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Cette publication représente une fiction architecturale qui prend la forme d'un roman-photo, né de la rencontre entre un auteur, Ugo Bienvenu, et les architectes du Pavillon français de la 18e Biennale internationale d'architecture de Venise. Ugo Bienvenu, dessinateur et réalisateur, imagine dans ce roman l'histoire et le mythe du Ball Theater. Son récit se situe dans un(...)
Lorem Ipsum: Pavillon français de la 18e exposition internationale d'architecture – La Biennale di Venezia 2023
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Cette publication représente une fiction architecturale qui prend la forme d'un roman-photo, né de la rencontre entre un auteur, Ugo Bienvenu, et les architectes du Pavillon français de la 18e Biennale internationale d'architecture de Venise. Ugo Bienvenu, dessinateur et réalisateur, imagine dans ce roman l'histoire et le mythe du Ball Theater. Son récit se situe dans un monde suspendu entre passé et futur, qui mêle le trouble de l'abandon et la joie d'une fête collective. L'histoire nous conduit à suivre le périple d'une petite communauté d'enfants étrangement semblables et d'un robot rouillé, et leur découverte d'objets énigmatiques qu'ils entreprennent d'assembler pour leur redonner vie. Le titre vient d'un extrait, remanié et privé de sens, d'un traité latin. Il fait référence à la pratique courante, dans le milieu du graphisme et de l'imprimerie, qui consiste à employer ce texte comme remplissage temporaire des zones de texte en attente. Dans le contexte de l'ouvrage, l'association de ces deux termes latins renvoie à l'idée d'un conte architectural dont le sens émerge au fil de l'action, avant les mots et les explications.
Biennale
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This publication documents the artworks of the exhibition "Repair," Australian Pavilion, 16th International Architecture Exhibition, La Biennale di Venezia, under the creative direction of Baracco+Wright Architects in collaboration with Linda Tegg. It shares the thinking embodied in the work and reflects on the spaces prompted by its life. The exhibition invites you to(...)
Knowing and unknowing: The lives of repair. 16th Biennale di Venezia
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This publication documents the artworks of the exhibition "Repair," Australian Pavilion, 16th International Architecture Exhibition, La Biennale di Venezia, under the creative direction of Baracco+Wright Architects in collaboration with Linda Tegg. It shares the thinking embodied in the work and reflects on the spaces prompted by its life. The exhibition invites you to look anew at a plant community that has been overlooked as a site only for human use, to the extent that there is only 1% now left and to reflect on the ground, what it supports, what is displaced. As presented through our premier cultural institution, La Biennale di Venezia, this exhibition will live on through seed the authors of this investigation have already started to collect and through relationships they are building with research institutes in Europe.
Biennale
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The 18th Venice Architecture Biennale, titled "The laboratory of the future," is conceived as a kind of workshop at which architects present examples from their practices reflecting on themes of decolonization and decarbonization. The biennale also shines a spotlight on Africa and the African Diaspora, with 89 participants, over half of whom are of African descent. Volume(...)
Biennale Architettura 2023: The laboratory of the future
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The 18th Venice Architecture Biennale, titled "The laboratory of the future," is conceived as a kind of workshop at which architects present examples from their practices reflecting on themes of decolonization and decarbonization. The biennale also shines a spotlight on Africa and the African Diaspora, with 89 participants, over half of whom are of African descent. Volume I of its catalog is dedicated to the International Exhibition, curated by Ghanaian Scottish architect Lesley Lokko. Projects by each participant are accompanied by a critical text and biographical notes and a rich plate section. Volume II presents the National Participations and the Collateral Events, with illustrated texts that delve into the projects presented in the Pavilions and the Collateral Exhibitions on display in the Giardini, the Arsenale and various locations throughout Venice.
Biennale
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Exhibiting at the German Pavilion of the 18th Venice Architecture Biennale, this collaboration between the Summacumfemmer Büro Juliane Greb Collective and ARCH+ proposes a sustainable approach to architecture, prioritizing restoration and maintenance of existing buildings over the profligate use of resources in new constructions.
Biennale
septembre 2023
ARCH+ : Open for maintenance. German pavillion, 18th Venice Architecture Biennale
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Exhibiting at the German Pavilion of the 18th Venice Architecture Biennale, this collaboration between the Summacumfemmer Büro Juliane Greb Collective and ARCH+ proposes a sustainable approach to architecture, prioritizing restoration and maintenance of existing buildings over the profligate use of resources in new constructions.
Biennale
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The official catalog for the United Arabic Emirates' National Pavilion at the Venice Architecture Biennale, ''In Plain Sigh''t was conceived as a collection of travels through aridity. Contributors were asked to explore the relationship between travel, travel writing and the built environment. What emerged was a diverse set of positions and attitudes towards travel(...)
In plain sight: Scenes from aridly abundant landscapes. 18th Venice Architecture Biennale
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The official catalog for the United Arabic Emirates' National Pavilion at the Venice Architecture Biennale, ''In Plain Sigh''t was conceived as a collection of travels through aridity. Contributors were asked to explore the relationship between travel, travel writing and the built environment. What emerged was a diverse set of positions and attitudes towards travel writing that ranged from documenting journeys through historical texts and images in search of lost relationships with aridity and the practices it engenders, to authors who traveled to contemporary arid spaces in search of nuance and abundance, and essays that explore the blurry and conceptual edges of aridity. Alongside the travel-based contributions, the book presents a series of field notes, ostensibly framed as research findings. In the field notes, curator Faysal Tabbarah attempts to narrate the places, materials and tactics that he encountered on numerous trips. Buttressing these field notes are photographic series depicting the range of tactics used in constructing Al Hajar’s built environment. Addressing aridity across time, space and ideas, In Plain Sight recasts the genre of travel literature, challenging the ways in which arid environments have historically been depicted.
Biennale
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Avec Demeurer en mycelium, Vinciane Despret, Christine Aventin et Juliette Salme nous projettent dans un avenir où l’homme aurait enfin renoué avec les matériaux vivants. Le point de départ historique de cette nouvelle ère, appelée par les auteures « mycélocène », est « In Vivo », la proposition construite pour le Pavillon de la Belgique par les architectes de Bento(...)
Demeurer en mycélium / Living in mycelium : Biennale d'architecture de Venise
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Avec Demeurer en mycelium, Vinciane Despret, Christine Aventin et Juliette Salme nous projettent dans un avenir où l’homme aurait enfin renoué avec les matériaux vivants. Le point de départ historique de cette nouvelle ère, appelée par les auteures « mycélocène », est « In Vivo », la proposition construite pour le Pavillon de la Belgique par les architectes de Bento (Florian Mahieu, Corentin Dalon et Charles Palliez) et leur équipe multidisciplinaire de Wallonie et de Bruxelles, à l’occasion de la 18e Biennale internationale d’architecture de Venise. « In Vivo » interroge notre système de production extractiviste vorace en donnant à voir et à ressentir, à vivre, à un moment M, un univers constructif alternatif composé de matériaux vivants. Mycélium, bois et terre sont tous issus du territoire urbain bruxellois, dans une perspective durable d’approvisionnement ultra local. La publication met en perspective et prolonge, tout au long du siècle en cours, la réalité concrète de cette installation temporaire par une fiction inspirante prenant la forme d’une enquête menée dans les années 2050.
Biennale
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The first volume of "Fertile Futures" records the programme developed for the Portuguese Pavilion at the 18th International Architecture Exhibition 2023. The book reveals the premises of Fertile Futures, under the theme of the protection, management and future of freshwater. It gathers the sharing of knowledge that marked the start of the project laboratory, and(...)
Fertile Futures. Portuguese Pavilion, 18th International Venice Architecture Biennial
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The first volume of "Fertile Futures" records the programme developed for the Portuguese Pavilion at the 18th International Architecture Exhibition 2023. The book reveals the premises of Fertile Futures, under the theme of the protection, management and future of freshwater. It gathers the sharing of knowledge that marked the start of the project laboratory, and accompanies the work of each of seven Hydro-geography Workshops throughout the first months of the project. The second volume of "Fertile Futures" presents the entire laboratory project developed during the programme at the biennale. It also presents the critical essays resulting from the interventions at the Assemblies of Thought in Venice, Braga, Lisbon, Faro and Porto Santo.
Biennale
Neighbors: A manifesto. A play for two pavillions and ten conversations. Venice Architecture Biennal
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The Swiss Pavilion at the 18th International Architecture Exhibition of the Venice Biennale exhibits itself and the relations to its immediate surroundings. The exhibition is a conversation over the shared boundary of the pavilions of Switzerland (1952, designed by Bruno Giacometti) and Venezuela (1954, designed by Carlo Scarpa), the only two in the Giardini not fully(...)
Neighbors: A manifesto. A play for two pavillions and ten conversations. Venice Architecture Biennal
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The Swiss Pavilion at the 18th International Architecture Exhibition of the Venice Biennale exhibits itself and the relations to its immediate surroundings. The exhibition is a conversation over the shared boundary of the pavilions of Switzerland (1952, designed by Bruno Giacometti) and Venezuela (1954, designed by Carlo Scarpa), the only two in the Giardini not fully detached: they share one wall. Artist Karin Sander and art historian Philip Ursprung temporarily open this wall and dismantle the gates from the Swiss Pavilion, thus revealing unanticipated connections between the two neighbors, both distant and close. The complementing book offers a manifesto, a play with the two buildings as dramatis personae, and three brief topical essays. Ten conversations with architectural historian Kurt W. Forster, photographers Paolo Gasparini and Guido Giudi, and Venezuelan architects Elisa Silva and Margarita López-Maya round off this volume.
Biennale
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''Cloud-to-ground'' is the scientific term for lightning that strikes directly into the ground. Cloud-to-ground, published in conjunction with the Israeli pavilion at the 18th International Architecture Exhibition of the Venice Biennale, investigates the shifts in political power structure that result from the wide-spread use of cloud technology: the storage, processing,(...)
Cloud-to-ground.Israel pavillion, Venice Architecture Biennale
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''Cloud-to-ground'' is the scientific term for lightning that strikes directly into the ground. Cloud-to-ground, published in conjunction with the Israeli pavilion at the 18th International Architecture Exhibition of the Venice Biennale, investigates the shifts in political power structure that result from the wide-spread use of cloud technology: the storage, processing, and analysis of inconceivable amounts of data in computer “clouds.” The focus is on major infrastructure projects currently underway in Israel and the Middle East region. These include Nimbus, a major cloud project pursued by the Israeli government for which Google and Amazon are building new powerful data centers, and the Blue Raman fiber-optic cable across the Negev Desert, also laid by Google, which will bypass Egypt on its way from India to Europe and at the same time revive the ancient trade routes that passed through this country. ''Cloud-to-ground'' also documents the decommissioning and demolition of countless telephone exchanges in Israel’s cities that have become obsolete. It thus brings to attention the physical nature of these largely ignored “black box” structures and connects them to the history of the Middle East and recent developments in global communication technology. Essays by prominent Israeli scholars are complemented by numerous photographs, sketches, and archival documents, as well as a newly compiled index of 140 telephone exchanges in Israel.
Biennale
Staging the moon: Resource extraction beyond earth. Luxembourg Pavilion, Biennale Venizia 2023
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"Staging the Moon: Resource extraction beyond Earth" is a publication of the Luxembourg Pavilion at the 18th International Architecture Exhibition of La Biennale di Venezia 2023. It critically unpacks Luxembourg’s role in space-mining developments from the perspective of resources. Curators Francelle Cane and Marija Mari? transform the pavilion into a "lunar laboratory":(...)
Staging the moon: Resource extraction beyond earth. Luxembourg Pavilion, Biennale Venizia 2023
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"Staging the Moon: Resource extraction beyond Earth" is a publication of the Luxembourg Pavilion at the 18th International Architecture Exhibition of La Biennale di Venezia 2023. It critically unpacks Luxembourg’s role in space-mining developments from the perspective of resources. Curators Francelle Cane and Marija Mari? transform the pavilion into a "lunar laboratory": a space for testing human technologies on the Moon that also doubles as a media studio "staging" corporate narratives of positive change. From the development of human settlements on the Moon to the mining of asteroids for rare minerals and metals, the wild imaginaries of extraction-driven growth have, quite literally, transcended the boundaries of Earth. This volume collects essays and fragments of research on the shifting of resource exploitation from the exhausted Earth to its celestial hinterland, and begins an urgent debate on the impact this shift will have on our understanding of land, resources and commons.
Biennale