1866 Résultats
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livres
livres
Titre:
Le jeu de la guerre
Le jeu de la guerre
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En 1965, Guy Debord dépose le brevet d'un Jeu de la Guerre (dit encore Kliegspiel) qu'il avait imaginé dix ans plus tôt. Eu janvier 1977, il s'associe à Gérard Lebovici pour fonder, à parts égales, une société dont l'objet est la production, la publication et l'exploitation de jeux. Sous la dénomination " Les Jeux stratégiques et historiques ", la société publie(...)
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En 1965, Guy Debord dépose le brevet d'un Jeu de la Guerre (dit encore Kliegspiel) qu'il avait imaginé dix ans plus tôt. Eu janvier 1977, il s'associe à Gérard Lebovici pour fonder, à parts égales, une société dont l'objet est la production, la publication et l'exploitation de jeux. Sous la dénomination " Les Jeux stratégiques et historiques ", la société publie(...)
Publication:
avril 2006, Paris
avril 2006, Paris
Titre:
Le jeu de la guerre
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En 1965, Guy Debord dépose le brevet d'un Jeu de la Guerre (dit encore Kliegspiel) qu'il avait imaginé dix ans plus tôt. Eu janvier 1977, il s'associe à Gérard Lebovici pour fonder, à parts égales, une société dont l'objet est la production, la publication et l'exploitation de jeux. Sous la dénomination " Les Jeux stratégiques et historiques ", la société publie simultanément en français et en anglais une Règle du " Jeu de la Guerre ", et fait réaliser par un artisan quatre (ou cinq) exemplaires du jeu, dont la table (45,5 cm x 36,5 cm) et les pièces ciselées sont en cuivre argenté. C'est en 1987, après la disparition de Gérard Lebovici, que paraîtra, aux éditions qui portaient son nom, Le Jeu de la Guerre, présenté sous la forme d'un " relevé des positions successives de toutes les forces au cours d'une partie ". Un modèle rudimentaire du jeu avait été diffusé dans le même temps. En 1991, par décision de Guy Debord, Le Jeu de la Guerre est mis au pilon avec l'ensemble de ses autres livres publiés. Nous le faisons reparaître dans une nouvelle édition revue, corrigée et augmentée de documents retrouvés, susceptibles d'éclairer le lecteur sur le fondement et la nature spécifique de ce jeu tel que l'a conçu et réalisé son inventeur Guy Debord.
Le jeu de la guerre
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En 1965, Guy Debord dépose le brevet d'un Jeu de la Guerre (dit encore Kliegspiel) qu'il avait imaginé dix ans plus tôt. Eu janvier 1977, il s'associe à Gérard Lebovici pour fonder, à parts égales, une société dont l'objet est la production, la publication et l'exploitation de jeux. Sous la dénomination " Les Jeux stratégiques et historiques ", la société publie simultanément en français et en anglais une Règle du " Jeu de la Guerre ", et fait réaliser par un artisan quatre (ou cinq) exemplaires du jeu, dont la table (45,5 cm x 36,5 cm) et les pièces ciselées sont en cuivre argenté. C'est en 1987, après la disparition de Gérard Lebovici, que paraîtra, aux éditions qui portaient son nom, Le Jeu de la Guerre, présenté sous la forme d'un " relevé des positions successives de toutes les forces au cours d'une partie ". Un modèle rudimentaire du jeu avait été diffusé dans le même temps. En 1991, par décision de Guy Debord, Le Jeu de la Guerre est mis au pilon avec l'ensemble de ses autres livres publiés. Nous le faisons reparaître dans une nouvelle édition revue, corrigée et augmentée de documents retrouvés, susceptibles d'éclairer le lecteur sur le fondement et la nature spécifique de ce jeu tel que l'a conçu et réalisé son inventeur Guy Debord.
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livres
livres
Publication:
avril 2006, Paris
avril 2006, Paris
Classification:
livres
livres
Titre:
Warja Lavater: Pictograms
Warja Lavater: Pictograms
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An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books. These books were published between 1962 and 1971, an exceptionally ripe time for artists to(...)
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An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books. These books were published between 1962 and 1971, an exceptionally ripe time for artists to(...)
Titre:
Warja Lavater: Pictograms
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An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books. These books were published between 1962 and 1971, an exceptionally ripe time for artists to turn to the bookform, a time when the most often cited "first" artist's book also appeared, Twentysix Gasoline Stations (1962) by Ed Ruscha. Nieves is delighted to release this previously unpublished collection of 60 ink pictograms, drawn between 1976 and 1996, originally printed individually as A2 plane prints.
Warja Lavater: Pictograms
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An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books. These books were published between 1962 and 1971, an exceptionally ripe time for artists to turn to the bookform, a time when the most often cited "first" artist's book also appeared, Twentysix Gasoline Stations (1962) by Ed Ruscha. Nieves is delighted to release this previously unpublished collection of 60 ink pictograms, drawn between 1976 and 1996, originally printed individually as A2 plane prints.
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livres
livres
Publication:
janvier 1900, Zurich
janvier 1900, Zurich
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livres
livres
Titre:
Sarah Morris 1972 block m
Sarah Morris 1972 block m
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$42.00
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This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
$42.00
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Résumé:
This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
Titre:
Sarah Morris 1972 block m
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This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
Sarah Morris 1972 block m
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This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
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livres
livres
Publication:
septembre 2008, Köln
septembre 2008, Köln
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livres
livres
Titre:
Observatorium
Observatorium
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This concise and challenging exhibition catalogue tracks recent work by Berlin artist (and JRP|Ringier book series editor) Christoph Keller. Featured projects include documentation of a shamanistic ritual, reenactments of Wilhelm Reich's Cloudbuster experiments and "Archives as Objects as Monuments."
$50.00
(disponible sur commande)
Résumé:
This concise and challenging exhibition catalogue tracks recent work by Berlin artist (and JRP|Ringier book series editor) Christoph Keller. Featured projects include documentation of a shamanistic ritual, reenactments of Wilhelm Reich's Cloudbuster experiments and "Archives as Objects as Monuments."
Titre:
Observatorium
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$50.00
(disponible sur commande)
Résumé:
This concise and challenging exhibition catalogue tracks recent work by Berlin artist (and JRP|Ringier book series editor) Christoph Keller. Featured projects include documentation of a shamanistic ritual, reenactments of Wilhelm Reich's Cloudbuster experiments and "Archives as Objects as Monuments."
Observatorium
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$50.00
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Résumé:
This concise and challenging exhibition catalogue tracks recent work by Berlin artist (and JRP|Ringier book series editor) Christoph Keller. Featured projects include documentation of a shamanistic ritual, reenactments of Wilhelm Reich's Cloudbuster experiments and "Archives as Objects as Monuments."
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livres
livres
Publication:
janvier 1900, Köln
janvier 1900, Köln
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livres
livres
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$68.00
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Published to accompany the 2008 Deutsche Guggenheim survey curated by American artist Collier Schorr, Freeway Balconies unfolds more as an artist's book than a straightforward exhibition catalogue. Borrowing from Allen Ginsberg, the title refers to the meeting place of spectacle and voyeurism in American culture--expressed here through Schorr's idiosyncratic mix of 19(...)
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Published to accompany the 2008 Deutsche Guggenheim survey curated by American artist Collier Schorr, Freeway Balconies unfolds more as an artist's book than a straightforward exhibition catalogue. Borrowing from Allen Ginsberg, the title refers to the meeting place of spectacle and voyeurism in American culture--expressed here through Schorr's idiosyncratic mix of 19(...)
Titre:
Collier Schorr: freeway balconies
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Published to accompany the 2008 Deutsche Guggenheim survey curated by American artist Collier Schorr, Freeway Balconies unfolds more as an artist's book than a straightforward exhibition catalogue. Borrowing from Allen Ginsberg, the title refers to the meeting place of spectacle and voyeurism in American culture--expressed here through Schorr's idiosyncratic mix of 19 emerging and established artists, including Sharon Hayes, Bruce Nauman, Francesca Woodman, Rashawn Griffin and Richard Prince, among others. Her choices, arranged around selections of her own work, reveal her probing interest in slippages of identity and identification, cultural memory and forgetting and the ways in which artistic action and production engage these issues.
Collier Schorr: freeway balconies
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Published to accompany the 2008 Deutsche Guggenheim survey curated by American artist Collier Schorr, Freeway Balconies unfolds more as an artist's book than a straightforward exhibition catalogue. Borrowing from Allen Ginsberg, the title refers to the meeting place of spectacle and voyeurism in American culture--expressed here through Schorr's idiosyncratic mix of 19 emerging and established artists, including Sharon Hayes, Bruce Nauman, Francesca Woodman, Rashawn Griffin and Richard Prince, among others. Her choices, arranged around selections of her own work, reveal her probing interest in slippages of identity and identification, cultural memory and forgetting and the ways in which artistic action and production engage these issues.
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livres
livres
Publication:
septembre 2008, Berlin
septembre 2008, Berlin
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livres
livres
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$96.00
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Published on the occasion of his fifth solo exhibition at David Zwirner gallery in New York, Even the Ghost of the Past presents new work by the influential young Canadian artist Marcel Dzama--including a DVD of original short films. A favorite among the art, literary and indie music scenes, Dzama is best known for his figurative compositions of pen and watercolor on(...)
$96.00
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Published on the occasion of his fifth solo exhibition at David Zwirner gallery in New York, Even the Ghost of the Past presents new work by the influential young Canadian artist Marcel Dzama--including a DVD of original short films. A favorite among the art, literary and indie music scenes, Dzama is best known for his figurative compositions of pen and watercolor on(...)
Titre:
Marcel Dzama: even the ghost of the past
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$96.00
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Published on the occasion of his fifth solo exhibition at David Zwirner gallery in New York, Even the Ghost of the Past presents new work by the influential young Canadian artist Marcel Dzama--including a DVD of original short films. A favorite among the art, literary and indie music scenes, Dzama is best known for his figurative compositions of pen and watercolor on manila-colored paper. Bearing a characteristic palette of muted browns, greys, greens and reds, Dzama's drawings are populated by an expansive cast of human, animal and hybrid characters. In recent years, Dzama has extended his practice to include work in multiple media. A recent exhibition, for example, transformed the gallery into an odeum of imagination, replete with drawings, sculptures, dioramas and films. Featuring an interview with the artist by filmmaker Spike Jonze and designed in collaboration with the artist as two hardback books twin-bound into one with a custom drawing on the cover, Even the Ghost of the Past is destined to become an instant collector's item.
Marcel Dzama: even the ghost of the past
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$96.00
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Résumé:
Published on the occasion of his fifth solo exhibition at David Zwirner gallery in New York, Even the Ghost of the Past presents new work by the influential young Canadian artist Marcel Dzama--including a DVD of original short films. A favorite among the art, literary and indie music scenes, Dzama is best known for his figurative compositions of pen and watercolor on manila-colored paper. Bearing a characteristic palette of muted browns, greys, greens and reds, Dzama's drawings are populated by an expansive cast of human, animal and hybrid characters. In recent years, Dzama has extended his practice to include work in multiple media. A recent exhibition, for example, transformed the gallery into an odeum of imagination, replete with drawings, sculptures, dioramas and films. Featuring an interview with the artist by filmmaker Spike Jonze and designed in collaboration with the artist as two hardback books twin-bound into one with a custom drawing on the cover, Even the Ghost of the Past is destined to become an instant collector's item.
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livres
livres
Publication:
décembre 2008
décembre 2008
Classification:
livres
livres
Titre:
Jasper Johns: light bulb
Jasper Johns: light bulb
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Jasper Johns: Light Bulb is organized by the Museum of Contemporary Art San Diego.
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Jasper Johns: Light Bulb is organized by the Museum of Contemporary Art San Diego.
Publication:
novembre 2008, San Diego
novembre 2008, San Diego
Titre:
Jasper Johns: light bulb
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Jasper Johns: Light Bulb is organized by the Museum of Contemporary Art San Diego.
Jasper Johns: light bulb
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Jasper Johns: Light Bulb is organized by the Museum of Contemporary Art San Diego.
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livres
livres
Publication:
novembre 2008, San Diego
novembre 2008, San Diego
Classification:
livres
livres
Titre:
Denis Darzacq
Denis Darzacq
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$37.95
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Depuis le milieu des années 1990, Denis Darzacq développe un travail personnel. De la photographie de presse qui fut, comme pour d’autres photographes français de sa génération, le berceau de sa pratique artistique, il conserve avant tout un regard aiguisé sur la société contemporaine et une méthode. Denis Darzacq a acquis la conviction qu’une image construite pouvait(...)
$37.95
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Résumé:
Depuis le milieu des années 1990, Denis Darzacq développe un travail personnel. De la photographie de presse qui fut, comme pour d’autres photographes français de sa génération, le berceau de sa pratique artistique, il conserve avant tout un regard aiguisé sur la société contemporaine et une méthode. Denis Darzacq a acquis la conviction qu’une image construite pouvait(...)
Titre:
Denis Darzacq
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$37.95
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Depuis le milieu des années 1990, Denis Darzacq développe un travail personnel. De la photographie de presse qui fut, comme pour d’autres photographes français de sa génération, le berceau de sa pratique artistique, il conserve avant tout un regard aiguisé sur la société contemporaine et une méthode. Denis Darzacq a acquis la conviction qu’une image construite pouvait servir son analyse de la société avec plus d’efficacité. Depuis 2003, il a recours à des mises en scène qui reposent toutes sur le principe de la « disruption » (méthodologie dynamique tournée vers la création). Par leur état ou leur pose, les corps mis en scène bouleversent l’ordre établi, sans jamais faire basculer l’image dans le spectaculaire. L’ouvrage présente des photographies extraites de séries majeures du photographe, notamment « La chute et Hyper » qui opposent deux réalités sans manipulations numériques
Denis Darzacq
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$37.95
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Depuis le milieu des années 1990, Denis Darzacq développe un travail personnel. De la photographie de presse qui fut, comme pour d’autres photographes français de sa génération, le berceau de sa pratique artistique, il conserve avant tout un regard aiguisé sur la société contemporaine et une méthode. Denis Darzacq a acquis la conviction qu’une image construite pouvait servir son analyse de la société avec plus d’efficacité. Depuis 2003, il a recours à des mises en scène qui reposent toutes sur le principe de la « disruption » (méthodologie dynamique tournée vers la création). Par leur état ou leur pose, les corps mis en scène bouleversent l’ordre établi, sans jamais faire basculer l’image dans le spectaculaire. L’ouvrage présente des photographies extraites de séries majeures du photographe, notamment « La chute et Hyper » qui opposent deux réalités sans manipulations numériques
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livres
livres
Publication:
mars 2020
mars 2020
Classification:
livres
livres
Titre:
Conversations
Conversations
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$25.95
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Ai Weiwei is one of the world’s most acclaimed artists and dissidents. This book presents him in conversation with theorists, critics, journalists, and curators about key moments in his life and career. These wide-ranging conversations flow between topics such as his relationship with China, the meaning of citizenship, moving his studio to Lesbos to be on the front lines(...)
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Résumé:
Ai Weiwei is one of the world’s most acclaimed artists and dissidents. This book presents him in conversation with theorists, critics, journalists, and curators about key moments in his life and career. These wide-ranging conversations flow between topics such as his relationship with China, the meaning of citizenship, moving his studio to Lesbos to be on the front lines(...)
Titre:
Conversations
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$25.95
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Ai Weiwei is one of the world’s most acclaimed artists and dissidents. This book presents him in conversation with theorists, critics, journalists, and curators about key moments in his life and career. These wide-ranging conversations flow between topics such as his relationship with China, the meaning of citizenship, moving his studio to Lesbos to be on the front lines of the migrant crisis, how to make art, and technology as a tool for freedom or oppression. Ai opens up about his relationship to his father as a poet and as a dissident forced into hard labor in a small village after the Cultural Revolution. He shares his thoughts on formal education and the importance of finding your own way as an artist. New York- both the city and its people- were formative for Ai Weiwei, and he speaks eloquently about how these experiences continue to influence him. Ai conjures up scenes from his long relationship with the city: dropping out of Parsons School of Design because he couldn’t afford tuition, making portraits in Washington Square Park as an undocumented immigrant in the 1980s, taking photos for the New York Times at demonstrations in Tompkins Square Park, and returning to set up the ''Good Fences Make Good Neighbors'' project across the city. These candid, spontaneous conversations reveal why Ai Weiwei has become such a major force in contemporary art and political life.
Conversations
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$25.95
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Résumé:
Ai Weiwei is one of the world’s most acclaimed artists and dissidents. This book presents him in conversation with theorists, critics, journalists, and curators about key moments in his life and career. These wide-ranging conversations flow between topics such as his relationship with China, the meaning of citizenship, moving his studio to Lesbos to be on the front lines of the migrant crisis, how to make art, and technology as a tool for freedom or oppression. Ai opens up about his relationship to his father as a poet and as a dissident forced into hard labor in a small village after the Cultural Revolution. He shares his thoughts on formal education and the importance of finding your own way as an artist. New York- both the city and its people- were formative for Ai Weiwei, and he speaks eloquently about how these experiences continue to influence him. Ai conjures up scenes from his long relationship with the city: dropping out of Parsons School of Design because he couldn’t afford tuition, making portraits in Washington Square Park as an undocumented immigrant in the 1980s, taking photos for the New York Times at demonstrations in Tompkins Square Park, and returning to set up the ''Good Fences Make Good Neighbors'' project across the city. These candid, spontaneous conversations reveal why Ai Weiwei has become such a major force in contemporary art and political life.
Classification:
livres
livres
Publication:
février 2021
février 2021
Classification:
livres
livres
Titre:
Ellsworh Kelly: Windows
Ellsworh Kelly: Windows
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$63.00
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The window as motif in the drawings and paintings of Ellsworth Kelly This monograph was copublished by Cahiers d’Art and Centre Pompidou on the occasion of the 2019 exhibition Ellsworth Kelly: Windows, which brought together, for the first time, the six Windows made by Ellsworth Kelly (1923–2015) in France between 1949 and 1950. Kelly’s years in France were a period of(...)
$63.00
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Résumé:
The window as motif in the drawings and paintings of Ellsworth Kelly This monograph was copublished by Cahiers d’Art and Centre Pompidou on the occasion of the 2019 exhibition Ellsworth Kelly: Windows, which brought together, for the first time, the six Windows made by Ellsworth Kelly (1923–2015) in France between 1949 and 1950. Kelly’s years in France were a period of(...)
Publication:
avril 2020
avril 2020
Titre:
Ellsworh Kelly: Windows
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$63.00
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Résumé:
The window as motif in the drawings and paintings of Ellsworth Kelly This monograph was copublished by Cahiers d’Art and Centre Pompidou on the occasion of the 2019 exhibition Ellsworth Kelly: Windows, which brought together, for the first time, the six Windows made by Ellsworth Kelly (1923–2015) in France between 1949 and 1950. Kelly’s years in France were a period of perpetual invention, and are fundamental to an understanding of his work. As he wrote in 1969, “After constructing Window with two canvases and a wood frame, I realized that ... painting as I had known it was finished for me.” This signal moment is evoked through more than 80 works, paintings, drawings, sketches and photographs, along with two beautiful essays by Yve-Alain Bois and Jean-Pierre Criqui.
Ellsworh Kelly: Windows
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$63.00
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Résumé:
The window as motif in the drawings and paintings of Ellsworth Kelly This monograph was copublished by Cahiers d’Art and Centre Pompidou on the occasion of the 2019 exhibition Ellsworth Kelly: Windows, which brought together, for the first time, the six Windows made by Ellsworth Kelly (1923–2015) in France between 1949 and 1950. Kelly’s years in France were a period of perpetual invention, and are fundamental to an understanding of his work. As he wrote in 1969, “After constructing Window with two canvases and a wood frame, I realized that ... painting as I had known it was finished for me.” This signal moment is evoked through more than 80 works, paintings, drawings, sketches and photographs, along with two beautiful essays by Yve-Alain Bois and Jean-Pierre Criqui.
Classification:
livres
livres
Publication:
avril 2020
avril 2020
