1866 Résultats
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Catalogue bringing together documentation on key projects by Nicholas Mangan along with a newly commissioned work investigating monetary currencies. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with(...)
$48.95
(disponible en magasin)
Résumé:
Catalogue bringing together documentation on key projects by Nicholas Mangan along with a newly commissioned work investigating monetary currencies. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with(...)
Titre:
Nicolas Mangan: limits to growth
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Catalogue bringing together documentation on key projects by Nicholas Mangan along with a newly commissioned work investigating monetary currencies. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with documentation of Mangan's artworks and historical source material.
Nicolas Mangan: limits to growth
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$48.95
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Catalogue bringing together documentation on key projects by Nicholas Mangan along with a newly commissioned work investigating monetary currencies. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with documentation of Mangan's artworks and historical source material.
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livres
livres
Publication:
janvier 2017
janvier 2017
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livres
livres
Titre:
Constantin Brancusi
Constantin Brancusi
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"Pourquoi écrire sur mes sculptures ? Pourquoi ne pas simplement montrer leurs photos ?"
$12.95
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Résumé:
"Pourquoi écrire sur mes sculptures ? Pourquoi ne pas simplement montrer leurs photos ?"
Titre:
Constantin Brancusi
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"Pourquoi écrire sur mes sculptures ? Pourquoi ne pas simplement montrer leurs photos ?"
Constantin Brancusi
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"Pourquoi écrire sur mes sculptures ? Pourquoi ne pas simplement montrer leurs photos ?"
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livres
livres
Publication:
mars 2017
mars 2017
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livres
livres
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$55.00
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'Louise Bourgeois: The Return of the Repressed' highlights the enduring presence of psychoanalysis as a motivational force and a site of exploration in the artist’s life and work. Selected and edited by Philip Larratt-Smith (Bourgeois’ literary archivist), and contextualized with eight extensive scholarly essays, this collection of approximately 80 previously unpublished(...)
$55.00
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'Louise Bourgeois: The Return of the Repressed' highlights the enduring presence of psychoanalysis as a motivational force and a site of exploration in the artist’s life and work. Selected and edited by Philip Larratt-Smith (Bourgeois’ literary archivist), and contextualized with eight extensive scholarly essays, this collection of approximately 80 previously unpublished(...)
Titre:
Louise Bourgeois: the return of the repressed
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'Louise Bourgeois: The Return of the Repressed' highlights the enduring presence of psychoanalysis as a motivational force and a site of exploration in the artist’s life and work. Selected and edited by Philip Larratt-Smith (Bourgeois’ literary archivist), and contextualized with eight extensive scholarly essays, this collection of approximately 80 previously unpublished writings spans some six decades of the artist’s production. The second volume in this slipcased set is an up-to-date Bourgeois monograph that details works made right up until the artist’s death in 2010. Together, the two volumes comprise a complete portrait of the life, work and thought of this seminal figure.
Louise Bourgeois: the return of the repressed
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'Louise Bourgeois: The Return of the Repressed' highlights the enduring presence of psychoanalysis as a motivational force and a site of exploration in the artist’s life and work. Selected and edited by Philip Larratt-Smith (Bourgeois’ literary archivist), and contextualized with eight extensive scholarly essays, this collection of approximately 80 previously unpublished writings spans some six decades of the artist’s production. The second volume in this slipcased set is an up-to-date Bourgeois monograph that details works made right up until the artist’s death in 2010. Together, the two volumes comprise a complete portrait of the life, work and thought of this seminal figure.
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livres
livres
Publication:
juin 2017
juin 2017
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livres
livres
Titre:
The blind man
The blind man
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The Blind Man and rongwrong were seminal New York Dada magazines edited and published by Marcel Duchamp, Henri-Pierre Roché, and Beatrice Wood in 1917. This facsimile edition, introduced by Sophie Seita, celebrates the 100th anniversary of their publication. The box set also includes a two-color offset reproduction of Beatrice Wood’s poster for The Blind Man’s Ball (1917)(...)
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The Blind Man and rongwrong were seminal New York Dada magazines edited and published by Marcel Duchamp, Henri-Pierre Roché, and Beatrice Wood in 1917. This facsimile edition, introduced by Sophie Seita, celebrates the 100th anniversary of their publication. The box set also includes a two-color offset reproduction of Beatrice Wood’s poster for The Blind Man’s Ball (1917)(...)
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The blind man
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The Blind Man and rongwrong were seminal New York Dada magazines edited and published by Marcel Duchamp, Henri-Pierre Roché, and Beatrice Wood in 1917. This facsimile edition, introduced by Sophie Seita, celebrates the 100th anniversary of their publication. The box set also includes a two-color offset reproduction of Beatrice Wood’s poster for The Blind Man’s Ball (1917) and a letterpress facsimile of Man Ray’s The Ridgefield Gazook (1915). Translations of the French texts by Elizabeth Zuba accompany the facsimile reprints. The Blind Man and rongwrong were part of a network of little magazines that introduced audiences to avant-garde movements in art and literature; they featured contributions of poetry, prose, and visual art by Mina Loy, Louise Norton, Robert Carlton Brown, Erik Satie, Walter Arensberg, Francis Picabia, Alfred Stieglitz, and others.
The blind man
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The Blind Man and rongwrong were seminal New York Dada magazines edited and published by Marcel Duchamp, Henri-Pierre Roché, and Beatrice Wood in 1917. This facsimile edition, introduced by Sophie Seita, celebrates the 100th anniversary of their publication. The box set also includes a two-color offset reproduction of Beatrice Wood’s poster for The Blind Man’s Ball (1917) and a letterpress facsimile of Man Ray’s The Ridgefield Gazook (1915). Translations of the French texts by Elizabeth Zuba accompany the facsimile reprints. The Blind Man and rongwrong were part of a network of little magazines that introduced audiences to avant-garde movements in art and literature; they featured contributions of poetry, prose, and visual art by Mina Loy, Louise Norton, Robert Carlton Brown, Erik Satie, Walter Arensberg, Francis Picabia, Alfred Stieglitz, and others.
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livres
livres
Publication:
novembre 2017
novembre 2017
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livres
livres
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$84.00
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'Corporate Imaginations' examines the group as it emerged on three continents from 1962 to 1978 in its complexities, contradictions, and historical specificity. The collective’s founder, George Maciunas, organized Fluxus like a multinational corporation, simulating corporate organization and commodity flows, yet it is equally significant that he imagined critical art(...)
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'Corporate Imaginations' examines the group as it emerged on three continents from 1962 to 1978 in its complexities, contradictions, and historical specificity. The collective’s founder, George Maciunas, organized Fluxus like a multinational corporation, simulating corporate organization and commodity flows, yet it is equally significant that he imagined critical art(...)
Titre:
Corporate imaginations: Fluxus strategies for living
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'Corporate Imaginations' examines the group as it emerged on three continents from 1962 to 1978 in its complexities, contradictions, and historical specificity. The collective’s founder, George Maciunas, organized Fluxus like a multinational corporation, simulating corporate organization and commodity flows, yet it is equally significant that he imagined critical art practice in this way at that time. For all its avant-garde criticality, Fluxus also ambivalently shared aspects of the rising corporate culture of the day. In this book, Mari Dumett addresses the “business” of Fluxus and explores the larger discursive issues of organization, mediatization, routinization, automation, commoditization, and systematization that Fluxus artists both manipulated and exposed. A study of six central figures in the group—George Brecht, Alison Knowles, George Maciunas, Nam June Paik, Mieko Shiomi, and Robert Watts—reveals how they developed historically specific strategies of mimicking the capitalist system.
Corporate imaginations: Fluxus strategies for living
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'Corporate Imaginations' examines the group as it emerged on three continents from 1962 to 1978 in its complexities, contradictions, and historical specificity. The collective’s founder, George Maciunas, organized Fluxus like a multinational corporation, simulating corporate organization and commodity flows, yet it is equally significant that he imagined critical art practice in this way at that time. For all its avant-garde criticality, Fluxus also ambivalently shared aspects of the rising corporate culture of the day. In this book, Mari Dumett addresses the “business” of Fluxus and explores the larger discursive issues of organization, mediatization, routinization, automation, commoditization, and systematization that Fluxus artists both manipulated and exposed. A study of six central figures in the group—George Brecht, Alison Knowles, George Maciunas, Nam June Paik, Mieko Shiomi, and Robert Watts—reveals how they developed historically specific strategies of mimicking the capitalist system.
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livres
livres
Publication:
décembre 2017
décembre 2017
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livres
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Cet ouvrage problématise la notion de culture en tentant de rendre compte de ses enjeux dans le cadre d’une réflexion sur l’art et la mémoire. Il s’agit, à travers un véritable essai, de se demander ce qu’un anthropologue, travaillant sur les notions de mémoire et de restes, peut arriver à dire, à échanger avec un artiste contemporain qui lui aussi travaille sur la(...)
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Cet ouvrage problématise la notion de culture en tentant de rendre compte de ses enjeux dans le cadre d’une réflexion sur l’art et la mémoire. Il s’agit, à travers un véritable essai, de se demander ce qu’un anthropologue, travaillant sur les notions de mémoire et de restes, peut arriver à dire, à échanger avec un artiste contemporain qui lui aussi travaille sur la(...)
Titre:
La ressemblance dans l'oeuvre de Jochen Gerz
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Cet ouvrage problématise la notion de culture en tentant de rendre compte de ses enjeux dans le cadre d’une réflexion sur l’art et la mémoire. Il s’agit, à travers un véritable essai, de se demander ce qu’un anthropologue, travaillant sur les notions de mémoire et de restes, peut arriver à dire, à échanger avec un artiste contemporain qui lui aussi travaille sur la mémoire, en particulier dans l’espace public.En suivant l’analyse d’une trentaine d’œuvres de Jochen Gerz, artiste allemand internationalement connu, né à Berlin en 1940, ce livre s’interroge sur cette tendance qu’une partie de l’art contemporain entretient avec la notion d’œuvres ouvertes, d’œuvres participatives, pensées dans et pour l’espace public. Les processus de création de nombre de ses œuvres, dispositifs ou mémoriaux, invitent à faire du moment de réception de l’art un temps constitutif de l’oeuvre. En proposant aux gens de participer, en creusant un « déficit des œuvres », Gerz laisse une place vacante, des objets partiels, une mémoire que le spectateur s’oblige à revisiter à partir de lui-même. Dans cette perspective, son travail propose à l’art de se défaire du rôle passif qu’il réserve souvent à ses spectateurs et engage la mémoire à s’énoncer à partir du présent. De Dachau (1972), Harburg (1986), Sarrebruck (1993), Biron (1996), Berlin (1997), Paris (2000), Coventry (2004), jusqu’aux rues de Dortmund (2010), à travers l’Europe, qu’il compare à « un arbre sans ombre », Gerz conçoit des œuvres dédiées aux vivants. Pour qu’à la suite des monuments dédiés aux morts, à l’art funéraire, succède un art de revenir à la vie. Il dresse la liste des noms des vivants, parfois de leurs signatures, d’autre fois de leurs mots. Ces inventaires s’invitent dans les rues, consignent la vie, ordinaire, discrètement. Comme une ressemblance. Cet ouvrage est la première monographie consacrée entièrement à cet artiste conceptuel et de l’espace public. Le livre se construit autour de nombreux entretiens menés par l’auteur avec Jochen Gerz, pendant plus deux ans (entre 2013 et 2015). Il propose une réflexion sur la place des objets dans l’œuvre de Gerz mais également en référence à d’autres artistes (comme Duchamp, Sarkis, Boltanski, Christo…) ou écrivains (Primo Levi, Marcel Cohen…). En plus du texte (français/anglais), l’ouvrage présente, dans un cahier descriptif, l’ensemble des œuvres auxquelles le texte fait référence ainsi que leurs photographies. Il est également accompagné de documents (photographies couleurs et noir et blanc) réalisées en Irlande, dans le lieu où vit Gerz depuis 2008, par Pierre Gaudin/Créaphis.
La ressemblance dans l'oeuvre de Jochen Gerz
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Cet ouvrage problématise la notion de culture en tentant de rendre compte de ses enjeux dans le cadre d’une réflexion sur l’art et la mémoire. Il s’agit, à travers un véritable essai, de se demander ce qu’un anthropologue, travaillant sur les notions de mémoire et de restes, peut arriver à dire, à échanger avec un artiste contemporain qui lui aussi travaille sur la mémoire, en particulier dans l’espace public.En suivant l’analyse d’une trentaine d’œuvres de Jochen Gerz, artiste allemand internationalement connu, né à Berlin en 1940, ce livre s’interroge sur cette tendance qu’une partie de l’art contemporain entretient avec la notion d’œuvres ouvertes, d’œuvres participatives, pensées dans et pour l’espace public. Les processus de création de nombre de ses œuvres, dispositifs ou mémoriaux, invitent à faire du moment de réception de l’art un temps constitutif de l’oeuvre. En proposant aux gens de participer, en creusant un « déficit des œuvres », Gerz laisse une place vacante, des objets partiels, une mémoire que le spectateur s’oblige à revisiter à partir de lui-même. Dans cette perspective, son travail propose à l’art de se défaire du rôle passif qu’il réserve souvent à ses spectateurs et engage la mémoire à s’énoncer à partir du présent. De Dachau (1972), Harburg (1986), Sarrebruck (1993), Biron (1996), Berlin (1997), Paris (2000), Coventry (2004), jusqu’aux rues de Dortmund (2010), à travers l’Europe, qu’il compare à « un arbre sans ombre », Gerz conçoit des œuvres dédiées aux vivants. Pour qu’à la suite des monuments dédiés aux morts, à l’art funéraire, succède un art de revenir à la vie. Il dresse la liste des noms des vivants, parfois de leurs signatures, d’autre fois de leurs mots. Ces inventaires s’invitent dans les rues, consignent la vie, ordinaire, discrètement. Comme une ressemblance. Cet ouvrage est la première monographie consacrée entièrement à cet artiste conceptuel et de l’espace public. Le livre se construit autour de nombreux entretiens menés par l’auteur avec Jochen Gerz, pendant plus deux ans (entre 2013 et 2015). Il propose une réflexion sur la place des objets dans l’œuvre de Gerz mais également en référence à d’autres artistes (comme Duchamp, Sarkis, Boltanski, Christo…) ou écrivains (Primo Levi, Marcel Cohen…). En plus du texte (français/anglais), l’ouvrage présente, dans un cahier descriptif, l’ensemble des œuvres auxquelles le texte fait référence ainsi que leurs photographies. Il est également accompagné de documents (photographies couleurs et noir et blanc) réalisées en Irlande, dans le lieu où vit Gerz depuis 2008, par Pierre Gaudin/Créaphis.
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livres
livres
Publication:
juillet 2017
juillet 2017
Classification:
livres
livres
Titre:
Miró: I work like a gardener
Miró: I work like a gardener
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In 1958, artist Joan Miro and critic Yvon Taillandier sat down for an in-depth discussion on Miro's life and work. First published as a limited edition and long out of print, this bilingual "treasure," in the words of Maria Popova, "remains the most direct and comprehensive record of Miró's ideas on art." This volume presents an updated English translation, with a preface(...)
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In 1958, artist Joan Miro and critic Yvon Taillandier sat down for an in-depth discussion on Miro's life and work. First published as a limited edition and long out of print, this bilingual "treasure," in the words of Maria Popova, "remains the most direct and comprehensive record of Miró's ideas on art." This volume presents an updated English translation, with a preface(...)
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Miró: I work like a gardener
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In 1958, artist Joan Miro and critic Yvon Taillandier sat down for an in-depth discussion on Miro's life and work. First published as a limited edition and long out of print, this bilingual "treasure," in the words of Maria Popova, "remains the most direct and comprehensive record of Miró's ideas on art." This volume presents an updated English translation, with a preface by Miró scholar Robert Lubar, and appendix in the original French text.
Miró: I work like a gardener
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In 1958, artist Joan Miro and critic Yvon Taillandier sat down for an in-depth discussion on Miro's life and work. First published as a limited edition and long out of print, this bilingual "treasure," in the words of Maria Popova, "remains the most direct and comprehensive record of Miró's ideas on art." This volume presents an updated English translation, with a preface by Miró scholar Robert Lubar, and appendix in the original French text.
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livres
livres
Publication:
octobre 2017
octobre 2017
Classification:
livres
livres
Titre:
Jungjin Lee: Desert
Jungjin Lee: Desert
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$120.00
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In this series, Lee captures the American southwest and transforms it with liquid light and diluted light-sensitive emulsions to create images that are as uncontrollable and natural as the landscape she depicts. Desert comprises four series of works (each bound as a separate book and presented in a unique slipcase), all of which contain monochromatic images of arid lands.(...)
$120.00
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Résumé:
In this series, Lee captures the American southwest and transforms it with liquid light and diluted light-sensitive emulsions to create images that are as uncontrollable and natural as the landscape she depicts. Desert comprises four series of works (each bound as a separate book and presented in a unique slipcase), all of which contain monochromatic images of arid lands.(...)
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Jungjin Lee: Desert
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$120.00
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In this series, Lee captures the American southwest and transforms it with liquid light and diluted light-sensitive emulsions to create images that are as uncontrollable and natural as the landscape she depicts. Desert comprises four series of works (each bound as a separate book and presented in a unique slipcase), all of which contain monochromatic images of arid lands. Stratigraphy etched into rock faces, massive stones, cave-like precipices and anthropomorphic fauna showcase an extensive compendium of the desert’s many faces and textures. Each image focuses on the landscape’s formal qualities, eschewing human presence, simultaneously evoking late 19th-century photography, while epitomizing the stark modernity of Lee’s lens. “As a photographer,” writes Lee, “I am primarily concerned with the unconscious, the unknown, and the invisible.”
Jungjin Lee: Desert
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$120.00
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Résumé:
In this series, Lee captures the American southwest and transforms it with liquid light and diluted light-sensitive emulsions to create images that are as uncontrollable and natural as the landscape she depicts. Desert comprises four series of works (each bound as a separate book and presented in a unique slipcase), all of which contain monochromatic images of arid lands. Stratigraphy etched into rock faces, massive stones, cave-like precipices and anthropomorphic fauna showcase an extensive compendium of the desert’s many faces and textures. Each image focuses on the landscape’s formal qualities, eschewing human presence, simultaneously evoking late 19th-century photography, while epitomizing the stark modernity of Lee’s lens. “As a photographer,” writes Lee, “I am primarily concerned with the unconscious, the unknown, and the invisible.”
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livres
livres
Publication:
février 2018
février 2018
Classification:
livres
livres
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$25.50
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This book provides a companion to Aleksandra Mir's latest body of work Space Tapestry: Faraway Missions, exhibited at Tate Liverpool and Modern Art Oxford. Inspired by the Bayeux Tapestry and the anonymous artists who depicted Halley’s Comet in 1066, the Space Tapestry is a large-scale, hand-drawn monochrome wall-hanging that forms an immersive environment. Much like a(...)
$25.50
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Résumé:
This book provides a companion to Aleksandra Mir's latest body of work Space Tapestry: Faraway Missions, exhibited at Tate Liverpool and Modern Art Oxford. Inspired by the Bayeux Tapestry and the anonymous artists who depicted Halley’s Comet in 1066, the Space Tapestry is a large-scale, hand-drawn monochrome wall-hanging that forms an immersive environment. Much like a(...)
Titre:
We can't stop thinking about the future
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$25.50
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This book provides a companion to Aleksandra Mir's latest body of work Space Tapestry: Faraway Missions, exhibited at Tate Liverpool and Modern Art Oxford. Inspired by the Bayeux Tapestry and the anonymous artists who depicted Halley’s Comet in 1066, the Space Tapestry is a large-scale, hand-drawn monochrome wall-hanging that forms an immersive environment. Much like a graphic novel, Space Tapestry tells an episodic visual story of space travel.
We can't stop thinking about the future
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$25.50
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Résumé:
This book provides a companion to Aleksandra Mir's latest body of work Space Tapestry: Faraway Missions, exhibited at Tate Liverpool and Modern Art Oxford. Inspired by the Bayeux Tapestry and the anonymous artists who depicted Halley’s Comet in 1066, the Space Tapestry is a large-scale, hand-drawn monochrome wall-hanging that forms an immersive environment. Much like a graphic novel, Space Tapestry tells an episodic visual story of space travel.
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livres
livres
Publication:
août 2017
août 2017
Classification:
livres
livres
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$60.95
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This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943–1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term “anarchitecture,” combining “anarchy” and(...)
$60.95
(disponible en magasin)
Résumé:
This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943–1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term “anarchitecture,” combining “anarchy” and(...)
Publication:
novembre 2017
novembre 2017
Titre:
Gordon Matta-Clark: anarchitect
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$60.95
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This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943–1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term “anarchitecture,” combining “anarchy” and “architecture,” to describe the site-specific works he initially realized in the South Bronx.
Gordon Matta-Clark: anarchitect
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$60.95
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Résumé:
This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943–1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term “anarchitecture,” combining “anarchy” and “architecture,” to describe the site-specific works he initially realized in the South Bronx.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
