1906 Résultats
Classification:
livres
livres
Titre:
S.O.H. (states of humanity)
S.O.H. (states of humanity)
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$74.95
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Résumé:
"States of humanity" (SOH) is a comprehensive work of art to which every participant makes a subjective contribution. It is also an ongoing project that took as its starting point six sculptures made by Alex Vermeulen.
$74.95
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Résumé:
"States of humanity" (SOH) is a comprehensive work of art to which every participant makes a subjective contribution. It is also an ongoing project that took as its starting point six sculptures made by Alex Vermeulen.
Publication:
août 1999, Amsterdam
août 1999, Amsterdam
Titre:
S.O.H. (states of humanity)
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$74.95
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Résumé:
"States of humanity" (SOH) is a comprehensive work of art to which every participant makes a subjective contribution. It is also an ongoing project that took as its starting point six sculptures made by Alex Vermeulen.
S.O.H. (states of humanity)
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Prix:
$74.95
(disponible sur commande)
Résumé:
"States of humanity" (SOH) is a comprehensive work of art to which every participant makes a subjective contribution. It is also an ongoing project that took as its starting point six sculptures made by Alex Vermeulen.
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livres
livres
Publication:
août 1999, Amsterdam
août 1999, Amsterdam
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livres
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$28.95
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A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
$28.95
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A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
Titre:
Looking up : Rachel Whiteread's water tower
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$28.95
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Résumé:
A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
Looking up : Rachel Whiteread's water tower
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$28.95
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Résumé:
A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
Classification:
livres
livres
Publication:
septembre 1999, New York
septembre 1999, New York
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livres
livres
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$75.00
(disponible sur commande)
Résumé:
This book surveys the ways in which artists, mostly of the present century, have addressed the museum, commented on its nature, confronted its concepts and functions, drawn from its methods, and examined its relationship to the art it contains.
$75.00
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Résumé:
This book surveys the ways in which artists, mostly of the present century, have addressed the museum, commented on its nature, confronted its concepts and functions, drawn from its methods, and examined its relationship to the art it contains.
Titre:
The museum as muse : artists reflect
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$75.00
(disponible sur commande)
Résumé:
This book surveys the ways in which artists, mostly of the present century, have addressed the museum, commented on its nature, confronted its concepts and functions, drawn from its methods, and examined its relationship to the art it contains.
The museum as muse : artists reflect
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$75.00
(disponible sur commande)
Résumé:
This book surveys the ways in which artists, mostly of the present century, have addressed the museum, commented on its nature, confronted its concepts and functions, drawn from its methods, and examined its relationship to the art it contains.
Classification:
livres
livres
Publication:
mars 1999, New York
mars 1999, New York
Classification:
livres
livres
Titre:
Artists land nature
Artists land nature
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$75.00
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Résumé:
This volume presents five important contemporary artists who work in the landscape and make use of the materials and processes of nature. While the artists showcased — herman de vries, Chris Drury, Nikolaus Lang, Richard Long, and Giuseppe Pennone — do not belong to a particular school, they are united by their empathy for the natural world and their decision to work(...)
$75.00
(disponible sur commande)
Résumé:
This volume presents five important contemporary artists who work in the landscape and make use of the materials and processes of nature. While the artists showcased — herman de vries, Chris Drury, Nikolaus Lang, Richard Long, and Giuseppe Pennone — do not belong to a particular school, they are united by their empathy for the natural world and their decision to work(...)
Publication:
mars 2002, New York
mars 2002, New York
Titre:
Artists land nature
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Prix:
$75.00
(disponible sur commande)
Résumé:
This volume presents five important contemporary artists who work in the landscape and make use of the materials and processes of nature. While the artists showcased — herman de vries, Chris Drury, Nikolaus Lang, Richard Long, and Giuseppe Pennone — do not belong to a particular school, they are united by their empathy for the natural world and their decision to work outside the urban contexts of much modernist art. Profiles of each artist, based on specially commissioned interviews, and an essay placing their art in both historical and contemporary contexts accompany the illustrations.
Artists land nature
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Prix:
$75.00
(disponible sur commande)
Résumé:
This volume presents five important contemporary artists who work in the landscape and make use of the materials and processes of nature. While the artists showcased — herman de vries, Chris Drury, Nikolaus Lang, Richard Long, and Giuseppe Pennone — do not belong to a particular school, they are united by their empathy for the natural world and their decision to work outside the urban contexts of much modernist art. Profiles of each artist, based on specially commissioned interviews, and an essay placing their art in both historical and contemporary contexts accompany the illustrations.
Classification:
livres
livres
Publication:
mars 2002, New York
mars 2002, New York
Classification:
livres
livres
Titre:
Displaying the marvelous : Marcel Duchamp, Salvador Dali, and Surrealist exhibition installations
Displaying the marvelous : Marcel Duchamp, Salvador Dali, and Surrealist exhibition installations
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$52.50
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Résumé:
Surrealism in its late phase often abandoned neutral exhibition spaces in favor of environments that embodied subjective ideologies. These exhibitions offered startled viewers an early version of installation art before the form existed as such. In Displaying the (...)
$52.50
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Résumé:
Surrealism in its late phase often abandoned neutral exhibition spaces in favor of environments that embodied subjective ideologies. These exhibitions offered startled viewers an early version of installation art before the form existed as such. In Displaying the (...)
Titre:
Displaying the marvelous : Marcel Duchamp, Salvador Dali, and Surrealist exhibition installations
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$52.50
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Surrealism in its late phase often abandoned neutral exhibition spaces in favor of environments that embodied subjective ideologies. These exhibitions offered startled viewers an early version of installation art before the form existed as such. In Displaying the Marvelous, Lewis Kachur explores this development by analyzing three elaborate Surrealist installations created between 1938 and 1942. The first two, the "Exposition Internationale du Surréalisme" (1938) and the "Dream of Venus" at the New York World's Fair (1939), dealt with the fetishization of the female body. The third, "First Papers of Surrealism" (1942), focused not on the figure but on the entire expanse of the exhibition space, thus contributing to the development of nonfigurative art in New York. Kachur presents a full visual and verbal reconstruction of each of the exhibitions, evoking the sequence that the contemporary viewer would have encountered. The book considers Marcel Duchamp and Salvador Dalí, two artists who are not usually compared, within a common framework. Duchamp specialized in frustrating the spectator, using his ironic wit to call into question the definition of the work of art. Dalí was a master at disorienting the senses by establishing and then undermining everyday spatial and object properties. The Surrealist challenge, as voiced by André Breton, was to evoke the marvelous. Duchamp and Dalí extended that challenge to the physical and commercial realm of the exhibition installation.
Displaying the marvelous : Marcel Duchamp, Salvador Dali, and Surrealist exhibition installations
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Prix:
$52.50
(disponible sur commande)
Résumé:
Surrealism in its late phase often abandoned neutral exhibition spaces in favor of environments that embodied subjective ideologies. These exhibitions offered startled viewers an early version of installation art before the form existed as such. In Displaying the Marvelous, Lewis Kachur explores this development by analyzing three elaborate Surrealist installations created between 1938 and 1942. The first two, the "Exposition Internationale du Surréalisme" (1938) and the "Dream of Venus" at the New York World's Fair (1939), dealt with the fetishization of the female body. The third, "First Papers of Surrealism" (1942), focused not on the figure but on the entire expanse of the exhibition space, thus contributing to the development of nonfigurative art in New York. Kachur presents a full visual and verbal reconstruction of each of the exhibitions, evoking the sequence that the contemporary viewer would have encountered. The book considers Marcel Duchamp and Salvador Dalí, two artists who are not usually compared, within a common framework. Duchamp specialized in frustrating the spectator, using his ironic wit to call into question the definition of the work of art. Dalí was a master at disorienting the senses by establishing and then undermining everyday spatial and object properties. The Surrealist challenge, as voiced by André Breton, was to evoke the marvelous. Duchamp and Dalí extended that challenge to the physical and commercial realm of the exhibition installation.
Classification:
livres
livres
Publication:
juin 2001, Cambridge, Mass.
juin 2001, Cambridge, Mass.
Classification:
livres
livres
Titre:
John Piper : The forties
John Piper : The forties
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$90.00
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Résumé:
This book re-examines the work of John Piper who, as well as being a prominent painter, printmaker and photographer, was an active figure in many cultural spheres during the 1940s when the foundations of his reputation were laid. The book brings together work that was officially commissioned during the Second World War and contextualises it with work from the pre-war(...)
$90.00
(disponible sur commande)
Résumé:
This book re-examines the work of John Piper who, as well as being a prominent painter, printmaker and photographer, was an active figure in many cultural spheres during the 1940s when the foundations of his reputation were laid. The book brings together work that was officially commissioned during the Second World War and contextualises it with work from the pre-war(...)
Publication:
octobre 2000, London
octobre 2000, London
Titre:
John Piper : The forties
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Prix:
$90.00
(disponible sur commande)
Résumé:
This book re-examines the work of John Piper who, as well as being a prominent painter, printmaker and photographer, was an active figure in many cultural spheres during the 1940s when the foundations of his reputation were laid. The book brings together work that was officially commissioned during the Second World War and contextualises it with work from the pre-war and post-war years. All aspects of Piper's work during the fories are examined, including theatre designs, architectural paintings, the Recording Britain project, his work as a war artist, neo-Romanticism, and Welsh landscape painting towards the end of the decade. In addition, the book features Piper's writings and criticism, his designs for film posters and book jackets, photographs, exhibition catalogues, sketchbooks and manuscript letters.
John Piper : The forties
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$90.00
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Résumé:
This book re-examines the work of John Piper who, as well as being a prominent painter, printmaker and photographer, was an active figure in many cultural spheres during the 1940s when the foundations of his reputation were laid. The book brings together work that was officially commissioned during the Second World War and contextualises it with work from the pre-war and post-war years. All aspects of Piper's work during the fories are examined, including theatre designs, architectural paintings, the Recording Britain project, his work as a war artist, neo-Romanticism, and Welsh landscape painting towards the end of the decade. In addition, the book features Piper's writings and criticism, his designs for film posters and book jackets, photographs, exhibition catalogues, sketchbooks and manuscript letters.
Classification:
livres
livres
Publication:
octobre 2000, London
octobre 2000, London
Classification:
livres
livres
Titre:
À ciel ouvert
À ciel ouvert
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$27.95
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Résumé:
Du Land Art à l'intervention urbaine, ces pages proposent un parcours au travers d'expressions artistiques qui ont pour point commun de se manifester dehors, à ciel ouvert.
$27.95
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Résumé:
Du Land Art à l'intervention urbaine, ces pages proposent un parcours au travers d'expressions artistiques qui ont pour point commun de se manifester dehors, à ciel ouvert.
Titre:
À ciel ouvert
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Prix:
$27.95
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Résumé:
Du Land Art à l'intervention urbaine, ces pages proposent un parcours au travers d'expressions artistiques qui ont pour point commun de se manifester dehors, à ciel ouvert.
À ciel ouvert
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Prix:
$27.95
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Résumé:
Du Land Art à l'intervention urbaine, ces pages proposent un parcours au travers d'expressions artistiques qui ont pour point commun de se manifester dehors, à ciel ouvert.
Classification:
livres
livres
Publication:
février 2001, Paris
février 2001, Paris
Classification:
livres
livres
Titre:
Maya Lin : boundaries
Maya Lin : boundaries
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$63.95
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Résumé:
Maya Lin is the designer of the starkly symbolic Vietnam Veterans Memorial in Washington, D.C., done when she was still an undergraduate. In "Boundaries", Lin's lucid, soft-spoken collection of writings, she discusses how her work evolves, after a lengthy gestation, as a way of heightening viewers' awareness of a specific environment and perception of the passage of(...)
$63.95
(disponible sur commande)
Résumé:
Maya Lin is the designer of the starkly symbolic Vietnam Veterans Memorial in Washington, D.C., done when she was still an undergraduate. In "Boundaries", Lin's lucid, soft-spoken collection of writings, she discusses how her work evolves, after a lengthy gestation, as a way of heightening viewers' awareness of a specific environment and perception of the passage of(...)
Titre:
Maya Lin : boundaries
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$63.95
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Résumé:
Maya Lin is the designer of the starkly symbolic Vietnam Veterans Memorial in Washington, D.C., done when she was still an undergraduate. In "Boundaries", Lin's lucid, soft-spoken collection of writings, she discusses how her work evolves, after a lengthy gestation, as a way of heightening viewers' awareness of a specific environment and perception of the passage of time. This temporal aspect can be a sequence of historical events (as in the Civil Rights Memorial in Montgomery, Alabama) or a purely aesthetic quality, like the shifting play of light over a grassy field of sculpted earth (Wave Field at the University of Michigan, Ann Arbor). "I like to think of my work as creating a private conversation with each person," Lin writes, "no matter how public each work is and no matter how many people are present."
Maya Lin : boundaries
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$63.95
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Résumé:
Maya Lin is the designer of the starkly symbolic Vietnam Veterans Memorial in Washington, D.C., done when she was still an undergraduate. In "Boundaries", Lin's lucid, soft-spoken collection of writings, she discusses how her work evolves, after a lengthy gestation, as a way of heightening viewers' awareness of a specific environment and perception of the passage of time. This temporal aspect can be a sequence of historical events (as in the Civil Rights Memorial in Montgomery, Alabama) or a purely aesthetic quality, like the shifting play of light over a grassy field of sculpted earth (Wave Field at the University of Michigan, Ann Arbor). "I like to think of my work as creating a private conversation with each person," Lin writes, "no matter how public each work is and no matter how many people are present."
Classification:
livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Classification:
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livres
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$59.95
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Résumé:
This richly illustrated monograph looks at André Volten's stylistic development by examining a large number of works from his sculptural output. The writers also consider Volten's significance to sculpture in the Netherlands and on the international art scene, as well as(...)
$59.95
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Résumé:
This richly illustrated monograph looks at André Volten's stylistic development by examining a large number of works from his sculptural output. The writers also consider Volten's significance to sculpture in the Netherlands and on the international art scene, as well as(...)
Publication:
septembre 2000, Rotterdam
septembre 2000, Rotterdam
Titre:
André Volten : sculpture in private space/sculpture in public space
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$59.95
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Résumé:
This richly illustrated monograph looks at André Volten's stylistic development by examining a large number of works from his sculptural output. The writers also consider Volten's significance to sculpture in the Netherlands and on the international art scene, as well as discussing his development of the Constructivist aesthetic. Since the 1950s, André Volten (b. 1925) has made an exceptional contribution to sculpture in public space, and examples of his prolific output can be seen in the Netherlands and beyond. He has also been an important protagonist in the debate about the need for art within the public domain. The integration of architecture and visual art, as seen in Volten's work, demonstrates how these two disciplines can complement and invigorate each other.
André Volten : sculpture in private space/sculpture in public space
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Prix:
$59.95
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Résumé:
This richly illustrated monograph looks at André Volten's stylistic development by examining a large number of works from his sculptural output. The writers also consider Volten's significance to sculpture in the Netherlands and on the international art scene, as well as discussing his development of the Constructivist aesthetic. Since the 1950s, André Volten (b. 1925) has made an exceptional contribution to sculpture in public space, and examples of his prolific output can be seen in the Netherlands and beyond. He has also been an important protagonist in the debate about the need for art within the public domain. The integration of architecture and visual art, as seen in Volten's work, demonstrates how these two disciplines can complement and invigorate each other.
Classification:
livres
livres
Publication:
septembre 2000, Rotterdam
septembre 2000, Rotterdam
Classification:
livres
livres
Titre:
Dialogues in public art
Dialogues in public art
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$71.95
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Résumé:
By the 1990s, public art had evolved far beyond the lonely monument on an open plaza. Now public artists might design the entire plaza, create an event to alter the social dynamics of an urban environment, or help to reconstruct a neighborhood. Dialogues in Public Art (...)
$71.95
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Résumé:
By the 1990s, public art had evolved far beyond the lonely monument on an open plaza. Now public artists might design the entire plaza, create an event to alter the social dynamics of an urban environment, or help to reconstruct a neighborhood. Dialogues in Public Art (...)
Titre:
Dialogues in public art
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$71.95
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Résumé:
By the 1990s, public art had evolved far beyond the lonely monument on an open plaza. Now public artists might design the entire plaza, create an event to alter the social dynamics of an urban environment, or help to reconstruct a neighborhood. Dialogues in Public Art presents a rich blend of interviews with the people who create and experience public art--from an artist who mounted three bronze sculptures in the South Bronx to the bureaucrat who led the fight to have them removed; from an artist who describes his work as a "cancer" on architecture to a pair of architects who might agree with him; from an artist who formed a coalition to convert twenty-two derelict row houses into an art center/community revitalization project to a young woman who got her life back on track while living in one of the converted houses. The twenty interviews are divided into four parts: Controversies in Public Art, Experiments in Public Art as Architecture and Urban Planning, Dialogues on Dialogue-Based Public Art Projects, and Public Art for Public Health. Tom Finkelpearl's introductory essay provides a concise overview of changing attitudes toward the city as the site of public art. Interviewees: Vito Acconci, John Ahearn, David Avalos, Denise Scott Brown, Rufus L. Chaney, Mel Chin, Douglas Crimp, Paulo Freire, Andrew Ginzel, Linnea Glatt, Louis Hock, Ron Jensen, Kristin Jones, Maya Lin, Rick Lowe, Jackie McLean, Frank Moore, Jagoda Przybylak, Assata Shakur, Michael Singer, Elizabeth Sisco, Arthur Symes, Mierle Laderman Ukeles, Robert Venturi, Krzysztof Wodiczko.
Dialogues in public art
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Prix:
$71.95
(disponible sur commande)
Résumé:
By the 1990s, public art had evolved far beyond the lonely monument on an open plaza. Now public artists might design the entire plaza, create an event to alter the social dynamics of an urban environment, or help to reconstruct a neighborhood. Dialogues in Public Art presents a rich blend of interviews with the people who create and experience public art--from an artist who mounted three bronze sculptures in the South Bronx to the bureaucrat who led the fight to have them removed; from an artist who describes his work as a "cancer" on architecture to a pair of architects who might agree with him; from an artist who formed a coalition to convert twenty-two derelict row houses into an art center/community revitalization project to a young woman who got her life back on track while living in one of the converted houses. The twenty interviews are divided into four parts: Controversies in Public Art, Experiments in Public Art as Architecture and Urban Planning, Dialogues on Dialogue-Based Public Art Projects, and Public Art for Public Health. Tom Finkelpearl's introductory essay provides a concise overview of changing attitudes toward the city as the site of public art. Interviewees: Vito Acconci, John Ahearn, David Avalos, Denise Scott Brown, Rufus L. Chaney, Mel Chin, Douglas Crimp, Paulo Freire, Andrew Ginzel, Linnea Glatt, Louis Hock, Ron Jensen, Kristin Jones, Maya Lin, Rick Lowe, Jackie McLean, Frank Moore, Jagoda Przybylak, Assata Shakur, Michael Singer, Elizabeth Sisco, Arthur Symes, Mierle Laderman Ukeles, Robert Venturi, Krzysztof Wodiczko.
Classification:
livres
livres
Publication:
mai 2000, Cambridge
mai 2000, Cambridge
