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Stolen and appropriated imagery has proved to be the principle means by which artists have challenged the image industry that they must constantly compete with. Drawing on the vast resources of the Rubell family collection, this massive catalogue appraises the landmarks of appropriation art. Among the artists featured are Maurizio Cattelan, Peter Coffin, Aaron Curry,(...)
août 2010
Beg, borrow and steel : Rubell Family Collection
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Stolen and appropriated imagery has proved to be the principle means by which artists have challenged the image industry that they must constantly compete with. Drawing on the vast resources of the Rubell family collection, this massive catalogue appraises the landmarks of appropriation art. Among the artists featured are Maurizio Cattelan, Peter Coffin, Aaron Curry, Marcel Duchamp, Elmgreen & Dragset, Hans-Peter Feldmann, Urs Fischer, Robert Gober, David Hammons, Mark Handforth, Rachel Harrison, Jenny Holzer, Jonathan Horowitz, Rashid Johnson, Jeff Koons, Barbara Kruger, Louise Lawler, Mark Leckey, Sherrie Levine, Glenn Ligon, Robert Longo, Kris Martin, Paul McCarthy, Takashi Murakami, Cady Noland, Richard Prince, Charles Ray, Jason Rhoades, Thomas Ruff, David Salle, Philip Taaffe, Hank Willis Thomas, Piotr Uklanski, Meyer Vaisman, Kelley Walker, Wang Ziwei, Christopher Wool and Zhang Huan.
Linie, line, linea
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This survey examines the state of drawing in Germany through the lens of 19 artists working in the medium, among them Irina Baschlakow, Marc Brandenburg, Monika Brandmeier, Fernando Bryce, Marcel van Eeden, Pia Linz, Theresa Lükenwerk, Nanne Meyer, Christian Pilz, Alexander Roob, Malte Spohr, German Stegmaier, Markus Vater, Jorinde Voigt and Ralf Ziervogel.
août 2010
Linie, line, linea
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This survey examines the state of drawing in Germany through the lens of 19 artists working in the medium, among them Irina Baschlakow, Marc Brandenburg, Monika Brandmeier, Fernando Bryce, Marcel van Eeden, Pia Linz, Theresa Lükenwerk, Nanne Meyer, Christian Pilz, Alexander Roob, Malte Spohr, German Stegmaier, Markus Vater, Jorinde Voigt and Ralf Ziervogel.
Ghosts in the machine
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A sweeping survey on an evergreen subject—the relationship between man and machines. Featuring more than sixty international artists, this volume surveys the constantly shifting relationships between humans, machines, and art. The book spans more than fifty years of history, tracing various movements’ and artists’ engagement with machines—both low- and high-tech—across(...)
octobre 2012
Ghosts in the machine
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A sweeping survey on an evergreen subject—the relationship between man and machines. Featuring more than sixty international artists, this volume surveys the constantly shifting relationships between humans, machines, and art. The book spans more than fifty years of history, tracing various movements’ and artists’ engagement with machines—both low- and high-tech—across generations. The exhibition and accompanying catalogue present a transhistorical reassessment of optical, kinetic, and technological art, bringing together a wide range of work from—among others—Bridget Riley, Hans Haacke, Gianni Colombo, Channa Horowitz, Heinz Mack, Otto Piene, Stan VanDerBeek, and Victor Vasarely. Truly diverse in its scope, the show investigates the ways in which outsider artists, writers, and other cult figures have illustrated the symbiosis between man and machine, including documents and artifacts by J. G. Ballard, Emery Blagdon, Franz Kafka, Marshall McLuhan, Emma Kunz, and Edoardo Paolozzi.
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Art & Agenda explores the current interrelationship between politics, art, and activism. The book introduces a variety of artists who are advocating political and social reform on a local or a global scale. The personalities and approaches of the featured artists are as diverse as their subject matter the artists goals, techniques, and degrees of radicalness depend on(...)
novembre 2011
Art & agenda: political art and activism
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Art & Agenda explores the current interrelationship between politics, art, and activism. The book introduces a variety of artists who are advocating political and social reform on a local or a global scale. The personalities and approaches of the featured artists are as diverse as their subject matter the artists goals, techniques, and degrees of radicalness depend on the cultures to which they belong as well as the social and political circles in which they move.
$46.00
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TRACK is an art experience taking place in the public and semi-public space of Ghent. It offers enriching and unexpected encounters with the city, its history and its inhabitants, stimulating reflection on urban realities and, in a wider sense, the contemporary human condition. Forty-one international artists were invited to conceive new artworks strongly rooted in the(...)
Track: a contemporary city conversation
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TRACK is an art experience taking place in the public and semi-public space of Ghent. It offers enriching and unexpected encounters with the city, its history and its inhabitants, stimulating reflection on urban realities and, in a wider sense, the contemporary human condition. Forty-one international artists were invited to conceive new artworks strongly rooted in the urban fabric of Ghent, but linking the local context with issues of global significance. Participants include multi-media artist John Bock, performance artist and choreographer Alexandra Bachzetsis, painter Erik van Lieshout, and visual artist Mircea Cantor, among many others.
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This book accompanies Saying It, an exhibition by artists Mieke Bal & Michelle Williams Gamaker and Renate Ferro at the Freud Museum, London, curated by Joanne Morra. Besides images, and descriptions of the works in the exhibition written by the artists themselves, the book contains new essays by Cathy Caruth, Marjorie Garber, Miguel Á. Hernández-Navarro, Ranjana Khanna(...)
décembre 2012
Saying it: Mieke Bal, Michelle Williams Gamaker, Renate Ferro
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This book accompanies Saying It, an exhibition by artists Mieke Bal & Michelle Williams Gamaker and Renate Ferro at the Freud Museum, London, curated by Joanne Morra. Besides images, and descriptions of the works in the exhibition written by the artists themselves, the book contains new essays by Cathy Caruth, Marjorie Garber, Miguel Á. Hernández-Navarro, Ranjana Khanna and Joanne Morra, as well as a foreword by Carol Seigel, Director of the Freud Museum. Together, the artists’ words and those of the other authors underscore the significance of Saying It as what Morra terms a ‘site-responsive’ exhibition : not only do Bal & Williams Gamaker and Ferro shed light on key concepts of psychoanalysis (psychosis, transference, screen memories), but they reveal new layers of narrative and meaning enfolded in the site where their work is displayed, namely the former home of Anna and Sigmund Freud, now a world-renowned museum and archive.
Urban reader 3
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The third volume in the series of urban readers centres around the term synergy and uses the internet as an artificial urban space connecting the makers and the contributors. This issue is team work. People who live in different cities, countries, and even continents work together without meeting in person. Synergies exist when different elements interact and(...)
décembre 2012
Urban reader 3
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The third volume in the series of urban readers centres around the term synergy and uses the internet as an artificial urban space connecting the makers and the contributors. This issue is team work. People who live in different cities, countries, and even continents work together without meeting in person. Synergies exist when different elements interact and produce a result that any individual part could not achieve alone. This book, as a combined whole aims at supporting the assumption that the generated synergy is more than just the sum of its parts.
Gutai: splendid playground
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Gutai: Splendid Playground surveys the influential Japanese collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social and political context of postwar Japan and the West, and to further establish Gutai in an(...)
Gutai: splendid playground
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Gutai: Splendid Playground surveys the influential Japanese collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social and political context of postwar Japan and the West, and to further establish Gutai in an expanded, transnational history and critical discourse of modern art. Organized thematically and chronologically to explore Gutai’s unique approach to materials, concepts, process, performativity and enviroment, this publication investigates the group’s radical experimentation across a range of media and styles, and demonstrates how individual artists pushed the limits of what art could be or mean in a post-atomic era. The range includes painting, conceptual art, performance, film, installation art, sound art, interactive art, light art and kinetic art.
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Anfang Gut. Alles Gut documents a longterm project by an ever-expanding group of artists, musicians, architects and writers who, since 2008, have worked with the opera's historical documentation and reception history to translate this mythic gesamtkunstwerk into the present.
mars 2013
Anfang Gut. Alles Gut: Actualizations of the Futurist Opera Victory Over the Sun 1913
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Anfang Gut. Alles Gut documents a longterm project by an ever-expanding group of artists, musicians, architects and writers who, since 2008, have worked with the opera's historical documentation and reception history to translate this mythic gesamtkunstwerk into the present.
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The collage technique has undergone a significant renaissance over the past decade or so. This volume looks at works by Hannah Höch, Raoul Hausmann, Kurt Schwitters, Birgit Brenner, Jörg Herold, Haris Epaminonda, Ceal Floyer, Thomas Hirschhorn, Martha Rosler, Ellen Gallagher, Raphael Danke, Meg Cranston, Gert and Uwe Tobias, Dash Snow, Frank Stella and others.
mars 2013
Manifesto collage: defining collage in the twenty-first century
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The collage technique has undergone a significant renaissance over the past decade or so. This volume looks at works by Hannah Höch, Raoul Hausmann, Kurt Schwitters, Birgit Brenner, Jörg Herold, Haris Epaminonda, Ceal Floyer, Thomas Hirschhorn, Martha Rosler, Ellen Gallagher, Raphael Danke, Meg Cranston, Gert and Uwe Tobias, Dash Snow, Frank Stella and others.