1921 Résultats
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What is the role of the museum in contemporary society? Using the Oakland Museum of California as a case study, artist Mark Dion examines how museum practices have shifted over time, what these changes mean for objects in museum collections, and what we can learn about our culture from what's included and what's abandoned. Enclosed in a clamshell case and featuring(...)
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What is the role of the museum in contemporary society? Using the Oakland Museum of California as a case study, artist Mark Dion examines how museum practices have shifted over time, what these changes mean for objects in museum collections, and what we can learn about our culture from what's included and what's abandoned. Enclosed in a clamshell case and featuring(...)
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The marvelous museum: orphans, curiosities & treasures
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What is the role of the museum in contemporary society? Using the Oakland Museum of California as a case study, artist Mark Dion examines how museum practices have shifted over time, what these changes mean for objects in museum collections, and what we can learn about our culture from what's included and what's abandoned. Enclosed in a clamshell case and featuring fourteen specimen cards, this volume brings the reader into Dion's process and reveals how the order of images can change one's perception of objects.
The marvelous museum: orphans, curiosities & treasures
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What is the role of the museum in contemporary society? Using the Oakland Museum of California as a case study, artist Mark Dion examines how museum practices have shifted over time, what these changes mean for objects in museum collections, and what we can learn about our culture from what's included and what's abandoned. Enclosed in a clamshell case and featuring fourteen specimen cards, this volume brings the reader into Dion's process and reveals how the order of images can change one's perception of objects.
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Publication:
août 2010
août 2010
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Potential Architecture explores the recent architectural projects of Paris-based artist collaborative Lucy + Jorge Orta, founded in 1991. Through drawing and sculpture, the artists apply ideas from cell biology to the universal concerns of community, shelter, migration and sustainable development.
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Potential Architecture explores the recent architectural projects of Paris-based artist collaborative Lucy + Jorge Orta, founded in 1991. Through drawing and sculpture, the artists apply ideas from cell biology to the universal concerns of community, shelter, migration and sustainable development.
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Lucy + Jorge Orta: potential architecture
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Potential Architecture explores the recent architectural projects of Paris-based artist collaborative Lucy + Jorge Orta, founded in 1991. Through drawing and sculpture, the artists apply ideas from cell biology to the universal concerns of community, shelter, migration and sustainable development.
Lucy + Jorge Orta: potential architecture
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Potential Architecture explores the recent architectural projects of Paris-based artist collaborative Lucy + Jorge Orta, founded in 1991. Through drawing and sculpture, the artists apply ideas from cell biology to the universal concerns of community, shelter, migration and sustainable development.
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livres
Publication:
septembre 2014
septembre 2014
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livres
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Josep Baqué et son bestiaire
Josep Baqué et son bestiaire
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Josep Baqué naît le 12 décembre 1895 à Barcelone. Son père travaille dans une fabrique de céramiques. Un de ses oncles, employé dans une entreprise d’estampage de textile, lui fait découvrir les arts décoratifs et l’imagerie populaire dans les magazines qu’il lui procure. Rétif à l’apprentissage scolaire, excentrique et rebelle, Baqué vit de petits boulots sur le port ou(...)
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Josep Baqué naît le 12 décembre 1895 à Barcelone. Son père travaille dans une fabrique de céramiques. Un de ses oncles, employé dans une entreprise d’estampage de textile, lui fait découvrir les arts décoratifs et l’imagerie populaire dans les magazines qu’il lui procure. Rétif à l’apprentissage scolaire, excentrique et rebelle, Baqué vit de petits boulots sur le port ou(...)
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Josep Baqué et son bestiaire
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Josep Baqué naît le 12 décembre 1895 à Barcelone. Son père travaille dans une fabrique de céramiques. Un de ses oncles, employé dans une entreprise d’estampage de textile, lui fait découvrir les arts décoratifs et l’imagerie populaire dans les magazines qu’il lui procure. Rétif à l’apprentissage scolaire, excentrique et rebelle, Baqué vit de petits boulots sur le port ou le marché. Il quitte sa famille à 17 ans, voyage en France, en Allemagne. En 1928, il rentre à Barcelone. Grâce à l’un de ses oncles il entre dans la Guàrdia Urbana, où il sera employé jusqu’à sa mort en 1967. De 1932 à sa mort, il réalise un corpus de créatures imaginaires. Ses 1500 animaux, phénomènes rares, bêtes jamais vues, monstres et hommes primitifs dévoilent sa fascination pour les morphologies surprenantes.La Collection de l’Art Brut possède dans ses collections douze planches de Josep Baqué.
Josep Baqué et son bestiaire
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Josep Baqué naît le 12 décembre 1895 à Barcelone. Son père travaille dans une fabrique de céramiques. Un de ses oncles, employé dans une entreprise d’estampage de textile, lui fait découvrir les arts décoratifs et l’imagerie populaire dans les magazines qu’il lui procure. Rétif à l’apprentissage scolaire, excentrique et rebelle, Baqué vit de petits boulots sur le port ou le marché. Il quitte sa famille à 17 ans, voyage en France, en Allemagne. En 1928, il rentre à Barcelone. Grâce à l’un de ses oncles il entre dans la Guàrdia Urbana, où il sera employé jusqu’à sa mort en 1967. De 1932 à sa mort, il réalise un corpus de créatures imaginaires. Ses 1500 animaux, phénomènes rares, bêtes jamais vues, monstres et hommes primitifs dévoilent sa fascination pour les morphologies surprenantes.La Collection de l’Art Brut possède dans ses collections douze planches de Josep Baqué.
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Publication:
septembre 2014
septembre 2014
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Visual artist and photographer Katja Mater constructs an image by layering multiple moments in time. When making a drawing or object, different exposures are made on the same negative at various points in the process, physically building up an image in a cross-exchange of visual information between the subject, whether painted on paper or constructed object, and the film.(...)
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Visual artist and photographer Katja Mater constructs an image by layering multiple moments in time. When making a drawing or object, different exposures are made on the same negative at various points in the process, physically building up an image in a cross-exchange of visual information between the subject, whether painted on paper or constructed object, and the film.(...)
Titre:
Katja Mater ; multiple densities
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Visual artist and photographer Katja Mater constructs an image by layering multiple moments in time. When making a drawing or object, different exposures are made on the same negative at various points in the process, physically building up an image in a cross-exchange of visual information between the subject, whether painted on paper or constructed object, and the film. This results in abstracted, monochromatic works depicting geometrical and vaguely textured forms. This book features several series of Mater’s works, also explaining in detail the working method behind each image, illuminating the complex processes she employs to achieve a final result.
Katja Mater ; multiple densities
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Visual artist and photographer Katja Mater constructs an image by layering multiple moments in time. When making a drawing or object, different exposures are made on the same negative at various points in the process, physically building up an image in a cross-exchange of visual information between the subject, whether painted on paper or constructed object, and the film. This results in abstracted, monochromatic works depicting geometrical and vaguely textured forms. This book features several series of Mater’s works, also explaining in detail the working method behind each image, illuminating the complex processes she employs to achieve a final result.
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Publication:
octobre 2014
octobre 2014
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Titre:
Calder / Prouvé
Calder / Prouvé
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel(...)
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel(...)
Publication:
octobre 2014
octobre 2014
Titre:
Calder / Prouvé
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel base of La Spirale, a monumental mobile for the UNESCO site in Paris. Letters between the two are illustrated and reprinted in the catalogue. Calder/Prouvé evokes comparisons in the broad, expressive range of production, emphasis on form, and use of new technologies that the close friends and collaborators evinced in their parallel practices as artist and designer. Considered together, the works in this book testify to the fruitful exchange between two giants of modernism in its most utopian aspirations.
Calder / Prouvé
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel base of La Spirale, a monumental mobile for the UNESCO site in Paris. Letters between the two are illustrated and reprinted in the catalogue. Calder/Prouvé evokes comparisons in the broad, expressive range of production, emphasis on form, and use of new technologies that the close friends and collaborators evinced in their parallel practices as artist and designer. Considered together, the works in this book testify to the fruitful exchange between two giants of modernism in its most utopian aspirations.
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livres
Publication:
octobre 2014
octobre 2014
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livres
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Richard Serra 2013
Richard Serra 2013
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A catalogue of five monumental new works, shown in two exhibitions at Gagosian Gallery, New York. Richard Serra’s most recent sculptures, all from 2013, include 7 Plates 6 Angles, his largest indoor work to date.
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A catalogue of five monumental new works, shown in two exhibitions at Gagosian Gallery, New York. Richard Serra’s most recent sculptures, all from 2013, include 7 Plates 6 Angles, his largest indoor work to date.
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Richard Serra 2013
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A catalogue of five monumental new works, shown in two exhibitions at Gagosian Gallery, New York. Richard Serra’s most recent sculptures, all from 2013, include 7 Plates 6 Angles, his largest indoor work to date.
Richard Serra 2013
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A catalogue of five monumental new works, shown in two exhibitions at Gagosian Gallery, New York. Richard Serra’s most recent sculptures, all from 2013, include 7 Plates 6 Angles, his largest indoor work to date.
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Publication:
octobre 2014
octobre 2014
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On the occasion of the joint exhibition On Reality by Cristina Iglesias and Thomas Struth, Ivorypress presents Constructions of the Imagination, with an essay by Estrella de Diego. It is an exhibition which, in the words of Estrella de Diego 'raises the essential question of gaze, a subject that is directly applicable to the works of both artists: how should we judge what(...)
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On the occasion of the joint exhibition On Reality by Cristina Iglesias and Thomas Struth, Ivorypress presents Constructions of the Imagination, with an essay by Estrella de Diego. It is an exhibition which, in the words of Estrella de Diego 'raises the essential question of gaze, a subject that is directly applicable to the works of both artists: how should we judge what(...)
Titre:
Cristina Iglesias / Thomas Struth : constructions of the imagination
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On the occasion of the joint exhibition On Reality by Cristina Iglesias and Thomas Struth, Ivorypress presents Constructions of the Imagination, with an essay by Estrella de Diego. It is an exhibition which, in the words of Estrella de Diego 'raises the essential question of gaze, a subject that is directly applicable to the works of both artists: how should we judge what we see? To what extent is it being reconstructed by our memory or imagination? How can you turn reality on its head based on the story being told?'
Cristina Iglesias / Thomas Struth : constructions of the imagination
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On the occasion of the joint exhibition On Reality by Cristina Iglesias and Thomas Struth, Ivorypress presents Constructions of the Imagination, with an essay by Estrella de Diego. It is an exhibition which, in the words of Estrella de Diego 'raises the essential question of gaze, a subject that is directly applicable to the works of both artists: how should we judge what we see? To what extent is it being reconstructed by our memory or imagination? How can you turn reality on its head based on the story being told?'
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Publication:
octobre 2014
octobre 2014
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Artiste de l'image numérique née à Montréal en 1969, Isabelle Hayeur est reconnue pour ses montages photographiques de grand format, ses vidéos et ses installations in situ, dans lesquels elle met en évidences les aberrations de l'urbanisation, de l'étalement urbain et de l'industrialisation de nos sociétés. Son enfance à Bois-des-Filion en banlieue de Montréal, est(...)
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Artiste de l'image numérique née à Montréal en 1969, Isabelle Hayeur est reconnue pour ses montages photographiques de grand format, ses vidéos et ses installations in situ, dans lesquels elle met en évidences les aberrations de l'urbanisation, de l'étalement urbain et de l'industrialisation de nos sociétés. Son enfance à Bois-des-Filion en banlieue de Montréal, est(...)
Titre:
Isabelle Hayeur: vraisemblances / versimilitudes
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Artiste de l'image numérique née à Montréal en 1969, Isabelle Hayeur est reconnue pour ses montages photographiques de grand format, ses vidéos et ses installations in situ, dans lesquels elle met en évidences les aberrations de l'urbanisation, de l'étalement urbain et de l'industrialisation de nos sociétés. Son enfance à Bois-des-Filion en banlieue de Montréal, est déterminante pour sa pratique artistique. Comme c'est le cas dans plusieurs villes périphériques au Québec, et plus généralement dans le monde industrialisé, le paysage y est soumis à une transformation perpétuelle. Cette publication contient l'exposition produite par EXPRESSION, le centre d'exposition de Saint-Hyacinthe.
Isabelle Hayeur: vraisemblances / versimilitudes
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Artiste de l'image numérique née à Montréal en 1969, Isabelle Hayeur est reconnue pour ses montages photographiques de grand format, ses vidéos et ses installations in situ, dans lesquels elle met en évidences les aberrations de l'urbanisation, de l'étalement urbain et de l'industrialisation de nos sociétés. Son enfance à Bois-des-Filion en banlieue de Montréal, est déterminante pour sa pratique artistique. Comme c'est le cas dans plusieurs villes périphériques au Québec, et plus généralement dans le monde industrialisé, le paysage y est soumis à une transformation perpétuelle. Cette publication contient l'exposition produite par EXPRESSION, le centre d'exposition de Saint-Hyacinthe.
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livres
Publication:
octobre 2014
octobre 2014
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A new publication by New Zealand artist Kate Newby. Incredible Feeling is a combination of portraits, sidewalks and puddles, rocks and skimming stones, with words written by Sarah Hopkinson, Chris Kraus and Tahi Moore.
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A new publication by New Zealand artist Kate Newby. Incredible Feeling is a combination of portraits, sidewalks and puddles, rocks and skimming stones, with words written by Sarah Hopkinson, Chris Kraus and Tahi Moore.
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Kate Newby: incredible feeling
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A new publication by New Zealand artist Kate Newby. Incredible Feeling is a combination of portraits, sidewalks and puddles, rocks and skimming stones, with words written by Sarah Hopkinson, Chris Kraus and Tahi Moore.
Kate Newby: incredible feeling
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A new publication by New Zealand artist Kate Newby. Incredible Feeling is a combination of portraits, sidewalks and puddles, rocks and skimming stones, with words written by Sarah Hopkinson, Chris Kraus and Tahi Moore.
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livres
livres
Publication:
octobre 2014
octobre 2014
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livres
livres
Titre:
Thomas Demand: the dailies
Thomas Demand: the dailies
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$229.00
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In the mid 1970s, architect Harry Seidler designed a space for the historic Commercial Travellers’ Association in Sydney, Australia. In collaboration with Pier Luigi Nervi, he created a circular building that sprouts up from the street like a radiating flower. For the 25th Kaldor Public Art Project, Thomas Demand’s series The Dailies occupies an entire floor of(...)
$229.00
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Résumé:
In the mid 1970s, architect Harry Seidler designed a space for the historic Commercial Travellers’ Association in Sydney, Australia. In collaboration with Pier Luigi Nervi, he created a circular building that sprouts up from the street like a radiating flower. For the 25th Kaldor Public Art Project, Thomas Demand’s series The Dailies occupies an entire floor of(...)
Publication:
octobre 2014
octobre 2014
Titre:
Thomas Demand: the dailies
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$229.00
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Résumé:
In the mid 1970s, architect Harry Seidler designed a space for the historic Commercial Travellers’ Association in Sydney, Australia. In collaboration with Pier Luigi Nervi, he created a circular building that sprouts up from the street like a radiating flower. For the 25th Kaldor Public Art Project, Thomas Demand’s series The Dailies occupies an entire floor of Seidler’s structure. The floor of sixteen bedrooms, which house The Dailies, extend off a circular corridor creating a labyrinthine effect. Demand’s images sit above the beds in each room, the transient scenes capturing everyday moments and objects, suspended in time like the environment around them. Working within the parameters of his now well-known technique, Demand created carefully formed paper and card sculptures, photographed and then destroyed them. His creations are based on things he saw and photographs he took while travelling and walking the street. Demand describes the series as like Haiku poetry, simple fragments strung together to inspire reflection.
Thomas Demand: the dailies
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$229.00
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Résumé:
In the mid 1970s, architect Harry Seidler designed a space for the historic Commercial Travellers’ Association in Sydney, Australia. In collaboration with Pier Luigi Nervi, he created a circular building that sprouts up from the street like a radiating flower. For the 25th Kaldor Public Art Project, Thomas Demand’s series The Dailies occupies an entire floor of Seidler’s structure. The floor of sixteen bedrooms, which house The Dailies, extend off a circular corridor creating a labyrinthine effect. Demand’s images sit above the beds in each room, the transient scenes capturing everyday moments and objects, suspended in time like the environment around them. Working within the parameters of his now well-known technique, Demand created carefully formed paper and card sculptures, photographed and then destroyed them. His creations are based on things he saw and photographs he took while travelling and walking the street. Demand describes the series as like Haiku poetry, simple fragments strung together to inspire reflection.
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livres
livres
Publication:
octobre 2014
octobre 2014
