1921 Résultats
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livres
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Fred Sandback: drawings
Fred Sandback: drawings
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s,(...)
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s,(...)
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Fred Sandback: drawings
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s, Sandback expanded his drawing vocabulary to include work in acrylic, in the pochoir technique or in pastel, which look much more pictorial in contrast to his earlier works on paper. The issue was now less about conceiving sculptures and more about modulating space. As regards sculpture, Sandback no longer thought of it as a given spatial volume, but as a sensual phenomenon per se, which he explored in the drawing. In his late drawings, Sandback moved away from the conditions of a coherent space in order to conceive of sculptures that are boundless from all sides. Only a specific section of the whole is intimated in the drawing, for which Sandback invented unusual techniques: actual incisions instead of drawn lines, for instance, or painterly traces on transparent film. This publication of Sandback’s drawings assembles works from over thirty years, supplemented by sculpture.
Fred Sandback: drawings
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s, Sandback expanded his drawing vocabulary to include work in acrylic, in the pochoir technique or in pastel, which look much more pictorial in contrast to his earlier works on paper. The issue was now less about conceiving sculptures and more about modulating space. As regards sculpture, Sandback no longer thought of it as a given spatial volume, but as a sensual phenomenon per se, which he explored in the drawing. In his late drawings, Sandback moved away from the conditions of a coherent space in order to conceive of sculptures that are boundless from all sides. Only a specific section of the whole is intimated in the drawing, for which Sandback invented unusual techniques: actual incisions instead of drawn lines, for instance, or painterly traces on transparent film. This publication of Sandback’s drawings assembles works from over thirty years, supplemented by sculpture.
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livres
Publication:
août 2014
août 2014
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livres
livres
Titre:
Carl Andre: poems
Carl Andre: poems
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Carl Andre (born 1935) was a poet before he was an artist, and between 1960 and 1965 he produced a substantial body of innovative visual poetry. Arranging language on paper as carefully and as sculpturally as he was later to arrange pieces of metal or bricks on the floor, Andre approached words as adjustable entities, to be moved around within the limits of the space of(...)
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Carl Andre (born 1935) was a poet before he was an artist, and between 1960 and 1965 he produced a substantial body of innovative visual poetry. Arranging language on paper as carefully and as sculpturally as he was later to arrange pieces of metal or bricks on the floor, Andre approached words as adjustable entities, to be moved around within the limits of the space of(...)
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Carl Andre: poems
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Carl Andre (born 1935) was a poet before he was an artist, and between 1960 and 1965 he produced a substantial body of innovative visual poetry. Arranging language on paper as carefully and as sculpturally as he was later to arrange pieces of metal or bricks on the floor, Andre approached words as adjustable entities, to be moved around within the limits of the space of the sheet of paper. These works, made during the height of the international Concrete poetry movement, appeared alongside his sculptures in exhibitions and were excerpted in scholarly writings about the artist. With this volume, Andre’s influential poetic oeuvre is now gathered comprehensively for the first time. The poems, which were often typed on 8 x 11 paper, are reproduced in quasi-facsimile, to convey Andre’s sculptural intentions. Also included are essays by art historians Gavin Delahunty and Valérie Mavridorakis, and curator Lynn Kost.
Carl Andre: poems
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Carl Andre (born 1935) was a poet before he was an artist, and between 1960 and 1965 he produced a substantial body of innovative visual poetry. Arranging language on paper as carefully and as sculpturally as he was later to arrange pieces of metal or bricks on the floor, Andre approached words as adjustable entities, to be moved around within the limits of the space of the sheet of paper. These works, made during the height of the international Concrete poetry movement, appeared alongside his sculptures in exhibitions and were excerpted in scholarly writings about the artist. With this volume, Andre’s influential poetic oeuvre is now gathered comprehensively for the first time. The poems, which were often typed on 8 x 11 paper, are reproduced in quasi-facsimile, to convey Andre’s sculptural intentions. Also included are essays by art historians Gavin Delahunty and Valérie Mavridorakis, and curator Lynn Kost.
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livres
livres
Publication:
août 2014
août 2014
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livres
livres
Titre:
Seth Price
Seth Price
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$22.00
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Part of the 2000 Words series, conceived and commissioned by Massimiliano Gioni, this monograph presents the entirety of the artist's works in the Dakis Joannou Collection alongside a new essay by Price and an essay by Chris Wiley that examines the artist's peripatetic and complex vision.
$22.00
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Résumé:
Part of the 2000 Words series, conceived and commissioned by Massimiliano Gioni, this monograph presents the entirety of the artist's works in the Dakis Joannou Collection alongside a new essay by Price and an essay by Chris Wiley that examines the artist's peripatetic and complex vision.
Titre:
Seth Price
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$22.00
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Part of the 2000 Words series, conceived and commissioned by Massimiliano Gioni, this monograph presents the entirety of the artist's works in the Dakis Joannou Collection alongside a new essay by Price and an essay by Chris Wiley that examines the artist's peripatetic and complex vision.
Seth Price
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$22.00
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Résumé:
Part of the 2000 Words series, conceived and commissioned by Massimiliano Gioni, this monograph presents the entirety of the artist's works in the Dakis Joannou Collection alongside a new essay by Price and an essay by Chris Wiley that examines the artist's peripatetic and complex vision.
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livres
livres
Publication:
août 2014
août 2014
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livres
livres
Titre:
Paul Chan: 2000 words
Paul Chan: 2000 words
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The varied practice of Paul Chan (born 1973) includes paintings, drawings, video animations and font design, as well as critical writing. The characters in his works are animated beings, jerking and stuttering as they are violently thrust into the clumsy reel--or "real"--of history. Chan explores the intellectual and sexual animus that courses through our collective(...)
$22.00
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The varied practice of Paul Chan (born 1973) includes paintings, drawings, video animations and font design, as well as critical writing. The characters in his works are animated beings, jerking and stuttering as they are violently thrust into the clumsy reel--or "real"--of history. Chan explores the intellectual and sexual animus that courses through our collective(...)
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Paul Chan: 2000 words
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$22.00
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The varied practice of Paul Chan (born 1973) includes paintings, drawings, video animations and font design, as well as critical writing. The characters in his works are animated beings, jerking and stuttering as they are violently thrust into the clumsy reel--or "real"--of history. Chan explores the intellectual and sexual animus that courses through our collective language and consciousness, drawing on sources as varied as the King James Bible, Marquis de Sade and Samuel Beckett. Part of the 2000 Words series, conceived and commissioned by Massimiliano Gioni, and published by the Deste Foundation for Contemporary Art, 2000 Words: Paul Chan presents the entirety of the artist's works in the Dakis Joannou Collection and includes an essay by Stephen Squibb that reveals the solitary image and its uncanny animation in Chan's work.
Paul Chan: 2000 words
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$22.00
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The varied practice of Paul Chan (born 1973) includes paintings, drawings, video animations and font design, as well as critical writing. The characters in his works are animated beings, jerking and stuttering as they are violently thrust into the clumsy reel--or "real"--of history. Chan explores the intellectual and sexual animus that courses through our collective language and consciousness, drawing on sources as varied as the King James Bible, Marquis de Sade and Samuel Beckett. Part of the 2000 Words series, conceived and commissioned by Massimiliano Gioni, and published by the Deste Foundation for Contemporary Art, 2000 Words: Paul Chan presents the entirety of the artist's works in the Dakis Joannou Collection and includes an essay by Stephen Squibb that reveals the solitary image and its uncanny animation in Chan's work.
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livres
livres
Publication:
août 2014
août 2014
Classification:
livres
livres
Titre:
Elad Lassry: 2000 Words
Elad Lassry: 2000 Words
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$22.00
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American artist Elad Lassry's work investigates the possibilities and impossibilities surrounding the current notion of a picture. With esthetic surefootedness the artist nudges photography ever closer to time-based mediums like film and dance. Displaying a wide array of Lassry's work in the Dakis Joannou Collection, this volume includes an essay by Tim Griffin that(...)
$22.00
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American artist Elad Lassry's work investigates the possibilities and impossibilities surrounding the current notion of a picture. With esthetic surefootedness the artist nudges photography ever closer to time-based mediums like film and dance. Displaying a wide array of Lassry's work in the Dakis Joannou Collection, this volume includes an essay by Tim Griffin that(...)
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Elad Lassry: 2000 Words
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$22.00
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American artist Elad Lassry's work investigates the possibilities and impossibilities surrounding the current notion of a picture. With esthetic surefootedness the artist nudges photography ever closer to time-based mediums like film and dance. Displaying a wide array of Lassry's work in the Dakis Joannou Collection, this volume includes an essay by Tim Griffin that examines how the artist challenges the nature of our perception and questions the meaning of the contemporary image. The new 2000 Words series is a compilation of small volumes that gives insight into the work of some of today's most exciting contemporary artists.
Elad Lassry: 2000 Words
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American artist Elad Lassry's work investigates the possibilities and impossibilities surrounding the current notion of a picture. With esthetic surefootedness the artist nudges photography ever closer to time-based mediums like film and dance. Displaying a wide array of Lassry's work in the Dakis Joannou Collection, this volume includes an essay by Tim Griffin that examines how the artist challenges the nature of our perception and questions the meaning of the contemporary image. The new 2000 Words series is a compilation of small volumes that gives insight into the work of some of today's most exciting contemporary artists.
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livres
livres
Publication:
août 2014
août 2014
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livres
livres
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$65.00
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Surveying works in all media, Josef Albers: Minimum Media, Maximum Effect offers a new comprehensive monograph of Josef Albers (1888-1976) focusing on the artist's abiding concern for clarity and simplicity. As the title suggests, Albers strove to attain the maximum effect with minimal media. This selection of works demonstrates the continuity of Albers' austere and(...)
$65.00
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Résumé:
Surveying works in all media, Josef Albers: Minimum Media, Maximum Effect offers a new comprehensive monograph of Josef Albers (1888-1976) focusing on the artist's abiding concern for clarity and simplicity. As the title suggests, Albers strove to attain the maximum effect with minimal media. This selection of works demonstrates the continuity of Albers' austere and(...)
Publication:
août 2014
août 2014
Titre:
Josef Albers: minimal means, maximum effects
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$65.00
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Résumé:
Surveying works in all media, Josef Albers: Minimum Media, Maximum Effect offers a new comprehensive monograph of Josef Albers (1888-1976) focusing on the artist's abiding concern for clarity and simplicity. As the title suggests, Albers strove to attain the maximum effect with minimal media. This selection of works demonstrates the continuity of Albers' austere and luminous vision, as it permeated his teaching, furniture and design objects, photography, typographical design and his writings, from his early years as a schoolteacher in Germany and the Bauhaus years to the end of his artistic and teaching career at Yale.
Josef Albers: minimal means, maximum effects
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Surveying works in all media, Josef Albers: Minimum Media, Maximum Effect offers a new comprehensive monograph of Josef Albers (1888-1976) focusing on the artist's abiding concern for clarity and simplicity. As the title suggests, Albers strove to attain the maximum effect with minimal media. This selection of works demonstrates the continuity of Albers' austere and luminous vision, as it permeated his teaching, furniture and design objects, photography, typographical design and his writings, from his early years as a schoolteacher in Germany and the Bauhaus years to the end of his artistic and teaching career at Yale.
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livres
livres
Publication:
août 2014
août 2014
Classification:
livres
livres
Titre:
Notre histoire / Our history
Notre histoire / Our history
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$15.00
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La publication Notre histoire || Our History accompagne l'exposition du même nom, un projet de l’artiste Michael Blum portant sur la question des identités québécoise(s) et canadienne(s). L’exposition est le fruit d’un travail effectué dans le cadre du programme de résidence d’été de la Galerie. L’artiste a construit, dans la salle d’exposition même, un musée proposant(...)
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La publication Notre histoire || Our History accompagne l'exposition du même nom, un projet de l’artiste Michael Blum portant sur la question des identités québécoise(s) et canadienne(s). L’exposition est le fruit d’un travail effectué dans le cadre du programme de résidence d’été de la Galerie. L’artiste a construit, dans la salle d’exposition même, un musée proposant(...)
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Notre histoire / Our history
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La publication Notre histoire || Our History accompagne l'exposition du même nom, un projet de l’artiste Michael Blum portant sur la question des identités québécoise(s) et canadienne(s). L’exposition est le fruit d’un travail effectué dans le cadre du programme de résidence d’été de la Galerie. L’artiste a construit, dans la salle d’exposition même, un musée proposant une ré-écriture fantaisiste de l’histoire du Québec et du Canada, en plus d’accompagner le projet de cette publication regroupant les réponses de personnalités publiques à un sondage portant sur la vision identitaire des répondants. Ce sondage, « non-scientifique » du propre aveu de l'artiste, a été adressé à plus de 600 personnalités publiques du domaine politique, artistique, journalistique et universitaire, afin de jeter les bases de son projet artistique. Les opinions exhaustives des 86 répondants sont ici rassemblées, entre cynisme et humour, entre candeur et ferveur, en anglais comme en français. Elles ont constitué une sorte de terrain réflexif au quotidien. La publication, qui n’est pas le catalogue de l’exposition ni un essai, se veut plutôt le rapport d’une recherche conduite par l’artiste désireux d’examiner l’histoire de son pays d’accueil à la lumière d’une certaine actualité l’ayant mis en présence de cette vertigineuse notion qu’est « l’identité ».
Notre histoire / Our history
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$15.00
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Résumé:
La publication Notre histoire || Our History accompagne l'exposition du même nom, un projet de l’artiste Michael Blum portant sur la question des identités québécoise(s) et canadienne(s). L’exposition est le fruit d’un travail effectué dans le cadre du programme de résidence d’été de la Galerie. L’artiste a construit, dans la salle d’exposition même, un musée proposant une ré-écriture fantaisiste de l’histoire du Québec et du Canada, en plus d’accompagner le projet de cette publication regroupant les réponses de personnalités publiques à un sondage portant sur la vision identitaire des répondants. Ce sondage, « non-scientifique » du propre aveu de l'artiste, a été adressé à plus de 600 personnalités publiques du domaine politique, artistique, journalistique et universitaire, afin de jeter les bases de son projet artistique. Les opinions exhaustives des 86 répondants sont ici rassemblées, entre cynisme et humour, entre candeur et ferveur, en anglais comme en français. Elles ont constitué une sorte de terrain réflexif au quotidien. La publication, qui n’est pas le catalogue de l’exposition ni un essai, se veut plutôt le rapport d’une recherche conduite par l’artiste désireux d’examiner l’histoire de son pays d’accueil à la lumière d’une certaine actualité l’ayant mis en présence de cette vertigineuse notion qu’est « l’identité ».
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livres
livres
Publication:
août 2014
août 2014
Classification:
livres
livres
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This title, published in 1979 and long since out of print, now appears as a reprint from Lars Muller Publishers. The original book was released in the series of publications Source Materials of the Contemporary Arts initiated by Kasper Konig and produced by the Press of the Nova Scotia College of Art and Design. The publication represents an important document in Dan(...)
$50.00
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Résumé:
This title, published in 1979 and long since out of print, now appears as a reprint from Lars Muller Publishers. The original book was released in the series of publications Source Materials of the Contemporary Arts initiated by Kasper Konig and produced by the Press of the Nova Scotia College of Art and Design. The publication represents an important document in Dan(...)
Titre:
Dan Graham Video - Architecture - Television: Writings on Video and Video Works 1970 - 1978
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This title, published in 1979 and long since out of print, now appears as a reprint from Lars Muller Publishers. The original book was released in the series of publications Source Materials of the Contemporary Arts initiated by Kasper Konig and produced by the Press of the Nova Scotia College of Art and Design. The publication represents an important document in Dan Graham's artistic examination of the video medium. Graham's installations and performances with video from the years 1970 - 78 are documented with numerous illustrations, photos, and brief descriptions. In addition, the volume contains an essay by the artist in which he examines the various possibilities and forms of representation offered by the video medium, and draws the boundaries between these and representational spaces in television, film, or architecture. The book also offers contributions by Michael Asher and Dara Birnbaum, as well as an annex with a biography and bibliography.
Dan Graham Video - Architecture - Television: Writings on Video and Video Works 1970 - 1978
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$50.00
(disponible sur commande)
Résumé:
This title, published in 1979 and long since out of print, now appears as a reprint from Lars Muller Publishers. The original book was released in the series of publications Source Materials of the Contemporary Arts initiated by Kasper Konig and produced by the Press of the Nova Scotia College of Art and Design. The publication represents an important document in Dan Graham's artistic examination of the video medium. Graham's installations and performances with video from the years 1970 - 78 are documented with numerous illustrations, photos, and brief descriptions. In addition, the volume contains an essay by the artist in which he examines the various possibilities and forms of representation offered by the video medium, and draws the boundaries between these and representational spaces in television, film, or architecture. The book also offers contributions by Michael Asher and Dara Birnbaum, as well as an annex with a biography and bibliography.
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livres
livres
Publication:
novembre 2012
novembre 2012
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livres
livres
Titre:
Thomas Flechtner : news
Thomas Flechtner : news
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$120.00
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News represents a further development of the much-acclaimed work of artist Thomas Flechtner. Whereas in Snow he looked at snow as a metaphor for timelessness, calm, distance, and loneliness, and in Bloom Flechtner used atmospherically condensed studies of plants to examine the boundless colorfulness and movement of grown nature, for his new project News Flechtner(...)
$120.00
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Résumé:
News represents a further development of the much-acclaimed work of artist Thomas Flechtner. Whereas in Snow he looked at snow as a metaphor for timelessness, calm, distance, and loneliness, and in Bloom Flechtner used atmospherically condensed studies of plants to examine the boundless colorfulness and movement of grown nature, for his new project News Flechtner(...)
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Thomas Flechtner : news
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$120.00
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News represents a further development of the much-acclaimed work of artist Thomas Flechtner. Whereas in Snow he looked at snow as a metaphor for timelessness, calm, distance, and loneliness, and in Bloom Flechtner used atmospherically condensed studies of plants to examine the boundless colorfulness and movement of grown nature, for his new project News Flechtner collected newspaper front pages over a period of one year, scattered plant seeds from very different countries over them, watered them, and, finally, exposed them to the sun. He recorded the way the "news" was gradually bleached and overgrown with plants in more than one hundred color photographs. Flechtner contrasts the anarchy of nature with the agenda of mankind, while also questioning the fleetingness of memory and the demands made on it in shaping today's world. Thomas Flechtne r, born in Winterthur in 1961, studied at the Ecole de photographie, Vevey. He has received numerous prizes for his photographic works, which he regularly exhibits. He lives and works in Valliere, France and in Zürich.
Thomas Flechtner : news
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News represents a further development of the much-acclaimed work of artist Thomas Flechtner. Whereas in Snow he looked at snow as a metaphor for timelessness, calm, distance, and loneliness, and in Bloom Flechtner used atmospherically condensed studies of plants to examine the boundless colorfulness and movement of grown nature, for his new project News Flechtner collected newspaper front pages over a period of one year, scattered plant seeds from very different countries over them, watered them, and, finally, exposed them to the sun. He recorded the way the "news" was gradually bleached and overgrown with plants in more than one hundred color photographs. Flechtner contrasts the anarchy of nature with the agenda of mankind, while also questioning the fleetingness of memory and the demands made on it in shaping today's world. Thomas Flechtne r, born in Winterthur in 1961, studied at the Ecole de photographie, Vevey. He has received numerous prizes for his photographic works, which he regularly exhibits. He lives and works in Valliere, France and in Zürich.
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livres
livres
Publication:
décembre 2012
décembre 2012
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livres
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$55.00
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“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges(...)
$55.00
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Résumé:
“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges(...)
Publication:
octobre 2012
octobre 2012
Titre:
David Claerbout : the time that remains
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$55.00
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Résumé:
“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges thousands of stills and scans into slow and deliberate moving films. Time, in Claerbout’s videos, seems to move with a mesmerizing heaviness, almost as if within a memory or piece of music. With some of his films lasting up to 13 hours, Claerbout expects and requires the undivided attention of his audience or, at least, their patience. In this first catalogue of his oeuvre, his film and video projects are presented through his production photographs and design sketches, offering an exciting introduction into the process and aesthetic development of the artist.
David Claerbout : the time that remains
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$55.00
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Résumé:
“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges thousands of stills and scans into slow and deliberate moving films. Time, in Claerbout’s videos, seems to move with a mesmerizing heaviness, almost as if within a memory or piece of music. With some of his films lasting up to 13 hours, Claerbout expects and requires the undivided attention of his audience or, at least, their patience. In this first catalogue of his oeuvre, his film and video projects are presented through his production photographs and design sketches, offering an exciting introduction into the process and aesthetic development of the artist.
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
