337 Résultats
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It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only twenty-four years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of(...)
$71.95
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Résumé:
It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only twenty-four years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of(...)
Publication:
mai 2002, Cambridge, Mass.
mai 2002, Cambridge, Mass.
Titre:
The arts at Black Mountain College
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It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only twenty-four years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of the 1960s. The faculty included such diverse talents as Anni and Josef Albers, Eric Bentley, Ilya Bolotowsky, Robert Creeley, Willem de Kooning, Robert Duncan, Lyonel Feininger, Paul Goodman, Walter Gropius, Franz Kline, Robert Motherwell, and Charles Olson. Among the students were Ruth Asawa, John Chamberlain, Francine du Plessix Gray, Kenneth Noland, Arthur Penn, Robert Rauschenberg, Kenneth Snelson, Cy Twombly, Stan Vanderbeek, and Jose Yglesias. In this definitive account of the arts at Black Mountain College, back in print after many years, Mary Emma Harris describes a unique educational experiment and the artists and writers who conducted it. She replaces the myth of the college as a haphazardly conceived venture with a portrait of a consciously directed liberal arts school that grew out of the progressive education movement. Proceeding chronologically through the four major periods of the college’s history, Harris covers every aspect of its extraordinary curriculum in the visual, literary, and performing arts.
The arts at Black Mountain College
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It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only twenty-four years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of the 1960s. The faculty included such diverse talents as Anni and Josef Albers, Eric Bentley, Ilya Bolotowsky, Robert Creeley, Willem de Kooning, Robert Duncan, Lyonel Feininger, Paul Goodman, Walter Gropius, Franz Kline, Robert Motherwell, and Charles Olson. Among the students were Ruth Asawa, John Chamberlain, Francine du Plessix Gray, Kenneth Noland, Arthur Penn, Robert Rauschenberg, Kenneth Snelson, Cy Twombly, Stan Vanderbeek, and Jose Yglesias. In this definitive account of the arts at Black Mountain College, back in print after many years, Mary Emma Harris describes a unique educational experiment and the artists and writers who conducted it. She replaces the myth of the college as a haphazardly conceived venture with a portrait of a consciously directed liberal arts school that grew out of the progressive education movement. Proceeding chronologically through the four major periods of the college’s history, Harris covers every aspect of its extraordinary curriculum in the visual, literary, and performing arts.
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livres
livres
Publication:
mai 2002, Cambridge, Mass.
mai 2002, Cambridge, Mass.
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livres
livres
Titre:
The chatter of culture
The chatter of culture
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Published in conjunction with an exhibition by Robyn Laba held May 26 - June 23, 2007, and an exhibition by Lorna Brown and David Zink Yi held April 7 - May 12, 2007, at Artspeak, Vancouver.
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Published in conjunction with an exhibition by Robyn Laba held May 26 - June 23, 2007, and an exhibition by Lorna Brown and David Zink Yi held April 7 - May 12, 2007, at Artspeak, Vancouver.
Publication:
janvier 2008, Vancouver
janvier 2008, Vancouver
Titre:
The chatter of culture
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Published in conjunction with an exhibition by Robyn Laba held May 26 - June 23, 2007, and an exhibition by Lorna Brown and David Zink Yi held April 7 - May 12, 2007, at Artspeak, Vancouver.
The chatter of culture
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Published in conjunction with an exhibition by Robyn Laba held May 26 - June 23, 2007, and an exhibition by Lorna Brown and David Zink Yi held April 7 - May 12, 2007, at Artspeak, Vancouver.
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livres
livres
Publication:
janvier 2008, Vancouver
janvier 2008, Vancouver
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livres
livres
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$52.00
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav(...)
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav(...)
Publication:
juillet 2008, Köln
juillet 2008, Köln
Titre:
Ausstellungen generali foundation exhibitions 1989-2008
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav Metzger, Walter Pichler, Martha Rosler, Adrian Piper and Allan Sekula have all shown there, often for their first solo outing. Generali has also commissioned works by artists such as Maria Eichhorn, Andrea Fraser, Hans Haacke, Dorit Margreiter, Mathias Poledna, Marjetica Potrc and Heimo Zobernig. In this power-packed book, numerous installation views and texts provide a review of the foundation's comprehensive program, whose context and genesis are discussed in a conversation between the foundation's long-time Director Sabine Breitwieser and art critic Sabeth Buchmann.
Ausstellungen generali foundation exhibitions 1989-2008
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav Metzger, Walter Pichler, Martha Rosler, Adrian Piper and Allan Sekula have all shown there, often for their first solo outing. Generali has also commissioned works by artists such as Maria Eichhorn, Andrea Fraser, Hans Haacke, Dorit Margreiter, Mathias Poledna, Marjetica Potrc and Heimo Zobernig. In this power-packed book, numerous installation views and texts provide a review of the foundation's comprehensive program, whose context and genesis are discussed in a conversation between the foundation's long-time Director Sabine Breitwieser and art critic Sabeth Buchmann.
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livres
livres
Publication:
juillet 2008, Köln
juillet 2008, Köln
Classification:
livres
livres
Titre:
Imaginary coordinates
Imaginary coordinates
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$31.00
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This book has been published in conjunction with the exhibition Imaginary Coordinates, organized by Spertus Museum, Chicago, and on view May 2 - September 7, 2008. It juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women. Text by Jessica Dubow, Rhoda Rosen, Ilana Segal.
$31.00
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This book has been published in conjunction with the exhibition Imaginary Coordinates, organized by Spertus Museum, Chicago, and on view May 2 - September 7, 2008. It juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women. Text by Jessica Dubow, Rhoda Rosen, Ilana Segal.
Publication:
juillet 2008, Chicago
juillet 2008, Chicago
Titre:
Imaginary coordinates
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$31.00
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This book has been published in conjunction with the exhibition Imaginary Coordinates, organized by Spertus Museum, Chicago, and on view May 2 - September 7, 2008. It juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women. Text by Jessica Dubow, Rhoda Rosen, Ilana Segal.
Imaginary coordinates
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$31.00
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Résumé:
This book has been published in conjunction with the exhibition Imaginary Coordinates, organized by Spertus Museum, Chicago, and on view May 2 - September 7, 2008. It juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women. Text by Jessica Dubow, Rhoda Rosen, Ilana Segal.
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livres
livres
Publication:
juillet 2008, Chicago
juillet 2008, Chicago
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livres
livres
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$69.00
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas(...)
$69.00
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas(...)
Publication:
août 2008, London
août 2008, London
Titre:
Psycho Buildings: Artists Take On Architecture
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$69.00
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas Saraceno, Do-Ho Suh and Rachel Whiteread--who create habitat-like structures and architectural environments that are mental and perceptual spaces as much as physical ones. The works in this book revisit and reanimate the history of Modernist design while reminding us that built spaces can be defined in social, political, psychological, physical and aesthetic terms. An invaluable exploration of this contemporary trend, the volume includes essays by Hayward Director Ralph Rugoff, Jane Rendell and Brian Dillon. In addition, each artist profile includes a text by a different author, including Francis McKee, Tumelo Mosaka, Midori Matsui, Brian Dillon, Paulo Herkenhoff, David Greene, Francesco Manacorda, Tom Morton, Miwon Kwon and Iain Sinclair.
Psycho Buildings: Artists Take On Architecture
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$69.00
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas Saraceno, Do-Ho Suh and Rachel Whiteread--who create habitat-like structures and architectural environments that are mental and perceptual spaces as much as physical ones. The works in this book revisit and reanimate the history of Modernist design while reminding us that built spaces can be defined in social, political, psychological, physical and aesthetic terms. An invaluable exploration of this contemporary trend, the volume includes essays by Hayward Director Ralph Rugoff, Jane Rendell and Brian Dillon. In addition, each artist profile includes a text by a different author, including Francis McKee, Tumelo Mosaka, Midori Matsui, Brian Dillon, Paulo Herkenhoff, David Greene, Francesco Manacorda, Tom Morton, Miwon Kwon and Iain Sinclair.
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livres
livres
Publication:
août 2008, London
août 2008, London
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livres
livres
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$42.00
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
$42.00
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
Publication:
septembre 2008, New York, London
septembre 2008, New York, London
Titre:
Street art street life: from 1950s to now
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$42.00
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
Street art street life: from 1950s to now
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$42.00
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
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livres
livres
Publication:
septembre 2008, New York, London
septembre 2008, New York, London
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livres
livres
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$42.00
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Résumé:
Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own world? Conceived around the title Life on Mars, the 55th Carnegie International explores the increasingly relevant yet perplexing proposition of what it means to be human today. The question 'is there life on Mars?' is a rhetorical one, posed in the face of an increasingly(...)
$42.00
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Résumé:
Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own world? Conceived around the title Life on Mars, the 55th Carnegie International explores the increasingly relevant yet perplexing proposition of what it means to be human today. The question 'is there life on Mars?' is a rhetorical one, posed in the face of an increasingly(...)
Publication:
août 2008, Amsterdam, New York, Pittsburgh
août 2008, Amsterdam, New York, Pittsburgh
Titre:
Life on mars: 55th Carnegie International, Carnegie Museum of Art
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$42.00
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Résumé:
Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own world? Conceived around the title Life on Mars, the 55th Carnegie International explores the increasingly relevant yet perplexing proposition of what it means to be human today. The question 'is there life on Mars?' is a rhetorical one, posed in the face of an increasingly accelerating world in which global events challenge and seem to threaten our everyday existence.
Life on mars: 55th Carnegie International, Carnegie Museum of Art
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$42.00
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Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own world? Conceived around the title Life on Mars, the 55th Carnegie International explores the increasingly relevant yet perplexing proposition of what it means to be human today. The question 'is there life on Mars?' is a rhetorical one, posed in the face of an increasingly accelerating world in which global events challenge and seem to threaten our everyday existence.
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livres
livres
Publication:
août 2008, Amsterdam, New York, Pittsburgh
août 2008, Amsterdam, New York, Pittsburgh
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livres
livres
Titre:
Legende
Legende
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$27.50
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
Publication:
septembre 2008, Berlin, New York
septembre 2008, Berlin, New York
Titre:
Legende
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
Legende
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
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livres
livres
Publication:
septembre 2008, Berlin, New York
septembre 2008, Berlin, New York
Classification:
livres
livres
Titre:
Duction
Duction
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$25.00
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Résumé:
«Duction» se veut à la fois un ouvrage de réflexion sur les enjeux traductifs au sein de l'art contemporain, le recueil du fruit de la rencontre entre une commissaire et un artiste et leurs collaborateurs, un livre d'artiste et une exposition sous forme de livre d'une production contemporaine.
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«Duction» se veut à la fois un ouvrage de réflexion sur les enjeux traductifs au sein de l'art contemporain, le recueil du fruit de la rencontre entre une commissaire et un artiste et leurs collaborateurs, un livre d'artiste et une exposition sous forme de livre d'une production contemporaine.
Publication:
octobre 2002, Montréal
octobre 2002, Montréal
Titre:
Duction
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$25.00
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«Duction» se veut à la fois un ouvrage de réflexion sur les enjeux traductifs au sein de l'art contemporain, le recueil du fruit de la rencontre entre une commissaire et un artiste et leurs collaborateurs, un livre d'artiste et une exposition sous forme de livre d'une production contemporaine.
Duction
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$25.00
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Résumé:
«Duction» se veut à la fois un ouvrage de réflexion sur les enjeux traductifs au sein de l'art contemporain, le recueil du fruit de la rencontre entre une commissaire et un artiste et leurs collaborateurs, un livre d'artiste et une exposition sous forme de livre d'une production contemporaine.
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livres
livres
Publication:
octobre 2002, Montréal
octobre 2002, Montréal
Classification:
livres
livres
Prix:
$18.00
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Résumé:
La genèse de cette exposition remonte à une invitation lancée il y a deux ans à Raymond Gervais et à Jocelyn Robert, deux artistes aux affinités parfois apparentes, leur proposant de collaborer à une oeuvre qui ferait l'objet d'une exposition à la Galerie: une réflexion sur le son et le silence. Quelques temps plus tard Christof Migone, artiste qui travaille lui aussi le(...)
$18.00
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Résumé:
La genèse de cette exposition remonte à une invitation lancée il y a deux ans à Raymond Gervais et à Jocelyn Robert, deux artistes aux affinités parfois apparentes, leur proposant de collaborer à une oeuvre qui ferait l'objet d'une exposition à la Galerie: une réflexion sur le son et le silence. Quelques temps plus tard Christof Migone, artiste qui travaille lui aussi le(...)
Publication:
octobre 2006, Montréal
octobre 2006, Montréal
Titre:
Cut: Raymond Gervais, Christof Migone, Jocelyn Robert
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La genèse de cette exposition remonte à une invitation lancée il y a deux ans à Raymond Gervais et à Jocelyn Robert, deux artistes aux affinités parfois apparentes, leur proposant de collaborer à une oeuvre qui ferait l'objet d'une exposition à la Galerie: une réflexion sur le son et le silence. Quelques temps plus tard Christof Migone, artiste qui travaille lui aussi le son, se joignait au projet proposant des oeuvres axées sur la répétition. Le temps passa, et chacun élobora des oeuvres d'envergure. Mon propos de commissaire aussi se transforma, s'éloignant de la question du son, déjà l'objet de nombreuses manifestations ici et ailleurs, pour se fixer sur la notion de coupe, de coupure et d'interruption dans l'oeuvre et dans sa conception. Michèle Thériault
Cut: Raymond Gervais, Christof Migone, Jocelyn Robert
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Résumé:
La genèse de cette exposition remonte à une invitation lancée il y a deux ans à Raymond Gervais et à Jocelyn Robert, deux artistes aux affinités parfois apparentes, leur proposant de collaborer à une oeuvre qui ferait l'objet d'une exposition à la Galerie: une réflexion sur le son et le silence. Quelques temps plus tard Christof Migone, artiste qui travaille lui aussi le son, se joignait au projet proposant des oeuvres axées sur la répétition. Le temps passa, et chacun élobora des oeuvres d'envergure. Mon propos de commissaire aussi se transforma, s'éloignant de la question du son, déjà l'objet de nombreuses manifestations ici et ailleurs, pour se fixer sur la notion de coupe, de coupure et d'interruption dans l'oeuvre et dans sa conception. Michèle Thériault
Classification:
livres
livres
Publication:
octobre 2006, Montréal
octobre 2006, Montréal
