1866 Résultats
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Nous sommes ici pour répondre à vos besoins. Le test Latenta à choix multiples vous offre une opportunité unique de découvrir votre artiste favori: son profil psychologique, le genre de travail qu'il produit, son attitude envers son oeuvre, son public. Pour obtenir un résultat le plus précis possible, il est important de répondre à des question qui sont parfois de nature(...)
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Nous sommes ici pour répondre à vos besoins. Le test Latenta à choix multiples vous offre une opportunité unique de découvrir votre artiste favori: son profil psychologique, le genre de travail qu'il produit, son attitude envers son oeuvre, son public. Pour obtenir un résultat le plus précis possible, il est important de répondre à des question qui sont parfois de nature(...)
Publication:
mai 2007, Marseille
mai 2007, Marseille
Titre:
Découvrez votre artiste favori
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Nous sommes ici pour répondre à vos besoins. Le test Latenta à choix multiples vous offre une opportunité unique de découvrir votre artiste favori: son profil psychologique, le genre de travail qu'il produit, son attitude envers son oeuvre, son public. Pour obtenir un résultat le plus précis possible, il est important de répondre à des question qui sont parfois de nature privée, et il est essentiel d'y répondre de la façon la plus honnête et directe qui soit. Vous observerez toutefois que les questions deviennent de plus en plus aisées à mesure du déroulement de ce test. Quoi qu'il est soit, nous ne souhaitons pas que cet exercice vous soit inconfortable.
Découvrez votre artiste favori
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Nous sommes ici pour répondre à vos besoins. Le test Latenta à choix multiples vous offre une opportunité unique de découvrir votre artiste favori: son profil psychologique, le genre de travail qu'il produit, son attitude envers son oeuvre, son public. Pour obtenir un résultat le plus précis possible, il est important de répondre à des question qui sont parfois de nature privée, et il est essentiel d'y répondre de la façon la plus honnête et directe qui soit. Vous observerez toutefois que les questions deviennent de plus en plus aisées à mesure du déroulement de ce test. Quoi qu'il est soit, nous ne souhaitons pas que cet exercice vous soit inconfortable.
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livres
Publication:
mai 2007, Marseille
mai 2007, Marseille
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Titre:
The Art of Yamaguchi Akira
The Art of Yamaguchi Akira
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Young painter Akira Yamaguchi has taken Japan's art world by storm. His work combines the techniques of classical Japanese painting with the observant eye of a modern-day Peter Breughel and the humor and draftsmanship of a manga cartoonist. Yamaguchi's landscapes of the imagination, compressions of time and space, and quixotic human/machine figures combine Eastern and(...)
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Young painter Akira Yamaguchi has taken Japan's art world by storm. His work combines the techniques of classical Japanese painting with the observant eye of a modern-day Peter Breughel and the humor and draftsmanship of a manga cartoonist. Yamaguchi's landscapes of the imagination, compressions of time and space, and quixotic human/machine figures combine Eastern and(...)
Titre:
The Art of Yamaguchi Akira
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Young painter Akira Yamaguchi has taken Japan's art world by storm. His work combines the techniques of classical Japanese painting with the observant eye of a modern-day Peter Breughel and the humor and draftsmanship of a manga cartoonist. Yamaguchi's landscapes of the imagination, compressions of time and space, and quixotic human/machine figures combine Eastern and Western sensibilities and techniques into artwork that transcends exoticism. This beautiful volume collects the artist's work from the past decade, including several pieces never before published, allowing Western readers to share the delight of Japanese critics and audiences in this fresh, new view of the world. Also included are an introduction by art historian Yuji Yamashita, 80 pages of full-color illustrative plates, and a magnifying glass for enhanced viewing of painting details.
The Art of Yamaguchi Akira
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Young painter Akira Yamaguchi has taken Japan's art world by storm. His work combines the techniques of classical Japanese painting with the observant eye of a modern-day Peter Breughel and the humor and draftsmanship of a manga cartoonist. Yamaguchi's landscapes of the imagination, compressions of time and space, and quixotic human/machine figures combine Eastern and Western sensibilities and techniques into artwork that transcends exoticism. This beautiful volume collects the artist's work from the past decade, including several pieces never before published, allowing Western readers to share the delight of Japanese critics and audiences in this fresh, new view of the world. Also included are an introduction by art historian Yuji Yamashita, 80 pages of full-color illustrative plates, and a magnifying glass for enhanced viewing of painting details.
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livres
Publication:
mai 2005, Tokyo
mai 2005, Tokyo
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livres
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$21.00
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The American sculptor John Chamberlain, known for using parts of wrecked automobiles in his volumetric, abstract work, is widely considered one of the most important artists of the 60s generation. Here, he speaks with curator, museum director, writer and cultural catalyst Hans Ulrich Obrist, editor of "The conversation series", about everything from the need for a(...)
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The American sculptor John Chamberlain, known for using parts of wrecked automobiles in his volumetric, abstract work, is widely considered one of the most important artists of the 60s generation. Here, he speaks with curator, museum director, writer and cultural catalyst Hans Ulrich Obrist, editor of "The conversation series", about everything from the need for a(...)
Publication:
janvier 2007, Köln, New York
janvier 2007, Köln, New York
Titre:
John Chamberlain / Hans Ulrich Obrist : the conversation series 2
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The American sculptor John Chamberlain, known for using parts of wrecked automobiles in his volumetric, abstract work, is widely considered one of the most important artists of the 60s generation. Here, he speaks with curator, museum director, writer and cultural catalyst Hans Ulrich Obrist, editor of "The conversation series", about everything from the need for a redesigned hospital gown, to his relationship to Donald Judd and Marfa, Texas, to "recipes" for making art, his years spent in the Navy, becoming a hairdresser in order to meet women, being cast as a drunken womanizer by Black Mountain College scholars, Andy Warhol's Factory, John Waters, Robert Creeley and even Chamberlains, the restaurant he owned with his son in the mid-1990s.
John Chamberlain / Hans Ulrich Obrist : the conversation series 2
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The American sculptor John Chamberlain, known for using parts of wrecked automobiles in his volumetric, abstract work, is widely considered one of the most important artists of the 60s generation. Here, he speaks with curator, museum director, writer and cultural catalyst Hans Ulrich Obrist, editor of "The conversation series", about everything from the need for a redesigned hospital gown, to his relationship to Donald Judd and Marfa, Texas, to "recipes" for making art, his years spent in the Navy, becoming a hairdresser in order to meet women, being cast as a drunken womanizer by Black Mountain College scholars, Andy Warhol's Factory, John Waters, Robert Creeley and even Chamberlains, the restaurant he owned with his son in the mid-1990s.
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livres
Publication:
janvier 2007, Köln, New York
janvier 2007, Köln, New York
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Through her choice of images and themes, Hayeur expresses an anxiety about the way humanity has come to occupy the natural territory. The representation not only of a site but of what has happened to it turns her work into something akin to history painting. A history painting that expresses a moral judgment on the rapid degradation of the natural world while also making(...)
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Through her choice of images and themes, Hayeur expresses an anxiety about the way humanity has come to occupy the natural territory. The representation not only of a site but of what has happened to it turns her work into something akin to history painting. A history painting that expresses a moral judgment on the rapid degradation of the natural world while also making(...)
Titre:
Inhabiting : The works of Isabelle Hayeur / Habiter : les oeuvres d'Isabelle Hayeur
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Through her choice of images and themes, Hayeur expresses an anxiety about the way humanity has come to occupy the natural territory. The representation not only of a site but of what has happened to it turns her work into something akin to history painting. A history painting that expresses a moral judgment on the rapid degradation of the natural world while also making an acerbic comment on the residential folly that has led to the exponential growth of the suburbs.
Inhabiting : The works of Isabelle Hayeur / Habiter : les oeuvres d'Isabelle Hayeur
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Through her choice of images and themes, Hayeur expresses an anxiety about the way humanity has come to occupy the natural territory. The representation not only of a site but of what has happened to it turns her work into something akin to history painting. A history painting that expresses a moral judgment on the rapid degradation of the natural world while also making an acerbic comment on the residential folly that has led to the exponential growth of the suburbs.
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Publication:
juillet 2006, Oakville
juillet 2006, Oakville
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In "Poems and drawings", first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art,(...)
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In "Poems and drawings", first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art,(...)
Titre:
Josef Albers : poems and drawings
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In "Poems and drawings", first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art, and life. Conceived as a kind of artist’s book, the publication features 22 of Albers’s refined line drawings alongside the same number of his original poems—each appearing in both English and German. Printed initially in a limited edition and long out of print, this new edition of "Poems and drawings" replicates Albers’s original book design and includes four previously unpublished poems that reveal playful and tender details behind Albers’s personal relationships, along with a new introduction by Nicholas Fox Weber.
Josef Albers : poems and drawings
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In "Poems and drawings", first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art, and life. Conceived as a kind of artist’s book, the publication features 22 of Albers’s refined line drawings alongside the same number of his original poems—each appearing in both English and German. Printed initially in a limited edition and long out of print, this new edition of "Poems and drawings" replicates Albers’s original book design and includes four previously unpublished poems that reveal playful and tender details behind Albers’s personal relationships, along with a new introduction by Nicholas Fox Weber.
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livres
Publication:
août 2006, New Haven
août 2006, New Haven
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes"(...)
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes"(...)
Publication:
septembre 2006, Seattle
septembre 2006, Seattle
Titre:
Maya Lin : systematic landscapes
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes" exhibition, along with a series of related drawings and reliefs demonstrating the expanding scope of Lin’s creative process. The largest of these installations, 2 x 4 Landscape, is composed from more than 45,000 sections of lumber placed on end that from a distance take on a pixel-like image of a hill, and close up create a form that evokes both mound and wave, earth and water.
Maya Lin : systematic landscapes
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes" exhibition, along with a series of related drawings and reliefs demonstrating the expanding scope of Lin’s creative process. The largest of these installations, 2 x 4 Landscape, is composed from more than 45,000 sections of lumber placed on end that from a distance take on a pixel-like image of a hill, and close up create a form that evokes both mound and wave, earth and water.
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Publication:
septembre 2006, Seattle
septembre 2006, Seattle
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own(...)
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own(...)
Publication:
octobre 2006, Cambridge, Mass.
octobre 2006, Cambridge, Mass.
Titre:
Sensorium : embodied experience, technology, and contemporary art
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in "Sensorium" - which accompanies an exhibition at the MIT List Visual Arts Center - captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of "Sensorium", scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.
Sensorium : embodied experience, technology, and contemporary art
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in "Sensorium" - which accompanies an exhibition at the MIT List Visual Arts Center - captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of "Sensorium", scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.
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livres
Publication:
octobre 2006, Cambridge, Mass.
octobre 2006, Cambridge, Mass.
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livres
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Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
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Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
Titre:
Dan Flavin : rooms of light : works of the Panza collection from Villa Panza, Vaerese and The Solomon R. Guggenheim Museum New York
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Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
Dan Flavin : rooms of light : works of the Panza collection from Villa Panza, Vaerese and The Solomon R. Guggenheim Museum New York
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Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
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livres
livres
Publication:
septembre 2004, Milano
septembre 2004, Milano
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Sculptor Rachel Whiteread is internationnally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at the Tate Modern, from conception through to(...)
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Sculptor Rachel Whiteread is internationnally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at the Tate Modern, from conception through to(...)
Publication:
mars 2006, London
mars 2006, London
Titre:
Rachel Whiteread : embankment
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Sculptor Rachel Whiteread is internationnally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at the Tate Modern, from conception through to completion. As well providing stunning photography of the final towering construction of "Embankment", this publication revals Whiteread' sources of reference, alongside an essay by Catherine Wood and an interview with the artist Gordon Burn.
Rachel Whiteread : embankment
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Sculptor Rachel Whiteread is internationnally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at the Tate Modern, from conception through to completion. As well providing stunning photography of the final towering construction of "Embankment", this publication revals Whiteread' sources of reference, alongside an essay by Catherine Wood and an interview with the artist Gordon Burn.
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livres
Publication:
mars 2006, London
mars 2006, London
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Blending contemporary art, architecture and cultural history into a cleverly designed publication, Avalon presents an intimate survey of a 75 year old apartment building that provides visual artists a place to live and work alongside other residents.
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Blending contemporary art, architecture and cultural history into a cleverly designed publication, Avalon presents an intimate survey of a 75 year old apartment building that provides visual artists a place to live and work alongside other residents.
Titre:
Avalon : art & life of an apartment building
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Blending contemporary art, architecture and cultural history into a cleverly designed publication, Avalon presents an intimate survey of a 75 year old apartment building that provides visual artists a place to live and work alongside other residents.
Avalon : art & life of an apartment building
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Blending contemporary art, architecture and cultural history into a cleverly designed publication, Avalon presents an intimate survey of a 75 year old apartment building that provides visual artists a place to live and work alongside other residents.
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livres
livres
Publication:
octobre 2005, Brisbane
octobre 2005, Brisbane
