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This book tells the story of the architects and buildings that have defined Australia’s architectural culture since the founding of the modern nation through Federation in 1901. That year marked the beginning of a search for better city forms and buildings to accommodate the changing realities of Australian life and to express an emerging, distinctive, and, eventually,(...)
Australia: modern architectures in history
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This book tells the story of the architects and buildings that have defined Australia’s architectural culture since the founding of the modern nation through Federation in 1901. That year marked the beginning of a search for better city forms and buildings to accommodate the changing realities of Australian life and to express an emerging, distinctive, and, eventually, confident Australian identity. While Sydney and Melbourne were the settings for many of the major buildings, all states and territories developed architectural traditions based on distinctive histories and climates. Harry Margalit explores the flowering of these many architectural variants, from the bid to create a model city in Canberra, through the stylistic battles that opened a space for modernism, to the idealism of postwar reconstruction, and beyond to the new millennium. Australia reveals a vibrant and influential culture of the built environment, at its best when it matches civic idealism with the sensuality of a country of stunning light and landscapes.
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Comme l'a déclaré Itô Teiji à propos de la difficulté de définir l'esthétique japonaise : « Le dilemme auquel nous sommes confrontés vient de ce que notre compréhension est intuitive et perceptuelle plutôt que rationnelle et logique. » De nombreux écrivains japonais privilégient dans la structure de leur travail une qualité d'indécision. Ce ne sont donc pas les hypothèses(...)
Traité d'esthétique japonaise
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Comme l'a déclaré Itô Teiji à propos de la difficulté de définir l'esthétique japonaise : « Le dilemme auquel nous sommes confrontés vient de ce que notre compréhension est intuitive et perceptuelle plutôt que rationnelle et logique. » De nombreux écrivains japonais privilégient dans la structure de leur travail une qualité d'indécision. Ce ne sont donc pas les hypothèses de l'« esprit qui contrôle » de l'auteur qui sont suivies mais, comme le dit l'expression japonaise, le pinceau lui-même. Le terme japonais zuihitsu, qu'on peut traduire par « essai », n'implique rien d'autre que cela : suivre le pinceau, l'autoriser à tenir les rênes. Par conséquent, il ne s'agit pas ici de s'escrimer pour arriver à des conclusions logiques. Nous chercherons plutôt à définir ces perceptions et variations de l'appréciation esthétique dans un style qui suggère le caractère très incertain de leur description.
China's Turn
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If past centuries belonged to Europe and much of the last century has been dominated by America, then now it is China’s turn. For decades, the nation has experienced unprecedented economic growth, and it managed to evade the West’s economic recession. It has gained a significant economic presence in nearly every part of the world. Yet China is now in the midst of an(...)
janvier 2016
China's Turn
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If past centuries belonged to Europe and much of the last century has been dominated by America, then now it is China’s turn. For decades, the nation has experienced unprecedented economic growth, and it managed to evade the West’s economic recession. It has gained a significant economic presence in nearly every part of the world. Yet China is now in the midst of an economic slowdown, which impacts its architecture, urban planning, and infrastructure, both at home and abroad. Nanne de Ru and Hans Ibelings undertake a closer examination of this process, with reports from Canada, Portugal, Angola, South Africa, Indonesia, the United Kingdom, and Central and South America.
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La Corée fascine de plus en plus de gens et les ouvrages sur ce pays se multiplient. Ils abondent souvent en lieux communs ou dressent le portrait d’un pays idéalisé. Ce pays, longtemps ignoré, est désormais connu pour ses conglomérats, tels les géants Samsung et Hyundai, mais aussi pour ses percées culturelles : son cinéma est à l’affiche des plus grands festivals et les(...)
juin 2016
Croquis de Corée : un guide illustré de la culture coréenne
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La Corée fascine de plus en plus de gens et les ouvrages sur ce pays se multiplient. Ils abondent souvent en lieux communs ou dressent le portrait d’un pays idéalisé. Ce pays, longtemps ignoré, est désormais connu pour ses conglomérats, tels les géants Samsung et Hyundai, mais aussi pour ses percées culturelles : son cinéma est à l’affiche des plus grands festivals et les tubes de la K-Pop font danser la jeunesse du globe. Toutefois, la Corée est aussi bien autre chose et cet ouvrage illustré vous dévoilera tout ce qu’il faut savoir de la culture coréenne passée et présente, au-delà des clichés.
India: the urban transition
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Based on his experiences teaching, researching and practicing in India, Henrik Valeur discusses some of the problems related to the urban transition of India, including air pollution, contamination and depletion of fresh water resources, its precarious food situation, the lack of proper housing, and various environmental and human health problems related to motorized(...)
India: the urban transition
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Based on his experiences teaching, researching and practicing in India, Henrik Valeur discusses some of the problems related to the urban transition of India, including air pollution, contamination and depletion of fresh water resources, its precarious food situation, the lack of proper housing, and various environmental and human health problems related to motorized transportation. He proposes a number of possible solutions, including the use of plants and natural ventilation to create clean indoor air, the revitalisation of an existing system of water canals, the creation of vertical kitchen gardens, a strategy for making an entire neighbourhood car-free and a design for self-designed, low-cost housing.
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On the occasion of the exhibition "Archilab 2006" dedicated to the Japenese architecture and entitled "Nested in the city", Hyx publish the catalog of the exhibition in french and english version. They present all the projects of thirty invited architects and a set of critical texts which put in perspective the stakes and the subjects of the exhibition. More than any(...)
octobre 2006, Orléans
Archilab Japan, Orléans 2006 : nested in the city
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On the occasion of the exhibition "Archilab 2006" dedicated to the Japenese architecture and entitled "Nested in the city", Hyx publish the catalog of the exhibition in french and english version. They present all the projects of thirty invited architects and a set of critical texts which put in perspective the stakes and the subjects of the exhibition. More than any other country, Japan was interested at home, the space domesticates being perceived as a space privileging the thought. Hundred of projects presented in the catalog are built for the greater part. Selected by both curators (Akira Suzuki and Mariko Terada), they offer us a panorama of this architects' new generation which began in the 1990s. The most famous in France are doubtless Shigeru Ban presented to Archilab in 1999 and which was the first one to make approve tubes cardboard as support of his houses and also Kasujo Sejima who saw confiding with Ryue Nishizawa the construction of the Museum of the Louvre to Lens. Symbolic Bow Wow workshop is the Leader of this new generation. After the economic crisis of the end of the 90s, the construction of public establishments of average dimension and the competitions of architecture rarefied. The house thus becomes the space of creation privileged for these architects. That's why, in Tokyo, Jun Aoki, Kazuyo Sejima, Ryue Nishizawa, Takaharu and Yui Tezuka, Mitsuhiko Sato, Taira Nishizawa, Masao Koizumi, Yasuhiro Yamashita, Mikio Tai, Yuki Ishiguro, conceive small houses which embody the way of life of their inhabitants and maybe our future today.
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Photographs by Homma Takashi. Roppongi Hills is one of Japan's largest integrated property developments, located in the Roppongi district of Tokyo. Constructed by building tycoon Minoru Mori, the mega-complex incorporates office space, apartments, shops, restaurants, cafés, movie theaters, a museum, a hotel, a major TV studio, an outdoor amphitheater, and a few parks. The(...)
mars 2006, Tokyo
Six strata : Roppongi Hills defined
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Photographs by Homma Takashi. Roppongi Hills is one of Japan's largest integrated property developments, located in the Roppongi district of Tokyo. Constructed by building tycoon Minoru Mori, the mega-complex incorporates office space, apartments, shops, restaurants, cafés, movie theaters, a museum, a hotel, a major TV studio, an outdoor amphitheater, and a few parks. The centerpiece is the 54-story eponymous Mori Tower. Mori's stated vision was to build an integrated development where high-rise inner-urban communities allow people to live, work, play, and shop in close proximity to eliminate commuting time. Seventeen years in the making, the complex opened to the public on april 23, 2003.
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Public body in crisis
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This book illustrates the Japanese contribution to the Milan Triennale 1996. Ten architects were selected to investigate and plan for the new public body and public space dor the city of the future.
janvier 1996, Tokyo
Public body in crisis
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This book illustrates the Japanese contribution to the Milan Triennale 1996. Ten architects were selected to investigate and plan for the new public body and public space dor the city of the future.
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janvier 1996, Tokyo
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A photo-collage of past and present street visuals in Asia, Aestheticizing Public Space explores the domestic, regional, and global nexus of East Asian cities through their graffiti, street art, and other visual forms in public space. Attempting to unfold the complex positions of these images in the urban spatial politics of their respective regions, Lu Pan explores how(...)
Aestheticizing Public Space: street visual politics in east asian cities
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A photo-collage of past and present street visuals in Asia, Aestheticizing Public Space explores the domestic, regional, and global nexus of East Asian cities through their graffiti, street art, and other visual forms in public space. Attempting to unfold the complex positions of these images in the urban spatial politics of their respective regions, Lu Pan explores how graffiti in East Asia reflects the relationship between aesthetics and politics. The book situates itself in a contested dynamic relationship among human bodies, visual modernity, social or moral norms, styles, and historical experiences and narratives. On a broader level, this book aims to shed light on how aesthetics and politics are mobilized in different contested spaces and media forms, in which the producer and the spectator change and exchange their identities.
What is co-dividuality?: post-individual architecture, shared houses and other stories of openness
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This book explores the concept of co-dividuality, an architecture that expresses a new response to joint living in the age of postindividualism, social media, and the sharing economy. The focus lies on current experimentation in Japanese architecture and presents thematic homes with shared spaces designed as a result of warm, simple, fun and contemporary design(...)
juin 2020
What is co-dividuality?: post-individual architecture, shared houses and other stories of openness
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This book explores the concept of co-dividuality, an architecture that expresses a new response to joint living in the age of postindividualism, social media, and the sharing economy. The focus lies on current experimentation in Japanese architecture and presents thematic homes with shared spaces designed as a result of warm, simple, fun and contemporary design reflections. In addition to their private room, the co-tenants have large common areas where they can practice urban farming, create a start-up, cook together, or experience new spatial ergonomics. The book offers an overview not only on domestic space but also on projects characterized by a multifarious mix between public and private spheres. 'What Is Co-dividuality?' reflects on how we might want to live tomorrow. The book includes projects by Kengo Kuma, Kazuyo Sejima, Ryue Nishizawa, Shigeru Ban, Sou Fujimoto, Satoko Shinohara, Ayano Uchimura, Taichi Kuma, Junya Ishigami, Suppose Design, Naruse Inokuma, and Masuda + Otsubo, among others.