De ou par Marcel Duchamp
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Ulf Linde is without doubt one of the world’s most important interpreters of Marcel Duchamp’s art. For more than half a century, he has pursued intense studies of Duchamp’s entire oeuvre and has made perfect replicas of all his major works. His as-yet unpublished manuscript scrutinizing the mathematical principles behind Duchamp’s art reveals what Linde claims to be the(...)
De ou par Marcel Duchamp
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Ulf Linde is without doubt one of the world’s most important interpreters of Marcel Duchamp’s art. For more than half a century, he has pursued intense studies of Duchamp’s entire oeuvre and has made perfect replicas of all his major works. His as-yet unpublished manuscript scrutinizing the mathematical principles behind Duchamp’s art reveals what Linde claims to be the key to Duchamp’s poetic universe.
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This book is the first since the early 1970s devoted to the extraordinary British Benedictine monk, scholar, translator, concrete poet and artist Dom Sylvester Houédard (1924–92). Edited by Nicola Simpson, with new essays by Gustavo Grandal Montero, Rick Poynor, David Toop and Charles Verey, 'Notes from the Cosmic Typewriter' offers a broad and richly illustrated(...)
Notes from the cosmic typewriter : the life and work of Dom Sylvester Houédard
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This book is the first since the early 1970s devoted to the extraordinary British Benedictine monk, scholar, translator, concrete poet and artist Dom Sylvester Houédard (1924–92). Edited by Nicola Simpson, with new essays by Gustavo Grandal Montero, Rick Poynor, David Toop and Charles Verey, 'Notes from the Cosmic Typewriter' offers a broad and richly illustrated introduction to this major artistic and theological figure.
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Françoise Jaunin nous fait suivre ces deux artistes atypiques dans leur voyage à l’intérieur de la mémoire, de la connaissance et de l’imaginaire.
novembre 2013
Anne et Patrick : dans les nervures du temps, entretiens avec Françoise Jaunin
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Françoise Jaunin nous fait suivre ces deux artistes atypiques dans leur voyage à l’intérieur de la mémoire, de la connaissance et de l’imaginaire.
Donigan Cumming: the stage
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Donigan Cumming's The Stage is one of the most challenging photo books published in the last century. Rather than merely documenting his subjects, Cumming collaborated with them, carefully orchestrating their appearance and posture in each photograph, emphasizing their most eccentric qualities to a degree that has earned him comparisons with Diane Arbus. The Stage thus(...)
Donigan Cumming: the stage
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Donigan Cumming's The Stage is one of the most challenging photo books published in the last century. Rather than merely documenting his subjects, Cumming collaborated with them, carefully orchestrating their appearance and posture in each photograph, emphasizing their most eccentric qualities to a degree that has earned him comparisons with Diane Arbus. The Stage thus constitutes a portrayal of the elderly, the odd, the sick and the possibly demented.
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This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the(...)
Allan Kaprow, Robert Smithson, and the limits of art
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This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits.
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Focus sur l’œuvre d’un des acteurs majeurs de l’art américain de la première moitié du XXe siècle à travers ses collages, photomontages, boîtes d’ombre, films… Elle est évoquée en regard d’artistes avec lesquels il était en contact : Duchamp, Dali, Ernst, Giacometti, Magritte, Chirico, etc.
janvier 2014
Joseph Cornell et les surréalistes à New York
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Focus sur l’œuvre d’un des acteurs majeurs de l’art américain de la première moitié du XXe siècle à travers ses collages, photomontages, boîtes d’ombre, films… Elle est évoquée en regard d’artistes avec lesquels il était en contact : Duchamp, Dali, Ernst, Giacometti, Magritte, Chirico, etc.
$42.00
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Newly designed and expanded, the 2012 edition of Bridget Riley: Complete Prints includes every print from the early 1960s to the present day. This catalogue raisonné of Bridget Riley's graphic work now shows each print on its own page. Alongside a full color inventory of the prints are essays by Lynne MacRitchie and Craig Hartley that together provide a greater context(...)
Bridget Riley: complete prints 1962-2012
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Newly designed and expanded, the 2012 edition of Bridget Riley: Complete Prints includes every print from the early 1960s to the present day. This catalogue raisonné of Bridget Riley's graphic work now shows each print on its own page. Alongside a full color inventory of the prints are essays by Lynne MacRitchie and Craig Hartley that together provide a greater context for Riley's work.
Michael Snow: photo-centric
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Michael Snow: Photo-Centric focuses on a selection of the artist’s photographic work from 1962 to the present. The book considers Snow’s interest in late modernism’s self-reflexivity and, specifically, his exploration of how the mechanics of photography affect perception, cognition, and consciousness. Essays by Adelina Vlas and the artist himself consider the importance(...)
février 2014
Michael Snow: photo-centric
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Michael Snow: Photo-Centric focuses on a selection of the artist’s photographic work from 1962 to the present. The book considers Snow’s interest in late modernism’s self-reflexivity and, specifically, his exploration of how the mechanics of photography affect perception, cognition, and consciousness. Essays by Adelina Vlas and the artist himself consider the importance of Snow’s photographic work within his larger practice, its connection with and continuation of modernist ideas, and its experimental quality within the history of the medium.
$36.95
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Wim Wauman, known for his still life photographs, invited fellow artists and cultural practitioners to contribute meaningful objects to his “Paraphernalia” project, resulting in a collection of 171 objects with which he created and photographed 21 compositions in his studio. These odd still lifes resonate with historical visual traditions and alchemy, asking observers to(...)
février 2014
Wim Wauman: paraphernalia, on the status of inspirational objects
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Wim Wauman, known for his still life photographs, invited fellow artists and cultural practitioners to contribute meaningful objects to his “Paraphernalia” project, resulting in a collection of 171 objects with which he created and photographed 21 compositions in his studio. These odd still lifes resonate with historical visual traditions and alchemy, asking observers to make individual interpretations and connections. In this publication, each object is connected to its respective donor and therefore his or her artistic strategy. It includes commentary from the artists about their contributions, a critical essay by Stefaan Vervoort about the project, and a personal manifesto by Wauman.
$48.95
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Moved Objects traces the collaborative practice of young Australian artists Georgia Hutchison and Arini Byng. Expanding on their investigations into material juxtaposition, sculptural choreography and the photographic still life, the works broach notions of form, materiality, architectural resonance, visual poetics and photographic image-making. Offset against a series of(...)
février 2014
Georgia Hutchison & Arini Byng: moved objects
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Moved Objects traces the collaborative practice of young Australian artists Georgia Hutchison and Arini Byng. Expanding on their investigations into material juxtaposition, sculptural choreography and the photographic still life, the works broach notions of form, materiality, architectural resonance, visual poetics and photographic image-making. Offset against a series of highly keyed backdrops, the works are both astute and playful in tenor.