Design city : Melbourne
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"Design city Melbourne" is devised to illustrate a wide range of interiors and their architecural matrices, and to describe the people behind them and how these spaces support the vital culture of this mixed and cosmopolitan city. Photography by John Gollings.
janvier 2006, Chichester
Design city : Melbourne
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"Design city Melbourne" is devised to illustrate a wide range of interiors and their architecural matrices, and to describe the people behind them and how these spaces support the vital culture of this mixed and cosmopolitan city. Photography by John Gollings.
Design through making
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Most architects who build do not make buildings; they make information that makes buildings. Making buildings requires acquiring knowledge not only of the world of information exchange, but also of the world of making things. It is an expertise that goes beyond the architectural drawing and an expertise that many designers cannot claim to fully possess or practice.(...)
Design through making
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Most architects who build do not make buildings; they make information that makes buildings. Making buildings requires acquiring knowledge not only of the world of information exchange, but also of the world of making things. It is an expertise that goes beyond the architectural drawing and an expertise that many designers cannot claim to fully possess or practice. "Design through making" is not only directed at architects, but engineers, educators, fabricators, machine operators, and anyone with an interest in the manifestation of ideas. It seeks to challenge outmoded notions that building production is preceded by design, and making is merely the cooking of the raw, or the end game where no further design ideas are explored. Here, a hybrid mode is recognised where the investigation of ideas is fully engaged with the tactile, physical nature of architecture and building processes. It is an issue that celebrates the re-emergence of making, not merely as an immense resource for ideas, experimentation and customisation, but as a critical resource that will redefine architectural practices. This title includes the work of Block Architecture, Mark Burry, Thomas Heatherwick Studios and Walter Pichler; there is also a special feature on Japanese traditions in architecture. Contributors include: Iain Borden, Sarah Chaplin, David Dunster, Jonathan Hill and Mark Prizeman.
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Exhibition catalog. This guidebook is a device and also an invitation to navigate through the educational landscape of four Swiss schools of architecture, presented in the exhibition "Inventioneering architecture". Reflecting and commenting on the display, it suggests future challenges and shows a broad spectrum of strategies of the profession, developed by numerous(...)
octobre 2005, Zurich
Inventioneering architecture : Switzerland - Suisse
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Exhibition catalog. This guidebook is a device and also an invitation to navigate through the educational landscape of four Swiss schools of architecture, presented in the exhibition "Inventioneering architecture". Reflecting and commenting on the display, it suggests future challenges and shows a broad spectrum of strategies of the profession, developed by numerous design and research studios.
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Its restrained design once again makes this year's annual an inspiring overview of present-day design education. This annual gives an overall view of education at the Academy of Architecture in Amsterdam. Shedding light on how theory and professional skills are conveyed, it also shows how a new generation of architects, urban designers and landscape architects adopts a(...)
janvier 1900, Rotterdam
A/S/L - A/U/L : yearbook academy of architecture, amsterdam 2003-2004
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Its restrained design once again makes this year's annual an inspiring overview of present-day design education. This annual gives an overall view of education at the Academy of Architecture in Amsterdam. Shedding light on how theory and professional skills are conveyed, it also shows how a new generation of architects, urban designers and landscape architects adopts a design stance and relates it to current design briefs. To give form to the study programme, the Academy enlists the aid of top designers and researchers and organizes public exhibitions, talks and discussions.
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This book is a presentation the ten nominees of the year, chosen from a total of 151 entries. The selection shows the foremost achievements of Swedish wooden architecture in the past four years, "Swedish architecture in wood" is illustrated by photographer Åke E:son Lindman and with descriptions and drawings from the architects themselves. The Timber Prize was founded(...)
janvier 1900, Stockholm
Swedish architecture in wood : the 2004 Timber prize
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This book is a presentation the ten nominees of the year, chosen from a total of 151 entries. The selection shows the foremost achievements of Swedish wooden architecture in the past four years, "Swedish architecture in wood" is illustrated by photographer Åke E:son Lindman and with descriptions and drawings from the architects themselves. The Timber Prize was founded in 1967 and is presented by the Swedish Forest Industries Federation.
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The catalogue from a biennial exhibition examining new architectural and creative urban work in Europe, Asia and Australia, with projects selected by Dominique Perrault and Hiroshi Hara. This publication features projects by twenty emerging architects and includes biographic information, plans, models and elevations. Architects include: Renée van Zuuk, dECOi Architects,(...)
New trends of architecture in Europe and Asia-Pacific, 2004-2005
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The catalogue from a biennial exhibition examining new architectural and creative urban work in Europe, Asia and Australia, with projects selected by Dominique Perrault and Hiroshi Hara. This publication features projects by twenty emerging architects and includes biographic information, plans, models and elevations. Architects include: Renée van Zuuk, dECOi Architects, Ocean North, Yung Ho Chang and RCR Architects.
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A fully revised, updated and expanded edition of this survey of the projects that define the architectural renaissance of Britain’s capital at the beginning of the twenty-first century. Illustrated in colour throughout are not just the headline-grabbing works such as the British Airways London Eye, Tate Modern, the Millennium Bridge and the Swiss Re tower (winner of the(...)
mai 2005, London, New York
New London architecture, revised and expanded edition
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A fully revised, updated and expanded edition of this survey of the projects that define the architectural renaissance of Britain’s capital at the beginning of the twenty-first century. Illustrated in colour throughout are not just the headline-grabbing works such as the British Airways London Eye, Tate Modern, the Millennium Bridge and the Swiss Re tower (winner of the Stirling Prize in 2004), but also a wide variety of smaller-scale projects such as schools, libraries, shops and private houses. New London Architecture remains one detailed and authoritative portrait – indispensable to professionals and the public alike – of a world city avid to embrace the best of the new.
Atlas of Dutch water cities
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This book explains the relationship between urban development and water engineering. It illustrates projects that integrate waterways and flood defence infrastructure into architectural concepts.
janvier 1900, Amsterdam
Atlas of Dutch water cities
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This book explains the relationship between urban development and water engineering. It illustrates projects that integrate waterways and flood defence infrastructure into architectural concepts.
Finland
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From as early as 1900 Finland, at that time ruled by Russia, was to see in architecture a political and social vehicle. Modern architecture, with the promises it held for social change and hopes for technological progress, was to become a cultural phenomenon over the course of the twentieth century. This book explores the shape of architecture from Finland’s independence(...)
Finland
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From as early as 1900 Finland, at that time ruled by Russia, was to see in architecture a political and social vehicle. Modern architecture, with the promises it held for social change and hopes for technological progress, was to become a cultural phenomenon over the course of the twentieth century. This book explores the shape of architecture from Finland’s independence in 1917 until the present day, and how the ‘modern agenda’ became a blueprint to advance the nation’s society and define its identity. Roger Connah assesses the work of well-known heroes of Finnish architecture such as Reima Pietila, Juhä Leiviskä and ‘modern master’ Alvar Aalto, as well as many other less familiar figures whose contribution is little known outside Finland. He discusses developments in architecture in relation to the culture and politics of the new independent Finland, as well as parallel movements in the arts, and also surveys the early part of the century, as Finland came into its own as a new nation state. He examines the rationalised developments of the 1930s, the ‘organic’ and vernacular tendencies of modern architecture, and how some of modernism’s devices were combined with a particular Nordic sensibility. He also looks at the reconstruction and urbanisation of the post-war years, the use of industrial building methods and prefabricated materials, the ‘golden age’ of Finnish modernism in the 1950s, and the developments thereafter. Connah also considers how architecture has been publicised in magazines, galleries and through exhibitions. By the end of the twentieth century Finland had transformed itself into a modern industrial economy at the cutting edge of the it world, and its buildings continue to be regarded as exemplary modern works. Roger Connah assesses Finnish modern architecture’s relation to the broader cultural and political conditions of Finland and modernity at large, making this study crucial to our understanding of Finland’s place in architecture and in culture today.
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Actes de la septième conférence internationale de DOCOMONO (Paris, 16-19 septembre 2002): "Vers une histoire culturelle de la modernité architecturale : les démarches radicales s'inscrivent souvent dans un espace transcendant. C'est ce qui est arrivé à la modernité architecturale, bien connue pour ses héros, ses icônes, ses manifestes et ses intentions sociales(...)
septembre 2005, Saint-Étienne
La réception de l'architecture du Mouvement moderne : image, usage, héritage - The reception of architecture of the modern movement : image, usage, heritage
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Actes de la septième conférence internationale de DOCOMONO (Paris, 16-19 septembre 2002): "Vers une histoire culturelle de la modernité architecturale : les démarches radicales s'inscrivent souvent dans un espace transcendant. C'est ce qui est arrivé à la modernité architecturale, bien connue pour ses héros, ses icônes, ses manifestes et ses intentions sociales généreuses. Mais comment l'architecture, art de l'utilitas, aurait-elle pu se délier des contraintes du XXe siècle ? Elle est bien la fille des mythes, des contradictions, des aspirations et plus encore, des rapports de force en transformation du siècle passé." Proceedings of the seventh international conference DOCOMOMO : "radical approaches often subscribe to the notion of the transcendence of time. This assertion characterize architecural modernity, with its celebrated heroes, icons, manifestoes and noble social intentions. Yet how could architecture, the art of utilitas, have entirely freed itself from the constraints of the rwentieth century? Indeed architectural modernity emerges directly from the myths, the aspirations and, even more, the changing power relations of the century past."