Cy Twombly's things
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Cy Twombly (1928–2011) is widely acknowledged as one of the postwar period’s most influential American artists, yet his sculptures are little known. From 1946 onward, he made hundreds of rarely exhibited found-object assemblages, often painted or plastered over with diverse coatings of white. Across decades, Twombly thus developed a singular, strikingly consistent body of(...)
Cy Twombly's things
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Cy Twombly (1928–2011) is widely acknowledged as one of the postwar period’s most influential American artists, yet his sculptures are little known. From 1946 onward, he made hundreds of rarely exhibited found-object assemblages, often painted or plastered over with diverse coatings of white. Across decades, Twombly thus developed a singular, strikingly consistent body of work, despite the shifting status of sculpture during his lifetime. Through close readings of individual works and in-depth analyses of certain guiding concerns, such as surface, naming, gaps, and repetitions, the author illuminates Twombly's remarkable sculptural practice.
Henri Matisse: the cut-outs
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Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and(...)
Henri Matisse: the cut-outs
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Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing.
livres
Thomas Bayrle: all-in-one
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All-in-One offers an overview of the multifaceted oeuvre of Thomas Bayrle (born 1937), from his early kinetic machines to the recent engine installations, the serigraphies, sculptures, videos, his early work as a graphic designer and publisher (with an illustrated bibliography of Bayrle's artists' books) and samples from his own texts.
Thomas Bayrle: all-in-one
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All-in-One offers an overview of the multifaceted oeuvre of Thomas Bayrle (born 1937), from his early kinetic machines to the recent engine installations, the serigraphies, sculptures, videos, his early work as a graphic designer and publisher (with an illustrated bibliography of Bayrle's artists' books) and samples from his own texts.
livres
février 2014
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"Less Is Still More" is Michael Craig-Martin's homage to German-American architect Mies van der Rohe. Craig-Martin's series of 17 paintings depict everyday objects such as t-shirts and iPhones, which are documented here as installed at the Museum Haus Esters in Krefeld.
Michael Craig-Martin: Less is still more
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"Less Is Still More" is Michael Craig-Martin's homage to German-American architect Mies van der Rohe. Craig-Martin's series of 17 paintings depict everyday objects such as t-shirts and iPhones, which are documented here as installed at the Museum Haus Esters in Krefeld.
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The architectural interventions of London-based artist Pablo Bronstein (born 1977) explore the relationship between classical architecture and contemporary urbanism. A Is Building, B is Architecture presents a retrospective of Bronstein’s work as well as the first survey of his architectural drawings.
février 2014
Pablo Bronstein: A is building, B is architecture
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The architectural interventions of London-based artist Pablo Bronstein (born 1977) explore the relationship between classical architecture and contemporary urbanism. A Is Building, B is Architecture presents a retrospective of Bronstein’s work as well as the first survey of his architectural drawings.
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In his yellow-tiled studio kitchen, New York-based artist Wade Guyton (born 1972) photographed magazine pages overprinted with geometric shapes and reproduced these on the same yellow tile in the exhibition, connecting the two spaces. This publication documents his installation.
Wade Guyton: Zeichungen für lange Bilder
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In his yellow-tiled studio kitchen, New York-based artist Wade Guyton (born 1972) photographed magazine pages overprinted with geometric shapes and reproduced these on the same yellow tile in the exhibition, connecting the two spaces. This publication documents his installation.
Gert & Uwe Tobias
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Romanian artists Gert & Uwe Tobias (born 1973) are renowned for their large-scale, colorful woodcut prints and unconventional typewriter drawings. The duo assembles everyday patterns, motifs derived from Dutch still life and abstract geometries from Russian Suprematism in collagelike prints.
Gert & Uwe Tobias
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Romanian artists Gert & Uwe Tobias (born 1973) are renowned for their large-scale, colorful woodcut prints and unconventional typewriter drawings. The duo assembles everyday patterns, motifs derived from Dutch still life and abstract geometries from Russian Suprematism in collagelike prints.
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Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke is widely regarded as one of the most influential and experimental artists of the post-war generation. His irreverent wit and promiscuous intelligence, coupled with his exceptional grasp of the properties of his materials, provided the foundation(...)
Alibis Sigmar Polke 1963-2010
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Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke is widely regarded as one of the most influential and experimental artists of the post-war generation. His irreverent wit and promiscuous intelligence, coupled with his exceptional grasp of the properties of his materials, provided the foundation for his punishing critiques of the conventions of art history and social behavior. Experimenting wildly with materials and tools as varied as meteor dust and the xerox machine, Polke made work of both an intimate and monumental scale, drawn from sources as diverse as newspaper headlines and Durer prints. Polke avoided any one signature style, a fluid method best defined by the word "alibi," which means "in or at another place." This also is a reminder of the deflection of responsibility which shaped German behavior during the Nazi period, compelling Polke's generation to reinvent the role of the artist. Published in conjunction with "Alibis: Sigmar Polke 1963-2010," the first exhibition to encompass the artist's work across all media, this richly illustrated publication provides an overview of his cross-disciplinary innovations and career. Essays by Kathy Halbreich, Associate Director of The Museum of Modern Art; Mark Godfrey, Curator of International Art, Tate Modern; and a range of scholars and artists examine the full range of Polke's exceptionally inventive oeuvre and place his enormous skepticism of all social, political and artistic conventions against German history.
Harvey Quaytman
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This monograph explores the vast body of work by New York artist Harvey Quaytman (1937–2002). It is a comprehensive overview of more than 40 years of painting. Harvey Quaytman’s interpretation of 1960s Minimalism and Hard-edge abstraction culminated in work that swayed between two and three dimensions. The result was sometimes odd but always elegant : arching forms appear(...)
Harvey Quaytman
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This monograph explores the vast body of work by New York artist Harvey Quaytman (1937–2002). It is a comprehensive overview of more than 40 years of painting. Harvey Quaytman’s interpretation of 1960s Minimalism and Hard-edge abstraction culminated in work that swayed between two and three dimensions. The result was sometimes odd but always elegant : arching forms appear like wedged shoehorns within the pictorial space, gently exposing painting’s material infrastructure.
Len Lye: motion sketch
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Motion Sketch reintroduces Len Lye’s multidimensional practice specifically in relation to drawing. Lye’s kinesthetic approach to drawing--related to Surrealist automatism and anticipating aspects of Abstract Expressionism--also informed his practice in painting, photography, film and sculpture. Not limited to works on paper, this publication instead reveals how Lye’s(...)
Len Lye: motion sketch
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Motion Sketch reintroduces Len Lye’s multidimensional practice specifically in relation to drawing. Lye’s kinesthetic approach to drawing--related to Surrealist automatism and anticipating aspects of Abstract Expressionism--also informed his practice in painting, photography, film and sculpture. Not limited to works on paper, this publication instead reveals how Lye’s concept of "doodling" underpinned his approach to much of his work.