$54.95
(disponible en magasin)
Résumé:
What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This(...)
Present archives: Reflections from a collection of prints
Actions:
Prix:
$54.95
(disponible en magasin)
Résumé:
What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This publication collects three years' work within present_continuous, a project aimed at enhancing a collection of prints housed at the Biblioteca Nazionale Universitaria in Turin. A still rather unexplored point of excellence in the institution’s holdings, which was organised in albums in the 1860s by the eclectic Piedmontese collector and connoisseur Giovanni Volpato. The project includes a cataloguing campaign, a symposium whose purpose was to renew the contemporary perception of the archive and in an international call was opened in order to select two artists – Alessandra Messali and Ryts Monet (Enrico De Napoli) – for a residency program dedicated to creating new perspectives, right from the collection of print, trying to voicing the social and cultural issues of our time.
$59.95
(disponible en magasin)
Résumé:
Les objets ayant appartenu à Elsie Reford témoignent d’une vie pleine et entière, celle d’une femme audacieuse et déterminée, animée de mille passions. Montréalaise bien ancrée dans son quartier, le Mille carré doré, Elsie passait ses étés à son domaine bordant le fleuve Saint-Laurent, où elle a créé les éblouissants Jardins de Métis. Son passé riche et complexe nous(...)
avril 2023
Elsie Reford : 150 objets de passion
Actions:
Prix:
$59.95
(disponible en magasin)
Résumé:
Les objets ayant appartenu à Elsie Reford témoignent d’une vie pleine et entière, celle d’une femme audacieuse et déterminée, animée de mille passions. Montréalaise bien ancrée dans son quartier, le Mille carré doré, Elsie passait ses étés à son domaine bordant le fleuve Saint-Laurent, où elle a créé les éblouissants Jardins de Métis. Son passé riche et complexe nous révèle des aspects méconnus mais fascinants de l’histoire du Québec et du Canada.
$59.95
(disponible en magasin)
Résumé:
The objects that belonged to Elsie Reford speak to a full life – that of a woman of daring and determination, and of many passions. The story of Elsie, a long-time resident of Montreal’s Golden Square Mile and the creator of the magnificent Jardins de Métis at her summer home on the St. Lawrence River, sheds light on little-known but fascinating aspects of the history of(...)
avril 2023
Elsie Reford : 150 objects of passion
Actions:
Prix:
$59.95
(disponible en magasin)
Résumé:
The objects that belonged to Elsie Reford speak to a full life – that of a woman of daring and determination, and of many passions. The story of Elsie, a long-time resident of Montreal’s Golden Square Mile and the creator of the magnificent Jardins de Métis at her summer home on the St. Lawrence River, sheds light on little-known but fascinating aspects of the history of Quebec and the rest of Canada.
$15.00
(disponible sur commande)
Résumé:
Depuis deux ans, l’artiste Anahita Norouzi développe un projet de recherche sur les dimensions écologiques, culturelles et sociales des questions migratoires sous l’angle des plantes non-indigènes qui sont apparues au Québec dans le prolongement des flux migratoires des populations. Publié à l’occasion de l’exposition «Jardin trouble : étude d’un enracinement», présentée(...)
mai 2023
Les Cahiers de la Fondation, no. 3 : Exposition/exhibition Anahita Norouzi
Actions:
Prix:
$15.00
(disponible sur commande)
Résumé:
Depuis deux ans, l’artiste Anahita Norouzi développe un projet de recherche sur les dimensions écologiques, culturelles et sociales des questions migratoires sous l’angle des plantes non-indigènes qui sont apparues au Québec dans le prolongement des flux migratoires des populations. Publié à l’occasion de l’exposition «Jardin trouble : étude d’un enracinement», présentée à l’été 2022 à la Fondation Grantham pour l’art et l’environnement, cet ouvrage rassemble des images et des textes qui permettent notamment de situer le travail récent d’Anahita Norouzi dans le contexte des approches artistiques de la botanique à travers le pays et à l’international. Fortes de leurs expertises différentes, les trois autrices signant la publication nous offrent une lecture plurielle et interdisciplinaire des photos, des vidéos, des sculptures et des installations qui composent l’exposition de cette artiste montante.
$81.95
(disponible sur commande)
Résumé:
Le mot «Songline» renvoie à un système de connaissances propre aux populations autochtones d'Australie. Des histoires inscrites au coeur des territoires y consignent les savoirs écologiques, cosmologiques, topographiques et sociaux nécessaires au développement durable des sociétés. Explorant les songlines de trois régions du centre et de l'ouest de l'Australie, toutes(...)
Songlines : Chant des pistes du désert australien
Actions:
Prix:
$81.95
(disponible sur commande)
Résumé:
Le mot «Songline» renvoie à un système de connaissances propre aux populations autochtones d'Australie. Des histoires inscrites au coeur des territoires y consignent les savoirs écologiques, cosmologiques, topographiques et sociaux nécessaires au développement durable des sociétés. Explorant les songlines de trois régions du centre et de l'ouest de l'Australie, toutes liées à l'histoire fondatrice des Sept Soeurs, cet ouvrage retrace des pans de ce récit d'envergure universelle, tel que souhaitent le transmettre aux jeunes générations les aînés de ces communautés aborigènes. Les Soeurs et leur implacable poursuivant, un sorcier aux multiples visages, se révèlent ainsi dans une narration sensorielle. Elles apparaissent et disparaissent continuellement dans les paysages, à l'intérieur des sources, dans les collines, les rochers, les arbres - et jusque dans les étoiles qui nous surplombent.
$94.00
(disponible en magasin)
Résumé:
During the 1960s, as Western notions of endless progress and growth gave way to concerns over industrial pollution, resource depletion and ecological limits, attitudes toward the environment became social, political and ideological. Published to accompany the first expansive survey of the history of environmental thinking in architecture, ''Emerging ecologies:(...)
Emerging ecologies: Architecture and the rise of environmentalism
Actions:
Prix:
$94.00
(disponible en magasin)
Résumé:
During the 1960s, as Western notions of endless progress and growth gave way to concerns over industrial pollution, resource depletion and ecological limits, attitudes toward the environment became social, political and ideological. Published to accompany the first expansive survey of the history of environmental thinking in architecture, ''Emerging ecologies: Architecture and the rise of environmentalism'' looks at the role architects have played in defining our understanding of ''nature'' and the ''environment,'' specifically during the rise of environmental discourse. The illustrated publication presents over 45 architectural contributions—from Eleanor Raymond and Mária Telkes’ groundbreaking work on solar houses to Buckminster Fuller’s world resource management system and the environmental symbolism of Emilio Ambasz—to explore the role designers played in both promoting ecological concerns and in outlining the very terms of this nascent field. Through an introductory essay by curator Carson Chan and brief texts on each of the featured projects, ''Emerging ecologies'' documents the proximity between ecology, design and statecraft, allowing readers to take stock of historic milestones as architecture confronts today’s climate emergencies.
An indigenous present
$108.50
(disponible sur commande)
Résumé:
This volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, ''An Indigenous present'' presents an increasingly visible and expanding field of Indigenous creative(...)
septembre 2023
An indigenous present
Actions:
Prix:
$108.50
(disponible sur commande)
Résumé:
This volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, ''An Indigenous present'' presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. ''An Indigenous present'' foregrounds transculturalism over affiliation and contemporaneity over outmoded categories.
$87.00
(disponible sur commande)
Résumé:
On 4 May 1968, a few hours after angry student protesters in Paris had caused the Sorbonne to be evacuated, the exhibition ''50 Years Bauhaus'' opened at the Württembergischer Kunstverein. Conceived by Herbert Bayer, Ludwig Grote, Hans Maria Wingler and Dieter Honisch, the then director of the Kunstverein, the show is still regarded as the most influential post-war(...)
septembre 2023
50 Years after 50 Years of the Bauhaus
Actions:
Prix:
$87.00
(disponible sur commande)
Résumé:
On 4 May 1968, a few hours after angry student protesters in Paris had caused the Sorbonne to be evacuated, the exhibition ''50 Years Bauhaus'' opened at the Württembergischer Kunstverein. Conceived by Herbert Bayer, Ludwig Grote, Hans Maria Wingler and Dieter Honisch, the then director of the Kunstverein, the show is still regarded as the most influential post-war exhibition on the Bauhaus. Fifty years after the opening of '50 Years Bauhaus'', the Württembergischer Kunstverein undertook a critical re-reading of the 1968 exhibition, with a particular focus on the ambiguous relationship that various prominent members of the Bauhaus had with National Socialism and the murky connections between the art avant-gardes and the military-industrial complex. While the 1968 exhibition historicized the reception of the Bauhaus, reducing it to West Germany and the US, the publication 50 Years After 50 Years of the Bauhaus reflects on the famous school in the context of artistic movements like the International Movement for an Imaginist Bauhaus and the Situationist International.
$65.00
(disponible sur commande)
Résumé:
This volume revisits a turbulent chapter in Lebanese modernism, from the 1958 crisis to the 1975 outbreak of civil war. Through 230 works by 34 artists and more than 300 archival documents, it shows how collisions between art, culture and polarized political ideologies turned Beirut’s art scene into a microcosm for larger transregional tensions.
novembre 2023
Beirut and the golden sixties: Mathaf Arab Museum of Modern Art, Doha
Actions:
Prix:
$65.00
(disponible sur commande)
Résumé:
This volume revisits a turbulent chapter in Lebanese modernism, from the 1958 crisis to the 1975 outbreak of civil war. Through 230 works by 34 artists and more than 300 archival documents, it shows how collisions between art, culture and polarized political ideologies turned Beirut’s art scene into a microcosm for larger transregional tensions.
$60.00
(disponible sur commande)
Résumé:
In the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school’s most sophisticated and(...)
octobre 2023
Weaving at Black Mountain College: Anni Albers, Trude Guermonprez and their students
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
In the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school’s most sophisticated and successful design program. About ten percent of all Black Mountain College students took at least one class in weaving, including specialists like textile designers Lore Kadden Lindenfeld and Else Regensteiner, as well as students from other disciplines, like artists Ray Johnson and Robert Rauschenberg and architects Don Page and Claude Stoller. Drawing upon a wealth of unpublished material and archival photographs, Weaving at Black Mountain College rewrites history to show how weaving played a much larger role in the legendary art and design curriculum than previously assumed. The book illustrates dozens of objects from private and public collections, many of which have never been shown in this context. Essays explore connections and networks fostered by Black Mountain weavers; the ways in which weaving at the college was linked to larger discourses about weaving and craft; and Bauhaus influences transmitted by way of Anni Albers. The book also includes works by five contemporary artists that connect and respond to the legacy of weaving at Black Mountain College today.