1866 Résultats
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With a body of work ranging from drawings and films to prints, tapestries, and sculptures, William Kentridge (b. 1955) has offered a fresh and distinctive glimpse of the daily lives of South Africans — both during the apartheid regime and after its collapse. Kentridge has created a DVD especially for this publication; it includes fragments from significant film projects(...)
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With a body of work ranging from drawings and films to prints, tapestries, and sculptures, William Kentridge (b. 1955) has offered a fresh and distinctive glimpse of the daily lives of South Africans — both during the apartheid regime and after its collapse. Kentridge has created a DVD especially for this publication; it includes fragments from significant film projects(...)
Publication:
mars 2009, San Francisco, New Haven, London
mars 2009, San Francisco, New Haven, London
Titre:
William Kentridge : five themes
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With a body of work ranging from drawings and films to prints, tapestries, and sculptures, William Kentridge (b. 1955) has offered a fresh and distinctive glimpse of the daily lives of South Africans — both during the apartheid regime and after its collapse. Kentridge has created a DVD especially for this publication; it includes fragments from significant film projects (both known and newly completed) as well as commentary that sheds further light on the artist’s work.
William Kentridge : five themes
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With a body of work ranging from drawings and films to prints, tapestries, and sculptures, William Kentridge (b. 1955) has offered a fresh and distinctive glimpse of the daily lives of South Africans — both during the apartheid regime and after its collapse. Kentridge has created a DVD especially for this publication; it includes fragments from significant film projects (both known and newly completed) as well as commentary that sheds further light on the artist’s work.
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Publication:
mars 2009, San Francisco, New Haven, London
mars 2009, San Francisco, New Haven, London
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Taking Neil Young's often-quoted line from the song "Pocahontas" on his 1979 masterwork, Rust Never Sleeps, English artist Jeremy Deller's exhibition Marlon Brando, Pocahontas, And Me explores some wide-ranging themes shared by Deller and Young, including American identity, history, politics, war, medical innovation, information technologies and music. This volume(...)
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Taking Neil Young's often-quoted line from the song "Pocahontas" on his 1979 masterwork, Rust Never Sleeps, English artist Jeremy Deller's exhibition Marlon Brando, Pocahontas, And Me explores some wide-ranging themes shared by Deller and Young, including American identity, history, politics, war, medical innovation, information technologies and music. This volume(...)
Titre:
Jeremy Deller 'Marlon Brando, Pocahontas, and me'.
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Taking Neil Young's often-quoted line from the song "Pocahontas" on his 1979 masterwork, Rust Never Sleeps, English artist Jeremy Deller's exhibition Marlon Brando, Pocahontas, And Me explores some wide-ranging themes shared by Deller and Young, including American identity, history, politics, war, medical innovation, information technologies and music. This volume presents installation shots of the exhibition at the Aspen Art Museum--which incorporates work from a diverse roster of historical and contemporary artists including Jeff Blankfort, George Catlin, Paul Chan, Mark Dion, Sam Durant, Joseph Clarence Fornelli, Ilka Hartmann, William Henry Jackson, Koba (Wild Horse), An-My Lê, Alfred Jacob Miller, Charles Pollock and Sean Snyder--as well as reference illustrations and an interview between Deller and Aspen Art Museum Director and Chief Curator Heidi Zuckerman Jacobson.
Jeremy Deller 'Marlon Brando, Pocahontas, and me'.
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Taking Neil Young's often-quoted line from the song "Pocahontas" on his 1979 masterwork, Rust Never Sleeps, English artist Jeremy Deller's exhibition Marlon Brando, Pocahontas, And Me explores some wide-ranging themes shared by Deller and Young, including American identity, history, politics, war, medical innovation, information technologies and music. This volume presents installation shots of the exhibition at the Aspen Art Museum--which incorporates work from a diverse roster of historical and contemporary artists including Jeff Blankfort, George Catlin, Paul Chan, Mark Dion, Sam Durant, Joseph Clarence Fornelli, Ilka Hartmann, William Henry Jackson, Koba (Wild Horse), An-My Lê, Alfred Jacob Miller, Charles Pollock and Sean Snyder--as well as reference illustrations and an interview between Deller and Aspen Art Museum Director and Chief Curator Heidi Zuckerman Jacobson.
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Publication:
février 2009, Aspen
février 2009, Aspen
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Gerhard Richter portraits
Gerhard Richter portraits
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Arata Isozaki (b. 1931) is one of the most influential architects practicing today. His work blends an Eastern architectural style with emerging global trends, and his theories have been important in bringing Western architecture to Japan. This book presents the most comprehensive selection available of his built and unfinished projects from the beginning of his career to(...)
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Arata Isozaki (b. 1931) is one of the most influential architects practicing today. His work blends an Eastern architectural style with emerging global trends, and his theories have been important in bringing Western architecture to Japan. This book presents the most comprehensive selection available of his built and unfinished projects from the beginning of his career to(...)
Titre:
Gerhard Richter portraits
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Arata Isozaki (b. 1931) is one of the most influential architects practicing today. His work blends an Eastern architectural style with emerging global trends, and his theories have been important in bringing Western architecture to Japan. This book presents the most comprehensive selection available of his built and unfinished projects from the beginning of his career to the present day, and is extensively illustrated with drawings, silkscreens, sketches, and models from the Isozaki Office Archive. Each chapter features introductory essays by Ken Tadashi Oshima and theoretical texts by Isozaki, most of them published here for the first time.
Gerhard Richter portraits
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Arata Isozaki (b. 1931) is one of the most influential architects practicing today. His work blends an Eastern architectural style with emerging global trends, and his theories have been important in bringing Western architecture to Japan. This book presents the most comprehensive selection available of his built and unfinished projects from the beginning of his career to the present day, and is extensively illustrated with drawings, silkscreens, sketches, and models from the Isozaki Office Archive. Each chapter features introductory essays by Ken Tadashi Oshima and theoretical texts by Isozaki, most of them published here for the first time.
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Publication:
mars 2009, New Haven
mars 2009, New Haven
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Titre:
Domaine de Kerguéhennec
Domaine de Kerguéhennec
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"When I go to a place like Brittany or Houston, Texas, what I'm partly trying to do is go around in this very simple way, point to things and say, this is actually of value, I recognize this, it smells good, it tastes good, or something. I want you to taste this," writes Portland, Oregon-based artist Harrell Fletcher in Where I Lived, and What I Lived For. Featuring texts(...)
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"When I go to a place like Brittany or Houston, Texas, what I'm partly trying to do is go around in this very simple way, point to things and say, this is actually of value, I recognize this, it smells good, it tastes good, or something. I want you to taste this," writes Portland, Oregon-based artist Harrell Fletcher in Where I Lived, and What I Lived For. Featuring texts(...)
Titre:
Domaine de Kerguéhennec
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"When I go to a place like Brittany or Houston, Texas, what I'm partly trying to do is go around in this very simple way, point to things and say, this is actually of value, I recognize this, it smells good, it tastes good, or something. I want you to taste this," writes Portland, Oregon-based artist Harrell Fletcher in Where I Lived, and What I Lived For. Featuring texts by artists Miranda July, Allan McCollum, Chris Johanson and Byron Kim, this volume was made during a residency at Domaine De Kerguehennec in Brittany, France. Known for collaborative, socially minded works (such as Learning to Love You More, a 2002-present Web-based project produced with July), during this residency Fletcher engaged local people in the creation of more populist works for their much-used sculpture park, resulting in the production of a bright green bronze turtle designed by an eight-year-old boy.
Domaine de Kerguéhennec
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"When I go to a place like Brittany or Houston, Texas, what I'm partly trying to do is go around in this very simple way, point to things and say, this is actually of value, I recognize this, it smells good, it tastes good, or something. I want you to taste this," writes Portland, Oregon-based artist Harrell Fletcher in Where I Lived, and What I Lived For. Featuring texts by artists Miranda July, Allan McCollum, Chris Johanson and Byron Kim, this volume was made during a residency at Domaine De Kerguehennec in Brittany, France. Known for collaborative, socially minded works (such as Learning to Love You More, a 2002-present Web-based project produced with July), during this residency Fletcher engaged local people in the creation of more populist works for their much-used sculpture park, resulting in the production of a bright green bronze turtle designed by an eight-year-old boy.
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Publication:
mars 2009, Paris
mars 2009, Paris
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This comprehensive monograph is the first to offer an overview of the “asianpunkboy’s” artistic career, including his most recent installations, produced for the MUSAC in Spain.
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This comprehensive monograph is the first to offer an overview of the “asianpunkboy’s” artistic career, including his most recent installations, produced for the MUSAC in Spain.
Titre:
Terence Koh, 1980-2008 : love for eternity
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This comprehensive monograph is the first to offer an overview of the “asianpunkboy’s” artistic career, including his most recent installations, produced for the MUSAC in Spain.
Terence Koh, 1980-2008 : love for eternity
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This comprehensive monograph is the first to offer an overview of the “asianpunkboy’s” artistic career, including his most recent installations, produced for the MUSAC in Spain.
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livres
Publication:
mai 2009
mai 2009
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livres
Titre:
Julie Mehretu: city sitings
Julie Mehretu: city sitings
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Published on the occasion of the exhibition Julie Mehretu City Sitings organised by the Detroit Institute of Arts.
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Published on the occasion of the exhibition Julie Mehretu City Sitings organised by the Detroit Institute of Arts.
Publication:
février 2009, Detroit
février 2009, Detroit
Titre:
Julie Mehretu: city sitings
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Published on the occasion of the exhibition Julie Mehretu City Sitings organised by the Detroit Institute of Arts.
Julie Mehretu: city sitings
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Published on the occasion of the exhibition Julie Mehretu City Sitings organised by the Detroit Institute of Arts.
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Publication:
février 2009, Detroit
février 2009, Detroit
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Titre:
Chris Johanson: Totalities
Chris Johanson: Totalities
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This book documents Totalities, Chris Johanson's recent "contemporary living installation" at Deitch Projects, New York. The theme of the work is the planet Earth and its place in the universe. There is also a meditation on the natural world of plants and animals-how they live within themselves, and how they are affected by humans-with an emphasis on conservation. All of(...)
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This book documents Totalities, Chris Johanson's recent "contemporary living installation" at Deitch Projects, New York. The theme of the work is the planet Earth and its place in the universe. There is also a meditation on the natural world of plants and animals-how they live within themselves, and how they are affected by humans-with an emphasis on conservation. All of(...)
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Chris Johanson: Totalities
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This book documents Totalities, Chris Johanson's recent "contemporary living installation" at Deitch Projects, New York. The theme of the work is the planet Earth and its place in the universe. There is also a meditation on the natural world of plants and animals-how they live within themselves, and how they are affected by humans-with an emphasis on conservation. All of the wood used in the exhibition was recycled, either from New York State, from dumpsters near the artist's Brooklyn studio or from discarded art-shipping crates. The artist even asked his friends and acquaintances for scraps of wood, endeavoring to give his materials a third life. In this volume, he alludes to the degradation of the planet and the beauty of the world through art, reminding us all of our terrestrial responsibilities.
Chris Johanson: Totalities
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This book documents Totalities, Chris Johanson's recent "contemporary living installation" at Deitch Projects, New York. The theme of the work is the planet Earth and its place in the universe. There is also a meditation on the natural world of plants and animals-how they live within themselves, and how they are affected by humans-with an emphasis on conservation. All of the wood used in the exhibition was recycled, either from New York State, from dumpsters near the artist's Brooklyn studio or from discarded art-shipping crates. The artist even asked his friends and acquaintances for scraps of wood, endeavoring to give his materials a third life. In this volume, he alludes to the degradation of the planet and the beauty of the world through art, reminding us all of our terrestrial responsibilities.
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Publication:
février 2009
février 2009
Classification:
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Titre:
Dan Graham: beyond
Dan Graham: beyond
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This publication accompanies the exhibition 'Dan Graham: Beyong' presented at The Museum of Contemporary Art, Los Angeles, 15 February - 25 May 2009.
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This publication accompanies the exhibition 'Dan Graham: Beyong' presented at The Museum of Contemporary Art, Los Angeles, 15 February - 25 May 2009.
Publication:
avril 2009, Los Angeles, Cambridge, London
avril 2009, Los Angeles, Cambridge, London
Titre:
Dan Graham: beyond
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This publication accompanies the exhibition 'Dan Graham: Beyong' presented at The Museum of Contemporary Art, Los Angeles, 15 February - 25 May 2009.
Dan Graham: beyond
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This publication accompanies the exhibition 'Dan Graham: Beyong' presented at The Museum of Contemporary Art, Los Angeles, 15 February - 25 May 2009.
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Publication:
avril 2009, Los Angeles, Cambridge, London
avril 2009, Los Angeles, Cambridge, London
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Published on the occasion of the exhibition at National Portrait Gallery, Smithsonian Institution, March 27, 2009–August 2, 2009 Foreword by Martin E. Sullivan Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these(...)
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Published on the occasion of the exhibition at National Portrait Gallery, Smithsonian Institution, March 27, 2009–August 2, 2009 Foreword by Martin E. Sullivan Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these(...)
Titre:
Inventing Marcel Duchamp: the dynamics of portraiture
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Published on the occasion of the exhibition at National Portrait Gallery, Smithsonian Institution, March 27, 2009–August 2, 2009 Foreword by Martin E. Sullivan Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boîte-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon.
Inventing Marcel Duchamp: the dynamics of portraiture
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Published on the occasion of the exhibition at National Portrait Gallery, Smithsonian Institution, March 27, 2009–August 2, 2009 Foreword by Martin E. Sullivan Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boîte-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon.
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Publication:
avril 2009
avril 2009
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Seminal Los Angeles-based artist and writer Mike Kelley has said, looking back on his career, "I didn't want to be a rock musician; I wanted to be an artist. And I think the reason I chose it was that at that time it was the most despicable thing you could be in American culture... I came from a milieu in which artists were despised, whereas rock musicians and drug(...)
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Seminal Los Angeles-based artist and writer Mike Kelley has said, looking back on his career, "I didn't want to be a rock musician; I wanted to be an artist. And I think the reason I chose it was that at that time it was the most despicable thing you could be in American culture... I came from a milieu in which artists were despised, whereas rock musicians and drug(...)
Publication:
janvier 2009, München
janvier 2009, München
Titre:
Mike Kelley: Goetz collection
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Seminal Los Angeles-based artist and writer Mike Kelley has said, looking back on his career, "I didn't want to be a rock musician; I wanted to be an artist. And I think the reason I chose it was that at that time it was the most despicable thing you could be in American culture... I came from a milieu in which artists were despised, whereas rock musicians and drug dealers were, you know, hipster culture heroes." Along with a selection of essays (including several by Kelley on his individual works), an extensive checklist and a glossary, this volume compiles 40 of the artist's key pieces from the last three decades from the discriminating and influential collection of Ingvild Goetz, who opened her first gallery in 1969 with groundbreaking exhibitions of leading Arte Povera artists, as well as Andy Warhol, Arakawa, Bruce Nauman, Jurgen Klauke, Jochen Gerz and Cy Twombly.
Mike Kelley: Goetz collection
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Seminal Los Angeles-based artist and writer Mike Kelley has said, looking back on his career, "I didn't want to be a rock musician; I wanted to be an artist. And I think the reason I chose it was that at that time it was the most despicable thing you could be in American culture... I came from a milieu in which artists were despised, whereas rock musicians and drug dealers were, you know, hipster culture heroes." Along with a selection of essays (including several by Kelley on his individual works), an extensive checklist and a glossary, this volume compiles 40 of the artist's key pieces from the last three decades from the discriminating and influential collection of Ingvild Goetz, who opened her first gallery in 1969 with groundbreaking exhibitions of leading Arte Povera artists, as well as Andy Warhol, Arakawa, Bruce Nauman, Jurgen Klauke, Jochen Gerz and Cy Twombly.
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livres
livres
Publication:
janvier 2009, München
janvier 2009, München
