1920 Résultats
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Louise Bourgeois: An Unfolding Portrait explores the prints and books of the celebrated sculptor. This little-known body of work is vast in scope?numbering some 1,200 individual compositions?and highly significant within her larger practice. These works encompass the same themes and motifs that occupied Bourgeois throughout her career, and they are explored here within(...)
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Louise Bourgeois: An Unfolding Portrait explores the prints and books of the celebrated sculptor. This little-known body of work is vast in scope?numbering some 1,200 individual compositions?and highly significant within her larger practice. These works encompass the same themes and motifs that occupied Bourgeois throughout her career, and they are explored here within(...)
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Louise Bourgeois: an unfolding portrait
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Louise Bourgeois: An Unfolding Portrait explores the prints and books of the celebrated sculptor. This little-known body of work is vast in scope?numbering some 1,200 individual compositions?and highly significant within her larger practice. These works encompass the same themes and motifs that occupied Bourgeois throughout her career, and they are explored here within the context of related sculptures, drawings and early paintings. This investigation sheds light on Bourgeois’ creative process overall, most vividly through the evolving print states and variants that led to her final compositions; seeing these sequences unfold is akin to looking over the artist’s shoulder as she worked.
Louise Bourgeois: an unfolding portrait
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Louise Bourgeois: An Unfolding Portrait explores the prints and books of the celebrated sculptor. This little-known body of work is vast in scope?numbering some 1,200 individual compositions?and highly significant within her larger practice. These works encompass the same themes and motifs that occupied Bourgeois throughout her career, and they are explored here within the context of related sculptures, drawings and early paintings. This investigation sheds light on Bourgeois’ creative process overall, most vividly through the evolving print states and variants that led to her final compositions; seeing these sequences unfold is akin to looking over the artist’s shoulder as she worked.
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livres
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Publication:
septembre 2017
septembre 2017
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PARANORMAL. Tony Oursler vs Gustavo Rol is the catalog of the exhibition hosted from November 3, 2017 at Pinacoteca Agnelli, which continues its research path on the theme of collecting. This time the topic is the paranormal: a collection of works by American artist Tony Oursler and his personal objects collection about the occult world, dialogue with works by psychic(...)
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PARANORMAL. Tony Oursler vs Gustavo Rol is the catalog of the exhibition hosted from November 3, 2017 at Pinacoteca Agnelli, which continues its research path on the theme of collecting. This time the topic is the paranormal: a collection of works by American artist Tony Oursler and his personal objects collection about the occult world, dialogue with works by psychic(...)
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Paranormal: Tony Oursler vs. Gustavo Rol
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PARANORMAL. Tony Oursler vs Gustavo Rol is the catalog of the exhibition hosted from November 3, 2017 at Pinacoteca Agnelli, which continues its research path on the theme of collecting. This time the topic is the paranormal: a collection of works by American artist Tony Oursler and his personal objects collection about the occult world, dialogue with works by psychic painter Gustavo Rol. The selection has been made by Oursler himself together with the curator Paolo Colombo and the director of the Pinacoteca Marcella Pralormo.
Paranormal: Tony Oursler vs. Gustavo Rol
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PARANORMAL. Tony Oursler vs Gustavo Rol is the catalog of the exhibition hosted from November 3, 2017 at Pinacoteca Agnelli, which continues its research path on the theme of collecting. This time the topic is the paranormal: a collection of works by American artist Tony Oursler and his personal objects collection about the occult world, dialogue with works by psychic painter Gustavo Rol. The selection has been made by Oursler himself together with the curator Paolo Colombo and the director of the Pinacoteca Marcella Pralormo.
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livres
livres
Publication:
novembre 2017
novembre 2017
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livres
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published(...)
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published(...)
Titre:
Gordon Matta-Clark: splitting, cutting, writing, drawing, eating
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published on the occasion of an eponymous exhibition at the Serralves Museum of Contemporary Art, Porto, and Culturgest, Lisbon. The attractively designed book includes numerous of the artist’s own sketches and plans for various works, plus letters and other material that together form an in-depth portrait.
Gordon Matta-Clark: splitting, cutting, writing, drawing, eating
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published on the occasion of an eponymous exhibition at the Serralves Museum of Contemporary Art, Porto, and Culturgest, Lisbon. The attractively designed book includes numerous of the artist’s own sketches and plans for various works, plus letters and other material that together form an in-depth portrait.
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livres
livres
Publication:
juin 2018
juin 2018
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer(...)
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer(...)
Titre:
Marcel Dzama: drawing on a revolution
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer into an enigmatic world of life and death, calm and violence, where irony, ridicule, and sexual themes disguise allusions to contemporary social and political issues. This catalogue of drawings, dioramas, and other works is published on the occasion of an exhibition of Dzamas work at La Casa Encendida in Madrid.
Marcel Dzama: drawing on a revolution
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer into an enigmatic world of life and death, calm and violence, where irony, ridicule, and sexual themes disguise allusions to contemporary social and political issues. This catalogue of drawings, dioramas, and other works is published on the occasion of an exhibition of Dzamas work at La Casa Encendida in Madrid.
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livres
livres
Publication:
décembre 2017
décembre 2017
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livres
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Diego Perrone: War games
Diego Perrone: War games
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Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.
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Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.
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Diego Perrone: War games
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Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.
Diego Perrone: War games
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Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.
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livres
livres
Publication:
août 2017
août 2017
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Beginning in 1970, Albers filled her graph-paper notebook regularly for ten years. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers’ deliberations and progression as a draftsman in their original form. It reveals(...)
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Beginning in 1970, Albers filled her graph-paper notebook regularly for ten years. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers’ deliberations and progression as a draftsman in their original form. It reveals(...)
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Anni Albers: Notebook 1970-1980
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Beginning in 1970, Albers filled her graph-paper notebook regularly for ten years. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers’ deliberations and progression as a draftsman in their original form. It reveals the way she went about making complex patterns, exploring them piece by piece, line by line, in a visually dramatic and mysteriously beautiful series of geometric arrangements.
Anni Albers: Notebook 1970-1980
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Beginning in 1970, Albers filled her graph-paper notebook regularly for ten years. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers’ deliberations and progression as a draftsman in their original form. It reveals the way she went about making complex patterns, exploring them piece by piece, line by line, in a visually dramatic and mysteriously beautiful series of geometric arrangements.
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livres
livres
Publication:
octobre 2017
octobre 2017
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and(...)
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and(...)
Titre:
Betty Woodman: theatre of the domestic
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture and the paintings of Bonnard, Picasso and Matisse, while also introducing innovations in both style and technique. This publication focuses on work made over the past ten years, while taking stock of Woodman's continued relevance to contemporary art and her importance among postwar artists.
Betty Woodman: theatre of the domestic
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture and the paintings of Bonnard, Picasso and Matisse, while also introducing innovations in both style and technique. This publication focuses on work made over the past ten years, while taking stock of Woodman's continued relevance to contemporary art and her importance among postwar artists.
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livres
livres
Publication:
janvier 2017
janvier 2017
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livres
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Quand l'artiste allemande Charlotte Salomon (1917-1943) confia sa série de gouaches Vie ? ou Théâtre ? à un ami, elle le supplia : « Prends-en soin, c'est toute ma vie. » Quelques mois plus tard, enceinte de 5 mois, elle mourait assassinée à Auschwitz. L'oeuvre que Charlotte Salomon a laissée en héritage constitue, au sens littéral, sa pièce de résistance, « quelque(...)
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Quand l'artiste allemande Charlotte Salomon (1917-1943) confia sa série de gouaches Vie ? ou Théâtre ? à un ami, elle le supplia : « Prends-en soin, c'est toute ma vie. » Quelques mois plus tard, enceinte de 5 mois, elle mourait assassinée à Auschwitz. L'oeuvre que Charlotte Salomon a laissée en héritage constitue, au sens littéral, sa pièce de résistance, « quelque(...)
Titre:
Charlotte Salomon : Vie? ou Théâtre?
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Quand l'artiste allemande Charlotte Salomon (1917-1943) confia sa série de gouaches Vie ? ou Théâtre ? à un ami, elle le supplia : « Prends-en soin, c'est toute ma vie. » Quelques mois plus tard, enceinte de 5 mois, elle mourait assassinée à Auschwitz. L'oeuvre que Charlotte Salomon a laissée en héritage constitue, au sens littéral, sa pièce de résistance, « quelque chose de vraiment fou et singulier » selon ses propres termes. Ce cycle de gouaches dessine un autoportrait vivant embrassant toutes les facettes de son existence : son enfance et son adolescence à Berlin, ses études d'art à l'ombre du Troisième Reich, sa relation avec le professeur de chant Alfred Wolfsohn, son exil en France et la complexité de son histoire familiale, marquée par le suicide de presque toutes les représentantes féminines.
Charlotte Salomon : Vie? ou Théâtre?
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Quand l'artiste allemande Charlotte Salomon (1917-1943) confia sa série de gouaches Vie ? ou Théâtre ? à un ami, elle le supplia : « Prends-en soin, c'est toute ma vie. » Quelques mois plus tard, enceinte de 5 mois, elle mourait assassinée à Auschwitz. L'oeuvre que Charlotte Salomon a laissée en héritage constitue, au sens littéral, sa pièce de résistance, « quelque chose de vraiment fou et singulier » selon ses propres termes. Ce cycle de gouaches dessine un autoportrait vivant embrassant toutes les facettes de son existence : son enfance et son adolescence à Berlin, ses études d'art à l'ombre du Troisième Reich, sa relation avec le professeur de chant Alfred Wolfsohn, son exil en France et la complexité de son histoire familiale, marquée par le suicide de presque toutes les représentantes féminines.
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livres
livres
Publication:
janvier 2018
janvier 2018
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livres
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In this volume, Pablo Bronstein (born 1977) explores, in drawings and writing, the style that has come to dominate architectural development in London over the past 30 years, the pseudo-Georgian style characterized by its economy and its eccentric quotation of architectural history.
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In this volume, Pablo Bronstein (born 1977) explores, in drawings and writing, the style that has come to dominate architectural development in London over the past 30 years, the pseudo-Georgian style characterized by its economy and its eccentric quotation of architectural history.
Publication:
février 2018
février 2018
Titre:
Pablo Bronstein: Pseudo-Georgian London
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In this volume, Pablo Bronstein (born 1977) explores, in drawings and writing, the style that has come to dominate architectural development in London over the past 30 years, the pseudo-Georgian style characterized by its economy and its eccentric quotation of architectural history.
Pablo Bronstein: Pseudo-Georgian London
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In this volume, Pablo Bronstein (born 1977) explores, in drawings and writing, the style that has come to dominate architectural development in London over the past 30 years, the pseudo-Georgian style characterized by its economy and its eccentric quotation of architectural history.
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livres
livres
Publication:
février 2018
février 2018
Classification:
livres
livres
Titre:
Ruth Asawa
Ruth Asawa
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a(...)
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a(...)
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Ruth Asawa
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’ legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground.
Ruth Asawa
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’ legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
