192 Résultats
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Innovative textile-based artwork exploded across the Canadian Prairies in the second half of the twentieth century. Melding craft traditions with modern and modernist movements in art and theory, a diverse body of creators opened a beautiful new chapter in textile art. "Prairie Interlace" brings together some of the most important scholars of art and craft in Canada to(...)
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Innovative textile-based artwork exploded across the Canadian Prairies in the second half of the twentieth century. Melding craft traditions with modern and modernist movements in art and theory, a diverse body of creators opened a beautiful new chapter in textile art. "Prairie Interlace" brings together some of the most important scholars of art and craft in Canada to(...)
Titre:
Prairie interlace: Weaving, modernisms, and the expanded frame, 1960-2000
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Innovative textile-based artwork exploded across the Canadian Prairies in the second half of the twentieth century. Melding craft traditions with modern and modernist movements in art and theory, a diverse body of creators opened a beautiful new chapter in textile art. "Prairie Interlace" brings together some of the most important scholars of art and craft in Canada to examine the work of forty-eight artists working with textiles from the 1960s to 2000. Recapturing and recording lost histories, this book explores both artists working with textiles and centres of textile study and production, paying special attention to the contexts in which artworks were produced. Indigenous scholars, experts in textile techniques, and experts in Prairie textile history provide fascinating insight into an artistic movement which, until now, has been largely overlooked.
Prairie interlace: Weaving, modernisms, and the expanded frame, 1960-2000
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Innovative textile-based artwork exploded across the Canadian Prairies in the second half of the twentieth century. Melding craft traditions with modern and modernist movements in art and theory, a diverse body of creators opened a beautiful new chapter in textile art. "Prairie Interlace" brings together some of the most important scholars of art and craft in Canada to examine the work of forty-eight artists working with textiles from the 1960s to 2000. Recapturing and recording lost histories, this book explores both artists working with textiles and centres of textile study and production, paying special attention to the contexts in which artworks were produced. Indigenous scholars, experts in textile techniques, and experts in Prairie textile history provide fascinating insight into an artistic movement which, until now, has been largely overlooked.
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livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Art canadien
Art canadien
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livres
livres
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Mallory Lowe Mpoka brings to life a vibrant sensory-memorial map of her journey toward self-reconciliation as she returns home to Cameroon. Through photography, poetry, and travel accounts, she intertwines personal and collective histories, exploring themes of memorialization, subversion, and representation. With a refreshing auto-ethnographic approach to visual(...)
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Mallory Lowe Mpoka brings to life a vibrant sensory-memorial map of her journey toward self-reconciliation as she returns home to Cameroon. Through photography, poetry, and travel accounts, she intertwines personal and collective histories, exploring themes of memorialization, subversion, and representation. With a refreshing auto-ethnographic approach to visual(...)
Titre:
Mallory Lowe Mpoka: Architecture of the self - What lives within us
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Mallory Lowe Mpoka brings to life a vibrant sensory-memorial map of her journey toward self-reconciliation as she returns home to Cameroon. Through photography, poetry, and travel accounts, she intertwines personal and collective histories, exploring themes of memorialization, subversion, and representation. With a refreshing auto-ethnographic approach to visual storytelling, this publication makes us look and listen deeper, calling for a renewed way to engage with images. // Mallory Lowe Mpoka donne vie à une vibrante cartographie sensori-mémorielle de son parcours de réconciliation, alors qu’elle entame un retour au Cameroun. Mêlant la photographie, la poésie et les récits de voyage, elle entrelace les histoires individuelles et collectives en explorant les thèmes de la mémoire, de la subversion et de la représentation. Par sa rafraîchissante approche auto-ethnographique de la narration visuelle, cette publication nous invite à observer et à écouter plus attentivement, appelant au renouvellement de notre relation aux images.
Mallory Lowe Mpoka: Architecture of the self - What lives within us
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Mallory Lowe Mpoka brings to life a vibrant sensory-memorial map of her journey toward self-reconciliation as she returns home to Cameroon. Through photography, poetry, and travel accounts, she intertwines personal and collective histories, exploring themes of memorialization, subversion, and representation. With a refreshing auto-ethnographic approach to visual storytelling, this publication makes us look and listen deeper, calling for a renewed way to engage with images. // Mallory Lowe Mpoka donne vie à une vibrante cartographie sensori-mémorielle de son parcours de réconciliation, alors qu’elle entame un retour au Cameroun. Mêlant la photographie, la poésie et les récits de voyage, elle entrelace les histoires individuelles et collectives en explorant les thèmes de la mémoire, de la subversion et de la représentation. Par sa rafraîchissante approche auto-ethnographique de la narration visuelle, cette publication nous invite à observer et à écouter plus attentivement, appelant au renouvellement de notre relation aux images.
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livres
livres
Publication:
décembre 2024
décembre 2024
Classification:
livres
livres
Titre:
Couturier Lafargue
Couturier Lafargue
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Cette publication bilingue présente le travail du duo Couturier Lafargue depuis ses débuts en 1990 jusqu’à aujourd’hui. Leur pratique repose sur les référents suivants : l’identité, le portrait, l’individu, le collectif, le territoire, la géographie, le paysage, l’architecture, l’écologie, l’abstraction. Les œuvres du collectif sont multidisciplinaires : photographie,(...)
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Cette publication bilingue présente le travail du duo Couturier Lafargue depuis ses débuts en 1990 jusqu’à aujourd’hui. Leur pratique repose sur les référents suivants : l’identité, le portrait, l’individu, le collectif, le territoire, la géographie, le paysage, l’architecture, l’écologie, l’abstraction. Les œuvres du collectif sont multidisciplinaires : photographie,(...)
Titre:
Couturier Lafargue
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Cette publication bilingue présente le travail du duo Couturier Lafargue depuis ses débuts en 1990 jusqu’à aujourd’hui. Leur pratique repose sur les référents suivants : l’identité, le portrait, l’individu, le collectif, le territoire, la géographie, le paysage, l’architecture, l’écologie, l’abstraction. Les œuvres du collectif sont multidisciplinaires : photographie, vidéo, peinture, dessin, installation, sculptures, performances. Elles développent des contenus visuels et narratifs de nature à déplacer angles de vue et paradigmes de lecture. Leur travail se veut évolutif, libre et ouvert.
Couturier Lafargue
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Cette publication bilingue présente le travail du duo Couturier Lafargue depuis ses débuts en 1990 jusqu’à aujourd’hui. Leur pratique repose sur les référents suivants : l’identité, le portrait, l’individu, le collectif, le territoire, la géographie, le paysage, l’architecture, l’écologie, l’abstraction. Les œuvres du collectif sont multidisciplinaires : photographie, vidéo, peinture, dessin, installation, sculptures, performances. Elles développent des contenus visuels et narratifs de nature à déplacer angles de vue et paradigmes de lecture. Leur travail se veut évolutif, libre et ouvert.
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livres
livres
Publication:
février 2025
février 2025
Sujet:
Art canadien
Art canadien
Classification:
périodiques
périodiques
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$10.00
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Résumé:
Pivot is a new peer-reviewed graduate academic interdisciplinary journal involving the Departments of Art History, Studio Arts and Communication Studies. The Journal is produced out of Concordia University, which presents a unique site for the exploration of interdisciplinarity within the humanities, where the disciplines of Art History, Studio Arts and Communication(...)
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Pivot is a new peer-reviewed graduate academic interdisciplinary journal involving the Departments of Art History, Studio Arts and Communication Studies. The Journal is produced out of Concordia University, which presents a unique site for the exploration of interdisciplinarity within the humanities, where the disciplines of Art History, Studio Arts and Communication(...)
Sujet:
Art canadien
Art canadien
Publication:
janvier 2008, Montréal
janvier 2008, Montréal
Titre:
Pivot. An Interdisciplinary Graduate Journal of Visual Culture.
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Pivot is a new peer-reviewed graduate academic interdisciplinary journal involving the Departments of Art History, Studio Arts and Communication Studies. The Journal is produced out of Concordia University, which presents a unique site for the exploration of interdisciplinarity within the humanities, where the disciplines of Art History, Studio Arts and Communication Studies are continually negotiating shared and divided scholarly territories. Taking our cue from journals that combine art making and academic writing, such as Afterall and LTTR, Pivot recognizes art production as a site for scholarly exploration, and accepts content in the form of academic papers, artist project descriptions, short texts by artists, and image based proposals. Pivot’s unique print format reflects this dual engagement by combining book arts practice with academic journal production.
Pivot. An Interdisciplinary Graduate Journal of Visual Culture.
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Pivot is a new peer-reviewed graduate academic interdisciplinary journal involving the Departments of Art History, Studio Arts and Communication Studies. The Journal is produced out of Concordia University, which presents a unique site for the exploration of interdisciplinarity within the humanities, where the disciplines of Art History, Studio Arts and Communication Studies are continually negotiating shared and divided scholarly territories. Taking our cue from journals that combine art making and academic writing, such as Afterall and LTTR, Pivot recognizes art production as a site for scholarly exploration, and accepts content in the form of academic papers, artist project descriptions, short texts by artists, and image based proposals. Pivot’s unique print format reflects this dual engagement by combining book arts practice with academic journal production.
Classification:
périodiques
périodiques
Publication:
janvier 2008, Montréal
janvier 2008, Montréal
Sujet:
Art canadien
Art canadien
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livres
livres
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Volume three of Raad's series of artists' books includes recent work that focuses on the Israeli invasion of Lebanon in 1982 and on the ammunition trade during Lebanon's civil war. Raad produces performances, videos and photographs; in 1999, he founded The Atlas Group, a fictitious archive that documents the contemporary history of Lebanon.
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Volume three of Raad's series of artists' books includes recent work that focuses on the Israeli invasion of Lebanon in 1982 and on the ammunition trade during Lebanon's civil war. Raad produces performances, videos and photographs; in 1999, he founded The Atlas Group, a fictitious archive that documents the contemporary history of Lebanon.
Publication:
mars 2008, Seattle
mars 2008, Seattle
Titre:
Walid Raad: the atlas group volume 3
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Volume three of Raad's series of artists' books includes recent work that focuses on the Israeli invasion of Lebanon in 1982 and on the ammunition trade during Lebanon's civil war. Raad produces performances, videos and photographs; in 1999, he founded The Atlas Group, a fictitious archive that documents the contemporary history of Lebanon.
Walid Raad: the atlas group volume 3
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Volume three of Raad's series of artists' books includes recent work that focuses on the Israeli invasion of Lebanon in 1982 and on the ammunition trade during Lebanon's civil war. Raad produces performances, videos and photographs; in 1999, he founded The Atlas Group, a fictitious archive that documents the contemporary history of Lebanon.
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livres
livres
Publication:
mars 2008, Seattle
mars 2008, Seattle
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livres
livres
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Arctic Spectacles: The Frozen North in Visual Culture, 1818-1875 illuminates the nineteenth-century fascination with visual representations of the Arctic, weaving together a narrative of the major Arctic expeditions with an account of their public reception through art and mass media.
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Arctic Spectacles: The Frozen North in Visual Culture, 1818-1875 illuminates the nineteenth-century fascination with visual representations of the Arctic, weaving together a narrative of the major Arctic expeditions with an account of their public reception through art and mass media.
Publication:
septembre 2007, Montreal, Kingston
septembre 2007, Montreal, Kingston
Titre:
Arctic spectacles : The frozen north in visual culture, 1818-1875
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Arctic Spectacles: The Frozen North in Visual Culture, 1818-1875 illuminates the nineteenth-century fascination with visual representations of the Arctic, weaving together a narrative of the major Arctic expeditions with an account of their public reception through art and mass media.
Arctic spectacles : The frozen north in visual culture, 1818-1875
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Arctic Spectacles: The Frozen North in Visual Culture, 1818-1875 illuminates the nineteenth-century fascination with visual representations of the Arctic, weaving together a narrative of the major Arctic expeditions with an account of their public reception through art and mass media.
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livres
livres
Publication:
septembre 2007, Montreal, Kingston
septembre 2007, Montreal, Kingston
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livres
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$23.00
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In the global marketplace where so much design is cookie-cutter and sameness prevails, it is timely to consider the work of Thor Hansen (1903-1974). Today, Thor Hansen is little known but from the mid-1950s to the end of the 1960s, the Danish émigré was a popular artist, designer and tireless promoter of the craft movement in Canada. He carried out his mission via(...)
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In the global marketplace where so much design is cookie-cutter and sameness prevails, it is timely to consider the work of Thor Hansen (1903-1974). Today, Thor Hansen is little known but from the mid-1950s to the end of the 1960s, the Danish émigré was a popular artist, designer and tireless promoter of the craft movement in Canada. He carried out his mission via(...)
Titre:
Thor Hansen: crafting a Canadian style
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In the global marketplace where so much design is cookie-cutter and sameness prevails, it is timely to consider the work of Thor Hansen (1903-1974). Today, Thor Hansen is little known but from the mid-1950s to the end of the 1960s, the Danish émigré was a popular artist, designer and tireless promoter of the craft movement in Canada. He carried out his mission via corporate industry, independent of government support. Largely self-taught, he completed his most important work as art director for the British- American Oil Company. This book accompanies an exhibition at the Textile Museum of Canada.
Thor Hansen: crafting a Canadian style
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In the global marketplace where so much design is cookie-cutter and sameness prevails, it is timely to consider the work of Thor Hansen (1903-1974). Today, Thor Hansen is little known but from the mid-1950s to the end of the 1960s, the Danish émigré was a popular artist, designer and tireless promoter of the craft movement in Canada. He carried out his mission via corporate industry, independent of government support. Largely self-taught, he completed his most important work as art director for the British- American Oil Company. This book accompanies an exhibition at the Textile Museum of Canada.
Classification:
livres
livres
Publication:
janvier 2005, Toronto
janvier 2005, Toronto
Sujet:
Art canadien
Art canadien
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livres
livres
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$20.00
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L'évènement de type triennal en est à sa deuxième édition, succédant à celle qui s'est tenue en 2001 sur le canal de Lachine. «Artefact 2004 : sculptures urbaines» regroupe treize artistes (incluant Raymond Gervais, Michel Goulet, Daniel Olson et Alan Storey) dont les œuvres sont installées aux abords du chemin Olmsted, entre le Centre de la montagne près du symposium de(...)
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L'évènement de type triennal en est à sa deuxième édition, succédant à celle qui s'est tenue en 2001 sur le canal de Lachine. «Artefact 2004 : sculptures urbaines» regroupe treize artistes (incluant Raymond Gervais, Michel Goulet, Daniel Olson et Alan Storey) dont les œuvres sont installées aux abords du chemin Olmsted, entre le Centre de la montagne près du symposium de(...)
Publication:
septembre 2004, Montreal
septembre 2004, Montreal
Titre:
Artefact 2004 : sculptures urbaines / urban sculptures
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L'évènement de type triennal en est à sa deuxième édition, succédant à celle qui s'est tenue en 2001 sur le canal de Lachine. «Artefact 2004 : sculptures urbaines» regroupe treize artistes (incluant Raymond Gervais, Michel Goulet, Daniel Olson et Alan Storey) dont les œuvres sont installées aux abords du chemin Olmsted, entre le Centre de la montagne près du symposium de 1964 et le grand chalet du belvédère. / Publication of a triennial exhibition devoted to ephemeral public art. In this second edition the objective was to select an area of the city of Montreal and invite artists to use it as a space for research and creation for the entire summer of 2004. Thus Montreal's Mont Royal park, and specifically the Olmsted Path which crosses it, were chosen for their significant features, rich histories and public affection. Participating artists include Raymond Gervais, Michel Goulet, Daniel Olson and Alan Storey. An essay is accompanied by texts on each individual work as well as an introduction to the event.
Artefact 2004 : sculptures urbaines / urban sculptures
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L'évènement de type triennal en est à sa deuxième édition, succédant à celle qui s'est tenue en 2001 sur le canal de Lachine. «Artefact 2004 : sculptures urbaines» regroupe treize artistes (incluant Raymond Gervais, Michel Goulet, Daniel Olson et Alan Storey) dont les œuvres sont installées aux abords du chemin Olmsted, entre le Centre de la montagne près du symposium de 1964 et le grand chalet du belvédère. / Publication of a triennial exhibition devoted to ephemeral public art. In this second edition the objective was to select an area of the city of Montreal and invite artists to use it as a space for research and creation for the entire summer of 2004. Thus Montreal's Mont Royal park, and specifically the Olmsted Path which crosses it, were chosen for their significant features, rich histories and public affection. Participating artists include Raymond Gervais, Michel Goulet, Daniel Olson and Alan Storey. An essay is accompanied by texts on each individual work as well as an introduction to the event.
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livres
livres
Publication:
septembre 2004, Montreal
septembre 2004, Montreal
Classification:
livres
livres
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$79.95
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In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of(...)
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Résumé:
In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of(...)
Publication:
mai 2004, Brussels
mai 2004, Brussels
Titre:
Michael Snow : Biographie of the walking woman / de la femme qui marche 1961 - 1967 (2004)
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In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of the original cut-out as both tool and subject. "Biographie" is a 2004 The Walking Woman work which consists of the juxtaposition and the many-sided sequential ordering of a selection from these deliberate, inadvertent, and by-chance photographic documents. It is a Finnegan’s Wake, non-chronological biography. / À la fin des années 1960, Michael Snow réalisa plusieurs découpages naturalistes de figurines en carton en utilisant le mur comme arrière plan. Au début de 1961, il dessina, puis découpa la silhouette de profil d’une femme marchant, haute de 152 cm, dans un morceau de carton.Tout son travail, entre 1961 et 1967, utilise le profil ou la silhouette de la découpe originale aussi bien comme outil que comme sujet. Le livre "Biographie" est un livre d’artiste qui consiste en la juxtaposition et l’ordonnancement séquentiel de documents photographiques délibérés, inopinés ou aléatoires, conjuguant les apparitions ordinaires et sublimes de La femme qui marche. C’est une biographie non chronologique à la Finnegan’s Wake.
Michael Snow : Biographie of the walking woman / de la femme qui marche 1961 - 1967 (2004)
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In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of the original cut-out as both tool and subject. "Biographie" is a 2004 The Walking Woman work which consists of the juxtaposition and the many-sided sequential ordering of a selection from these deliberate, inadvertent, and by-chance photographic documents. It is a Finnegan’s Wake, non-chronological biography. / À la fin des années 1960, Michael Snow réalisa plusieurs découpages naturalistes de figurines en carton en utilisant le mur comme arrière plan. Au début de 1961, il dessina, puis découpa la silhouette de profil d’une femme marchant, haute de 152 cm, dans un morceau de carton.Tout son travail, entre 1961 et 1967, utilise le profil ou la silhouette de la découpe originale aussi bien comme outil que comme sujet. Le livre "Biographie" est un livre d’artiste qui consiste en la juxtaposition et l’ordonnancement séquentiel de documents photographiques délibérés, inopinés ou aléatoires, conjuguant les apparitions ordinaires et sublimes de La femme qui marche. C’est une biographie non chronologique à la Finnegan’s Wake.
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livres
livres
Publication:
mai 2004, Brussels
mai 2004, Brussels
Classification:
livres
livres
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$31.95
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In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at(...)
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In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at(...)
Publication:
janvier 2003, New York
janvier 2003, New York
Titre:
Alain Paiement : the world as I found it
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In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at the Pratt Manhattan Gallery in New York. The book is formatted like a travel guide. The images presented are signposts to "Parages", marking a number of points of interest. Included with the book is a map that presents "Parages" in its entirety.
Alain Paiement : the world as I found it
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In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at the Pratt Manhattan Gallery in New York. The book is formatted like a travel guide. The images presented are signposts to "Parages", marking a number of points of interest. Included with the book is a map that presents "Parages" in its entirety.
Classification:
livres
livres
Publication:
janvier 2003, New York
janvier 2003, New York
