-soaked history of horror films: their fascination with re-animating the dead; the special effects, both sophisticated and crude, which have(...)
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Dark Places" explores the dim, claustrophobic interiors of haunted houses in horror movies, as well as the cinema auditorium itself, and their relation to the 'dark places' of the human pysche. Barry Curtis looks at the long, blood-soaked history of horror films: their fascination with re-animating the dead; the special effects, both sophisticated and crude, which have(...)
Titre:
Dark places: the haunted house in film
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Dark Places" explores the dim, claustrophobic interiors of haunted houses in horror movies, as well as the cinema auditorium itself, and their relation to the 'dark places' of the human pysche. Barry Curtis looks at the long, blood-soaked history of horror films: their fascination with re-animating the dead; the special effects, both sophisticated and crude, which have been contrived in order to bring spirits into the realm of the living; the structures, projections and architecture of horror movie sets; and the complex metaphorical life of 'ghosts' as harbingers of loss, amnesia, injustice and vengeance. A wide range of films is also discussed in which the 'haunted house' is reworked in new scenarios - the road, the apartment, the motel, the spaceship - and visually linked to the troubling archetypes of Gothic fictions. Barry Curtis is Emeritus Professor of Visual Culture at Middlesex University, Fellow of the London Consortium, and Visiting Tutor at the Royal College of Art. He has written widely on film, architecture, art and visual culture for magazines, newspapers and journals.
Dark places: the haunted house in film
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Résumé:
Dark Places" explores the dim, claustrophobic interiors of haunted houses in horror movies, as well as the cinema auditorium itself, and their relation to the 'dark places' of the human pysche. Barry Curtis looks at the long, blood-soaked history of horror films: their fascination with re-animating the dead; the special effects, both sophisticated and crude, which have been contrived in order to bring spirits into the realm of the living; the structures, projections and architecture of horror movie sets; and the complex metaphorical life of 'ghosts' as harbingers of loss, amnesia, injustice and vengeance. A wide range of films is also discussed in which the 'haunted house' is reworked in new scenarios - the road, the apartment, the motel, the spaceship - and visually linked to the troubling archetypes of Gothic fictions. Barry Curtis is Emeritus Professor of Visual Culture at Middlesex University, Fellow of the London Consortium, and Visiting Tutor at the Royal College of Art. He has written widely on film, architecture, art and visual culture for magazines, newspapers and journals.
Classification:
livres
livres
Publication:
janvier 2009, London
janvier 2009, London
Classification:
livres
livres
Prix:
$36.95
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Résumé:
Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier(...)
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Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier(...)
Publication:
janvier 2009, Minneapolis, London
janvier 2009, Minneapolis, London
Titre:
Skyscraper cinema : architecture and gender in American film
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$36.95
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Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier establishes and explains the impact of actual skyscrapers on America’s ideologies about work, leisure, romance, sexual identity, and politics as seen in Hollywood movies.
Skyscraper cinema : architecture and gender in American film
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$36.95
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Résumé:
Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier establishes and explains the impact of actual skyscrapers on America’s ideologies about work, leisure, romance, sexual identity, and politics as seen in Hollywood movies.
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livres
livres
Publication:
janvier 2009, Minneapolis, London
janvier 2009, Minneapolis, London
Classification:
livres
livres
Prix:
$24.95
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Résumé:
In 1983 visionary director John Cassavetes asked journalist Michael Ventura to write a unique film study - an on-set diary of the making of his film "Love Streams". Cassavetes laid out his expectations. He wanted 'a daring book, a tough book'. In Ventura's words, 'All I had to do for 'daring' and 'tough' was transcribe this man's audacity day by day.' "Cassavetes Directs"(...)
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In 1983 visionary director John Cassavetes asked journalist Michael Ventura to write a unique film study - an on-set diary of the making of his film "Love Streams". Cassavetes laid out his expectations. He wanted 'a daring book, a tough book'. In Ventura's words, 'All I had to do for 'daring' and 'tough' was transcribe this man's audacity day by day.' "Cassavetes Directs"(...)
Titre:
Cassavetes directs: John Cassavetes and the making of Love Streams
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In 1983 visionary director John Cassavetes asked journalist Michael Ventura to write a unique film study - an on-set diary of the making of his film "Love Streams". Cassavetes laid out his expectations. He wanted 'a daring book, a tough book'. In Ventura's words, 'All I had to do for 'daring' and 'tough' was transcribe this man's audacity day by day.' "Cassavetes Directs" describes the creation of "Love Streams" shot by shot, crisis by crisis. During production, the director learned that he was seriously ill, that this film might, as it tragically turned out, be his last. Starring alongside actress and wife Gena Rowlands, Cassavetes shot in sequence, reconceiving and revising his film almost nightly, in order that "Love Streams" could stand as his final statement. Both an intimate portrait of the man and an insight into his unique filmmaking philosophy, "Cassavetes Directs" documents a heroic moment in the life of a great !
Cassavetes directs: John Cassavetes and the making of Love Streams
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$24.95
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Résumé:
In 1983 visionary director John Cassavetes asked journalist Michael Ventura to write a unique film study - an on-set diary of the making of his film "Love Streams". Cassavetes laid out his expectations. He wanted 'a daring book, a tough book'. In Ventura's words, 'All I had to do for 'daring' and 'tough' was transcribe this man's audacity day by day.' "Cassavetes Directs" describes the creation of "Love Streams" shot by shot, crisis by crisis. During production, the director learned that he was seriously ill, that this film might, as it tragically turned out, be his last. Starring alongside actress and wife Gena Rowlands, Cassavetes shot in sequence, reconceiving and revising his film almost nightly, in order that "Love Streams" could stand as his final statement. Both an intimate portrait of the man and an insight into his unique filmmaking philosophy, "Cassavetes Directs" documents a heroic moment in the life of a great !
Classification:
livres
livres
Publication:
février 2008
février 2008
