1920 Résultats
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This catalogue pays homage to Romanian artist and Nouveau Réaliste pioneer Daniel Spoerri (born 1930), in celebration of his 85th birthday. Or There Is focuses on Spoerri’s “snare pictures,” which he began in the 1960s, moving between works of bronze, wood, paper and porcelain.
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Résumé:
This catalogue pays homage to Romanian artist and Nouveau Réaliste pioneer Daniel Spoerri (born 1930), in celebration of his 85th birthday. Or There Is focuses on Spoerri’s “snare pictures,” which he began in the 1960s, moving between works of bronze, wood, paper and porcelain.
Titre:
Il Spoerri: Or there is. Daniel Spoerri
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This catalogue pays homage to Romanian artist and Nouveau Réaliste pioneer Daniel Spoerri (born 1930), in celebration of his 85th birthday. Or There Is focuses on Spoerri’s “snare pictures,” which he began in the 1960s, moving between works of bronze, wood, paper and porcelain.
Il Spoerri: Or there is. Daniel Spoerri
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This catalogue pays homage to Romanian artist and Nouveau Réaliste pioneer Daniel Spoerri (born 1930), in celebration of his 85th birthday. Or There Is focuses on Spoerri’s “snare pictures,” which he began in the 1960s, moving between works of bronze, wood, paper and porcelain.
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Publication:
mars 2016
mars 2016
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In his early work, Swiss artist Daniel Spoerri (born 1930) explored humanity’s fascination with food, as seen as an interface between art and daily life. This volume presents his kinetic multiples, tableaux-pièges, sculptures and research into the graphics of recipes and menus.
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In his early work, Swiss artist Daniel Spoerri (born 1930) explored humanity’s fascination with food, as seen as an interface between art and daily life. This volume presents his kinetic multiples, tableaux-pièges, sculptures and research into the graphics of recipes and menus.
Publication:
avril 2016
avril 2016
Titre:
Daniel Spoerri: Eat art in transformation
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In his early work, Swiss artist Daniel Spoerri (born 1930) explored humanity’s fascination with food, as seen as an interface between art and daily life. This volume presents his kinetic multiples, tableaux-pièges, sculptures and research into the graphics of recipes and menus.
Daniel Spoerri: Eat art in transformation
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In his early work, Swiss artist Daniel Spoerri (born 1930) explored humanity’s fascination with food, as seen as an interface between art and daily life. This volume presents his kinetic multiples, tableaux-pièges, sculptures and research into the graphics of recipes and menus.
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Publication:
avril 2016
avril 2016
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German sculptor and photographer Thomas Demand (born 1964) focuses his lens on the pockets, edges and corners of architectural models made from materials such as paper and cardboard. This volume compiles his first and second studies of such pieces within architects' workshops.
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German sculptor and photographer Thomas Demand (born 1964) focuses his lens on the pockets, edges and corners of architectural models made from materials such as paper and cardboard. This volume compiles his first and second studies of such pieces within architects' workshops.
Titre:
Thomas Demand: model studies I & II
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German sculptor and photographer Thomas Demand (born 1964) focuses his lens on the pockets, edges and corners of architectural models made from materials such as paper and cardboard. This volume compiles his first and second studies of such pieces within architects' workshops.
Thomas Demand: model studies I & II
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German sculptor and photographer Thomas Demand (born 1964) focuses his lens on the pockets, edges and corners of architectural models made from materials such as paper and cardboard. This volume compiles his first and second studies of such pieces within architects' workshops.
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livres
Publication:
mars 2016
mars 2016
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Melanie Smith: Fordlandia
Melanie Smith: Fordlandia
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In Fordlandia, British video artist Melanie Smith (born 1965) explores the tensions between industrial and natural landscapes in a factory town situated within the Amazon rainforest. The book is organized as an illustrated conversation log between the artist and the curator.
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In Fordlandia, British video artist Melanie Smith (born 1965) explores the tensions between industrial and natural landscapes in a factory town situated within the Amazon rainforest. The book is organized as an illustrated conversation log between the artist and the curator.
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Melanie Smith: Fordlandia
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In Fordlandia, British video artist Melanie Smith (born 1965) explores the tensions between industrial and natural landscapes in a factory town situated within the Amazon rainforest. The book is organized as an illustrated conversation log between the artist and the curator.
Melanie Smith: Fordlandia
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In Fordlandia, British video artist Melanie Smith (born 1965) explores the tensions between industrial and natural landscapes in a factory town situated within the Amazon rainforest. The book is organized as an illustrated conversation log between the artist and the curator.
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livres
Publication:
mars 2016
mars 2016
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livres
livres
Titre:
The Richter interviews
The Richter interviews
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a(...)
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a(...)
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The Richter interviews
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books.
The Richter interviews
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books.
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Publication:
avril 2019
avril 2019
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In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold(...)
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In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold(...)
Titre:
Louise Nevelson: I must recompose the environment
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In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. “Louise Nevelson: I Must Recompose the Environment “ includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum’s early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.
Louise Nevelson: I must recompose the environment
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In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. “Louise Nevelson: I Must Recompose the Environment “ includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum’s early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.
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livres
Publication:
juin 2019
juin 2019
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$55.00
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between(...)
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between(...)
Titre:
Haegue Yang: Anthology 2006-2018
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between viewers and materials that can generate unexpected forms, emotions and narratives. This publication is a rich, fully illustrated anthology of the most significant writing on Yang's work from 2006 to 2018. Featuring essays and interviews by Lars Bang Larsen, Nicolas Bourriaud, Binna Choi, Doryun Chong, T.J. Demos, Yilmaz Dziewior, Patricia Falguières, Eungie Joo, Tom McDonough, Ute Meta Bauer, Bart van der Heide and Anne M. Wagner, the selection of texts in this volume thoroughly engage the complexity of the artist's work.
Haegue Yang: Anthology 2006-2018
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between viewers and materials that can generate unexpected forms, emotions and narratives. This publication is a rich, fully illustrated anthology of the most significant writing on Yang's work from 2006 to 2018. Featuring essays and interviews by Lars Bang Larsen, Nicolas Bourriaud, Binna Choi, Doryun Chong, T.J. Demos, Yilmaz Dziewior, Patricia Falguières, Eungie Joo, Tom McDonough, Ute Meta Bauer, Bart van der Heide and Anne M. Wagner, the selection of texts in this volume thoroughly engage the complexity of the artist's work.
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Publication:
juin 2019
juin 2019
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$62.00
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Call Ampersand Response is a collaborative artwork made through an exchange of images via email. Between 2011 and 2017 Canadian artists Michael Dumontier and Micah Lexier conceived this activity as a way to share with each other their mutual interest in found images, line drawings and used books. The starting image was a circle on a rectangle; every subsequent image was(...)
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Résumé:
Call Ampersand Response is a collaborative artwork made through an exchange of images via email. Between 2011 and 2017 Canadian artists Michael Dumontier and Micah Lexier conceived this activity as a way to share with each other their mutual interest in found images, line drawings and used books. The starting image was a circle on a rectangle; every subsequent image was(...)
Publication:
septembre 2019
septembre 2019
Titre:
Michael Dumontier & Micah Lexier: Call Ampersand Response
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Call Ampersand Response is a collaborative artwork made through an exchange of images via email. Between 2011 and 2017 Canadian artists Michael Dumontier and Micah Lexier conceived this activity as a way to share with each other their mutual interest in found images, line drawings and used books. The starting image was a circle on a rectangle; every subsequent image was visually connected to the previous one. It was understood from the outset that they had to use images that could be scanned from physical items they already had at home (no images from the internet), such as children's books, technical manuals and assorted ephemera. The call-and-response nature of the enterprise can be appreciated in the pairs of facing pages that present themselves as you go through the book. This second edition, expanding on the Nieves edition of 2013, includes the entire project of 196 exchanges that make up Dumontier and Lexier's clever, competitive, meandering conversation.
Michael Dumontier & Micah Lexier: Call Ampersand Response
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Résumé:
Call Ampersand Response is a collaborative artwork made through an exchange of images via email. Between 2011 and 2017 Canadian artists Michael Dumontier and Micah Lexier conceived this activity as a way to share with each other their mutual interest in found images, line drawings and used books. The starting image was a circle on a rectangle; every subsequent image was visually connected to the previous one. It was understood from the outset that they had to use images that could be scanned from physical items they already had at home (no images from the internet), such as children's books, technical manuals and assorted ephemera. The call-and-response nature of the enterprise can be appreciated in the pairs of facing pages that present themselves as you go through the book. This second edition, expanding on the Nieves edition of 2013, includes the entire project of 196 exchanges that make up Dumontier and Lexier's clever, competitive, meandering conversation.
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livres
Publication:
septembre 2019
septembre 2019
Classification:
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livres
Titre:
Ecart, Genève 1969-1982
Ecart, Genève 1969-1982
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En 1969, John M Armleder cofonde à Genève l'Ecart Performance Group avec Patrick Lucchini et Claude Rychner. Cette aventure artistique collective, placée dans la continuité du mouvement Fluxus, se développe ensuite pour devenir une galerie autogérée, une maison d'édition, une librairie… Basé à Genève, le groupe Ecart est reconnu comme l'un des relais importants de l'art(...)
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Résumé:
En 1969, John M Armleder cofonde à Genève l'Ecart Performance Group avec Patrick Lucchini et Claude Rychner. Cette aventure artistique collective, placée dans la continuité du mouvement Fluxus, se développe ensuite pour devenir une galerie autogérée, une maison d'édition, une librairie… Basé à Genève, le groupe Ecart est reconnu comme l'un des relais importants de l'art(...)
Publication:
mars 2019
mars 2019
Titre:
Ecart, Genève 1969-1982
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$49.95
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Résumé:
En 1969, John M Armleder cofonde à Genève l'Ecart Performance Group avec Patrick Lucchini et Claude Rychner. Cette aventure artistique collective, placée dans la continuité du mouvement Fluxus, se développe ensuite pour devenir une galerie autogérée, une maison d'édition, une librairie… Basé à Genève, le groupe Ecart est reconnu comme l'un des relais importants de l'art expérimental des années 1970 en Suisse. Le MAMCO propose la réédition augmentée de l'ouvrage de référence sur une période de l'art suisse et européen particulièrement foisonnante et provocante, encore trop peu documentée.
Ecart, Genève 1969-1982
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$49.95
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Résumé:
En 1969, John M Armleder cofonde à Genève l'Ecart Performance Group avec Patrick Lucchini et Claude Rychner. Cette aventure artistique collective, placée dans la continuité du mouvement Fluxus, se développe ensuite pour devenir une galerie autogérée, une maison d'édition, une librairie… Basé à Genève, le groupe Ecart est reconnu comme l'un des relais importants de l'art expérimental des années 1970 en Suisse. Le MAMCO propose la réédition augmentée de l'ouvrage de référence sur une période de l'art suisse et européen particulièrement foisonnante et provocante, encore trop peu documentée.
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livres
livres
Publication:
mars 2019
mars 2019
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$77.95
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Gyorgy Kepes (1906–2001) was the last disciple of Bauhaus modernism, an acolyte of László Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to(...)
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Gyorgy Kepes (1906–2001) was the last disciple of Bauhaus modernism, an acolyte of László Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to(...)
Publication:
juin 2019
juin 2019
Titre:
Gyorgy Kepes: undreaming the Bauhaus
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Gyorgy Kepes (1906–2001) was the last disciple of Bauhaus modernism, an acolyte of László Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to the arts, established a new paradigm for creative practice: the artist as technocrat. First at Chicago's New Bauhaus and then for many years at MIT, Kepes pioneered interdisciplinary collaboration between the arts and sciences- what he termed “interthinking” and “interseeing.” Kepes and his colleagues, ranging from metallurgists to mathematicians, became part of an important but little-explored constellation: the Cold War avant-garde.
Gyorgy Kepes: undreaming the Bauhaus
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Gyorgy Kepes (1906–2001) was the last disciple of Bauhaus modernism, an acolyte of László Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to the arts, established a new paradigm for creative practice: the artist as technocrat. First at Chicago's New Bauhaus and then for many years at MIT, Kepes pioneered interdisciplinary collaboration between the arts and sciences- what he termed “interthinking” and “interseeing.” Kepes and his colleagues, ranging from metallurgists to mathematicians, became part of an important but little-explored constellation: the Cold War avant-garde.
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livres
livres
Publication:
juin 2019
juin 2019
