Ginny Casey & Jessi Reaves
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This volume features new and recent works by New York-based artists Ginny Casey (born 1981) and Jessi Reaves (born 1986) exploring the relationship between painting and sculpture, domestic objects and decorative surfaces, by reimagining the form and function of objects encountered in daily life.
Ginny Casey & Jessi Reaves
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This volume features new and recent works by New York-based artists Ginny Casey (born 1981) and Jessi Reaves (born 1986) exploring the relationship between painting and sculpture, domestic objects and decorative surfaces, by reimagining the form and function of objects encountered in daily life.
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This volume brings newfound attention to Niki de Saint Phalle’s (1930-2002) work in architecture and public sculpture, and the commercial products such as perfume and jewelry that she produced to fund these ambitious projects. Featuring a wide selection of images of her architectural works and rarely seen archival materials, this book places these projects within the(...)
Niki de Saint Phalle: Structures for life
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This volume brings newfound attention to Niki de Saint Phalle’s (1930-2002) work in architecture and public sculpture, and the commercial products such as perfume and jewelry that she produced to fund these ambitious projects. Featuring a wide selection of images of her architectural works and rarely seen archival materials, this book places these projects within the context of her larger boundary-defying practice, drawing connections with politically charged works such as the films and books she made in response to the AIDS crisis in the 1980s. Charting Saint Phalle's many efforts to radically open her practice beyond the confines of the art world, it serves as a survey of her practice from the 1960s until the early 2000s. Edited and with an essay by exhibition curator Ruba Katrib, the publication features new scholarship by Anne Dressen and Nick Mauss, Alex Kitnick, and Lanka Tattersall.
Lee Lozano: Private Book 6
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This is the sixth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these(...)
Lee Lozano: Private Book 6
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This is the sixth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.
Lee Lozano: Private Book 7
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This is the seventh volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these(...)
Lee Lozano: Private Book 7
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This is the seventh volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.
Lee Lozano: Private Book 8
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Lee Lozano (1930–99) kept a series of journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1973, Lozano rigorously edited her journals, which included records of her personal relationships and interactions during this period. This pocket-sized ringbound volume is the eighth in Karma’s 11-volume facsimile printing of Lozano’s project, containing(...)
Lee Lozano: Private Book 8
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Lee Lozano (1930–99) kept a series of journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1973, Lozano rigorously edited her journals, which included records of her personal relationships and interactions during this period. This pocket-sized ringbound volume is the eighth in Karma’s 11-volume facsimile printing of Lozano’s project, containing Lozano’s entries from March to April 1970. Lozano’s published notebooks convey a perpetually active mind, and give a glimpse into her process and her stylistic evolution from cartoonish pop expressionism in her early drawings to language-based conceptualism.
Lee Lozano: Private Book 9
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This is the ninth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these(...)
Lee Lozano: Private Book 9
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This is the ninth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.
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One of the most significant American artists of the postwar period, Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of his largest and most intricate(...)
Donald Judd: Artworks, 1970–1994
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One of the most significant American artists of the postwar period, Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of his largest and most intricate installations of sixty-three wall-mounted plywood boxes, conceived in 1986. Other works include variations on some of Judd’s most recognizable forms, executed in materials such as Cor-ten steel, plexiglass, copper, plywood, brushed aluminum, and enameled aluminum. Brilliant and exacting reproductions capture these works in vivid detail. Following the major Judd retrospective at The Museum of Modern Art, New York, in 2020, this book serves as a companion volume.
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Le travail de Marine Pagès déploie une pratique du dessin élargi : sur papier et dans l'espace. Cet ouvrage prend la forme – lointaine et non exhaustive – d'un inventaire, en échos au processus de travail de l'artiste. La forme de l'inventaire, grille appliquée librement, répond aussi au désir de souligner les correspondances entre les dessins sur papier et les(...)
Marine Pagès : Les Corps flottants
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Le travail de Marine Pagès déploie une pratique du dessin élargi : sur papier et dans l'espace. Cet ouvrage prend la forme – lointaine et non exhaustive – d'un inventaire, en échos au processus de travail de l'artiste. La forme de l'inventaire, grille appliquée librement, répond aussi au désir de souligner les correspondances entre les dessins sur papier et les installations en volume, le va-et-vient entre ces médiums et ces dimensions. Un livre pour découvrir ou redécouvrir l'œuvre de l'artiste, en particulier la série Intermédiaires commencée il y a quelques années – et qui se poursuit aujourd'hui – avec de nombreuses reproductions et des vues d'installations in situ.
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York(...)
Bastien Aubry : Agglorhythmus
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York and MABA in Paris. Since 2017, Bastien Aubry continues his sculptural practice as a solo artist. Bastien Aubry's artistic approach consists of alienating everyday objects in a playful and ironic way. His mischievous works evoke fascinating visual effects by mixing design, art history and pop culture. His creations celebrate the poetry of failure and the beauty of the less than perfect, an accident by design. The artist stages reality in his own world, exposing everyday absurdities and toying with the boundaries set by traditional artistic practices. Three-dimensional works are constrained by the material they are made of, and for Bastien Aubry, it is most important to recognize the physical property of each material in order to experiment with visually exiting effects. To exaggerate, enlarge, stack, fill, crush… There is always an element of surprise and spontaneity present in his oeuvre.
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Celebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on(...)
décembre 2021
Keith Haring: 31 subway drawings
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Celebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on platforms and train cars. Over a five-year period, in an epic conquest of civic space, Haring produced a massive body of subway artwork that remains daunting in its scale and its impact on the public consciousness. Dedicated to the individuals who might encounter them and to the moments of their creation, Haring’s drawings now exist solely in the form of documentary photographs and legend. Because they were not meant to be permanent—only briefly inhabiting blacked-out advertising boards before being covered up by ads or torn down by authorities or admirers—what little remains of this project is uniquely fugitive. ''Keith Haring: 31 subway drawings'' reproduces archival materials relating to this magnificent project alongside essays by leading Haring experts.