337 Résultats
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livres
livres
Titre:
Apocalypse : hier et demain
Apocalypse : hier et demain
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En trois temps – la révélation, le temps des catastrophes et le jour d’après – ce catalogue présente un panorama de l’apocalypse à travers une diversité d’œuvres marquantes : « Apocalypse illustrée », Beatus de Saint-Sever, séries gravées sur l’Apocalypse de Dürer, d’Odilon Redon, les visions de William Blake, le « Jugement dernier » de Wassily Kandinsky, entre autres.(...)
$92.95
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En trois temps – la révélation, le temps des catastrophes et le jour d’après – ce catalogue présente un panorama de l’apocalypse à travers une diversité d’œuvres marquantes : « Apocalypse illustrée », Beatus de Saint-Sever, séries gravées sur l’Apocalypse de Dürer, d’Odilon Redon, les visions de William Blake, le « Jugement dernier » de Wassily Kandinsky, entre autres.(...)
Titre:
Apocalypse : hier et demain
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$92.95
(disponible en magasin)
Résumé:
En trois temps – la révélation, le temps des catastrophes et le jour d’après – ce catalogue présente un panorama de l’apocalypse à travers une diversité d’œuvres marquantes : « Apocalypse illustrée », Beatus de Saint-Sever, séries gravées sur l’Apocalypse de Dürer, d’Odilon Redon, les visions de William Blake, le « Jugement dernier » de Wassily Kandinsky, entre autres. Une anthologie d’extraits littéraires et plusieurs essais enrichissent le propos d’un point de vue philosophique et littéraire.
Apocalypse : hier et demain
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$92.95
(disponible en magasin)
Résumé:
En trois temps – la révélation, le temps des catastrophes et le jour d’après – ce catalogue présente un panorama de l’apocalypse à travers une diversité d’œuvres marquantes : « Apocalypse illustrée », Beatus de Saint-Sever, séries gravées sur l’Apocalypse de Dürer, d’Odilon Redon, les visions de William Blake, le « Jugement dernier » de Wassily Kandinsky, entre autres. Une anthologie d’extraits littéraires et plusieurs essais enrichissent le propos d’un point de vue philosophique et littéraire.
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livres
Publication:
janvier 2025
janvier 2025
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livres
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Bekanntmachungen
Bekanntmachungen
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The title Bekanntmachungen (announcements) stands for numerous exhibitions and events which took place from November 12, 2005 to January 8, 2006 in the Kunsthalle Zurich to celebrate the 20th anniversary of the hgkz Fine Arts Studies Course.
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The title Bekanntmachungen (announcements) stands for numerous exhibitions and events which took place from November 12, 2005 to January 8, 2006 in the Kunsthalle Zurich to celebrate the 20th anniversary of the hgkz Fine Arts Studies Course.
Publication:
juillet 2007, Zurich
juillet 2007, Zurich
Titre:
Bekanntmachungen
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$36.95
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The title Bekanntmachungen (announcements) stands for numerous exhibitions and events which took place from November 12, 2005 to January 8, 2006 in the Kunsthalle Zurich to celebrate the 20th anniversary of the hgkz Fine Arts Studies Course.
Bekanntmachungen
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The title Bekanntmachungen (announcements) stands for numerous exhibitions and events which took place from November 12, 2005 to January 8, 2006 in the Kunsthalle Zurich to celebrate the 20th anniversary of the hgkz Fine Arts Studies Course.
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juillet 2007, Zurich
juillet 2007, Zurich
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$55.95
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Exhibition catalogue which attempts to chart the subject and significance of mobility in contemporary society. Features contributions from, among others: Büro Kiefer, Dara Birnbaum, Dominique Gonzalez-Foerster, Diller + Scofidio, Hans Ulrich Obrist, and R
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Exhibition catalogue which attempts to chart the subject and significance of mobility in contemporary society. Features contributions from, among others: Büro Kiefer, Dara Birnbaum, Dominique Gonzalez-Foerster, Diller + Scofidio, Hans Ulrich Obrist, and R
Publication:
mai 2006, Madrid
mai 2006, Madrid
Titre:
See how they move : 4 ideas on mobility / Mira como se mueven : 4 ideas sobre mobilidad
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Exhibition catalogue which attempts to chart the subject and significance of mobility in contemporary society. Features contributions from, among others: Büro Kiefer, Dara Birnbaum, Dominique Gonzalez-Foerster, Diller + Scofidio, Hans Ulrich Obrist, and R
See how they move : 4 ideas on mobility / Mira como se mueven : 4 ideas sobre mobilidad
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Exhibition catalogue which attempts to chart the subject and significance of mobility in contemporary society. Features contributions from, among others: Büro Kiefer, Dara Birnbaum, Dominique Gonzalez-Foerster, Diller + Scofidio, Hans Ulrich Obrist, and R
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livres
livres
Publication:
mai 2006, Madrid
mai 2006, Madrid
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livres
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$92.25
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Cette publication dresse le portrait d’une scène artistique française, dont le dynamisme, la prolixité, sont aujourd’hui manifestes. Le choix des 88 artistes est le produit d’une collaboration entre Blackjack éditions et les auteurs. Huit pages sont consacrées à chaque artiste, dont six dédiées à la reproduction iconographique des oeuvres; un espace qui permet de(...)
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Cette publication dresse le portrait d’une scène artistique française, dont le dynamisme, la prolixité, sont aujourd’hui manifestes. Le choix des 88 artistes est le produit d’une collaboration entre Blackjack éditions et les auteurs. Huit pages sont consacrées à chaque artiste, dont six dédiées à la reproduction iconographique des oeuvres; un espace qui permet de(...)
Publication:
janvier 2008
janvier 2008
Titre:
French connection : 88 artistes contemporains 88 critiques d'art
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Cette publication dresse le portrait d’une scène artistique française, dont le dynamisme, la prolixité, sont aujourd’hui manifestes. Le choix des 88 artistes est le produit d’une collaboration entre Blackjack éditions et les auteurs. Huit pages sont consacrées à chaque artiste, dont six dédiées à la reproduction iconographique des oeuvres; un espace qui permet de présenter plusieurs aspects du travail. 88 critiques d’art ont écrit un texte qui vient clore le moment consacré à chaque artiste. Ce livre dresse donc aussi, en écho, un portrait de la critique d’art en France aujourd’hui.
French connection : 88 artistes contemporains 88 critiques d'art
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Cette publication dresse le portrait d’une scène artistique française, dont le dynamisme, la prolixité, sont aujourd’hui manifestes. Le choix des 88 artistes est le produit d’une collaboration entre Blackjack éditions et les auteurs. Huit pages sont consacrées à chaque artiste, dont six dédiées à la reproduction iconographique des oeuvres; un espace qui permet de présenter plusieurs aspects du travail. 88 critiques d’art ont écrit un texte qui vient clore le moment consacré à chaque artiste. Ce livre dresse donc aussi, en écho, un portrait de la critique d’art en France aujourd’hui.
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livres
Publication:
janvier 2008
janvier 2008
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livres
livres
Titre:
Shanghai kaleidoscope
Shanghai kaleidoscope
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this(...)
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this(...)
Publication:
février 2009, Toronto
février 2009, Toronto
Titre:
Shanghai kaleidoscope
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this volume, writes in his introduction, Since the early 1990s, Shanghai has been at the forefront of China's historic national resurgence. During that time, it has become one of the world's most frenetic and fascinating cities. With a population now approaching 20 million, it is an urban colossus--China's largest and most densely populated city.
Shanghai kaleidoscope
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this volume, writes in his introduction, Since the early 1990s, Shanghai has been at the forefront of China's historic national resurgence. During that time, it has become one of the world's most frenetic and fascinating cities. With a population now approaching 20 million, it is an urban colossus--China's largest and most densely populated city.
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livres
Publication:
février 2009, Toronto
février 2009, Toronto
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The San Francisco Bay Area's legendary late-1960s counterculture - which included Allen Ginsberg, Bruce Nauman, Stan Brakhage, Yvonne Rainer and The Grateful Dead, as well as plentiful psychedelic drugs, free love, bell-bottoms, dashikis, daisies and radical leftist politics - ushered in wave after wave of experiments in dance, art, literature, music and film. As Jack(...)
$72.00
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The San Francisco Bay Area's legendary late-1960s counterculture - which included Allen Ginsberg, Bruce Nauman, Stan Brakhage, Yvonne Rainer and The Grateful Dead, as well as plentiful psychedelic drugs, free love, bell-bottoms, dashikis, daisies and radical leftist politics - ushered in wave after wave of experiments in dance, art, literature, music and film. As Jack(...)
Titre:
Looking for mushrooms: Beat poets, hippies, funk, minimal art San Francisco 1955-68
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The San Francisco Bay Area's legendary late-1960s counterculture - which included Allen Ginsberg, Bruce Nauman, Stan Brakhage, Yvonne Rainer and The Grateful Dead, as well as plentiful psychedelic drugs, free love, bell-bottoms, dashikis, daisies and radical leftist politics - ushered in wave after wave of experiments in dance, art, literature, music and film. As Jack Kerouac wrote in his 1957 masterpiece, On the Road, "The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars..." This engaging documentary volume, which accompanies a late 2008 exhibition at Germany's Museum Ludwig, Cologne, examines the cultural repercussions of the creative output during the pivotal years spanning from 1955 to 1968, examining the ways in which they are still reverberating today.
Looking for mushrooms: Beat poets, hippies, funk, minimal art San Francisco 1955-68
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$72.00
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The San Francisco Bay Area's legendary late-1960s counterculture - which included Allen Ginsberg, Bruce Nauman, Stan Brakhage, Yvonne Rainer and The Grateful Dead, as well as plentiful psychedelic drugs, free love, bell-bottoms, dashikis, daisies and radical leftist politics - ushered in wave after wave of experiments in dance, art, literature, music and film. As Jack Kerouac wrote in his 1957 masterpiece, On the Road, "The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars..." This engaging documentary volume, which accompanies a late 2008 exhibition at Germany's Museum Ludwig, Cologne, examines the cultural repercussions of the creative output during the pivotal years spanning from 1955 to 1968, examining the ways in which they are still reverberating today.
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livres
livres
Publication:
février 2009
février 2009
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$58.50
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One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range(...)
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One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range(...)
Publication:
avril 2005, Minneapolis
avril 2005, Minneapolis
Titre:
Bits & pieces put together to present a semblance of a whole : Walker Art Center collections
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One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range in date from classic early modernist to cutting edge contemporary. While aiming to represent the immense diversity in art-making around the world, the collection also is known for several areas of specialty including Minimalism, Arte Povera, Fluxus, and contemporary printmaking. In-depth representations of work by individual artists, including Matthew Barney, Joseph Beuys, Merce Cunningham, Jasper Johns, William Klein, Robert Motherwell, and Kara Walker reflect the Center's long and close relationships with many of the century's most creative minds. Showcased in this stunning, expansive, well-designed volume are more than 650 beautifully reproduced works of art. Co-authored by the Walker's curators and staff, and more than 30 Walker alumni, this book draws heavily on Walker archival material to serve as both a history of the institution and a primer on modern and contemporary art. Adding further dimension to the polyvocal, multifaceted rendition of this dynamic public art centre are contributions from a select group of acclaimed writers including, A.S. Byatt, Joshua Clover, Arthur Danto, Dave Eggers, Darby English, Annie Proulx, David Shapiro, and others. The catalogue is published in conjunction with the Spring 2005 re-opening of the newly expanded Walker Art Center. Artists include Matthew Barney, Chuck Close, Bruce Conner, Joseph Cornell, Merce Cummingham, Dan Flavin, Robert Gober, Dan Graham, David Hockney, Donald Judd, Ellsworth Kelly, William Klein, Sherrie Levine, Sol Lewitt, Roy Lichtenstein, Sharon Lockhart, Kerry James Marshall, Bruce Nauman, Isamu Noguchi, Claes Oldenburg, Raymond Pettibon, Richard Prince, Charles Ray, Edward Ruscha, Cindy Sherman, Lorna Simpson, Kiki Smith, Frank Stella, Kara Walker, Andy Warhol, and many others. Edited by Joan Rothfuss and Elizabeth Carpenter. Essays by Elizabeth Alexander, A.S. Byatt, Dave Eggers, Arthur C. Danto, Wayne Koestenbaum, James Lingwood, Linda Nochlin, Annie Proulx, David Shapiro, Charles Simic, Howard Singerman, Hamza Walker et al.
Bits & pieces put together to present a semblance of a whole : Walker Art Center collections
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One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range in date from classic early modernist to cutting edge contemporary. While aiming to represent the immense diversity in art-making around the world, the collection also is known for several areas of specialty including Minimalism, Arte Povera, Fluxus, and contemporary printmaking. In-depth representations of work by individual artists, including Matthew Barney, Joseph Beuys, Merce Cunningham, Jasper Johns, William Klein, Robert Motherwell, and Kara Walker reflect the Center's long and close relationships with many of the century's most creative minds. Showcased in this stunning, expansive, well-designed volume are more than 650 beautifully reproduced works of art. Co-authored by the Walker's curators and staff, and more than 30 Walker alumni, this book draws heavily on Walker archival material to serve as both a history of the institution and a primer on modern and contemporary art. Adding further dimension to the polyvocal, multifaceted rendition of this dynamic public art centre are contributions from a select group of acclaimed writers including, A.S. Byatt, Joshua Clover, Arthur Danto, Dave Eggers, Darby English, Annie Proulx, David Shapiro, and others. The catalogue is published in conjunction with the Spring 2005 re-opening of the newly expanded Walker Art Center. Artists include Matthew Barney, Chuck Close, Bruce Conner, Joseph Cornell, Merce Cummingham, Dan Flavin, Robert Gober, Dan Graham, David Hockney, Donald Judd, Ellsworth Kelly, William Klein, Sherrie Levine, Sol Lewitt, Roy Lichtenstein, Sharon Lockhart, Kerry James Marshall, Bruce Nauman, Isamu Noguchi, Claes Oldenburg, Raymond Pettibon, Richard Prince, Charles Ray, Edward Ruscha, Cindy Sherman, Lorna Simpson, Kiki Smith, Frank Stella, Kara Walker, Andy Warhol, and many others. Edited by Joan Rothfuss and Elizabeth Carpenter. Essays by Elizabeth Alexander, A.S. Byatt, Dave Eggers, Arthur C. Danto, Wayne Koestenbaum, James Lingwood, Linda Nochlin, Annie Proulx, David Shapiro, Charles Simic, Howard Singerman, Hamza Walker et al.
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livres
Publication:
avril 2005, Minneapolis
avril 2005, Minneapolis
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livres
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere(...)
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere(...)
Publication:
octobre 2004, New York
octobre 2004, New York
Titre:
Graffiti world : street art from five continents
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. With more than 2,000 illustrations by over 150 artists from all over the world and interviews with many of them, this book is the most comprehensive survey of graffiti art ever published. Today's young graffiti artists incorporate a variety of mediums—including stickers, stencils, oils, acrylics, and oil-based chalk—as well as an ever-expanding range of social commentary. This evolution in style and subject matter has earned graffiti the respect of the art world and guaranteed its long-lasting influence on art, graphic design, and style around the world.
Graffiti world : street art from five continents
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. With more than 2,000 illustrations by over 150 artists from all over the world and interviews with many of them, this book is the most comprehensive survey of graffiti art ever published. Today's young graffiti artists incorporate a variety of mediums—including stickers, stencils, oils, acrylics, and oil-based chalk—as well as an ever-expanding range of social commentary. This evolution in style and subject matter has earned graffiti the respect of the art world and guaranteed its long-lasting influence on art, graphic design, and style around the world.
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livres
livres
Publication:
octobre 2004, New York
octobre 2004, New York
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livres
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$69.95
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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The(...)
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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The(...)
Publication:
mai 2004, Cambridge
mai 2004, Cambridge
Titre:
A minimal future? : art as object 1958-1968
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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The book includes works from the late 1950s through the late 1960s by 40 artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt, and Lawrence Weiner that reflect the shifting object status of painting and sculpture.
A minimal future? : art as object 1958-1968
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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The book includes works from the late 1950s through the late 1960s by 40 artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt, and Lawrence Weiner that reflect the shifting object status of painting and sculpture.
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livres
livres
Publication:
mai 2004, Cambridge
mai 2004, Cambridge
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livres
livres
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$48.00
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''The Handbook for Social, Ecological and Existential Utopia'' is published on occasion of the exhibition ''Life on Planet Orsimanirana''. It understands itself as a 'collidoscope' of a decentralised, non-hierarchical and generative process of world building by a diverse group of local and international collectives, activists, artists and designers. It brings together(...)
$48.00
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Résumé:
''The Handbook for Social, Ecological and Existential Utopia'' is published on occasion of the exhibition ''Life on Planet Orsimanirana''. It understands itself as a 'collidoscope' of a decentralised, non-hierarchical and generative process of world building by a diverse group of local and international collectives, activists, artists and designers. It brings together(...)
Publication:
juin 2022
juin 2022
Titre:
Life on Planet Orsimanirana: Handbook for a social, ecological, and existential utopia
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$48.00
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''The Handbook for Social, Ecological and Existential Utopia'' is published on occasion of the exhibition ''Life on Planet Orsimanirana''. It understands itself as a 'collidoscope' of a decentralised, non-hierarchical and generative process of world building by a diverse group of local and international collectives, activists, artists and designers. It brings together these varying and divergent positions in a visual stream of consciousness. It thereby aims to lay a joyful groundwork to create the world we want to live – against the backdrop of the social, ecological and existential crises we face today – on a practical, imaginary as well as symbolic level.
Life on Planet Orsimanirana: Handbook for a social, ecological, and existential utopia
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$48.00
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Résumé:
''The Handbook for Social, Ecological and Existential Utopia'' is published on occasion of the exhibition ''Life on Planet Orsimanirana''. It understands itself as a 'collidoscope' of a decentralised, non-hierarchical and generative process of world building by a diverse group of local and international collectives, activists, artists and designers. It brings together these varying and divergent positions in a visual stream of consciousness. It thereby aims to lay a joyful groundwork to create the world we want to live – against the backdrop of the social, ecological and existential crises we face today – on a practical, imaginary as well as symbolic level.
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livres
livres
Publication:
juin 2022
juin 2022
