1138 Résultats
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livres
livres
Titre:
Warhol's dream
Warhol's dream
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"12 February 1972--I had slept badly. I decided to go out for breakfast, but when I got down to the street, there was no one there, and I thought, Andy, you must be still dreaming. It was like New York at eight in the morning on New Year's Day. Completely deserted. Everything shut. It's my favorite time to be out, actually. I decided to go to my favorite diner, the Star(...)
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"12 February 1972--I had slept badly. I decided to go out for breakfast, but when I got down to the street, there was no one there, and I thought, Andy, you must be still dreaming. It was like New York at eight in the morning on New Year's Day. Completely deserted. Everything shut. It's my favorite time to be out, actually. I decided to go to my favorite diner, the Star(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
janvier 1900, Paris Zurich
janvier 1900, Paris Zurich
Titre:
Warhol's dream
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"12 February 1972--I had slept badly. I decided to go out for breakfast, but when I got down to the street, there was no one there, and I thought, Andy, you must be still dreaming. It was like New York at eight in the morning on New Year's Day. Completely deserted. Everything shut. It's my favorite time to be out, actually. I decided to go to my favorite diner, the Star Palace, on 37th and Madison. And there, sitting alone at the window was, believe it or not, Robert Smithson, who I've met a few times. They all think he's a genius. But I still can't get through the stuff he writes in Artforum. I get a headache almost right away." Saul Anton, an Editor-at-Large at Cabinet magazine who has written for Salon and Artforum, among other publications, describes an imaginary encounter between Robert Smithson and Andy Warhol, drifting together for a day through an empty New York City, talking about entropy, glamour, science fiction, cinema and the art of their times. Published in conjunction with les Presses du reel, this highly informative and witty essay on both artists' works in the form of a fiction could be considered a contemporary Platonic Symposium.
Warhol's dream
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"12 February 1972--I had slept badly. I decided to go out for breakfast, but when I got down to the street, there was no one there, and I thought, Andy, you must be still dreaming. It was like New York at eight in the morning on New Year's Day. Completely deserted. Everything shut. It's my favorite time to be out, actually. I decided to go to my favorite diner, the Star Palace, on 37th and Madison. And there, sitting alone at the window was, believe it or not, Robert Smithson, who I've met a few times. They all think he's a genius. But I still can't get through the stuff he writes in Artforum. I get a headache almost right away." Saul Anton, an Editor-at-Large at Cabinet magazine who has written for Salon and Artforum, among other publications, describes an imaginary encounter between Robert Smithson and Andy Warhol, drifting together for a day through an empty New York City, talking about entropy, glamour, science fiction, cinema and the art of their times. Published in conjunction with les Presses du reel, this highly informative and witty essay on both artists' works in the form of a fiction could be considered a contemporary Platonic Symposium.
Classification:
livres
livres
Publication:
janvier 1900, Paris Zurich
janvier 1900, Paris Zurich
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$22.00
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Liam Gillick has consistently used text as a site of artistic, theoretical and political intervention in his work. This book brings together a selection of his published critical writings, focusing on his role among a group of artists who emerged in the 1990s.
$22.00
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Liam Gillick has consistently used text as a site of artistic, theoretical and political intervention in his work. This book brings together a selection of his published critical writings, focusing on his role among a group of artists who emerged in the 1990s.
Titre:
Proxemics: Selected Writings (1988-2006)
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Liam Gillick has consistently used text as a site of artistic, theoretical and political intervention in his work. This book brings together a selection of his published critical writings, focusing on his role among a group of artists who emerged in the 1990s.
Proxemics: Selected Writings (1988-2006)
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Liam Gillick has consistently used text as a site of artistic, theoretical and political intervention in his work. This book brings together a selection of his published critical writings, focusing on his role among a group of artists who emerged in the 1990s.
Classification:
livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Postproduction
Postproduction
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Since the early nineties, an ever increasing number of artworks have been created on the basis of preexisting works; more and more artists interprete, reproduce, re-exhibit, or use works made by others or available cultural products. This art of postproduction seems to repond to the proliferating chaos of global culture in the information age, which is characterized by an(...)
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Since the early nineties, an ever increasing number of artworks have been created on the basis of preexisting works; more and more artists interprete, reproduce, re-exhibit, or use works made by others or available cultural products. This art of postproduction seems to repond to the proliferating chaos of global culture in the information age, which is characterized by an(...)
Titre:
Postproduction
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Since the early nineties, an ever increasing number of artworks have been created on the basis of preexisting works; more and more artists interprete, reproduce, re-exhibit, or use works made by others or available cultural products. This art of postproduction seems to repond to the proliferating chaos of global culture in the information age, which is characterized by an increase in the supply of works and the art world's annexation of forms ignored or disdained until now.
Postproduction
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Since the early nineties, an ever increasing number of artworks have been created on the basis of preexisting works; more and more artists interprete, reproduce, re-exhibit, or use works made by others or available cultural products. This art of postproduction seems to repond to the proliferating chaos of global culture in the information age, which is characterized by an increase in the supply of works and the art world's annexation of forms ignored or disdained until now.
Classification:
livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$36.95
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This reader, a companion volume to the 'Uncertain States of America' exhibition catalogue, began in 2005 when the curators met with artists in their studios. What were the artists reading? What articles, books, reviews -and, they soon discovered, cartoons, cookbooks, memoirs, and film script- were influencing their practices?
$36.95
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Résumé:
This reader, a companion volume to the 'Uncertain States of America' exhibition catalogue, began in 2005 when the curators met with artists in their studios. What were the artists reading? What articles, books, reviews -and, they soon discovered, cartoons, cookbooks, memoirs, and film script- were influencing their practices?
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
octobre 2007, New York, Berlin
octobre 2007, New York, Berlin
Titre:
The Uncertain States of America Reader
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$36.95
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Résumé:
This reader, a companion volume to the 'Uncertain States of America' exhibition catalogue, began in 2005 when the curators met with artists in their studios. What were the artists reading? What articles, books, reviews -and, they soon discovered, cartoons, cookbooks, memoirs, and film script- were influencing their practices?
The Uncertain States of America Reader
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$36.95
(disponible sur commande)
Résumé:
This reader, a companion volume to the 'Uncertain States of America' exhibition catalogue, began in 2005 when the curators met with artists in their studios. What were the artists reading? What articles, books, reviews -and, they soon discovered, cartoons, cookbooks, memoirs, and film script- were influencing their practices?
Classification:
livres
livres
Publication:
octobre 2007, New York, Berlin
octobre 2007, New York, Berlin
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$32.00
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Focusing on concepts of spirituality, Heretics looks at themes such as the contrast between good and evil, sacredness, and the relationship between eroticism, sex, and death in the production of forty contemporary artists, including Marina Abramovic, Nobuyoshi Araki, Vanessa Beecroft, Robert Mapplethorpe, Paul McCarthy, and Joel-Peter Witkin. This richly illustrated(...)
$32.00
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Focusing on concepts of spirituality, Heretics looks at themes such as the contrast between good and evil, sacredness, and the relationship between eroticism, sex, and death in the production of forty contemporary artists, including Marina Abramovic, Nobuyoshi Araki, Vanessa Beecroft, Robert Mapplethorpe, Paul McCarthy, and Joel-Peter Witkin. This richly illustrated(...)
Titre:
Eretica: the transcendent and the profane in contemporary art
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$32.00
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Focusing on concepts of spirituality, Heretics looks at themes such as the contrast between good and evil, sacredness, and the relationship between eroticism, sex, and death in the production of forty contemporary artists, including Marina Abramovic, Nobuyoshi Araki, Vanessa Beecroft, Robert Mapplethorpe, Paul McCarthy, and Joel-Peter Witkin. This richly illustrated anthology includes critical essays by prominent philosophers, anthropologists, and art historians such as Gore Vidal, Faye Waddleton, Jean Baudrillard, Arthur C. Danto, Vito Mancuso, Michel Maffesoli, Pierre Riches, Julien Ries, Arturo Schwarz, and others.
Eretica: the transcendent and the profane in contemporary art
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Focusing on concepts of spirituality, Heretics looks at themes such as the contrast between good and evil, sacredness, and the relationship between eroticism, sex, and death in the production of forty contemporary artists, including Marina Abramovic, Nobuyoshi Araki, Vanessa Beecroft, Robert Mapplethorpe, Paul McCarthy, and Joel-Peter Witkin. This richly illustrated anthology includes critical essays by prominent philosophers, anthropologists, and art historians such as Gore Vidal, Faye Waddleton, Jean Baudrillard, Arthur C. Danto, Vito Mancuso, Michel Maffesoli, Pierre Riches, Julien Ries, Arturo Schwarz, and others.
Classification:
livres
livres
Publication:
octobre 2007, Milan
octobre 2007, Milan
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$28.95
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A follow-up to First Diasporist Manifesto, this book is a personal reflection on the Jewish Question in contemporary art as it is lived and painted and imagined by one of the most innovative and controversial artists. Including 41 images of the artist's work, it takes a look into an artist's unusual life and work.
$28.95
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Résumé:
A follow-up to First Diasporist Manifesto, this book is a personal reflection on the Jewish Question in contemporary art as it is lived and painted and imagined by one of the most innovative and controversial artists. Including 41 images of the artist's work, it takes a look into an artist's unusual life and work.
Titre:
Second diasporist manifesto: A new kind of long poem in 615 free verses
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A follow-up to First Diasporist Manifesto, this book is a personal reflection on the Jewish Question in contemporary art as it is lived and painted and imagined by one of the most innovative and controversial artists. Including 41 images of the artist's work, it takes a look into an artist's unusual life and work.
Second diasporist manifesto: A new kind of long poem in 615 free verses
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$28.95
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Résumé:
A follow-up to First Diasporist Manifesto, this book is a personal reflection on the Jewish Question in contemporary art as it is lived and painted and imagined by one of the most innovative and controversial artists. Including 41 images of the artist's work, it takes a look into an artist's unusual life and work.
Classification:
livres
livres
Publication:
septembre 2007, New Haven, London
septembre 2007, New Haven, London
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$33.95
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Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and(...)
$33.95
(disponible sur commande)
Résumé:
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and(...)
Titre:
The open studio : Essays on art and aesthetics
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Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art. Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics. The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.
The open studio : Essays on art and aesthetics
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$33.95
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Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art. Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics. The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.
Classification:
livres
livres
Publication:
septembre 2004, Chicago London
septembre 2004, Chicago London
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$30.00
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In the modern era, the archive--official or personal--has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and(...)
$30.00
(disponible sur commande)
Résumé:
In the modern era, the archive--official or personal--has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and(...)
Publication:
novembre 2006, London / Cambridge
novembre 2006, London / Cambridge
Titre:
The archive: Documents of contemporary art
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$30.00
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In the modern era, the archive--official or personal--has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and ensuing conflicts, the emergence of the postcolonial era, and the fall of communism have each provoked a reconsideration of the authority given the archive--no longer viewed as a neutral, transparent site of record but as a contested subject and medium in itself. This volume surveys the full diversity of our transformed theoretical and critical notions of the archive--as idea and as physical presence--from Freud's "mystic writing pad" to Derrida's "archive fever"; from Christian Boltanski's first autobiographical explorations of archival material in the 1960s to the practice of artists as various as Susan Hiller, Ilya Kabakov, Thomas Hirshhorn, Renée Green, and The Atlas Group in the present.
The archive: Documents of contemporary art
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$30.00
(disponible sur commande)
Résumé:
In the modern era, the archive--official or personal--has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and ensuing conflicts, the emergence of the postcolonial era, and the fall of communism have each provoked a reconsideration of the authority given the archive--no longer viewed as a neutral, transparent site of record but as a contested subject and medium in itself. This volume surveys the full diversity of our transformed theoretical and critical notions of the archive--as idea and as physical presence--from Freud's "mystic writing pad" to Derrida's "archive fever"; from Christian Boltanski's first autobiographical explorations of archival material in the 1960s to the practice of artists as various as Susan Hiller, Ilya Kabakov, Thomas Hirshhorn, Renée Green, and The Atlas Group in the present.
Classification:
livres
livres
Publication:
novembre 2006, London / Cambridge
novembre 2006, London / Cambridge
Classification:
livres
livres
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$27.95
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The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion(...)
$27.95
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The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion(...)
Titre:
Again the metaphor problem and other engaged critical discouses about art : a conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated by Beatrix Ruf
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$27.95
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Résumé:
The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion about the world of art and art in the world.
Again the metaphor problem and other engaged critical discouses about art : a conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated by Beatrix Ruf
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$27.95
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Résumé:
The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion about the world of art and art in the world.
Classification:
livres
livres
Publication:
juillet 2006, Wien, New York
juillet 2006, Wien, New York
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
About Stephan Bann
About Stephan Bann
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$37.50
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A distinguished group of eminent contributors reflect on the writings of Stephen Bann and his influence on the fields of visual studies, art history and cultural history. Engages with a wide range of subjects from French art and architecture to histories of the garden and painting in China. Includes a portfolio of Bann's poem prints.
$37.50
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Résumé:
A distinguished group of eminent contributors reflect on the writings of Stephen Bann and his influence on the fields of visual studies, art history and cultural history. Engages with a wide range of subjects from French art and architecture to histories of the garden and painting in China. Includes a portfolio of Bann's poem prints.
Titre:
About Stephan Bann
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$37.50
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A distinguished group of eminent contributors reflect on the writings of Stephen Bann and his influence on the fields of visual studies, art history and cultural history. Engages with a wide range of subjects from French art and architecture to histories of the garden and painting in China. Includes a portfolio of Bann's poem prints.
About Stephan Bann
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$37.50
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Résumé:
A distinguished group of eminent contributors reflect on the writings of Stephen Bann and his influence on the fields of visual studies, art history and cultural history. Engages with a wide range of subjects from French art and architecture to histories of the garden and painting in China. Includes a portfolio of Bann's poem prints.
Classification:
livres
livres
Publication:
juin 2006, Malden / Oxford / Victoria
juin 2006, Malden / Oxford / Victoria
Sujet:
Théorie de l’art
Théorie de l’art
