1908 Résultats
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Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
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Résumé:
Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
Publication:
mai 2010
mai 2010
Titre:
Rodney Graham: Through the forest
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Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
Rodney Graham: Through the forest
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Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
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livres
Publication:
mai 2010
mai 2010
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livres
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Jack Goldstein
Jack Goldstein
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A leading protagonist of the “Pictures Generation,” Jack Goldstein has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does(...)
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A leading protagonist of the “Pictures Generation,” Jack Goldstein has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does(...)
Publication:
mars 2010
mars 2010
Titre:
Jack Goldstein
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A leading protagonist of the “Pictures Generation,” Jack Goldstein has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does performances, films, albums, paintings, aphorisms, the critique of text and image production by direct appropriation, in the vein of his colleagues Richard Prince and Sherrie Levine. This first thorough catalogue on Goldstein contains a wide selection of illustrations, an interview with Goldstein from 1985 by Chris Dercon and essays by Klaus Görner, Chrissie Iles and Shepherd Steiner.
Jack Goldstein
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A leading protagonist of the “Pictures Generation,” Jack Goldstein has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does performances, films, albums, paintings, aphorisms, the critique of text and image production by direct appropriation, in the vein of his colleagues Richard Prince and Sherrie Levine. This first thorough catalogue on Goldstein contains a wide selection of illustrations, an interview with Goldstein from 1985 by Chris Dercon and essays by Klaus Görner, Chrissie Iles and Shepherd Steiner.
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livres
livres
Publication:
mars 2010
mars 2010
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livres
livres
Titre:
Schwitters in Norway
Schwitters in Norway
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Schwitters (1887–1948) had discovered the beauty of Norway on his first trip to Norway in 1929. In 1937, the artist followed his son Ernst into exile, and constructed his second Merzbau, the Haus am Bakken (House on the Slope), near Oslo, where he remained until the Germans moved in to occupy the country in April 1940. Schwitters in Norway is the first book to examine the(...)
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Schwitters (1887–1948) had discovered the beauty of Norway on his first trip to Norway in 1929. In 1937, the artist followed his son Ernst into exile, and constructed his second Merzbau, the Haus am Bakken (House on the Slope), near Oslo, where he remained until the Germans moved in to occupy the country in April 1940. Schwitters in Norway is the first book to examine the(...)
Titre:
Schwitters in Norway
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Schwitters (1887–1948) had discovered the beauty of Norway on his first trip to Norway in 1929. In 1937, the artist followed his son Ernst into exile, and constructed his second Merzbau, the Haus am Bakken (House on the Slope), near Oslo, where he remained until the Germans moved in to occupy the country in April 1940. Schwitters in Norway is the first book to examine the stylistically looser and more colorful collages and assemblages, with their pronounced use of natural materials such as stone, driftwood and feathers, as well as the abstract and landscape paintings, from this particularly productive period of the artist's life.
Schwitters in Norway
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Résumé:
Schwitters (1887–1948) had discovered the beauty of Norway on his first trip to Norway in 1929. In 1937, the artist followed his son Ernst into exile, and constructed his second Merzbau, the Haus am Bakken (House on the Slope), near Oslo, where he remained until the Germans moved in to occupy the country in April 1940. Schwitters in Norway is the first book to examine the stylistically looser and more colorful collages and assemblages, with their pronounced use of natural materials such as stone, driftwood and feathers, as well as the abstract and landscape paintings, from this particularly productive period of the artist's life.
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livres
livres
Publication:
mai 2010
mai 2010
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This book closely examines 25 of Eliasson's books dating back to 1997, and reveals a whole oeuvre of artist's books—57 titles in all—that will come as a revelation to those who may not closely identify the artist with this medium. Eliasson's exhibition catalogues are always designed with pronounced care, and many are already long out of print or hard to find. Here, in(...)
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Résumé:
This book closely examines 25 of Eliasson's books dating back to 1997, and reveals a whole oeuvre of artist's books—57 titles in all—that will come as a revelation to those who may not closely identify the artist with this medium. Eliasson's exhibition catalogues are always designed with pronounced care, and many are already long out of print or hard to find. Here, in(...)
Titre:
Olafur Eliasson: take your time printed
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This book closely examines 25 of Eliasson's books dating back to 1997, and reveals a whole oeuvre of artist's books—57 titles in all—that will come as a revelation to those who may not closely identify the artist with this medium. Eliasson's exhibition catalogues are always designed with pronounced care, and many are already long out of print or hard to find. Here, in spreads and thorough annotations, we encounter his considered musings on book form and design, and the complex process of book collaboration. Printed Matter also supplies a bibliography of all of Eliasson's books to date, alongside an interview with the artist.
Olafur Eliasson: take your time printed
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This book closely examines 25 of Eliasson's books dating back to 1997, and reveals a whole oeuvre of artist's books—57 titles in all—that will come as a revelation to those who may not closely identify the artist with this medium. Eliasson's exhibition catalogues are always designed with pronounced care, and many are already long out of print or hard to find. Here, in spreads and thorough annotations, we encounter his considered musings on book form and design, and the complex process of book collaboration. Printed Matter also supplies a bibliography of all of Eliasson's books to date, alongside an interview with the artist.
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livres
livres
Publication:
février 2010
février 2010
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$72.00
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Allen Ruppersberg came of age as an artist in late-1960s Los Angeles, where he was part of the burgeoning L.A. Conceptual movement—that unique band of artists that included Bas Jan Ader, Allan McColllum and other. Like these artists and other L.A. Conceptual pioneers such as Ed Ruscha and John Baldessari, Ruppersberg used photographs (both made and found) in combination(...)
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Allen Ruppersberg came of age as an artist in late-1960s Los Angeles, where he was part of the burgeoning L.A. Conceptual movement—that unique band of artists that included Bas Jan Ader, Allan McColllum and other. Like these artists and other L.A. Conceptual pioneers such as Ed Ruscha and John Baldessari, Ruppersberg used photographs (both made and found) in combination(...)
Titre:
Alan Ruppersberg: you and me or the art of give and take
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Allen Ruppersberg came of age as an artist in late-1960s Los Angeles, where he was part of the burgeoning L.A. Conceptual movement—that unique band of artists that included Bas Jan Ader, Allan McColllum and other. Like these artists and other L.A. Conceptual pioneers such as Ed Ruscha and John Baldessari, Ruppersberg used photographs (both made and found) in combination with text and narrative strategies to mingle, blend and upend both fiction and fact—most famously in “Where's Al?” (1972) and “Between the Scenes”(1973).
Alan Ruppersberg: you and me or the art of give and take
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Résumé:
Allen Ruppersberg came of age as an artist in late-1960s Los Angeles, where he was part of the burgeoning L.A. Conceptual movement—that unique band of artists that included Bas Jan Ader, Allan McColllum and other. Like these artists and other L.A. Conceptual pioneers such as Ed Ruscha and John Baldessari, Ruppersberg used photographs (both made and found) in combination with text and narrative strategies to mingle, blend and upend both fiction and fact—most famously in “Where's Al?” (1972) and “Between the Scenes”(1973).
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livres
livres
Publication:
février 2010
février 2010
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Born into the semiotic seductions of the 1980s, Scottish painter Lucy McKenzie reworks the iconography of that decade to foster associations between the most unlikely sources —East European propaganda murals, German abstract painting, Cold War imagery, industrial typefaces and 1980s synth-pop. To embellish this wide-ranging lexicon, she often collaborates with fashion(...)
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Born into the semiotic seductions of the 1980s, Scottish painter Lucy McKenzie reworks the iconography of that decade to foster associations between the most unlikely sources —East European propaganda murals, German abstract painting, Cold War imagery, industrial typefaces and 1980s synth-pop. To embellish this wide-ranging lexicon, she often collaborates with fashion(...)
Titre:
Lucy Mckenzie : chêne de weekend, 2006-2009
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Born into the semiotic seductions of the 1980s, Scottish painter Lucy McKenzie reworks the iconography of that decade to foster associations between the most unlikely sources —East European propaganda murals, German abstract painting, Cold War imagery, industrial typefaces and 1980s synth-pop. To embellish this wide-ranging lexicon, she often collaborates with fashion designers, musicians and interior designers on works that have been exhibited as theatrical sets at museums in Edinburgh, San Francisco, New York and Cologne, winning her an international following. Chêne De Weekend introduces new paintings that reference nineteenth-century trompe l'oeil paintings used for interior design, part of McKenzie's participation in Atelier, an interior design collective. Alongside reproductions of works, it includes a fictional account of her study of trompe l'oeil and an homage to the fashion designer Beca Lipscombe, one of her collaborators in Atelier.
Lucy Mckenzie : chêne de weekend, 2006-2009
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Born into the semiotic seductions of the 1980s, Scottish painter Lucy McKenzie reworks the iconography of that decade to foster associations between the most unlikely sources —East European propaganda murals, German abstract painting, Cold War imagery, industrial typefaces and 1980s synth-pop. To embellish this wide-ranging lexicon, she often collaborates with fashion designers, musicians and interior designers on works that have been exhibited as theatrical sets at museums in Edinburgh, San Francisco, New York and Cologne, winning her an international following. Chêne De Weekend introduces new paintings that reference nineteenth-century trompe l'oeil paintings used for interior design, part of McKenzie's participation in Atelier, an interior design collective. Alongside reproductions of works, it includes a fictional account of her study of trompe l'oeil and an homage to the fashion designer Beca Lipscombe, one of her collaborators in Atelier.
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livres
livres
Publication:
mars 2010
mars 2010
Classification:
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Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been(...)
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Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been(...)
Publication:
mars 2010
mars 2010
Titre:
Gerhard Richter: Obrist-O'Brist
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Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has then painted over using brushes and scrapers. Chiming with many currents in contemporary writing and bookmaking, Obrist-O'Brist is an adventure from cover to cover; it even has two different sleeves, and can be approached from either end (as frequent upside-down pages indicate).
Gerhard Richter: Obrist-O'Brist
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Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has then painted over using brushes and scrapers. Chiming with many currents in contemporary writing and bookmaking, Obrist-O'Brist is an adventure from cover to cover; it even has two different sleeves, and can be approached from either end (as frequent upside-down pages indicate).
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livres
livres
Publication:
mars 2010
mars 2010
Classification:
livres
livres
Titre:
Yoko Ono: the other rooms
Yoko Ono: the other rooms
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The Other Rooms is a sequel to Yoko Ono's Grapefruit, a now classic artist's book that was first published in 1964 and became a cult classic following its wider distribution after 1970. Matching the satisfyingly compact size of Grapefruit, and beautifully bound in white cloth, The Other Rooms is conceived as a series of rooms that unfold the story of, in the words of the(...)
$48.00
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Résumé:
The Other Rooms is a sequel to Yoko Ono's Grapefruit, a now classic artist's book that was first published in 1964 and became a cult classic following its wider distribution after 1970. Matching the satisfyingly compact size of Grapefruit, and beautifully bound in white cloth, The Other Rooms is conceived as a series of rooms that unfold the story of, in the words of the(...)
Titre:
Yoko Ono: the other rooms
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The Other Rooms is a sequel to Yoko Ono's Grapefruit, a now classic artist's book that was first published in 1964 and became a cult classic following its wider distribution after 1970. Matching the satisfyingly compact size of Grapefruit, and beautifully bound in white cloth, The Other Rooms is conceived as a series of rooms that unfold the story of, in the words of the artist, “the life of a woman seeing through the eyes of her son.” On page after page, or room after room, Ono walks the reader through her unique expression of motherly utopian pedagogy, providing observations and instruction “pieces” such as the following, for “Balance Piece”: a) Politicians should wear pink transparent loose robes or pajama-like outfits without the bottoms at all times. b) A priest should wear a bright red suit with one sleeve and bell-bottom pants with his penis exposed at all times. c) The army should wear drag (cocktail party-type flair skirts) and high-heel shoes with jewelry (earrings, etc.) Other sequences simply describe imaginary rooms, and invite the reader to inhabit them, or suggest new approaches to tasks such as gardening, or to one's hometown, all in the serenely open style for which Ono is so famed. The Other Rooms is joyfully interactive in this sense, finding ways “to open doors… where there are no doors.”
Yoko Ono: the other rooms
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Résumé:
The Other Rooms is a sequel to Yoko Ono's Grapefruit, a now classic artist's book that was first published in 1964 and became a cult classic following its wider distribution after 1970. Matching the satisfyingly compact size of Grapefruit, and beautifully bound in white cloth, The Other Rooms is conceived as a series of rooms that unfold the story of, in the words of the artist, “the life of a woman seeing through the eyes of her son.” On page after page, or room after room, Ono walks the reader through her unique expression of motherly utopian pedagogy, providing observations and instruction “pieces” such as the following, for “Balance Piece”: a) Politicians should wear pink transparent loose robes or pajama-like outfits without the bottoms at all times. b) A priest should wear a bright red suit with one sleeve and bell-bottom pants with his penis exposed at all times. c) The army should wear drag (cocktail party-type flair skirts) and high-heel shoes with jewelry (earrings, etc.) Other sequences simply describe imaginary rooms, and invite the reader to inhabit them, or suggest new approaches to tasks such as gardening, or to one's hometown, all in the serenely open style for which Ono is so famed. The Other Rooms is joyfully interactive in this sense, finding ways “to open doors… where there are no doors.”
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livres
livres
Publication:
février 2010
février 2010
Classification:
livres
livres
Titre:
John Baldessari: Brick Bldg, Lg Windows W/Xlent Views, Partially Furnished, Renowned Architect
John Baldessari: Brick Bldg, Lg Windows W/Xlent Views, Partially Furnished, Renowned Architect
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Commissioned to produce an installation for Mies van der Rohe's Museum Haus Lange, John Baldessari decided to “rub the building up the wrong way” with humorous interventions.
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Résumé:
Commissioned to produce an installation for Mies van der Rohe's Museum Haus Lange, John Baldessari decided to “rub the building up the wrong way” with humorous interventions.
Titre:
John Baldessari: Brick Bldg, Lg Windows W/Xlent Views, Partially Furnished, Renowned Architect
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Commissioned to produce an installation for Mies van der Rohe's Museum Haus Lange, John Baldessari decided to “rub the building up the wrong way” with humorous interventions.
John Baldessari: Brick Bldg, Lg Windows W/Xlent Views, Partially Furnished, Renowned Architect
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Commissioned to produce an installation for Mies van der Rohe's Museum Haus Lange, John Baldessari decided to “rub the building up the wrong way” with humorous interventions.
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livres
livres
Publication:
mars 2010
mars 2010
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livres
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$36.00
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Résumé:
Berlin artist Susanne Pomrehn collects photographs on specific themes, taking them from personal and public archives and the Internet as well as producing her own. Modifying these images via cropping, rotation and folding, she uses the results to construct delicate photographic paper objects, which in turn become installations, accumulating fresh associations in their(...)
$36.00
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Résumé:
Berlin artist Susanne Pomrehn collects photographs on specific themes, taking them from personal and public archives and the Internet as well as producing her own. Modifying these images via cropping, rotation and folding, she uses the results to construct delicate photographic paper objects, which in turn become installations, accumulating fresh associations in their(...)
Titre:
Susanne Pomren: Kollektive formation
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Berlin artist Susanne Pomrehn collects photographs on specific themes, taking them from personal and public archives and the Internet as well as producing her own. Modifying these images via cropping, rotation and folding, she uses the results to construct delicate photographic paper objects, which in turn become installations, accumulating fresh associations in their dimensionality.
Susanne Pomren: Kollektive formation
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Berlin artist Susanne Pomrehn collects photographs on specific themes, taking them from personal and public archives and the Internet as well as producing her own. Modifying these images via cropping, rotation and folding, she uses the results to construct delicate photographic paper objects, which in turn become installations, accumulating fresh associations in their dimensionality.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
