1921 Résultats
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Marcel Duchamp: pharmacie
Marcel Duchamp: pharmacie
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Made by Duchamp in 1914, Pharmacie is a cheap reproduction of a winter landscape with two drops of color and the artist’s signature added to it. With this work, Duchamp created his first "rectified readymade." Here, Stefan Banz investigates the meaning of the term "rectified readymade" and discusses the philosophical dimensions of this cryptic piece.
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Résumé:
Made by Duchamp in 1914, Pharmacie is a cheap reproduction of a winter landscape with two drops of color and the artist’s signature added to it. With this work, Duchamp created his first "rectified readymade." Here, Stefan Banz investigates the meaning of the term "rectified readymade" and discusses the philosophical dimensions of this cryptic piece.
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Marcel Duchamp: pharmacie
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Made by Duchamp in 1914, Pharmacie is a cheap reproduction of a winter landscape with two drops of color and the artist’s signature added to it. With this work, Duchamp created his first "rectified readymade." Here, Stefan Banz investigates the meaning of the term "rectified readymade" and discusses the philosophical dimensions of this cryptic piece.
Marcel Duchamp: pharmacie
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Made by Duchamp in 1914, Pharmacie is a cheap reproduction of a winter landscape with two drops of color and the artist’s signature added to it. With this work, Duchamp created his first "rectified readymade." Here, Stefan Banz investigates the meaning of the term "rectified readymade" and discusses the philosophical dimensions of this cryptic piece.
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livres
Publication:
février 2014
février 2014
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livres
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Peter Fischli David Weiss
Peter Fischli David Weiss
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Peter Fischli (born 1952) and David Weiss (1946–2012) collaborate to transform the stuff of ordinary life into a series of quizzical, whimsical, even disquieting encounters. Fascinated with unconventional subject matter and material, Fischli and Weiss toy with the idea of "high art," questioning popular narratives and movements in art and cultural history. Peter Fischli(...)
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Peter Fischli (born 1952) and David Weiss (1946–2012) collaborate to transform the stuff of ordinary life into a series of quizzical, whimsical, even disquieting encounters. Fascinated with unconventional subject matter and material, Fischli and Weiss toy with the idea of "high art," questioning popular narratives and movements in art and cultural history. Peter Fischli(...)
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Peter Fischli David Weiss
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$65.00
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Peter Fischli (born 1952) and David Weiss (1946–2012) collaborate to transform the stuff of ordinary life into a series of quizzical, whimsical, even disquieting encounters. Fascinated with unconventional subject matter and material, Fischli and Weiss toy with the idea of "high art," questioning popular narratives and movements in art and cultural history. Peter Fischli David Weiss presents an in-depth survey of the artists’ work from 1979 through 2012, drawn exclusively from Glenstone’s collection.
Peter Fischli David Weiss
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Peter Fischli (born 1952) and David Weiss (1946–2012) collaborate to transform the stuff of ordinary life into a series of quizzical, whimsical, even disquieting encounters. Fascinated with unconventional subject matter and material, Fischli and Weiss toy with the idea of "high art," questioning popular narratives and movements in art and cultural history. Peter Fischli David Weiss presents an in-depth survey of the artists’ work from 1979 through 2012, drawn exclusively from Glenstone’s collection.
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livres
livres
Publication:
février 2014
février 2014
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livres
Titre:
Guy de Cointet: Tempo Rubato
Guy de Cointet: Tempo Rubato
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The installations, books, films and plays of Guy de Cointet (1934–1983) offer conceptually playful and witty treatments of codes, ciphers and optical tensions between language and image. Born in France and based in Los Angeles from 1965 until his death, de Cointet was also an important mentor as a teacher at the Otis Art Institute for a generation of Californian artists,(...)
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The installations, books, films and plays of Guy de Cointet (1934–1983) offer conceptually playful and witty treatments of codes, ciphers and optical tensions between language and image. Born in France and based in Los Angeles from 1965 until his death, de Cointet was also an important mentor as a teacher at the Otis Art Institute for a generation of Californian artists,(...)
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février 2014
février 2014
Titre:
Guy de Cointet: Tempo Rubato
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$49.95
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The installations, books, films and plays of Guy de Cointet (1934–1983) offer conceptually playful and witty treatments of codes, ciphers and optical tensions between language and image. Born in France and based in Los Angeles from 1965 until his death, de Cointet was also an important mentor as a teacher at the Otis Art Institute for a generation of Californian artists, including Paul McCarthy and Mike Kelley. This volume, published for a 2012/13 survey show at Fundación/Colección Jumex in Mexico, includes extensive documentation (playscripts, photographs) of his plays Tempo Rubato, IGLU and Tell Me, alongside relevant works on paper, archival photographs and essays by Magalí Arriola, Jay Sanders and Marie de Brugerolle.
Guy de Cointet: Tempo Rubato
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$49.95
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Résumé:
The installations, books, films and plays of Guy de Cointet (1934–1983) offer conceptually playful and witty treatments of codes, ciphers and optical tensions between language and image. Born in France and based in Los Angeles from 1965 until his death, de Cointet was also an important mentor as a teacher at the Otis Art Institute for a generation of Californian artists, including Paul McCarthy and Mike Kelley. This volume, published for a 2012/13 survey show at Fundación/Colección Jumex in Mexico, includes extensive documentation (playscripts, photographs) of his plays Tempo Rubato, IGLU and Tell Me, alongside relevant works on paper, archival photographs and essays by Magalí Arriola, Jay Sanders and Marie de Brugerolle.
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livres
livres
Publication:
février 2014
février 2014
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livres
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$45.00
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Graphite Drawings includes 25 of Brice Marden's seminal early works on paper and accompanies the first exhibition devoted solely to this body of work. The drawings, made between 1962 and 1981, feature luxurious surfaces of graphite and beeswax worked into dense, reflective planes of blacks, whites and grays. Within these surfaces, Marden reveals the underlying geometries(...)
$45.00
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Résumé:
Graphite Drawings includes 25 of Brice Marden's seminal early works on paper and accompanies the first exhibition devoted solely to this body of work. The drawings, made between 1962 and 1981, feature luxurious surfaces of graphite and beeswax worked into dense, reflective planes of blacks, whites and grays. Within these surfaces, Marden reveals the underlying geometries(...)
Titre:
Brice Marden: graphite drawings
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Graphite Drawings includes 25 of Brice Marden's seminal early works on paper and accompanies the first exhibition devoted solely to this body of work. The drawings, made between 1962 and 1981, feature luxurious surfaces of graphite and beeswax worked into dense, reflective planes of blacks, whites and grays. Within these surfaces, Marden reveals the underlying geometries of the rectangle and the grid, a formal strategy that has characterized his work from the 1960s to the present.
Brice Marden: graphite drawings
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Graphite Drawings includes 25 of Brice Marden's seminal early works on paper and accompanies the first exhibition devoted solely to this body of work. The drawings, made between 1962 and 1981, feature luxurious surfaces of graphite and beeswax worked into dense, reflective planes of blacks, whites and grays. Within these surfaces, Marden reveals the underlying geometries of the rectangle and the grid, a formal strategy that has characterized his work from the 1960s to the present.
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livres
livres
Publication:
février 2014
février 2014
Classification:
livres
livres
Titre:
Philip Guston: late works
Philip Guston: late works
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Philip Guston (1913–1980) was the first abstract painter to return to figuration in the postwar era and was pioneering in his mixing of high art and popular culture. He initially came to prominence as a first-generation Abstract Expressionist, alongside his close friends Jackson Pollock, Willem de Kooning and Mark Rothko. Toward the end of the 1960s, dissatisfied with(...)
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Philip Guston (1913–1980) was the first abstract painter to return to figuration in the postwar era and was pioneering in his mixing of high art and popular culture. He initially came to prominence as a first-generation Abstract Expressionist, alongside his close friends Jackson Pollock, Willem de Kooning and Mark Rothko. Toward the end of the 1960s, dissatisfied with(...)
Titre:
Philip Guston: late works
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Philip Guston (1913–1980) was the first abstract painter to return to figuration in the postwar era and was pioneering in his mixing of high art and popular culture. He initially came to prominence as a first-generation Abstract Expressionist, alongside his close friends Jackson Pollock, Willem de Kooning and Mark Rothko. Toward the end of the 1960s, dissatisfied with abstraction, he embarked on an intense phase of drawing, which culminated in his departure from the "purity" demanded of abstract art. Guston introduced human figures smoking, drinking and painting; large heads, severed hairy legs, clumsy shoes and domestic objects such as walls, doors and lamp bulbs were among the motifs of these new paintings.
Philip Guston: late works
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Philip Guston (1913–1980) was the first abstract painter to return to figuration in the postwar era and was pioneering in his mixing of high art and popular culture. He initially came to prominence as a first-generation Abstract Expressionist, alongside his close friends Jackson Pollock, Willem de Kooning and Mark Rothko. Toward the end of the 1960s, dissatisfied with abstraction, he embarked on an intense phase of drawing, which culminated in his departure from the "purity" demanded of abstract art. Guston introduced human figures smoking, drinking and painting; large heads, severed hairy legs, clumsy shoes and domestic objects such as walls, doors and lamp bulbs were among the motifs of these new paintings.
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livres
Publication:
février 2014
février 2014
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livres
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The art of Alice Neel (1900-1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel's drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School,(...)
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The art of Alice Neel (1900-1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel's drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School,(...)
Titre:
Alice Neel: intimate relations
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The art of Alice Neel (1900-1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel's drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School, an early sojourn in Cuba--that accompanied her through her tentative beginnings in the mid-1920s through to the maturity of her art after the Second World War, when she found room to accommodate abstraction and Pop art.
Alice Neel: intimate relations
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The art of Alice Neel (1900-1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel's drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School, an early sojourn in Cuba--that accompanied her through her tentative beginnings in the mid-1920s through to the maturity of her art after the Second World War, when she found room to accommodate abstraction and Pop art.
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livres
livres
Publication:
février 2014
février 2014
Classification:
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livres
Titre:
Alexander Calder: trees
Alexander Calder: trees
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Alexander Calder (1898–1976) famously transposed modernist visual abstraction into three-dimensional space, initially doing so in the context of European abstract artists such as Mondrian. In 1933, leaving Paris for his native United States, he settled in an old farmhouse in Roxbury, Connecticut, where the forms of nature became a new source of inspiration for his(...)
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Alexander Calder (1898–1976) famously transposed modernist visual abstraction into three-dimensional space, initially doing so in the context of European abstract artists such as Mondrian. In 1933, leaving Paris for his native United States, he settled in an old farmhouse in Roxbury, Connecticut, where the forms of nature became a new source of inspiration for his(...)
Titre:
Alexander Calder: trees
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Alexander Calder (1898–1976) famously transposed modernist visual abstraction into three-dimensional space, initially doing so in the context of European abstract artists such as Mondrian. In 1933, leaving Paris for his native United States, he settled in an old farmhouse in Roxbury, Connecticut, where the forms of nature became a new source of inspiration for his creativity. By the summer of 1934, Calder was producing his first outdoor sculptures. His monumental standing mobile "The Tree" (1966) exemplifies this new tension between abstraction and figuration. This volume, published for an exhibition at the Fondation Beyeler, tracks Calder’s evolution away from geometric abstraction and toward large-scale biomorphism via the tree motif.
Alexander Calder: trees
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Alexander Calder (1898–1976) famously transposed modernist visual abstraction into three-dimensional space, initially doing so in the context of European abstract artists such as Mondrian. In 1933, leaving Paris for his native United States, he settled in an old farmhouse in Roxbury, Connecticut, where the forms of nature became a new source of inspiration for his creativity. By the summer of 1934, Calder was producing his first outdoor sculptures. His monumental standing mobile "The Tree" (1966) exemplifies this new tension between abstraction and figuration. This volume, published for an exhibition at the Fondation Beyeler, tracks Calder’s evolution away from geometric abstraction and toward large-scale biomorphism via the tree motif.
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livres
Publication:
février 2014
février 2014
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livres
Titre:
Chris Johanson
Chris Johanson
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A comprehensive look at the thought-provoking, eye-catching and mind-expanding work of this visionary West Coast artist.
$59.95
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Résumé:
A comprehensive look at the thought-provoking, eye-catching and mind-expanding work of this visionary West Coast artist.
Publication:
février 2014
février 2014
Titre:
Chris Johanson
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$59.95
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A comprehensive look at the thought-provoking, eye-catching and mind-expanding work of this visionary West Coast artist.
Chris Johanson
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A comprehensive look at the thought-provoking, eye-catching and mind-expanding work of this visionary West Coast artist.
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livres
Publication:
février 2014
février 2014
Classification:
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Titre:
Emily Ferretti: everyday
Emily Ferretti: everyday
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$32.00
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Résumé:
This volume presents artworks by Melbourne artist Emily Ferretti. Her oil on linen paintings abstract representations of plants, rocks, domestic settings, and architectural objects and details are forming fragmentary scenes that bestow a particular gravity and significance upon the mundane. Included is a short text by fellow Melbourne artist Laith McGregor.
$32.00
(disponible en magasin)
Résumé:
This volume presents artworks by Melbourne artist Emily Ferretti. Her oil on linen paintings abstract representations of plants, rocks, domestic settings, and architectural objects and details are forming fragmentary scenes that bestow a particular gravity and significance upon the mundane. Included is a short text by fellow Melbourne artist Laith McGregor.
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Emily Ferretti: everyday
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$32.00
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This volume presents artworks by Melbourne artist Emily Ferretti. Her oil on linen paintings abstract representations of plants, rocks, domestic settings, and architectural objects and details are forming fragmentary scenes that bestow a particular gravity and significance upon the mundane. Included is a short text by fellow Melbourne artist Laith McGregor.
Emily Ferretti: everyday
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$32.00
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Résumé:
This volume presents artworks by Melbourne artist Emily Ferretti. Her oil on linen paintings abstract representations of plants, rocks, domestic settings, and architectural objects and details are forming fragmentary scenes that bestow a particular gravity and significance upon the mundane. Included is a short text by fellow Melbourne artist Laith McGregor.
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livres
Publication:
mars 2014
mars 2014
Classification:
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livres
Titre:
Eva Hesse: one more than one
Eva Hesse: one more than one
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Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013(...)
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Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013(...)
Publication:
mars 2014
mars 2014
Titre:
Eva Hesse: one more than one
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$50.00
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Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013 onward, the Hamburger Kunsthalle is presenting the first solo exhibition of Hesse’s work in her native city. This publication is the catalogue of the exhibition.
Eva Hesse: one more than one
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Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013 onward, the Hamburger Kunsthalle is presenting the first solo exhibition of Hesse’s work in her native city. This publication is the catalogue of the exhibition.
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livres
livres
Publication:
mars 2014
mars 2014
