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This book accompanies and exhibition of the work of Vancouver artist, Scott McFarland, whose photographs are highlighted by meticulous staging that document a discrete range of subjects in serial format. The exhibition at the Contemporary Art Gallery concentrated on one of his ongoing projects : a large body of photographs detailing the interior and exterior of a(...)
mai 2003, Vancouver
Scott McFarland : cabin photographs
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This book accompanies and exhibition of the work of Vancouver artist, Scott McFarland, whose photographs are highlighted by meticulous staging that document a discrete range of subjects in serial format. The exhibition at the Contemporary Art Gallery concentrated on one of his ongoing projects : a large body of photographs detailing the interior and exterior of a rural cabin on BC’s Sunshine Coast. McFarland’s naturalistic staging and close cropping emphasized and valorized objects and personal artefacts accumulating within the cabin, and stress an ongoing relationship between the site and its depiction.
Renée Van Halm : dream home
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Writings in this catalogue describe and supplement the installation “Dream Home,” which was derived from real estate advertisements of the interiors of two houses listed for sale in Vancouver on a given day.
avril 2002, Vancouver
Renée Van Halm : dream home
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Writings in this catalogue describe and supplement the installation “Dream Home,” which was derived from real estate advertisements of the interiors of two houses listed for sale in Vancouver on a given day.
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This catalogue was published on the occasion of the exhibitions "Our Love is Like the flowers, the Rain, the Sea and the Hours" at Tramway, Glasgow and "Our Love is Like the Earth, the Sun, the Trees and the Birth" at the Contemporary Art Gallery, Vancouver. It includes installations featuring a series of sculptures that suggest both a park-like landscape and an apartment(...)
janvier 1900, Vancouver / Glasgow
Martin Boyce : this place is dreaming
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This catalogue was published on the occasion of the exhibitions "Our Love is Like the flowers, the Rain, the Sea and the Hours" at Tramway, Glasgow and "Our Love is Like the Earth, the Sun, the Trees and the Birth" at the Contemporary Art Gallery, Vancouver. It includes installations featuring a series of sculptures that suggest both a park-like landscape and an apartment interior in which the artist describes and abstracts cultural and social environments. The catalogue includes Martin Boyce’s conversation with Douglas Coupland, and essays by Raymond MacDonald and Douglas Coupland.
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"Richard Greaves : anarchitecte" est la première exposition solo d'envergure consacrée à cet architecte montréalais. Il réalise ses oeuvres à partir de granges abandonnées qi'il démembre et d'installations faites à partir d'objets glanés au rebut.
novembre 2005, Milan
Richard Greaves : anarchitecte / anarchitect
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"Richard Greaves : anarchitecte" est la première exposition solo d'envergure consacrée à cet architecte montréalais. Il réalise ses oeuvres à partir de granges abandonnées qi'il démembre et d'installations faites à partir d'objets glanés au rebut.
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic(...)
septembre 2005, Chicago / New York
Beyond green : toward a sustainable art
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic sensibility with a constructively critical approach to the production, dissemination, and display of art. This catalogue's exhibition includes existing works, commissions, and previously presented work that has been “recycled,” spotlighting ways in which artists are building paths to new forms of practice. The exhibition is curated by Stephanie Smith, curator at the Smart Museum of Art, University of Chicago, and is co-organized by iCI and the Smart Museum. It is accompanied by an illustrated catalogue with artist interviews, and essays by Smith and by design historian Victor Margolin.
Èdres
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èdres : Infra-dit de pensées, d’humeurs, d’agirs, visions, passions et sensations - apparition d’un polyèdre relationnel. Une série de six èdres en six feuillets de six strophes composées de six hexamètres. Télescopage d’échelles non-illustrative, non-naturaliste, à la faveur d’une considération du non-visible, une perception du réel par-delà les critères de probable et(...)
août 2005, Montréal
Èdres
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èdres : Infra-dit de pensées, d’humeurs, d’agirs, visions, passions et sensations - apparition d’un polyèdre relationnel. Une série de six èdres en six feuillets de six strophes composées de six hexamètres. Télescopage d’échelles non-illustrative, non-naturaliste, à la faveur d’une considération du non-visible, une perception du réel par-delà les critères de probable et d’improbable - à la faveur d’un entendement inouï. èdres | dehors (DC): les six èdres enregistrés en six sites extérieurs à Montréal captés à la manière du cinéma-direct – six plans-séquences audio – six duos composés de quatre voix d’homme et d’une voix de femme – alternés avec six arêtes sonores. Avec la collaboration de l'artiste audio Stéphane Claude.
Yoko Ono: Grapefruit
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Back in print for the first time in nearly thirty years, here is Yoko Ono's whimsical, delightful, subversive, startling book of instructions for art and for life.
Yoko Ono: Grapefruit
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Back in print for the first time in nearly thirty years, here is Yoko Ono's whimsical, delightful, subversive, startling book of instructions for art and for life.
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Cette publication a été produite dans le cadre de l'exposition "Collision monuments etcetera" présentée au Centre Culturel canadien du 7 février au 7 avril 2004.
janvier 1900, Paris
Bernie Miller : collision monuments etc.
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Cette publication a été produite dans le cadre de l'exposition "Collision monuments etcetera" présentée au Centre Culturel canadien du 7 février au 7 avril 2004.
Eric Glavin : radiant city
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Eric Glavin's work explores mid-twentieth century architecture, particularly the commercialized urban environment. His computer-generated images look closely at social housing, schools and high-rises, objects that have helped shape the socio-economic infrastructure of the industrial city. Spiralbound.
janvier 2005, Oakville
Eric Glavin : radiant city
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Eric Glavin's work explores mid-twentieth century architecture, particularly the commercialized urban environment. His computer-generated images look closely at social housing, schools and high-rises, objects that have helped shape the socio-economic infrastructure of the industrial city. Spiralbound.
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This volume, by and about the sculptor and pioneer land artist Richard Long, explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert, the Rio Grande, Ireland, Spain, Tierra del Fuego, Mongolia and to the forests of(...)
janvier 2002, London
Richard Long : walking the line
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This volume, by and about the sculptor and pioneer land artist Richard Long, explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert, the Rio Grande, Ireland, Spain, Tierra del Fuego, Mongolia and to the forests of Honshu in Japan. If walking has become Long's trademark, the path is a central image or archetype in his work. With his walks, Richard Long weaves a line through many traditions. Majestic museum pieces made from tons of rock are juxtaposed with dramatic mud works and with photographs recording ephemeral sculptures often made in remote landscapes. Most of the photographs were taken by the artist himself. The book includes Richard Long's own notes and writings, lists of solo and group exhibitions, prizes and awards, and a selected bibliography.