1866 Résultats
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Taking as its starting point Ramkinkar Baij's 1938 "Santhal Family" sculpture, this book combines critical and fictional texts with specially commissioned pages by artists from India, Europe and the U.K. Considered to be the first modernist public sculpture in India, Santhal Family combines an interest in the forms of modernism and temple sculpture with a concern for(...)
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Taking as its starting point Ramkinkar Baij's 1938 "Santhal Family" sculpture, this book combines critical and fictional texts with specially commissioned pages by artists from India, Europe and the U.K. Considered to be the first modernist public sculpture in India, Santhal Family combines an interest in the forms of modernism and temple sculpture with a concern for(...)
Publication:
août 2008, Antwerp
août 2008, Antwerp
Titre:
Santhal family: positions around an indian sculpture
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Taking as its starting point Ramkinkar Baij's 1938 "Santhal Family" sculpture, this book combines critical and fictional texts with specially commissioned pages by artists from India, Europe and the U.K. Considered to be the first modernist public sculpture in India, Santhal Family combines an interest in the forms of modernism and temple sculpture with a concern for ground level reality. Depicting a family group from the Santhal tribe carrying their possessions with them to a new place of work, it is a portrait of labour that presents the complexity of its subject without heroism or pathos. Published on the occasion of the exhibition of the same name that has been produced by the MuHKA, Antwerp, February to May 2008, and which is currently travelling through India.
Santhal family: positions around an indian sculpture
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Taking as its starting point Ramkinkar Baij's 1938 "Santhal Family" sculpture, this book combines critical and fictional texts with specially commissioned pages by artists from India, Europe and the U.K. Considered to be the first modernist public sculpture in India, Santhal Family combines an interest in the forms of modernism and temple sculpture with a concern for ground level reality. Depicting a family group from the Santhal tribe carrying their possessions with them to a new place of work, it is a portrait of labour that presents the complexity of its subject without heroism or pathos. Published on the occasion of the exhibition of the same name that has been produced by the MuHKA, Antwerp, February to May 2008, and which is currently travelling through India.
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livres
Publication:
août 2008, Antwerp
août 2008, Antwerp
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livres
Titre:
Concepts of love
Concepts of love
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This exhibition catalogue posits falling in love as a radical action. It includes supporting material from a wide range of writers--from Plato to Kathy Acker--and features artworks by Gerry Bibby, Bless, Keren Cytter, Ekkehard Ehlers, Stephan Geene, Judith Hopf, Francesca Lacatena, De Rijke/De Rooij, Jörg Rode, Deborah Schamoni and Florian Zeyfang.
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This exhibition catalogue posits falling in love as a radical action. It includes supporting material from a wide range of writers--from Plato to Kathy Acker--and features artworks by Gerry Bibby, Bless, Keren Cytter, Ekkehard Ehlers, Stephan Geene, Judith Hopf, Francesca Lacatena, De Rijke/De Rooij, Jörg Rode, Deborah Schamoni and Florian Zeyfang.
Publication:
juillet 2008
juillet 2008
Titre:
Concepts of love
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This exhibition catalogue posits falling in love as a radical action. It includes supporting material from a wide range of writers--from Plato to Kathy Acker--and features artworks by Gerry Bibby, Bless, Keren Cytter, Ekkehard Ehlers, Stephan Geene, Judith Hopf, Francesca Lacatena, De Rijke/De Rooij, Jörg Rode, Deborah Schamoni and Florian Zeyfang.
Concepts of love
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Résumé:
This exhibition catalogue posits falling in love as a radical action. It includes supporting material from a wide range of writers--from Plato to Kathy Acker--and features artworks by Gerry Bibby, Bless, Keren Cytter, Ekkehard Ehlers, Stephan Geene, Judith Hopf, Francesca Lacatena, De Rijke/De Rooij, Jörg Rode, Deborah Schamoni and Florian Zeyfang.
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livres
livres
Publication:
juillet 2008
juillet 2008
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livres
livres
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Manon de Boer
Manon de Boer
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This is the first extensive monograph on the work of Dutch artist Manon de Boer, published on the occasion of her first survey exhibition at Frankfurter Kunstverein and her solo show at Witte de With, Rotterdam. De Boer's filmic portraits sculpt a unique notion of time, meditating on the intersections of personal memory and cultural history.
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This is the first extensive monograph on the work of Dutch artist Manon de Boer, published on the occasion of her first survey exhibition at Frankfurter Kunstverein and her solo show at Witte de With, Rotterdam. De Boer's filmic portraits sculpt a unique notion of time, meditating on the intersections of personal memory and cultural history.
Publication:
septembre 2008, Frankfurt
septembre 2008, Frankfurt
Titre:
Manon de Boer
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Résumé:
This is the first extensive monograph on the work of Dutch artist Manon de Boer, published on the occasion of her first survey exhibition at Frankfurter Kunstverein and her solo show at Witte de With, Rotterdam. De Boer's filmic portraits sculpt a unique notion of time, meditating on the intersections of personal memory and cultural history.
Manon de Boer
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This is the first extensive monograph on the work of Dutch artist Manon de Boer, published on the occasion of her first survey exhibition at Frankfurter Kunstverein and her solo show at Witte de With, Rotterdam. De Boer's filmic portraits sculpt a unique notion of time, meditating on the intersections of personal memory and cultural history.
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livres
livres
Publication:
septembre 2008, Frankfurt
septembre 2008, Frankfurt
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livres
livres
Titre:
Nedko Solakov: emotions
Nedko Solakov: emotions
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$78.00
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This book is published in conjunction with the exhibition emotions by the Kunst Museum Bonn, Kunst Museum St-Gallen and Mathildenhöhe Darmstadt.
$78.00
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This book is published in conjunction with the exhibition emotions by the Kunst Museum Bonn, Kunst Museum St-Gallen and Mathildenhöhe Darmstadt.
Publication:
décembre 2008, Berlin, Ostfildern
décembre 2008, Berlin, Ostfildern
Titre:
Nedko Solakov: emotions
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This book is published in conjunction with the exhibition emotions by the Kunst Museum Bonn, Kunst Museum St-Gallen and Mathildenhöhe Darmstadt.
Nedko Solakov: emotions
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This book is published in conjunction with the exhibition emotions by the Kunst Museum Bonn, Kunst Museum St-Gallen and Mathildenhöhe Darmstadt.
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livres
livres
Publication:
décembre 2008, Berlin, Ostfildern
décembre 2008, Berlin, Ostfildern
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livres
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$42.00
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From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists(...)
$42.00
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Résumé:
From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists(...)
Publication:
septembre 2008, Vienna
septembre 2008, Vienna
Titre:
Dan Perjovschi, Nedko Solakov
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$42.00
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From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists work with pictures, texts and biting irony to comment on the social, political and cultural status quo. Early this year, Perjovschi and Solakov took over Vienna's BA-CA-Kunstforum, drawing all over the walls, floors and surrounding architecture with felt-tipped markers and pencils. Political, witty, subversive and fresh, this winning exhibition is documented here.
Dan Perjovschi, Nedko Solakov
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Résumé:
From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists work with pictures, texts and biting irony to comment on the social, political and cultural status quo. Early this year, Perjovschi and Solakov took over Vienna's BA-CA-Kunstforum, drawing all over the walls, floors and surrounding architecture with felt-tipped markers and pencils. Political, witty, subversive and fresh, this winning exhibition is documented here.
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livres
livres
Publication:
septembre 2008, Vienna
septembre 2008, Vienna
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$74.00
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This book published in conjunction with the exhibition ...visibleinvisible, organized by MUSAC, Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain. January 26 - May 4, 2008. With its 150 illustrations of sculptural installations, screenings, wall texts, sound works, it represents a wide range of the artist's work from it's beginnings until today.
$74.00
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This book published in conjunction with the exhibition ...visibleinvisible, organized by MUSAC, Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain. January 26 - May 4, 2008. With its 150 illustrations of sculptural installations, screenings, wall texts, sound works, it represents a wide range of the artist's work from it's beginnings until today.
Publication:
juillet 2008, Ostfildern, Leon
juillet 2008, Ostfildern, Leon
Titre:
Cerith Wyn Evans: ...visibleinvisible
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This book published in conjunction with the exhibition ...visibleinvisible, organized by MUSAC, Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain. January 26 - May 4, 2008. With its 150 illustrations of sculptural installations, screenings, wall texts, sound works, it represents a wide range of the artist's work from it's beginnings until today.
Cerith Wyn Evans: ...visibleinvisible
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This book published in conjunction with the exhibition ...visibleinvisible, organized by MUSAC, Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain. January 26 - May 4, 2008. With its 150 illustrations of sculptural installations, screenings, wall texts, sound works, it represents a wide range of the artist's work from it's beginnings until today.
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livres
Publication:
juillet 2008, Ostfildern, Leon
juillet 2008, Ostfildern, Leon
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livres
Titre:
The gift
The gift
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The Gift:+ 1-866-865-0879 by Eduardo Sarabia accompanies the installation by the same exhibited during the 2008 Whitney Biennial, curated by Shamim M. Momin and Henrietta Huldisch.
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The Gift:+ 1-866-865-0879 by Eduardo Sarabia accompanies the installation by the same exhibited during the 2008 Whitney Biennial, curated by Shamim M. Momin and Henrietta Huldisch.
Publication:
juin 2008, Mexico, New York
juin 2008, Mexico, New York
Titre:
The gift
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The Gift:+ 1-866-865-0879 by Eduardo Sarabia accompanies the installation by the same exhibited during the 2008 Whitney Biennial, curated by Shamim M. Momin and Henrietta Huldisch.
The gift
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The Gift:+ 1-866-865-0879 by Eduardo Sarabia accompanies the installation by the same exhibited during the 2008 Whitney Biennial, curated by Shamim M. Momin and Henrietta Huldisch.
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Publication:
juin 2008, Mexico, New York
juin 2008, Mexico, New York
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Published on the occasion of Rodney Graham: Wet on Wet - My late Early Styles, Lisson Galery 10 October - 17 November 2007
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Published on the occasion of Rodney Graham: Wet on Wet - My late Early Styles, Lisson Galery 10 October - 17 November 2007
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Rodney Graham: wet on wet my late early styles
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Published on the occasion of Rodney Graham: Wet on Wet - My late Early Styles, Lisson Galery 10 October - 17 November 2007
Rodney Graham: wet on wet my late early styles
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Published on the occasion of Rodney Graham: Wet on Wet - My late Early Styles, Lisson Galery 10 October - 17 November 2007
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Publication:
juin 2008, London
juin 2008, London
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$26.00
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Résumé:
Disassembling the Archive is a quasi-fictional correspondence by Philip Monk with the artist Fiona Tan. It departs from interpretations of post-colonial identity issues in her work to trace the implications of the archival housing of photographs and moving images. By way of a detour through Siegfried Kracauer's writing on photography and Jacques Derrida's writing on the(...)
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Disassembling the Archive is a quasi-fictional correspondence by Philip Monk with the artist Fiona Tan. It departs from interpretations of post-colonial identity issues in her work to trace the implications of the archival housing of photographs and moving images. By way of a detour through Siegfried Kracauer's writing on photography and Jacques Derrida's writing on the(...)
Titre:
Fiona Tan: disassembling the archive
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Disassembling the Archive is a quasi-fictional correspondence by Philip Monk with the artist Fiona Tan. It departs from interpretations of post-colonial identity issues in her work to trace the implications of the archival housing of photographs and moving images. By way of a detour through Siegfried Kracauer's writing on photography and Jacques Derrida's writing on the Freudian impression, we witness - right before our eyes - the disintegrative and destructive effect of photography on the archive. Philip Monk is Director of the Art Gallery of York University, Toronto.
Fiona Tan: disassembling the archive
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Disassembling the Archive is a quasi-fictional correspondence by Philip Monk with the artist Fiona Tan. It departs from interpretations of post-colonial identity issues in her work to trace the implications of the archival housing of photographs and moving images. By way of a detour through Siegfried Kracauer's writing on photography and Jacques Derrida's writing on the Freudian impression, we witness - right before our eyes - the disintegrative and destructive effect of photography on the archive. Philip Monk is Director of the Art Gallery of York University, Toronto.
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livres
Publication:
juillet 2008, Toronto
juillet 2008, Toronto
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$24.00
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a(...)
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a(...)
Titre:
Visual culture and bioscience
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a multiplex of communication networks which crisscross traditional boundaries." This volume documents the virtual symposium, which was hosted by the National Academy of Sciences in Washington, D.C. and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Herein, artists, scientists, historians, ethicists, curators, sociologists and writers discuss the myriad intersections between visual culture and the biosciences. The impressive list of international panelists includes Carl Djerassi of Stanford University, Troy Duster of NYU, Marvin Heiferman of SVA, David Freedberg of Columbia University, artist Catherine Chalmers, Art in America Senior Editor Nancy Princenthal and writer Andrew Solomon.
Visual culture and bioscience
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a multiplex of communication networks which crisscross traditional boundaries." This volume documents the virtual symposium, which was hosted by the National Academy of Sciences in Washington, D.C. and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Herein, artists, scientists, historians, ethicists, curators, sociologists and writers discuss the myriad intersections between visual culture and the biosciences. The impressive list of international panelists includes Carl Djerassi of Stanford University, Troy Duster of NYU, Marvin Heiferman of SVA, David Freedberg of Columbia University, artist Catherine Chalmers, Art in America Senior Editor Nancy Princenthal and writer Andrew Solomon.
Classification:
livres
livres
Publication:
novembre 2008
novembre 2008
