Minoru Onoda
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing(...)
Minoru Onoda
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing paintings and drawings with amalgamations of gradually increasing dots and organically growing shapes. But less is known in the West about Onoda's early and late-career work.
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
The work of wind : air, land, sea
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
A tale of today. Yinka Shonibare CBE
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a(...)
Paul Gauguin's intimate journals
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a primitive idyll, he left Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty, revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later.
Louise Bourgeois: Spiral
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In materials as diverse as wood, steel, bronze, latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon, woodcut, watercolor and gouache, Louise Bourgeois (1911–2010) investigates every imaginable manifestation of the spiral, from graphic patterns to graphite whorls, wobbly orbits to chiseled vortices, twisted columns to coiling snakes, staircases and pyramids. The(...)
Louise Bourgeois: Spiral
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In materials as diverse as wood, steel, bronze, latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon, woodcut, watercolor and gouache, Louise Bourgeois (1911–2010) investigates every imaginable manifestation of the spiral, from graphic patterns to graphite whorls, wobbly orbits to chiseled vortices, twisted columns to coiling snakes, staircases and pyramids. The cursive blue-paper word drawings also included, in English and French, complement the purely visual works by conveying the spirit of Bourgeois' writing in extraordinary pictorial forms. Bourgeois called the spiral ''an attempt at controlling the chaos. It has two directions. Where do you place yourself, at the periphery or at the vortex?''
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures,(...)
Brancusi and Duchamp: the art of dialogue
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures, objects, photographs, films and drawings from an international array of public and private collections, as well as a selection of rare archival documents. Highlights include one original Brancusi sculpture and four posthumous casts in polished bronze; numerous vintage photographic prints by the sculptor of some of his most iconic creations; several of Duchamp’s readymades; and other works including his chess treatise “Opposition and Sister Squares Are Reconciled” (1932), the cover of which he designed in collaboration with Brancusi.
Jan Wade: Soul Power
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This publication accompanies the artist’s solo exhibition at the Vancouver Art Gallery, which surveys her rich body of work from the 1990s to the present. It marks the first solo exhibition by a Black female artist in the 90-year history of the Gallery. The book honours and documents her compelling but underrecognized practice, which draws upon her lived experience as an(...)
août 2022
Jan Wade: Soul Power
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This publication accompanies the artist’s solo exhibition at the Vancouver Art Gallery, which surveys her rich body of work from the 1990s to the present. It marks the first solo exhibition by a Black female artist in the 90-year history of the Gallery. The book honours and documents her compelling but underrecognized practice, which draws upon her lived experience as an African Canadian person and her mixed cultural heritage. Comprising mixed-media assemblages, paintings, sculptural objects and textiles made from found and recycled materials, her art explores the places and practices of her ancestors alongside contemporary political concerns and social movements such as Black Lives Matter.
Keith Haring, Muna Tseng and Tseng Kwong Chi: Boundless minds & moving bodies in 80s New York
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An ode to three friends and their jubilant fusion of drawing, dance and photography In the days of downtown New York in the ’70s and ’80s, three boundary-pushing artists flourished: Keith Haring (1958–90), Muna Tseng (born 1953) and Tseng Kwong Chi (1950–90). ''Boundless minds & moving bodies'' presents an intimate visual journey through the early collaborations between(...)
Keith Haring, Muna Tseng and Tseng Kwong Chi: Boundless minds & moving bodies in 80s New York
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An ode to three friends and their jubilant fusion of drawing, dance and photography In the days of downtown New York in the ’70s and ’80s, three boundary-pushing artists flourished: Keith Haring (1958–90), Muna Tseng (born 1953) and Tseng Kwong Chi (1950–90). ''Boundless minds & moving bodies'' presents an intimate visual journey through the early collaborations between these artists and friends, offering a unique and colorful prism of their expression through their respective disciplines: drawing, dance and photography, respectively. Their work and interactions reveal a shared performative energy—the joy of experimenting, openness, exchange and social engagement. Together and independently, they were immersed in and contributors to the bustling and vibrant cultural downtown scene.
Bettina
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Artiste mythique du New York des années 1960 et 1970, Bettina Grossman (1927- 2021) – Bettina pour le monde de l’art – a développé pendant plus de soixante ans une œuvre prolifique. Cet ouvrage monographique est le premier qui présente son exceptionnel travail de recherche photographique, cinématographique et graphique, nourri de la pratique d’une sculpture conceptuelle. (...)
septembre 2022
Bettina
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Artiste mythique du New York des années 1960 et 1970, Bettina Grossman (1927- 2021) – Bettina pour le monde de l’art – a développé pendant plus de soixante ans une œuvre prolifique. Cet ouvrage monographique est le premier qui présente son exceptionnel travail de recherche photographique, cinématographique et graphique, nourri de la pratique d’une sculpture conceptuelle. Personnalité excentrique, totalement dédiée à son art, Bettina réside à partir de 1972 au Chelsea Hotel suite à l’incendie de son atelier dans lequel elle a perdu toutes ses archives. Vivant telle une recluse dans cette communauté d’artistes, Bettina produit et accumule dans son minuscule studio une œuvre considérable qui s’inscrit pleinement dans la grande histoire des avant-gardes artistiques du XXe siècle. Ses pièces sont suspendues dans l’atelier, accrochées aux murs, posées à même le sol : elles envahissent l’espace dans un continuum menant au vertige, le geste artistique se fait expérience physique et visuelle. Aux confins de l’abstraction, Bettina manipule, tord, étale, étire matière, lumière et ombre. Sa pratique sérielle donne à voir un univers hypnotique et d’une grande puissance visuelle. En 2019, la photographe franco-marocaine Yto Barrada expose expose quelques œuvres de Bettina au LMCC’s, à New York, qui permet la redécouverte de son travail. Barrada gagne la confiance de Bettina qui ouvre pour la première fois ses archives dans lesquelles Yto Barrada et Gregor Huber vont se plonger pendant près de trois ans. Ils imaginent un livre avec la complicité de Bettina jusqu'au décès de cette dernière le 2 novembre 2021, à l'âge de 94 ans, qui remet au jour une œuvre majeure produite par une artiste iconique. Cet ouvrage est le lauréat de la du LUMA Rencontres Dummy Book Award Arles 2020.
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New York-based collective Anonymous Club, founded by fashion designer Shayne Oliver, engages with fine art, installation, performance, music, fashion and more. This publication surveys the collective's work since its inception, with a collection of related artifacts and ephemera.
septembre 2022
Screensavers: Anonymous Club archive 2017-2021
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New York-based collective Anonymous Club, founded by fashion designer Shayne Oliver, engages with fine art, installation, performance, music, fashion and more. This publication surveys the collective's work since its inception, with a collection of related artifacts and ephemera.