1910 Résultats
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Iñigo Manglano-Ovalle's Gravity is a Force to be Reckoned With is an installation consisting of a 25 x 25-foot glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house then becomes the stage for a narrative based on Yevgeny Zamyatin's 1921 science-fiction novel We, which also inspired Sergei Eisenstein's unfinished film The Glass House (1930).
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Iñigo Manglano-Ovalle's Gravity is a Force to be Reckoned With is an installation consisting of a 25 x 25-foot glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house then becomes the stage for a narrative based on Yevgeny Zamyatin's 1921 science-fiction novel We, which also inspired Sergei Eisenstein's unfinished film The Glass House (1930).
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Inigio Manglano-Ovalle: Gravity is a force to be reckoned with
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Iñigo Manglano-Ovalle's Gravity is a Force to be Reckoned With is an installation consisting of a 25 x 25-foot glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house then becomes the stage for a narrative based on Yevgeny Zamyatin's 1921 science-fiction novel We, which also inspired Sergei Eisenstein's unfinished film The Glass House (1930).
Inigio Manglano-Ovalle: Gravity is a force to be reckoned with
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Iñigo Manglano-Ovalle's Gravity is a Force to be Reckoned With is an installation consisting of a 25 x 25-foot glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house then becomes the stage for a narrative based on Yevgeny Zamyatin's 1921 science-fiction novel We, which also inspired Sergei Eisenstein's unfinished film The Glass House (1930).
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livres
livres
Publication:
février 2011
février 2011
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livres
livres
Titre:
Tatiana Trouvé
Tatiana Trouvé
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Tatiana Trouvé works with staged rooms, architectonic interventions and snake-like metal sculptural objects. This publication is the first devoted exclusively to Trouvé's drawings, which at first resemble classic architectural sketches, and on closer inspection appear to collapse vanishing points and blur interior and exterior.
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Tatiana Trouvé works with staged rooms, architectonic interventions and snake-like metal sculptural objects. This publication is the first devoted exclusively to Trouvé's drawings, which at first resemble classic architectural sketches, and on closer inspection appear to collapse vanishing points and blur interior and exterior.
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Tatiana Trouvé
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Tatiana Trouvé works with staged rooms, architectonic interventions and snake-like metal sculptural objects. This publication is the first devoted exclusively to Trouvé's drawings, which at first resemble classic architectural sketches, and on closer inspection appear to collapse vanishing points and blur interior and exterior.
Tatiana Trouvé
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Tatiana Trouvé works with staged rooms, architectonic interventions and snake-like metal sculptural objects. This publication is the first devoted exclusively to Trouvé's drawings, which at first resemble classic architectural sketches, and on closer inspection appear to collapse vanishing points and blur interior and exterior.
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livres
livres
Publication:
février 2011
février 2011
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$99.00
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Described as a "world atlas against disappearance," this artist's book from Cyprien Gaillard (born 1980) presents 900 Polaroid photos, arranged into diamond-shaped grids, of architectural dilapidation, from ancient times to the present. Approaching the world as an archeological dig, Gaillard unites form with content by using an analogously outmoded instrument - the(...)
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Described as a "world atlas against disappearance," this artist's book from Cyprien Gaillard (born 1980) presents 900 Polaroid photos, arranged into diamond-shaped grids, of architectural dilapidation, from ancient times to the present. Approaching the world as an archeological dig, Gaillard unites form with content by using an analogously outmoded instrument - the(...)
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janvier 2011
janvier 2011
Titre:
Cyprien Gaillard : Geographical analogies
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Described as a "world atlas against disappearance," this artist's book from Cyprien Gaillard (born 1980) presents 900 Polaroid photos, arranged into diamond-shaped grids, of architectural dilapidation, from ancient times to the present. Approaching the world as an archeological dig, Gaillard unites form with content by using an analogously outmoded instrument - the Polaroid - to depict these ruined or about-to-be ruined buildings.
Cyprien Gaillard : Geographical analogies
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Described as a "world atlas against disappearance," this artist's book from Cyprien Gaillard (born 1980) presents 900 Polaroid photos, arranged into diamond-shaped grids, of architectural dilapidation, from ancient times to the present. Approaching the world as an archeological dig, Gaillard unites form with content by using an analogously outmoded instrument - the Polaroid - to depict these ruined or about-to-be ruined buildings.
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livres
Publication:
janvier 2011
janvier 2011
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livres
livres
Titre:
Richard Serra drawings
Richard Serra drawings
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This book brings together Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over(...)
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This book brings together Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over(...)
Publication:
avril 2011
avril 2011
Titre:
Richard Serra drawings
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This book brings together Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper.
Richard Serra drawings
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This book brings together Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper.
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livres
livres
Publication:
avril 2011
avril 2011
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In 2006, even though he could barely type, China's most famous artist started blogging. For more than three years, Ai Weiwei turned out a steady stream of scathing social commentary, criticism of government policy, thoughts on art and architecture, and autobiographical writings. He wrote about the Sichuan earthquake (and posted a list of the schoolchildren who died(...)
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In 2006, even though he could barely type, China's most famous artist started blogging. For more than three years, Ai Weiwei turned out a steady stream of scathing social commentary, criticism of government policy, thoughts on art and architecture, and autobiographical writings. He wrote about the Sichuan earthquake (and posted a list of the schoolchildren who died(...)
Titre:
Ai Weiwei's blog : writings, interviews, and digital rants, 2006-2009
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In 2006, even though he could barely type, China's most famous artist started blogging. For more than three years, Ai Weiwei turned out a steady stream of scathing social commentary, criticism of government policy, thoughts on art and architecture, and autobiographical writings. He wrote about the Sichuan earthquake (and posted a list of the schoolchildren who died because of the government’s "tofu-dregs engineering"), reminisced about Andy Warhol and the East Village art scene, described the irony of being investigated for "fraud" by the Ministry of Public Security, made a modest proposal for tax collection. Then, on June 1, 2009, Chinese authorities shut down the blog. This book offers a collection of Ai's online writings translated into English - the most complete, public documentation of the original Chinese blog available in any language. The New York Times has called Ai "a figure of Warholian celebrity." He is a leading figure on the international art scene, a regular in museums and biennials, but in China he is a manifold and controversial presence : artist, architect, curator, social critic, justice-seeker. He was a consultant on the design of the famous "Bird’s Nest" stadium but called for an Olympic boycott; he received a Chinese Contemporary Art "lifetime achievement award" in 2008 but was beaten by the police in connection with his "citizen investigation" of earthquake casualties in 2009. This publication documents Ai's passion, his genius, his hubris, his righteous anger, and his vision for China.
Ai Weiwei's blog : writings, interviews, and digital rants, 2006-2009
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In 2006, even though he could barely type, China's most famous artist started blogging. For more than three years, Ai Weiwei turned out a steady stream of scathing social commentary, criticism of government policy, thoughts on art and architecture, and autobiographical writings. He wrote about the Sichuan earthquake (and posted a list of the schoolchildren who died because of the government’s "tofu-dregs engineering"), reminisced about Andy Warhol and the East Village art scene, described the irony of being investigated for "fraud" by the Ministry of Public Security, made a modest proposal for tax collection. Then, on June 1, 2009, Chinese authorities shut down the blog. This book offers a collection of Ai's online writings translated into English - the most complete, public documentation of the original Chinese blog available in any language. The New York Times has called Ai "a figure of Warholian celebrity." He is a leading figure on the international art scene, a regular in museums and biennials, but in China he is a manifold and controversial presence : artist, architect, curator, social critic, justice-seeker. He was a consultant on the design of the famous "Bird’s Nest" stadium but called for an Olympic boycott; he received a Chinese Contemporary Art "lifetime achievement award" in 2008 but was beaten by the police in connection with his "citizen investigation" of earthquake casualties in 2009. This publication documents Ai's passion, his genius, his hubris, his righteous anger, and his vision for China.
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livres
Publication:
mars 2011
mars 2011
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This book examines the career of New York-based artist Sherrie Levine, whose 1981 series of photographs "after Walker Evans"--taken not from life but from Evans's famous depression-era documents of rural Alabama--became central examples in theorizing postmodernism in the visual arts in the 1980s. For the first in-depth examination of Levine, Howard Singerman surveys a(...)
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This book examines the career of New York-based artist Sherrie Levine, whose 1981 series of photographs "after Walker Evans"--taken not from life but from Evans's famous depression-era documents of rural Alabama--became central examples in theorizing postmodernism in the visual arts in the 1980s. For the first in-depth examination of Levine, Howard Singerman surveys a(...)
Titre:
Art history, after Sherrie Levine
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This book examines the career of New York-based artist Sherrie Levine, whose 1981 series of photographs "after Walker Evans"--taken not from life but from Evans's famous depression-era documents of rural Alabama--became central examples in theorizing postmodernism in the visual arts in the 1980s. For the first in-depth examination of Levine, Howard Singerman surveys a broad range of sources, both historical and theoretical, to assess an artist whose work was understood from the outset to challenge both the label "artist" and the idea of oeuvre--and who has over the past three decades crafted a significant oeuvre of her own.
Art history, after Sherrie Levine
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This book examines the career of New York-based artist Sherrie Levine, whose 1981 series of photographs "after Walker Evans"--taken not from life but from Evans's famous depression-era documents of rural Alabama--became central examples in theorizing postmodernism in the visual arts in the 1980s. For the first in-depth examination of Levine, Howard Singerman surveys a broad range of sources, both historical and theoretical, to assess an artist whose work was understood from the outset to challenge both the label "artist" and the idea of oeuvre--and who has over the past three decades crafted a significant oeuvre of her own.
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livres
livres
Publication:
février 2011
février 2011
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livres
Titre:
Dan Graham
Dan Graham
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying(...)
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying(...)
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Dan Graham
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.
Dan Graham
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.
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livres
livres
Publication:
mars 2011
mars 2011
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Catalogue to the first exhibition of the Swiss duo Fischli & Weiss in Japan held at the 21st Century Museum in Kanazawa. This publication gives an overview of the complete carreer of the artists, including their videos, photographs and installations. With essays by Stefan Zweifel, Chieko Kitade and Patrick Frey.
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Catalogue to the first exhibition of the Swiss duo Fischli & Weiss in Japan held at the 21st Century Museum in Kanazawa. This publication gives an overview of the complete carreer of the artists, including their videos, photographs and installations. With essays by Stefan Zweifel, Chieko Kitade and Patrick Frey.
Publication:
février 2011
février 2011
Titre:
Peter Fischli and David Weiss: 21st century
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Catalogue to the first exhibition of the Swiss duo Fischli & Weiss in Japan held at the 21st Century Museum in Kanazawa. This publication gives an overview of the complete carreer of the artists, including their videos, photographs and installations. With essays by Stefan Zweifel, Chieko Kitade and Patrick Frey.
Peter Fischli and David Weiss: 21st century
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Catalogue to the first exhibition of the Swiss duo Fischli & Weiss in Japan held at the 21st Century Museum in Kanazawa. This publication gives an overview of the complete carreer of the artists, including their videos, photographs and installations. With essays by Stefan Zweifel, Chieko Kitade and Patrick Frey.
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livres
livres
Publication:
février 2011
février 2011
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$65.95
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In 2010 – 11 the work of Dutch sculptor Mark Manders, a winner of the Dr A.H. Heineken Prize for Art, is touring the USA for the first time, with shows at the Hammer Museum Los Angeles, Aspen Art Museum, the Walker Art Center Minneapolis, and the Dallas Museum of Art. Manders' work aims to bypass language, gathering existing and self-made objects into tableaux that(...)
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In 2010 – 11 the work of Dutch sculptor Mark Manders, a winner of the Dr A.H. Heineken Prize for Art, is touring the USA for the first time, with shows at the Hammer Museum Los Angeles, Aspen Art Museum, the Walker Art Center Minneapolis, and the Dallas Museum of Art. Manders' work aims to bypass language, gathering existing and self-made objects into tableaux that(...)
Titre:
Mark Manders: Slide projections: Two interconnected houses/ documented assignment
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In 2010 – 11 the work of Dutch sculptor Mark Manders, a winner of the Dr A.H. Heineken Prize for Art, is touring the USA for the first time, with shows at the Hammer Museum Los Angeles, Aspen Art Museum, the Walker Art Center Minneapolis, and the Dallas Museum of Art. Manders' work aims to bypass language, gathering existing and self-made objects into tableaux that incorporate figures, animals, household goods, archeological debris and architectural components, and evoke a mysterious world of daydreams and fairy tales. For this travelling exhibition and artist's book Manders has created an entirely new body of work, including sculpture and works on paper.
Mark Manders: Slide projections: Two interconnected houses/ documented assignment
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In 2010 – 11 the work of Dutch sculptor Mark Manders, a winner of the Dr A.H. Heineken Prize for Art, is touring the USA for the first time, with shows at the Hammer Museum Los Angeles, Aspen Art Museum, the Walker Art Center Minneapolis, and the Dallas Museum of Art. Manders' work aims to bypass language, gathering existing and self-made objects into tableaux that incorporate figures, animals, household goods, archeological debris and architectural components, and evoke a mysterious world of daydreams and fairy tales. For this travelling exhibition and artist's book Manders has created an entirely new body of work, including sculpture and works on paper.
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livres
livres
Publication:
mars 2011
mars 2011
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$81.95
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Minoru Nomata paints fantastical, impossible buildings and structures, often towering over the landscape; he sets them in typological series that are somehow reminiscent of the photographs of Bernd and Hiller Becher. Nomata’s enthralling creations – towers that are half steel and half jungle, balloon-powered factories – are rendered in sober, autumnal shades that lend(...)
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Minoru Nomata paints fantastical, impossible buildings and structures, often towering over the landscape; he sets them in typological series that are somehow reminiscent of the photographs of Bernd and Hiller Becher. Nomata’s enthralling creations – towers that are half steel and half jungle, balloon-powered factories – are rendered in sober, autumnal shades that lend(...)
Titre:
Minoru Nomata: Alternative sights
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Minoru Nomata paints fantastical, impossible buildings and structures, often towering over the landscape; he sets them in typological series that are somehow reminiscent of the photographs of Bernd and Hiller Becher. Nomata’s enthralling creations – towers that are half steel and half jungle, balloon-powered factories – are rendered in sober, autumnal shades that lend them majesty, and recall one of Nomata’s own inspirations – German Romanticism, and Caspar David Friedrich. Four essays explore his achievements.
Minoru Nomata: Alternative sights
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$81.95
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Minoru Nomata paints fantastical, impossible buildings and structures, often towering over the landscape; he sets them in typological series that are somehow reminiscent of the photographs of Bernd and Hiller Becher. Nomata’s enthralling creations – towers that are half steel and half jungle, balloon-powered factories – are rendered in sober, autumnal shades that lend them majesty, and recall one of Nomata’s own inspirations – German Romanticism, and Caspar David Friedrich. Four essays explore his achievements.
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livres
livres
Publication:
mars 2011
mars 2011
