1866 Résultats
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This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series(...)
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This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series(...)
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Giorgio Morandi: late paintings
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This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. In addition to an essay by art historian Laura Mattioli, founder of the Center for Italian Modern Art (CIMA), the book includes a fantastic array of contributions by contemporary artists, including John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Alexi Worth and Zeng Fanzhi. Each of the artists offers a personal response to Morandi’s work, and to the 2015 David Zwirner exhibition this book accompanies. Working in different mediums across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Giorgio Morandi: late paintings
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This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. In addition to an essay by art historian Laura Mattioli, founder of the Center for Italian Modern Art (CIMA), the book includes a fantastic array of contributions by contemporary artists, including John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Alexi Worth and Zeng Fanzhi. Each of the artists offers a personal response to Morandi’s work, and to the 2015 David Zwirner exhibition this book accompanies. Working in different mediums across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
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livres
Publication:
mai 2017
mai 2017
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livres
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Constant Nieuwenhuys (1920-2005) is primarily known as the co-founder of the international Cobra group and as the initiator and maker of the New Babylon project. This publication sheds light, for the first time, on a third influential period in his artistic practice, during which he made the journey from Cobra to New Babylon, continually reinventing himself along the way.
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Constant Nieuwenhuys (1920-2005) is primarily known as the co-founder of the international Cobra group and as the initiator and maker of the New Babylon project. This publication sheds light, for the first time, on a third influential period in his artistic practice, during which he made the journey from Cobra to New Babylon, continually reinventing himself along the way.
Publication:
mai 2016
mai 2016
Titre:
Constant: space and colour. From Cobra to New Babylon
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Constant Nieuwenhuys (1920-2005) is primarily known as the co-founder of the international Cobra group and as the initiator and maker of the New Babylon project. This publication sheds light, for the first time, on a third influential period in his artistic practice, during which he made the journey from Cobra to New Babylon, continually reinventing himself along the way.
Constant: space and colour. From Cobra to New Babylon
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Constant Nieuwenhuys (1920-2005) is primarily known as the co-founder of the international Cobra group and as the initiator and maker of the New Babylon project. This publication sheds light, for the first time, on a third influential period in his artistic practice, during which he made the journey from Cobra to New Babylon, continually reinventing himself along the way.
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livres
livres
Publication:
mai 2016
mai 2016
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Eshi Addis Ababa, by German artist Michaela Meise (born 1976), is a kind of architectural guide through Addis Ababa, capital of Ethiopia. One emphasis is its relationship to East Germany, with pictures of the former East German ambassador’s villa and the Karl Marx memorial created by Jo Jastram and Peter Baumbach.
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Eshi Addis Ababa, by German artist Michaela Meise (born 1976), is a kind of architectural guide through Addis Ababa, capital of Ethiopia. One emphasis is its relationship to East Germany, with pictures of the former East German ambassador’s villa and the Karl Marx memorial created by Jo Jastram and Peter Baumbach.
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Michaela Meise: Eshi Addis Ababa
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Eshi Addis Ababa, by German artist Michaela Meise (born 1976), is a kind of architectural guide through Addis Ababa, capital of Ethiopia. One emphasis is its relationship to East Germany, with pictures of the former East German ambassador’s villa and the Karl Marx memorial created by Jo Jastram and Peter Baumbach.
Michaela Meise: Eshi Addis Ababa
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Eshi Addis Ababa, by German artist Michaela Meise (born 1976), is a kind of architectural guide through Addis Ababa, capital of Ethiopia. One emphasis is its relationship to East Germany, with pictures of the former East German ambassador’s villa and the Karl Marx memorial created by Jo Jastram and Peter Baumbach.
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livres
Publication:
mai 2017
mai 2017
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The work of German sculptor Isa Genzken is brilliantly receptive to the ever-shifting conditions of modern life. In this first book devoted to the artist, Lisa Lee reflects on Genzken’s tendency to think across media, attending to sculptures, photographs, drawings, and films from the entire span of her four-decade career, from student projects in the mid-1970s to recent(...)
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The work of German sculptor Isa Genzken is brilliantly receptive to the ever-shifting conditions of modern life. In this first book devoted to the artist, Lisa Lee reflects on Genzken’s tendency to think across media, attending to sculptures, photographs, drawings, and films from the entire span of her four-decade career, from student projects in the mid-1970s to recent(...)
Titre:
Isa Genzken: sculpture as world receiver
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The work of German sculptor Isa Genzken is brilliantly receptive to the ever-shifting conditions of modern life. In this first book devoted to the artist, Lisa Lee reflects on Genzken’s tendency to think across media, attending to sculptures, photographs, drawings, and films from the entire span of her four-decade career, from student projects in the mid-1970s to recent works seen in Genzken’s studio.
Isa Genzken: sculpture as world receiver
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The work of German sculptor Isa Genzken is brilliantly receptive to the ever-shifting conditions of modern life. In this first book devoted to the artist, Lisa Lee reflects on Genzken’s tendency to think across media, attending to sculptures, photographs, drawings, and films from the entire span of her four-decade career, from student projects in the mid-1970s to recent works seen in Genzken’s studio.
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livres
livres
Publication:
septembre 2017
septembre 2017
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livres
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Gert & Uwe Tobias: Grisaille
Gert & Uwe Tobias: Grisaille
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The twins Gert and Uwe Tobias are among the most famous German artists in the field of printed graphics, and to this day their inimitable signature remains as radical as ever. Their large-format woodcuts, luminous collages, and nuanced typewriter drawings are frequently characterized by exuberant imagination, craftsman-like perfection, and humorous depth, and their most(...)
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The twins Gert and Uwe Tobias are among the most famous German artists in the field of printed graphics, and to this day their inimitable signature remains as radical as ever. Their large-format woodcuts, luminous collages, and nuanced typewriter drawings are frequently characterized by exuberant imagination, craftsman-like perfection, and humorous depth, and their most(...)
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Gert & Uwe Tobias: Grisaille
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The twins Gert and Uwe Tobias are among the most famous German artists in the field of printed graphics, and to this day their inimitable signature remains as radical as ever. Their large-format woodcuts, luminous collages, and nuanced typewriter drawings are frequently characterized by exuberant imagination, craftsman-like perfection, and humorous depth, and their most recent group of works, Grisaille, is in keeping with the creative and entertaining pieces we’ve come to expect from them. In "Grisaille", created exclusively for an exhibition at the Staatlichen Graphischen Sammlung in Munich, the artists reinvigorate the centuries-old technique of “grey-in-grey painting,” while simultaneously interpreting it in a fresh manner through woodcuts. Presenting a twilight, monochrome color scheme hitherto unseen in their work, the realm of shadows in their fabulous pictorial inventions is at once ambiguous and extreme. Richly illustrated with eighty color plates, this book presents a critical addition to their oeuvre.
Gert & Uwe Tobias: Grisaille
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The twins Gert and Uwe Tobias are among the most famous German artists in the field of printed graphics, and to this day their inimitable signature remains as radical as ever. Their large-format woodcuts, luminous collages, and nuanced typewriter drawings are frequently characterized by exuberant imagination, craftsman-like perfection, and humorous depth, and their most recent group of works, Grisaille, is in keeping with the creative and entertaining pieces we’ve come to expect from them. In "Grisaille", created exclusively for an exhibition at the Staatlichen Graphischen Sammlung in Munich, the artists reinvigorate the centuries-old technique of “grey-in-grey painting,” while simultaneously interpreting it in a fresh manner through woodcuts. Presenting a twilight, monochrome color scheme hitherto unseen in their work, the realm of shadows in their fabulous pictorial inventions is at once ambiguous and extreme. Richly illustrated with eighty color plates, this book presents a critical addition to their oeuvre.
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livres
livres
Publication:
février 2017
février 2017
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Austrian artist Katharina Anna Loidl has reworked steel engravings of Swiss alpine landscapes, transforming the original nineteenth-century prints with an etching needle and burin. By carefully removing parts of the printer’s ink, Loidl also removes portions of the landscapes. In their place, she introduces simple geometric shapes, deliberately lacking in distinguishing(...)
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Austrian artist Katharina Anna Loidl has reworked steel engravings of Swiss alpine landscapes, transforming the original nineteenth-century prints with an etching needle and burin. By carefully removing parts of the printer’s ink, Loidl also removes portions of the landscapes. In their place, she introduces simple geometric shapes, deliberately lacking in distinguishing(...)
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Landscape engravings: Katharina Anna Loidl
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Austrian artist Katharina Anna Loidl has reworked steel engravings of Swiss alpine landscapes, transforming the original nineteenth-century prints with an etching needle and burin. By carefully removing parts of the printer’s ink, Loidl also removes portions of the landscapes. In their place, she introduces simple geometric shapes, deliberately lacking in distinguishing architectural detail so that viewers are encouraged to imagine the addition of structures of their choosing—apartment blocks, industrial buildings, or sports facilities—to the idyllic images. Landscape Engravings brings together fifty of Loidl’s alpine landscapes. Vitus Weh's essay examines the sublime and crystalline character of Loidl’s art, and Paolo Bianchi looks at aspects of romanticism as a fund, landscape as a sensation, and the art of repetition. By introducing spatial interventions to the idyllic, perhaps idealized, images, Loidl asks the reader to consider the impact of residential and industrial encroachment on the natural world and the value we ought to place on its preservation.
Landscape engravings: Katharina Anna Loidl
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Austrian artist Katharina Anna Loidl has reworked steel engravings of Swiss alpine landscapes, transforming the original nineteenth-century prints with an etching needle and burin. By carefully removing parts of the printer’s ink, Loidl also removes portions of the landscapes. In their place, she introduces simple geometric shapes, deliberately lacking in distinguishing architectural detail so that viewers are encouraged to imagine the addition of structures of their choosing—apartment blocks, industrial buildings, or sports facilities—to the idyllic images. Landscape Engravings brings together fifty of Loidl’s alpine landscapes. Vitus Weh's essay examines the sublime and crystalline character of Loidl’s art, and Paolo Bianchi looks at aspects of romanticism as a fund, landscape as a sensation, and the art of repetition. By introducing spatial interventions to the idyllic, perhaps idealized, images, Loidl asks the reader to consider the impact of residential and industrial encroachment on the natural world and the value we ought to place on its preservation.
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livres
livres
Publication:
juin 2017
juin 2017
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livres
Titre:
Aranda/Lasch: Trace elements
Aranda/Lasch: Trace elements
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and(...)
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and(...)
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Aranda/Lasch: Trace elements
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and expression for architecture. Their projects explore the interplay between rule-based systems and human ritual. In scale, this work lies somewhere between furniture and building, so that what is built, drawn, and projected gives human measure to procedural thinking. Published on the occasion of the studio's exhibition "Meeting the Clouds Halfway" at the Museum of Contemporary Art (MOCA) Tucson, this book is a collection of recent explorations into modularity, craft, pattern, rhythm, material, and memory. Trace Elements documents a wide-ranging and yet sharply focused body of work from an office dedicated both to intellectual exploration and the honing of a distinct design sensibility.
Aranda/Lasch: Trace elements
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and expression for architecture. Their projects explore the interplay between rule-based systems and human ritual. In scale, this work lies somewhere between furniture and building, so that what is built, drawn, and projected gives human measure to procedural thinking. Published on the occasion of the studio's exhibition "Meeting the Clouds Halfway" at the Museum of Contemporary Art (MOCA) Tucson, this book is a collection of recent explorations into modularity, craft, pattern, rhythm, material, and memory. Trace Elements documents a wide-ranging and yet sharply focused body of work from an office dedicated both to intellectual exploration and the honing of a distinct design sensibility.
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livres
livres
Publication:
août 2017
août 2017
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livres
livres
Titre:
Art 42
Art 42
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Art 42 est le premier musée de street art en France. Installé au cœur de 42, l’école d’informatique fondée par Xavier Niel, dans le 17e arrondissement de Paris, le musée est gratuit et permanent. L’ADN de l’art urbain est de casser les codes. En présentant une collection d’art urbain dans un lieu aussi inattendu que 42, Nicolas Laugero Lasserre crée une passerelle entre(...)
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Art 42 est le premier musée de street art en France. Installé au cœur de 42, l’école d’informatique fondée par Xavier Niel, dans le 17e arrondissement de Paris, le musée est gratuit et permanent. L’ADN de l’art urbain est de casser les codes. En présentant une collection d’art urbain dans un lieu aussi inattendu que 42, Nicolas Laugero Lasserre crée une passerelle entre(...)
Publication:
février 2017
février 2017
Titre:
Art 42
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Art 42 est le premier musée de street art en France. Installé au cœur de 42, l’école d’informatique fondée par Xavier Niel, dans le 17e arrondissement de Paris, le musée est gratuit et permanent. L’ADN de l’art urbain est de casser les codes. En présentant une collection d’art urbain dans un lieu aussi inattendu que 42, Nicolas Laugero Lasserre crée une passerelle entre deux mondes, que sont la rue et le musée. 42 figure parmi les écoles d’informatique européennes les plus innovantes au monde. Fleuron d’un enseignement progressiste, elle s’est imposée comme une évidence pour accueillir une collection tout aussi audacieuse, avec des œuvres aussi atypiques que l’espace. Pourtant à rebours de l’idée même de musée, de par sa nature et son architecture, 42 offre à l’art urbain une vitrine majeure. ART 42, c’est un musée qui n’en est pas vraiment un, dans une école qui n’en est pas vraiment une…
Art 42
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Art 42 est le premier musée de street art en France. Installé au cœur de 42, l’école d’informatique fondée par Xavier Niel, dans le 17e arrondissement de Paris, le musée est gratuit et permanent. L’ADN de l’art urbain est de casser les codes. En présentant une collection d’art urbain dans un lieu aussi inattendu que 42, Nicolas Laugero Lasserre crée une passerelle entre deux mondes, que sont la rue et le musée. 42 figure parmi les écoles d’informatique européennes les plus innovantes au monde. Fleuron d’un enseignement progressiste, elle s’est imposée comme une évidence pour accueillir une collection tout aussi audacieuse, avec des œuvres aussi atypiques que l’espace. Pourtant à rebours de l’idée même de musée, de par sa nature et son architecture, 42 offre à l’art urbain une vitrine majeure. ART 42, c’est un musée qui n’en est pas vraiment un, dans une école qui n’en est pas vraiment une…
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livres
livres
Publication:
février 2017
février 2017
Classification:
livres
livres
Titre:
Frauke Dannert: collage
Frauke Dannert: collage
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Artists who create collages appropriate existing images and assemble them in new ways without being bound to a style or a medium. Frauke Dannert (b. Herdecke, 1979; lives and works in Cologne and Düsseldorf) has dedicated herself to this technique since her days as a student in Düsseldorf and London. Over the course of almost a decade, she has built a considerable(...)
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Artists who create collages appropriate existing images and assemble them in new ways without being bound to a style or a medium. Frauke Dannert (b. Herdecke, 1979; lives and works in Cologne and Düsseldorf) has dedicated herself to this technique since her days as a student in Düsseldorf and London. Over the course of almost a decade, she has built a considerable(...)
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Frauke Dannert: collage
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Artists who create collages appropriate existing images and assemble them in new ways without being bound to a style or a medium. Frauke Dannert (b. Herdecke, 1979; lives and works in Cologne and Düsseldorf) has dedicated herself to this technique since her days as a student in Düsseldorf and London. Over the course of almost a decade, she has built a considerable repertoire of forms she now variously applies in works on paper, wall paintings, projections, films, and photographs. Architecture is the basic material and subject of the collages in which she explores questions of perception as well as orientation and recollection. She dismantles structures to examine their sculptural potential. Drawing on a personal archive of found pictures and her own photographs, she selects jutties, spires, ribbon windows, or entire façades, makes multiple photocopies, and alters dimensions and proportions. Out of the resulting elements she then pieces together weightless structures with a futuristic air.
Frauke Dannert: collage
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Artists who create collages appropriate existing images and assemble them in new ways without being bound to a style or a medium. Frauke Dannert (b. Herdecke, 1979; lives and works in Cologne and Düsseldorf) has dedicated herself to this technique since her days as a student in Düsseldorf and London. Over the course of almost a decade, she has built a considerable repertoire of forms she now variously applies in works on paper, wall paintings, projections, films, and photographs. Architecture is the basic material and subject of the collages in which she explores questions of perception as well as orientation and recollection. She dismantles structures to examine their sculptural potential. Drawing on a personal archive of found pictures and her own photographs, she selects jutties, spires, ribbon windows, or entire façades, makes multiple photocopies, and alters dimensions and proportions. Out of the resulting elements she then pieces together weightless structures with a futuristic air.
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livres
livres
Publication:
avril 2016
avril 2016
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livres
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Kara Walker’s work astutely examines race, gender, and identity. Walker’s newest series of large-scale drawings stem from her consideration of monuments and notions of permanence and impermanence following her massive public art project, A Subtlety, in Brooklyn. Influenced in part by the artist’s recent residency at the American Academy in Rome, this series of drawings is(...)
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Kara Walker’s work astutely examines race, gender, and identity. Walker’s newest series of large-scale drawings stem from her consideration of monuments and notions of permanence and impermanence following her massive public art project, A Subtlety, in Brooklyn. Influenced in part by the artist’s recent residency at the American Academy in Rome, this series of drawings is(...)
Publication:
octobre 2017
octobre 2017
Titre:
Kara Walker: the ecstacy of St. Kara
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Kara Walker’s work astutely examines race, gender, and identity. Walker’s newest series of large-scale drawings stem from her consideration of monuments and notions of permanence and impermanence following her massive public art project, A Subtlety, in Brooklyn. Influenced in part by the artist’s recent residency at the American Academy in Rome, this series of drawings is an extensive examination of how Walker envisions the rise and fall of society. Richly illustrated, this publication includes plates of each drawing, as well as intimate photographs of the artist at work taken by her partner, acclaimed artist and filmmaker Ari Marcopoulos. An introduction by Reto Thüring and Beau Rutland contextualizes the importance of this latest evolution within Walker’s oeuvre; John Lansdowne addresses the topic of Christian iconography and its relationship to Walker’s new drawings; and Pulitzer Prize–winning poet Tracy K. Smith contributes a new poem. In addition, a text by Walker considers her work within the recent political climate.
Kara Walker: the ecstacy of St. Kara
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Kara Walker’s work astutely examines race, gender, and identity. Walker’s newest series of large-scale drawings stem from her consideration of monuments and notions of permanence and impermanence following her massive public art project, A Subtlety, in Brooklyn. Influenced in part by the artist’s recent residency at the American Academy in Rome, this series of drawings is an extensive examination of how Walker envisions the rise and fall of society. Richly illustrated, this publication includes plates of each drawing, as well as intimate photographs of the artist at work taken by her partner, acclaimed artist and filmmaker Ari Marcopoulos. An introduction by Reto Thüring and Beau Rutland contextualizes the importance of this latest evolution within Walker’s oeuvre; John Lansdowne addresses the topic of Christian iconography and its relationship to Walker’s new drawings; and Pulitzer Prize–winning poet Tracy K. Smith contributes a new poem. In addition, a text by Walker considers her work within the recent political climate.
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livres
livres
Publication:
octobre 2017
octobre 2017
