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Qorri-Dragaj (born 1985) and Qorri (born 1959) explore how the return of migrants after the Kosovar War has affected Kosovar urban space. This book opens a discussion on how urban planning can respond to these specific conditions to create urban resilience and livable cities.
Poliksen Qorri-Dragaj & Hamdi Qorri: RKS² Transcendent Locality. Venice Biennale
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Qorri-Dragaj (born 1985) and Qorri (born 1959) explore how the return of migrants after the Kosovar War has affected Kosovar urban space. This book opens a discussion on how urban planning can respond to these specific conditions to create urban resilience and livable cities.
Biennale
2086: Together how?
$44.00
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This reader is published alongside the Korean Pavilion project at the Venice Architecture Biennale, which presents visions of eco-conscious urban and rural landscapes, as developed among South Korean architects and community activists. The book comprises six essays, a quiz show–style game and ample installation shots.
2086: Together how?
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This reader is published alongside the Korean Pavilion project at the Venice Architecture Biennale, which presents visions of eco-conscious urban and rural landscapes, as developed among South Korean architects and community activists. The book comprises six essays, a quiz show–style game and ample installation shots.
Biennale
Soil lab: A built experiment
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This anthology is a critical reflection on the making of Soil Lab, a project built with a community in North Lawndale, Chicago, and hosted by the Danish Arts Foundation at the 2021 edition of the Chicago Architecture Biennial. The pages give space to a conversation that stretches far outside both the confines of the Soil Lab’s site in North Lawndale and the short duration(...)
Soil lab: A built experiment
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This anthology is a critical reflection on the making of Soil Lab, a project built with a community in North Lawndale, Chicago, and hosted by the Danish Arts Foundation at the 2021 edition of the Chicago Architecture Biennial. The pages give space to a conversation that stretches far outside both the confines of the Soil Lab’s site in North Lawndale and the short duration of the biennial. The book is a meeting place for the voices which contributed to the Soil Lab project, and maps their constellation of disciplines—across architecture, art, anthropology, ecology, craft and community work—and global geographies, including the US, Denmark, Ireland, Puerto Rico and Austria. The story of the project, and the many lives and threads that it brushed up against, is told through histories, criticism, photographic essays, instruction manuals, soil recipes and interviews.
Biennale
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''Field Notes on scarcity'', published in conjunction with the 2023 Sharjah Architecture Triennial, examines what scarcity truly looks like on the ground, and the challenges and opportunities it presents across architecture and design.
Field notes on scarcity. Sharjah Architecture Triennial 2023
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''Field Notes on scarcity'', published in conjunction with the 2023 Sharjah Architecture Triennial, examines what scarcity truly looks like on the ground, and the challenges and opportunities it presents across architecture and design.
Biennale
Everlasting plastics
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Exploring the infinite ways in which plastics permeate our bodies and our world, ''Everlasting Plastics'' offers intimate and political accounts of our fraught yet enmeshed kinship with these materials. Rather than making a case for or against the material, the writings and artworks collected in this volume attempt to register our ongoing toxic dependencies on plastic,(...)
Everlasting plastics
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Exploring the infinite ways in which plastics permeate our bodies and our world, ''Everlasting Plastics'' offers intimate and political accounts of our fraught yet enmeshed kinship with these materials. Rather than making a case for or against the material, the writings and artworks collected in this volume attempt to register our ongoing toxic dependencies on plastic, its impact on other material cultures and behaviors, and the harm and possibilities it entangles for our collective futures. ''Everlasting Plastics'' records and expands upon the exhibition of the US Pavilion at the 2023 Venice Biennale, which excavated the ways synthetics both shape and erode contemporary ecologies, economies, and the built environment.
Biennale
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Le catalogue prospectif Carbone 20 met en exergue des pratiques artistiques qui font appel au collectif et font naître d’autres manières de faire. Il explore les réseaux visibles et invisibles, s’arrêtant sur des initiatives multiples et situées, de Saint-Étienne à sa région et jusqu’à l’international. Cet ouvrage rassemble des entretiens, des témoignages, des mises en(...)
Carbone 20: Biennale d'artist-run spaces et artist-run initiatives, Saint-Étienne
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Le catalogue prospectif Carbone 20 met en exergue des pratiques artistiques qui font appel au collectif et font naître d’autres manières de faire. Il explore les réseaux visibles et invisibles, s’arrêtant sur des initiatives multiples et situées, de Saint-Étienne à sa région et jusqu’à l’international. Cet ouvrage rassemble des entretiens, des témoignages, des mises en perspectives historiques, des analyses d'expériences. Il est parsemé d'images liées à ces propositions et de scans de projets éditoriaux, comme autant d'entrées dans les pratiques auto-organisées. C’est une célébration de tentatives et de stratégies aux formes et aux engagements différents, dans ce présent où il n’y aurait pas d’alternatives, qui nous amène sans cesse à interroger positionnements, manières de circuler, de faire, d’agir et d’être ensemble notamment par le champ de l’art contemporain.
Biennale
livres
Floating territories
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This work consists of a box containing a series of experimental and unfolding publications reflecting upon a project of dispersed conversations between architect Yona Friedman, artists Nico Dockx, Helena Sidiropoulos, Jochem Vanden Ecker and sound collective Building Transmissions - all invited by curators Germana Jaulin and Chiara Parisi - to be part of 'Floating(...)
Floating territories
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This work consists of a box containing a series of experimental and unfolding publications reflecting upon a project of dispersed conversations between architect Yona Friedman, artists Nico Dockx, Helena Sidiropoulos, Jochem Vanden Ecker and sound collective Building Transmissions - all invited by curators Germana Jaulin and Chiara Parisi - to be part of 'Floating Territories' - a transbiennial project that took place at the Istanbul/ Athens/ and Venice biennials in 2007. The work is an architecture of thoughts and visual impressions reflecting our Floating Territories journey of experiences.
livres
janvier 2009
Biennale
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A wooden Japanese house slated for demolition will instead be moved to Venice for exhibition. Yet the house put on display will not appear in its original form. Dismantled for shipping, it will be reassembled on-site in new configurations created by architects and artisans from Japan, who will add new or local materials and other elements in the process. In other words,(...)
Co-Ownership of action : trajectories of elements
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A wooden Japanese house slated for demolition will instead be moved to Venice for exhibition. Yet the house put on display will not appear in its original form. Dismantled for shipping, it will be reassembled on-site in new configurations created by architects and artisans from Japan, who will add new or local materials and other elements in the process. In other words, the exhibition of the house will be a fantastical installation that combines old and new in a composite of creative efforts by multiple designers and craftsmen. This book, edited by architect Kozo Kadowaki, explores the project in detail.
Biennale
Empavillonner
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Ouvrage collectif (premier numéro de la collection « Focus ») consacré à l'analyse des pavillons d'exposition (expositions universelles, biennales) du point de vue de leur architecture, croisant les contributions de designers et architectes, d'historiens, de philosophes et esthéticiens. Qu'il s'agisse, entre autres exemples, du Pavillon France réalisé par l'architecte(...)
Empavillonner
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Ouvrage collectif (premier numéro de la collection « Focus ») consacré à l'analyse des pavillons d'exposition (expositions universelles, biennales) du point de vue de leur architecture, croisant les contributions de designers et architectes, d'historiens, de philosophes et esthéticiens. Qu'il s'agisse, entre autres exemples, du Pavillon France réalisé par l'architecte Jean-Paul Viguier à l'occasion de l'Exposition Universelle de Séville (1992), de celui des Pays-Bas signé de l'agence MVRDV dans le cadre l'Exposition Universelle d'Hanovre (2000) ou encore, avant eux, des pavillons présentés comme « manifestes de la modernité », tels que ceux de Richard Buckminster Fuller (Pavillon États-Unis, île Sainte-Hélène, Montréal, 1967), de Le Corbusier (Pavillon Philips, Bruxelles, 1958) de Robert Mallet-Stevens et des frères Martel (Pavillon du tourisme, Paris, 1925), tous sembleraient procéder d'une même intention (ou prétention)?: celle de définir les voies et préceptes d'une architecture résolument nouvelle laquelle, contestant ou refusant parfois ce qui a cours, préfigure et marque de quoi serait faite l'époque à-venir.
Biennale
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How do city and architecture flourish together ? This question is central to the three-dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and(...)
juin 2021
Bovenbouw Architectuur: Composite presence
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How do city and architecture flourish together ? This question is central to the three-dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and unforeseen collisions are an endless source of energy for contemporary architectural production. Published on the occasion of the exhibition "Composite Presence" curated by Bovenbouw Architectuur in the Belgian Pavilion at the Biennale di Architettura 2021 in Venice, Italy.