1920 Résultats
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Dieter Roth. Pages
Dieter Roth. Pages
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Dieter Roth, one of the most prominent artists of the late 20th century and a key figure in the history of Artists’ Books, has poured his entire life onto countless pages. From his beginnings in the 1950s and throughout the years of his artistic practice, he produced over 230 books. Roth constantly took notes and wrote journals from which he drew the wide range of(...)
$147.00
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Dieter Roth, one of the most prominent artists of the late 20th century and a key figure in the history of Artists’ Books, has poured his entire life onto countless pages. From his beginnings in the 1950s and throughout the years of his artistic practice, he produced over 230 books. Roth constantly took notes and wrote journals from which he drew the wide range of(...)
Titre:
Dieter Roth. Pages
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Dieter Roth, one of the most prominent artists of the late 20th century and a key figure in the history of Artists’ Books, has poured his entire life onto countless pages. From his beginnings in the 1950s and throughout the years of his artistic practice, he produced over 230 books. Roth constantly took notes and wrote journals from which he drew the wide range of materials used in his works. Twenty years after his death, his work still represents today an endless source of inspiration for contemporary artists. This volume brings together for the first time all of his books, diaries and notebooks in one single publication.
Dieter Roth. Pages
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Dieter Roth, one of the most prominent artists of the late 20th century and a key figure in the history of Artists’ Books, has poured his entire life onto countless pages. From his beginnings in the 1950s and throughout the years of his artistic practice, he produced over 230 books. Roth constantly took notes and wrote journals from which he drew the wide range of materials used in his works. Twenty years after his death, his work still represents today an endless source of inspiration for contemporary artists. This volume brings together for the first time all of his books, diaries and notebooks in one single publication.
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livres
Publication:
décembre 2018
décembre 2018
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$34.95
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How French designers dach engage the overlooked ingenuity of Creole cultures This fourth edition of Field Essays explores the decolonial approach of Parisian design duo dach Dimitri Zephir and Florian Dach have extensively researched the French Caribbean and have transformed neglected cultural forms
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How French designers dach engage the overlooked ingenuity of Creole cultures This fourth edition of Field Essays explores the decolonial approach of Parisian design duo dach Dimitri Zephir and Florian Dach have extensively researched the French Caribbean and have transformed neglected cultural forms
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dach Éloj Kréyol: Meanderings in the field of decolonial design
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How French designers dach engage the overlooked ingenuity of Creole cultures This fourth edition of Field Essays explores the decolonial approach of Parisian design duo dach Dimitri Zephir and Florian Dach have extensively researched the French Caribbean and have transformed neglected cultural forms
dach Éloj Kréyol: Meanderings in the field of decolonial design
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How French designers dach engage the overlooked ingenuity of Creole cultures This fourth edition of Field Essays explores the decolonial approach of Parisian design duo dach Dimitri Zephir and Florian Dach have extensively researched the French Caribbean and have transformed neglected cultural forms
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Publication:
février 2020
février 2020
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« La Popularité des conflits » est l'histoire d'un livre rouge qui pâlit. Il réunit cent sondages d'opinion publiés au lendemain de manifestations, grèves et autres mouvements sociaux dans différents organes de presse. Ces sondages ont la particularité de mesurer la sympathie d'une population pour tel ou tel conflit, donnant à lire, sous la forme d'un pourcentage, le(...)
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« La Popularité des conflits » est l'histoire d'un livre rouge qui pâlit. Il réunit cent sondages d'opinion publiés au lendemain de manifestations, grèves et autres mouvements sociaux dans différents organes de presse. Ces sondages ont la particularité de mesurer la sympathie d'une population pour tel ou tel conflit, donnant à lire, sous la forme d'un pourcentage, le(...)
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Matthieu Saladin : la popularité des conflits
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« La Popularité des conflits » est l'histoire d'un livre rouge qui pâlit. Il réunit cent sondages d'opinion publiés au lendemain de manifestations, grèves et autres mouvements sociaux dans différents organes de presse. Ces sondages ont la particularité de mesurer la sympathie d'une population pour tel ou tel conflit, donnant à lire, sous la forme d'un pourcentage, le degré présumé d'adhésion populaire à la manifestation d'une protestation elle-même populaire. Les sondages sont présentés par ordre de popularité décroissant, le pourcentage de soutien devenant ici le pourcentage de couleur rouge de l'aplat correspondant. Le rouge ayant servi d'étalon pour ce livre provient, quant à lui, d'une gravure ornant la page de garde de la première édition (1967) de l'ouvrage de Maurice Dommanget, Histoire du drapeau rouge.
Matthieu Saladin : la popularité des conflits
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« La Popularité des conflits » est l'histoire d'un livre rouge qui pâlit. Il réunit cent sondages d'opinion publiés au lendemain de manifestations, grèves et autres mouvements sociaux dans différents organes de presse. Ces sondages ont la particularité de mesurer la sympathie d'une population pour tel ou tel conflit, donnant à lire, sous la forme d'un pourcentage, le degré présumé d'adhésion populaire à la manifestation d'une protestation elle-même populaire. Les sondages sont présentés par ordre de popularité décroissant, le pourcentage de soutien devenant ici le pourcentage de couleur rouge de l'aplat correspondant. Le rouge ayant servi d'étalon pour ce livre provient, quant à lui, d'une gravure ornant la page de garde de la première édition (1967) de l'ouvrage de Maurice Dommanget, Histoire du drapeau rouge.
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Publication:
novembre 2019
novembre 2019
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Many consider Barry Schwabsky to be the critic on painting today, even if he does write copiously on other art forms,” write editors Rob Colvin and Sherman Sam in their foreword to this selection of Schwabsky's writings. Written since the turn of the millennium, the texts in 'The Oberver Effect' include meditations on the broader context of painting today alongside(...)
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Many consider Barry Schwabsky to be the critic on painting today, even if he does write copiously on other art forms,” write editors Rob Colvin and Sherman Sam in their foreword to this selection of Schwabsky's writings. Written since the turn of the millennium, the texts in 'The Oberver Effect' include meditations on the broader context of painting today alongside(...)
Titre:
The observer effect: on contemporary painting
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Many consider Barry Schwabsky to be the critic on painting today, even if he does write copiously on other art forms,” write editors Rob Colvin and Sherman Sam in their foreword to this selection of Schwabsky's writings. Written since the turn of the millennium, the texts in 'The Oberver Effect' include meditations on the broader context of painting today alongside reflections on such well-known American painters as Alex Katz, Kerry James Marshall, Nicole Eisenman, and Dana Schutz, as well as practitioners from Europe and beyond?Bernard Frize, Tal R, and Ha Chonghyun among them. As Colvin and Sam point out, the book “documents a dialogue between abstraction and the image” in which “images serve less to represent their described subject than to articulate the sort of painting each one desires to be.
The observer effect: on contemporary painting
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Many consider Barry Schwabsky to be the critic on painting today, even if he does write copiously on other art forms,” write editors Rob Colvin and Sherman Sam in their foreword to this selection of Schwabsky's writings. Written since the turn of the millennium, the texts in 'The Oberver Effect' include meditations on the broader context of painting today alongside reflections on such well-known American painters as Alex Katz, Kerry James Marshall, Nicole Eisenman, and Dana Schutz, as well as practitioners from Europe and beyond?Bernard Frize, Tal R, and Ha Chonghyun among them. As Colvin and Sam point out, the book “documents a dialogue between abstraction and the image” in which “images serve less to represent their described subject than to articulate the sort of painting each one desires to be.
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Publication:
décembre 2019
décembre 2019
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Pour sa onzième édition d’art contemporain, le château de Versailles a invité l’artiste protéiforme Hiroshi Sugimoto à investir le domaine de Trianon où il a convié art, photographie, sculpture, architecture, vidéo et spectacle vivant. À cette occasion, il a réalisé près de 20 portraits en noir et blanc inédits, allant de Louis XIV à Dalí, de Marie-Antoinette à Lady(...)
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Pour sa onzième édition d’art contemporain, le château de Versailles a invité l’artiste protéiforme Hiroshi Sugimoto à investir le domaine de Trianon où il a convié art, photographie, sculpture, architecture, vidéo et spectacle vivant. À cette occasion, il a réalisé près de 20 portraits en noir et blanc inédits, allant de Louis XIV à Dalí, de Marie-Antoinette à Lady(...)
Titre:
Sugimoto Versailles : surface de révolution
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Pour sa onzième édition d’art contemporain, le château de Versailles a invité l’artiste protéiforme Hiroshi Sugimoto à investir le domaine de Trianon où il a convié art, photographie, sculpture, architecture, vidéo et spectacle vivant. À cette occasion, il a réalisé près de 20 portraits en noir et blanc inédits, allant de Louis XIV à Dalí, de Marie-Antoinette à Lady Diana, à partir de leur statue de cire. Les statues ont pris vie grâce au travail photographique de l’artiste. Des textes d’Hiroshi Sugimoto nous dévoilent un peu plus le regard contemporain qu’il porte sur Versailles et sur ses œuvres. Une maison de thé en verre, imaginée par Sugimoto, trône au centre du bassin du Plat-fond. Les dessins d’architectures de la maison de thé et des photographies en couleurs des différentes performances qui y ont eu lieu viennent compléter cet ouvrage. En cette année « Japonismes 2018 : les âmes en résonances », Hiroshi Sugimoto illustre ainsi à Versailles qui les a souvent symbolisés, les liens culturels entre le Japon et la France.
Sugimoto Versailles : surface de révolution
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Pour sa onzième édition d’art contemporain, le château de Versailles a invité l’artiste protéiforme Hiroshi Sugimoto à investir le domaine de Trianon où il a convié art, photographie, sculpture, architecture, vidéo et spectacle vivant. À cette occasion, il a réalisé près de 20 portraits en noir et blanc inédits, allant de Louis XIV à Dalí, de Marie-Antoinette à Lady Diana, à partir de leur statue de cire. Les statues ont pris vie grâce au travail photographique de l’artiste. Des textes d’Hiroshi Sugimoto nous dévoilent un peu plus le regard contemporain qu’il porte sur Versailles et sur ses œuvres. Une maison de thé en verre, imaginée par Sugimoto, trône au centre du bassin du Plat-fond. Les dessins d’architectures de la maison de thé et des photographies en couleurs des différentes performances qui y ont eu lieu viennent compléter cet ouvrage. En cette année « Japonismes 2018 : les âmes en résonances », Hiroshi Sugimoto illustre ainsi à Versailles qui les a souvent symbolisés, les liens culturels entre le Japon et la France.
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livres
livres
Publication:
novembre 2018
novembre 2018
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livres
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Carlos Bunga: the architecture of life: environments, sculptures, paintings, drawings and films
Carlos Bunga: the architecture of life: environments, sculptures, paintings, drawings and films
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The first monograph on Portugese artist Carlos Bunga (born 1976) presents over a decade of his fantastical sculptural and painterly structures. Bunga uses only cardboard and paint to create immersive installations, furniture-like sculptures and paintings. “The Architecture of Life” surveys the artist’s sculptures, paintings, films, performances and installations from(...)
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The first monograph on Portugese artist Carlos Bunga (born 1976) presents over a decade of his fantastical sculptural and painterly structures. Bunga uses only cardboard and paint to create immersive installations, furniture-like sculptures and paintings. “The Architecture of Life” surveys the artist’s sculptures, paintings, films, performances and installations from(...)
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Carlos Bunga: the architecture of life: environments, sculptures, paintings, drawings and films
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The first monograph on Portugese artist Carlos Bunga (born 1976) presents over a decade of his fantastical sculptural and painterly structures. Bunga uses only cardboard and paint to create immersive installations, furniture-like sculptures and paintings. “The Architecture of Life” surveys the artist’s sculptures, paintings, films, performances and installations from throughout his career, including the major new works created for his exhibition at the Museum of Art, Architecture, And Technology (MAAT) and Fundação Carmona e Costa in Lisbon. Whether he is using recycled materials or demolishing his own works, Bunga consistently pursues cycles of construction and destruction, and as a result explores the relationship of a space to its history and the inherent contradiction of the simultaneous impermanence and permanence of art. This volume features some of the artist’s own reflections on his work and writing from various art critics, writers and curators.
Carlos Bunga: the architecture of life: environments, sculptures, paintings, drawings and films
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The first monograph on Portugese artist Carlos Bunga (born 1976) presents over a decade of his fantastical sculptural and painterly structures. Bunga uses only cardboard and paint to create immersive installations, furniture-like sculptures and paintings. “The Architecture of Life” surveys the artist’s sculptures, paintings, films, performances and installations from throughout his career, including the major new works created for his exhibition at the Museum of Art, Architecture, And Technology (MAAT) and Fundação Carmona e Costa in Lisbon. Whether he is using recycled materials or demolishing his own works, Bunga consistently pursues cycles of construction and destruction, and as a result explores the relationship of a space to its history and the inherent contradiction of the simultaneous impermanence and permanence of art. This volume features some of the artist’s own reflections on his work and writing from various art critics, writers and curators.
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livres
Publication:
mars 2020
mars 2020
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In 1972, Gordon Matta-Clark (1943–78) installed a dumpster on the street between 98 and 112 Greene Street in New York’s SoHo neighborhood, an architectural artwork he called 'Open House'. Matta-Clark used discarded, scavenged materials—old pieces of wood, doors—to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and(...)
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In 1972, Gordon Matta-Clark (1943–78) installed a dumpster on the street between 98 and 112 Greene Street in New York’s SoHo neighborhood, an architectural artwork he called 'Open House'. Matta-Clark used discarded, scavenged materials—old pieces of wood, doors—to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and(...)
Publication:
avril 2020
avril 2020
Titre:
Gordon Matta-Clark: Open house
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In 1972, Gordon Matta-Clark (1943–78) installed a dumpster on the street between 98 and 112 Greene Street in New York’s SoHo neighborhood, an architectural artwork he called 'Open House'. Matta-Clark used discarded, scavenged materials—old pieces of wood, doors—to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and artists moved around the space, their pedestrian movements activating the sculpture and captured in a Super-8 film of the piece. Matta-Clark is best known for his building cuts and architectural interventions. Because of the nature of this work and its context—sited in spaces abandoned or slated for demolition—Matta-Clark’s “anarchitecture” was almost necessarily ephemeral, surviving as only documentation and sculptural sections. 'Open House' (1972) is the only still-extant architectural piece by Matta-Clark. 'Gordon Matta-Clark: Open House' is the first publication to focus on this crucial piece by the artist, using it as a way into his complex body of work. Featuring contributions from Sophie Costes, Thierry Davila and Lydia Yee, this volume takes a historical and theoretical approach to Open House and Matta-Clark’s entire oeuvre.
Gordon Matta-Clark: Open house
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In 1972, Gordon Matta-Clark (1943–78) installed a dumpster on the street between 98 and 112 Greene Street in New York’s SoHo neighborhood, an architectural artwork he called 'Open House'. Matta-Clark used discarded, scavenged materials—old pieces of wood, doors—to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and artists moved around the space, their pedestrian movements activating the sculpture and captured in a Super-8 film of the piece. Matta-Clark is best known for his building cuts and architectural interventions. Because of the nature of this work and its context—sited in spaces abandoned or slated for demolition—Matta-Clark’s “anarchitecture” was almost necessarily ephemeral, surviving as only documentation and sculptural sections. 'Open House' (1972) is the only still-extant architectural piece by Matta-Clark. 'Gordon Matta-Clark: Open House' is the first publication to focus on this crucial piece by the artist, using it as a way into his complex body of work. Featuring contributions from Sophie Costes, Thierry Davila and Lydia Yee, this volume takes a historical and theoretical approach to Open House and Matta-Clark’s entire oeuvre.
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Publication:
avril 2020
avril 2020
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In 1966, Sol LeWitt (1928–2007) conceived a new type of work that he described as “drawings without drawing,” in which he replaced the act of drawing itself by using various ways of folding paper. In 1969, he started to regularly produce what he called Folds, first as gifts to friends, then as works to be distributed by his dealers. In 1971 he added the Rips, drawings(...)
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In 1966, Sol LeWitt (1928–2007) conceived a new type of work that he described as “drawings without drawing,” in which he replaced the act of drawing itself by using various ways of folding paper. In 1969, he started to regularly produce what he called Folds, first as gifts to friends, then as works to be distributed by his dealers. In 1971 he added the Rips, drawings(...)
Titre:
Sol Lewitt: Folds and rips 1966-1980
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In 1966, Sol LeWitt (1928–2007) conceived a new type of work that he described as “drawings without drawing,” in which he replaced the act of drawing itself by using various ways of folding paper. In 1969, he started to regularly produce what he called Folds, first as gifts to friends, then as works to be distributed by his dealers. In 1971 he added the Rips, drawings made of ripped paper. LeWitt developed this extended approach to drawing from ripping papers of various sizes and colors to working with city maps and aerial photos of Florence, Manhattan and Chicago from which he removed various areas. This systematic approach, on which so much of LeWitt’s work is famously based, was also applied to the Folds and the Rips, and so they tended to be created in series. The book presents these works for the first time, along with a historical essay by Dieter Schwarz and full-color reproductions of the Folds and the Rips.
Sol Lewitt: Folds and rips 1966-1980
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In 1966, Sol LeWitt (1928–2007) conceived a new type of work that he described as “drawings without drawing,” in which he replaced the act of drawing itself by using various ways of folding paper. In 1969, he started to regularly produce what he called Folds, first as gifts to friends, then as works to be distributed by his dealers. In 1971 he added the Rips, drawings made of ripped paper. LeWitt developed this extended approach to drawing from ripping papers of various sizes and colors to working with city maps and aerial photos of Florence, Manhattan and Chicago from which he removed various areas. This systematic approach, on which so much of LeWitt’s work is famously based, was also applied to the Folds and the Rips, and so they tended to be created in series. The book presents these works for the first time, along with a historical essay by Dieter Schwarz and full-color reproductions of the Folds and the Rips.
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livres
Publication:
avril 2020
avril 2020
Classification:
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livres
Titre:
Tauba Auerbach: SvZ
Tauba Auerbach: SvZ
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Part artist's book, part exhibition catalog, this book chronicles Tauba Auerbach's multimedia syntheses of abstraction, science, graphic design and typographyTauba Auerbach studies the boundaries of perception through an art and design practice grounded in math, science and craft. Published in conjunction with the first major survey of the artist's work, this volume,(...)
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Part artist's book, part exhibition catalog, this book chronicles Tauba Auerbach's multimedia syntheses of abstraction, science, graphic design and typographyTauba Auerbach studies the boundaries of perception through an art and design practice grounded in math, science and craft. Published in conjunction with the first major survey of the artist's work, this volume,(...)
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Tauba Auerbach: SvZ
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Part artist's book, part exhibition catalog, this book chronicles Tauba Auerbach's multimedia syntheses of abstraction, science, graphic design and typographyTauba Auerbach studies the boundaries of perception through an art and design practice grounded in math, science and craft. Published in conjunction with the first major survey of the artist's work, this volume, designed by Auerbach in collaboration with David Reinfurt, spans 16 years of her career, highlighting her interest in concepts such as duality and its alternatives, interconnectedness, rhythm and four-dimensional geometry. Encapsulating Auerbach's longstanding consideration of symmetry, texture and logic, the title S v Z offers a framework for this volume's typeface, design and structure. Images of more than 130 paintings, drawings, sculptures and artist's books created between 2004 and 2020 are mirrored by a comprehensive selection of related reference images. The book contains original marble patterns created specially for the book by the artist on both the endpapers and the edges of the book block. The cover is lettered in Auerbach's calligraphy, applied in black foil on a silver paper. The typeface was designed by David Reinfurt with Auerbach expressly for this publication, and is based on her handwriting.
Tauba Auerbach: SvZ
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Part artist's book, part exhibition catalog, this book chronicles Tauba Auerbach's multimedia syntheses of abstraction, science, graphic design and typographyTauba Auerbach studies the boundaries of perception through an art and design practice grounded in math, science and craft. Published in conjunction with the first major survey of the artist's work, this volume, designed by Auerbach in collaboration with David Reinfurt, spans 16 years of her career, highlighting her interest in concepts such as duality and its alternatives, interconnectedness, rhythm and four-dimensional geometry. Encapsulating Auerbach's longstanding consideration of symmetry, texture and logic, the title S v Z offers a framework for this volume's typeface, design and structure. Images of more than 130 paintings, drawings, sculptures and artist's books created between 2004 and 2020 are mirrored by a comprehensive selection of related reference images. The book contains original marble patterns created specially for the book by the artist on both the endpapers and the edges of the book block. The cover is lettered in Auerbach's calligraphy, applied in black foil on a silver paper. The typeface was designed by David Reinfurt with Auerbach expressly for this publication, and is based on her handwriting.
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livres
livres
Publication:
mai 2020
mai 2020
Classification:
livres
livres
Titre:
The mill
The mill
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The Mill is the second of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fisheries) through contemporary art and writing. This volume responds to forestry: a mobile industry of logging camps that follow the trees; prices that rise and fall; mills that open and close; communities that boom and bust. In The Mill, artworks are(...)
$36.95
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The Mill is the second of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fisheries) through contemporary art and writing. This volume responds to forestry: a mobile industry of logging camps that follow the trees; prices that rise and fall; mills that open and close; communities that boom and bust. In The Mill, artworks are(...)
Titre:
The mill
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The Mill is the second of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fisheries) through contemporary art and writing. This volume responds to forestry: a mobile industry of logging camps that follow the trees; prices that rise and fall; mills that open and close; communities that boom and bust. In The Mill, artworks are accompanied by a multiplicity of voices, including forestry workers, plant ecologists, and indigenous land stewards. Together, these perspectives chart the cultural and material shifts brought about when trees become commodities. Expanded from two contemporary art exhibitions, Silva Part I: O Horizon and Silva Part II: Booming Grounds, The Mill examines forgotten or under-acknowledged histories, while considering both local sites and forms of cultural expression that surround international forestry practices.
The mill
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The Mill is the second of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fisheries) through contemporary art and writing. This volume responds to forestry: a mobile industry of logging camps that follow the trees; prices that rise and fall; mills that open and close; communities that boom and bust. In The Mill, artworks are accompanied by a multiplicity of voices, including forestry workers, plant ecologists, and indigenous land stewards. Together, these perspectives chart the cultural and material shifts brought about when trees become commodities. Expanded from two contemporary art exhibitions, Silva Part I: O Horizon and Silva Part II: Booming Grounds, The Mill examines forgotten or under-acknowledged histories, while considering both local sites and forms of cultural expression that surround international forestry practices.
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livres
livres
Publication:
novembre 2019
novembre 2019
