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"Urgent archives" argues that archivists can and should do more to disrupt white supremacy and hetero-patriarchy beyond the standard liberal archival solutions of more diverse collecting and more inclusive description. Grounded in the emerging field of critical archival studies, this book uncovers how dominant western archival theories and practices are oppressive by(...)
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"Urgent archives" argues that archivists can and should do more to disrupt white supremacy and hetero-patriarchy beyond the standard liberal archival solutions of more diverse collecting and more inclusive description. Grounded in the emerging field of critical archival studies, this book uncovers how dominant western archival theories and practices are oppressive by(...)
Titre:
Urgent Archives: Enacting liberatory memory work
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"Urgent archives" argues that archivists can and should do more to disrupt white supremacy and hetero-patriarchy beyond the standard liberal archival solutions of more diverse collecting and more inclusive description. Grounded in the emerging field of critical archival studies, this book uncovers how dominant western archival theories and practices are oppressive by design, while looking toward the the radical politics of community archives to envision new liberatory theories and practices. Based on more than a decade of ethnography at community archives sites including the South Asian American Digital Archive (SAADA), the book explores how members of minoritized communities activate records to build solidarities across and within communities, trouble linear progress narratives, and disrupt cycles of oppression. Caswell explores the temporal, representational, and material aspects of liberatory memory work, arguing that archival disruptions in time and space should be neither about the past nor the future, but about the liberatory affects and effects of memory work in the present.
Urgent Archives: Enacting liberatory memory work
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"Urgent archives" argues that archivists can and should do more to disrupt white supremacy and hetero-patriarchy beyond the standard liberal archival solutions of more diverse collecting and more inclusive description. Grounded in the emerging field of critical archival studies, this book uncovers how dominant western archival theories and practices are oppressive by design, while looking toward the the radical politics of community archives to envision new liberatory theories and practices. Based on more than a decade of ethnography at community archives sites including the South Asian American Digital Archive (SAADA), the book explores how members of minoritized communities activate records to build solidarities across and within communities, trouble linear progress narratives, and disrupt cycles of oppression. Caswell explores the temporal, representational, and material aspects of liberatory memory work, arguing that archival disruptions in time and space should be neither about the past nor the future, but about the liberatory affects and effects of memory work in the present.
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livres
livres
Publication:
janvier 2023
janvier 2023
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livres
livres
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How does media architecture distribute suspicion and trust? What is a collage of media architecture? How is media architecture vectored? How can media architecture address privilege? These questions and conceptual provocations aim to challenge the binary of techno-optimism and technological agoraphobia, offering a platform for developing new, critically and contextually(...)
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How does media architecture distribute suspicion and trust? What is a collage of media architecture? How is media architecture vectored? How can media architecture address privilege? These questions and conceptual provocations aim to challenge the binary of techno-optimism and technological agoraphobia, offering a platform for developing new, critically and contextually(...)
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novembre 2023
novembre 2023
Titre:
Provocations on media architecture
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How does media architecture distribute suspicion and trust? What is a collage of media architecture? How is media architecture vectored? How can media architecture address privilege? These questions and conceptual provocations aim to challenge the binary of techno-optimism and technological agoraphobia, offering a platform for developing new, critically and contextually rooted theories that media architecture might grab hold of. Intentionally open-ended, ''Provocations on Media Architecture'' brings together 21 thought leaders across architecture, visual arts, design, curation, academia and public policy to address these ideas and themes. Authors respond with images and brief texts incorporating the perspective of their own creative and scholarly practice. Entries range from descriptions of relevant artworks and design projects to reflections spawned from first-person encounters with media architecture in situ, scholarly analyses and AI-assisted theory.
Provocations on media architecture
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How does media architecture distribute suspicion and trust? What is a collage of media architecture? How is media architecture vectored? How can media architecture address privilege? These questions and conceptual provocations aim to challenge the binary of techno-optimism and technological agoraphobia, offering a platform for developing new, critically and contextually rooted theories that media architecture might grab hold of. Intentionally open-ended, ''Provocations on Media Architecture'' brings together 21 thought leaders across architecture, visual arts, design, curation, academia and public policy to address these ideas and themes. Authors respond with images and brief texts incorporating the perspective of their own creative and scholarly practice. Entries range from descriptions of relevant artworks and design projects to reflections spawned from first-person encounters with media architecture in situ, scholarly analyses and AI-assisted theory.
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livres
livres
Publication:
novembre 2023
novembre 2023
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livres
livres
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Avec la transformation numérique des processus documentaires, les professionnels de l'information et des bibliothèques sont confrontés de manière croissante à la gestion des données numériques, qu'elles soient structurées ou non. L'auteure évoque les diverses facettes du monde de la donnée et montre ses enjeux et ses opportunités pour les pratiques professionnelles en bibliothèque.
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Avec la transformation numérique des processus documentaires, les professionnels de l'information et des bibliothèques sont confrontés de manière croissante à la gestion des données numériques, qu'elles soient structurées ou non. L'auteure évoque les diverses facettes du monde de la donnée et montre ses enjeux et ses opportunités pour les pratiques professionnelles en bibliothèque.
Titre:
Les bibliothèques face au monde des données
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Avec la transformation numérique des processus documentaires, les professionnels de l'information et des bibliothèques sont confrontés de manière croissante à la gestion des données numériques, qu'elles soient structurées ou non. L'auteure évoque les diverses facettes du monde de la donnée et montre ses enjeux et ses opportunités pour les pratiques professionnelles en bibliothèque.
Les bibliothèques face au monde des données
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Avec la transformation numérique des processus documentaires, les professionnels de l'information et des bibliothèques sont confrontés de manière croissante à la gestion des données numériques, qu'elles soient structurées ou non. L'auteure évoque les diverses facettes du monde de la donnée et montre ses enjeux et ses opportunités pour les pratiques professionnelles en bibliothèque.
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livres
livres
Publication:
juillet 2023
juillet 2023
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livres
livres
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Le présent ouvrage fournit des clés de compréhension en présentant les types de transparence et les enjeux propres à l’environnement numérique. Il ouvre la discussion sur le niveau idéal de transparence à atteindre, l’efficacité des mesures prises en la matière et la nécessité d’étendre le débat aux différentes approches relatives à l’ouverture administrative. Ce livre(...)
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Le présent ouvrage fournit des clés de compréhension en présentant les types de transparence et les enjeux propres à l’environnement numérique. Il ouvre la discussion sur le niveau idéal de transparence à atteindre, l’efficacité des mesures prises en la matière et la nécessité d’étendre le débat aux différentes approches relatives à l’ouverture administrative. Ce livre(...)
Publication:
novembre 2023
novembre 2023
Titre:
La transparence dans l'espace numérique
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Le présent ouvrage fournit des clés de compréhension en présentant les types de transparence et les enjeux propres à l’environnement numérique. Il ouvre la discussion sur le niveau idéal de transparence à atteindre, l’efficacité des mesures prises en la matière et la nécessité d’étendre le débat aux différentes approches relatives à l’ouverture administrative. Ce livre s’adresse aux étudiants et étudiantes ainsi qu’aux chercheuses et chercheurs intéressés par cette thématique, de même qu’aux gestionnaires publics confrontés à la question de la transparence administrative dans leurs activités quotidiennes.
La transparence dans l'espace numérique
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Le présent ouvrage fournit des clés de compréhension en présentant les types de transparence et les enjeux propres à l’environnement numérique. Il ouvre la discussion sur le niveau idéal de transparence à atteindre, l’efficacité des mesures prises en la matière et la nécessité d’étendre le débat aux différentes approches relatives à l’ouverture administrative. Ce livre s’adresse aux étudiants et étudiantes ainsi qu’aux chercheuses et chercheurs intéressés par cette thématique, de même qu’aux gestionnaires publics confrontés à la question de la transparence administrative dans leurs activités quotidiennes.
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livres
livres
Publication:
novembre 2023
novembre 2023
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Earth Moves, Bernard Cache's first major work, conceptualizes a series of architectural images as vehicles for two important developments. First, he offers a new understanding of the architectural image itself. Following Gilles Deleuze and Henri Bergson, he develops an account of the image that is nonrepresentational and constructive—images as constituents of a primary,(...)
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Earth Moves, Bernard Cache's first major work, conceptualizes a series of architectural images as vehicles for two important developments. First, he offers a new understanding of the architectural image itself. Following Gilles Deleuze and Henri Bergson, he develops an account of the image that is nonrepresentational and constructive—images as constituents of a primary,(...)
Titre:
Earth moves: the furnishing of territories
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Earth Moves, Bernard Cache's first major work, conceptualizes a series of architectural images as vehicles for two important developments. First, he offers a new understanding of the architectural image itself. Following Gilles Deleuze and Henri Bergson, he develops an account of the image that is nonrepresentational and constructive—images as constituents of a primary, image world, of which subjectivity itself is a special kind of image. Second, Cache redefines architecture beyond building proper to include cinematic, pictoral, and other framings. Complementary to this classification, Cache offers what is to date the only Deleuzean architectural development of the "fold," a form and concept that has become important over the last few years. For Cache, as for Deleuze, what is significant about the fold is that it provides a way to rethink the relationship between interior and exterior, between past and present, and between architecture and the urban.
Earth moves: the furnishing of territories
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Earth Moves, Bernard Cache's first major work, conceptualizes a series of architectural images as vehicles for two important developments. First, he offers a new understanding of the architectural image itself. Following Gilles Deleuze and Henri Bergson, he develops an account of the image that is nonrepresentational and constructive—images as constituents of a primary, image world, of which subjectivity itself is a special kind of image. Second, Cache redefines architecture beyond building proper to include cinematic, pictoral, and other framings. Complementary to this classification, Cache offers what is to date the only Deleuzean architectural development of the "fold," a form and concept that has become important over the last few years. For Cache, as for Deleuze, what is significant about the fold is that it provides a way to rethink the relationship between interior and exterior, between past and present, and between architecture and the urban.
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livres
livres
Publication:
janvier 1995
janvier 1995
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livres
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information(...)
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information(...)
Titre:
Control: digitality as cultural logic
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices. Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.
Control: digitality as cultural logic
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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices. Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.
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livres
livres
Publication:
novembre 2015
novembre 2015
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livres
livres
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L'auteure analyse les codes et les usages des membres de communautés d'internautes amateurs de produits Apple. Elle montre que l'imaginaire déployé découle d'une volonté de la marque de créer un univers technologique au sein duquel les attentes et les rêves des clients sont comblés par une offre de produits informatiques.
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L'auteure analyse les codes et les usages des membres de communautés d'internautes amateurs de produits Apple. Elle montre que l'imaginaire déployé découle d'une volonté de la marque de créer un univers technologique au sein duquel les attentes et les rêves des clients sont comblés par une offre de produits informatiques.
Titre:
Les Fans d'Apple : enquête sur les réseaux sociaux
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L'auteure analyse les codes et les usages des membres de communautés d'internautes amateurs de produits Apple. Elle montre que l'imaginaire déployé découle d'une volonté de la marque de créer un univers technologique au sein duquel les attentes et les rêves des clients sont comblés par une offre de produits informatiques.
Les Fans d'Apple : enquête sur les réseaux sociaux
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L'auteure analyse les codes et les usages des membres de communautés d'internautes amateurs de produits Apple. Elle montre que l'imaginaire déployé découle d'une volonté de la marque de créer un univers technologique au sein duquel les attentes et les rêves des clients sont comblés par une offre de produits informatiques.
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livres
livres
Publication:
février 2016
février 2016
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livres
livres
Titre:
Digital keywords
Digital keywords
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In the age of search, keywords increasingly organize research, teaching, and even thought itself. Inspired by Raymond Williams's 1976 classic 'Keywords', the timely collection 'Digital Keywords' gathers pointed, provocative short essays on more than two dozen keywords by leading and rising digital media scholars from the areas of anthropology, digital humanities, history,(...)
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In the age of search, keywords increasingly organize research, teaching, and even thought itself. Inspired by Raymond Williams's 1976 classic 'Keywords', the timely collection 'Digital Keywords' gathers pointed, provocative short essays on more than two dozen keywords by leading and rising digital media scholars from the areas of anthropology, digital humanities, history,(...)
Titre:
Digital keywords
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In the age of search, keywords increasingly organize research, teaching, and even thought itself. Inspired by Raymond Williams's 1976 classic 'Keywords', the timely collection 'Digital Keywords' gathers pointed, provocative short essays on more than two dozen keywords by leading and rising digital media scholars from the areas of anthropology, digital humanities, history, political science, philosophy, religious studies, rhetoric, science and technology studies, and sociology. 'Digital Keywords' examines and critiques the rich lexicon animating the emerging field of digital studies.
Digital keywords
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In the age of search, keywords increasingly organize research, teaching, and even thought itself. Inspired by Raymond Williams's 1976 classic 'Keywords', the timely collection 'Digital Keywords' gathers pointed, provocative short essays on more than two dozen keywords by leading and rising digital media scholars from the areas of anthropology, digital humanities, history, political science, philosophy, religious studies, rhetoric, science and technology studies, and sociology. 'Digital Keywords' examines and critiques the rich lexicon animating the emerging field of digital studies.
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livres
livres
Publication:
juillet 2016
juillet 2016
Classification:
livres
livres
Titre:
Manifestly Haraway
Manifestly Haraway
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Provocative, and controversial when first published thirty years ago, Donna Haraway’s “Cyborg Manifesto” is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent “Companion Species Manifesto,” which further questions(...)
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Provocative, and controversial when first published thirty years ago, Donna Haraway’s “Cyborg Manifesto” is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent “Companion Species Manifesto,” which further questions(...)
Titre:
Manifestly Haraway
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Provocative, and controversial when first published thirty years ago, Donna Haraway’s “Cyborg Manifesto” is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent “Companion Species Manifesto,” which further questions the human–nonhuman disjunction, is no less urgently needed in our time of environmental crisis and profound polarization.
Manifestly Haraway
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Provocative, and controversial when first published thirty years ago, Donna Haraway’s “Cyborg Manifesto” is even more relevant today, when the divisions that she so eloquently challenges—of human and machine but also of gender, class, race, ethnicity, sexuality, and location—are increasingly complex. The subsequent “Companion Species Manifesto,” which further questions the human–nonhuman disjunction, is no less urgently needed in our time of environmental crisis and profound polarization.
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livres
livres
Publication:
avril 2016
avril 2016
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livres
livres
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In the modern era, the archive--official or personal--has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and(...)
$30.00
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In the modern era, the archive--official or personal--has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and(...)
Publication:
novembre 2006, London / Cambridge
novembre 2006, London / Cambridge
Titre:
The archive: Documents of contemporary art
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In the modern era, the archive--official or personal--has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and ensuing conflicts, the emergence of the postcolonial era, and the fall of communism have each provoked a reconsideration of the authority given the archive--no longer viewed as a neutral, transparent site of record but as a contested subject and medium in itself. This volume surveys the full diversity of our transformed theoretical and critical notions of the archive--as idea and as physical presence--from Freud's "mystic writing pad" to Derrida's "archive fever"; from Christian Boltanski's first autobiographical explorations of archival material in the 1960s to the practice of artists as various as Susan Hiller, Ilya Kabakov, Thomas Hirshhorn, Renée Green, and The Atlas Group in the present.
The archive: Documents of contemporary art
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In the modern era, the archive--official or personal--has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and ensuing conflicts, the emergence of the postcolonial era, and the fall of communism have each provoked a reconsideration of the authority given the archive--no longer viewed as a neutral, transparent site of record but as a contested subject and medium in itself. This volume surveys the full diversity of our transformed theoretical and critical notions of the archive--as idea and as physical presence--from Freud's "mystic writing pad" to Derrida's "archive fever"; from Christian Boltanski's first autobiographical explorations of archival material in the 1960s to the practice of artists as various as Susan Hiller, Ilya Kabakov, Thomas Hirshhorn, Renée Green, and The Atlas Group in the present.
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livres
livres
Publication:
novembre 2006, London / Cambridge
novembre 2006, London / Cambridge
