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Titre:
Gross ideas: Tales of tomorrow's architecture. Oslo Architecture Triennale

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Résumé:
The relationship between real and fictional cities is blurry. Ideas which begin as literary speculations can shape the physical world. Both architects and novelists tell stories about place; real and imagined. They are in this sense both urban practitioners, creating neighbourhoods to serve communities and articulating the values of societies through the design of their streets.This book of original short stories, written by architects, engineers, and novelists, explores the architecture of the near future glimpsed through the lens of fictional characters, places and buildings. What will the architecture of the future be like? How will cities change with environmental breakdown? How will people travel once cars are ancient history? What will buildings look like when bricks and mortar are no longer instruments of financial accumulation?

Titre:
Cosmo-eggs, Japan Pavilion 58th Biennale

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Résumé:
This eclectic spiral-bound catalogue is published on the occasion of ‘Cosmo-Eggs’, presented at the Japan Pavilion as part of the 2019 Venice Biennale. Cooperation is a vital element of the exhibition, which forms a collective effort to explore new meanings and possible forms of co-existence between diverse beings. Further, it examines the potential of unknown ideas and experiments that are created through artists’ mutual inspirations. Designed by Yoshihisa Tanaka, the book collects the writings and visual notes by the four participants (artist Motoyuki Shitamichi, composer Taro Yasuno, anthropologist Toshiaki Ishikura, and architect Fuminori Nousaku) as well as curator Hiroyuki Hattori.

Titre:
Collective city: 2019 Seoul Biennal of Architecture and Urbanism

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In its second edition, the Seoul Biennale of Architecture and Urbanism establishes a global platform in order to study new collaborations and models, exchange information, and encourage discussion. Themed “Collective City”, it serves as a basis for the residents of Seoul to reclaim their city and redefine its architecture, and uses new, experimental methods of communication with the public. This catalogue not only provides an overview of the different exhibitions but also the various scenes of participation in public programmes, offering urban and architectural perspectives on participants, projects, and outcomes, aiming to pave the way for the implementation of new policies.

Titre:
Nos années de solitude, Biennale d'Architecture d'Orléans

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Résumé:
Pour la deuxième édition de la Biennale d'Architecture d'Orléans six commissaires ont été invités à conter les récits des solitudes à travers le monde, là où l'architecture est encore une forme d'engagement dans le réel et une « promesse » pour les libertés : Des rêves vus de près revient sur la résistance du groupe brésilien Arquitetura Nova face à la dictature brésilienne (1964-1985) ; Mes réalisations parleront pour moi offre une lecture de l'œuvre algérienne de l'architecte français Fernand Pouillon ; L'étrangère sur terreréunit des artistes et architectes arabes dont l'œuvre participe aux mouvements arabes d'émancipation face aux discours et aux systèmes autoritaires ; De la solitude à la désolation livre une analyse sans concession du Mexique actuel ; l'installation collective L'architecture comme animal mutant est un dispositif d'hybridation où toute créature architecturale se libère de son créateur. Avec AAU Anastas, Rand Abdul Jabbar, Absalon, Yóllotl Alvarado & Tania Ximena, Atelier Manferdini, BairBalliet, Ila Bêka & Louise Lemoine, Daphné Bengoa, André Bloc, Santiago Borja, John Cage, Bertrand Cavalier, Nidhal Chamekh, Paloma Contreras Lomas, Abraham Cruzvillegas, Design Earth, Hernan Diaz Alonso, f-architecture collaborative, Miguel Fernández de Castro, Bernard Gachet, Griffin Enright, Günter Günschel, Zaha Hadid, Susan Hefuna, John Hejduk, Anne Huffschmid & Jan-Holger Hennies, Damjan Jovanovic, Alberto Kalach, Ferda Kolatan, Lacaton & Vassal, Karen Lohrmann & Stefano de Martino, Jumana Manna, Fabian Marcaccio, Chris Marker, Ahmed Mater, Lucy McRae, MTL Collective, Julie Nioche, Objectile, Driss Ouadahi, P-A-T-T-E-R-N-S, Florencia Pita & Co, Ricardo Porro, Fernand Pouillon, Casey Rehm, Ruy Klein, Beniamino Servino, Servo LA-Stockholm, Sigil Collective, Takk, Pascale Marthine Tayou, Testa & Weiser, Laure Tixier & Hervé Rousseau, Usina_Ctah, Tom Wiscombe, Ezra Wube, Liam Young, Ala Younis.

Titre:
Mind-building: exhibition at the pavilion of Finland, 16th Biennale Venezia

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Résumé:
''Mind-building'' tells the story of public libraries and library architecture in Finland. Featuring seventeen buildings from different periods, grouped under specific themes and curated by architectural critic and scholar Anni Vartola, it presents texts, drawings, and photographs of each, plus extracts from various sources such as newspapers, competition briefs, and architectural reviews. The oldest library is the Rikhardinkatu Library in Helsinki (1881), the first in the Nordic region built specifically for the public. Also included are Viipuri Library (1935) by Alvar Aalto, Tampere Main Library Metso (1986) by Raili and Reima Pietiläknown, and Turku Main Library (2007) by JKMM Architects.

Titre:
Line, light, locus: Elizabeth Hatz

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Résumé:
This publication unfolds an inside view of the installation by Elizabeth Hatz at the 16th International Architecture Exhibition of La Biennale di Venezia. It shows how the installation has been made using 133 pigmented prints of original drawings from Drawing Matter in Somerset, ArkDes in Stockholm, the architects' private archives and a large hand drawing by Hatz on a specially designed table-bench. The fold-out cover illustrates the room's four walls, each of which organise four concept-sets relating to the Biennale theme of Freespace: Ground–Floor, Temple–Shed, Niche–Stoa and Mind–Space. The full-sized colour plates inside show in more detail the collage of drawings on each wall, illustrating how the printing process allowed Hatz to orchestrate the size as well as position of each drawing within these exploratory fields. Hatz's accompanying essay invokes the spatial experience created by the room-drawings and the rich conversations they capture.

Titre:
Rights of future generations: Conditions. Sharjah Architecture Triennial

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The first in a two-volume installment documenting the inaugural Sharjah Architecture Triennial. The inaugural Sharjah Architecture Triennial includes works by architects, artists, activists, choreographers and scientists examining sites of resistance, emancipation and experimentation. The 27 essays featured here—the first of two volumes published for the triennial—chronicle these sites.

Titre:
Le pavillon du Canada à la Biennale de Venise

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Résumé:
Cet ouvrage examine en détail l’histoire du pavillon du Canada, construit en 1958 dans les jardins de la Biennale de Venise, les forces en présence lors de la réalisation du bâtiment et son utilisation depuis soixante ans pour la présentation et l’exposition d’artistes et d’architectes canadiens. Il s’agit non seulement de souligner l’importance du pavillon dans le contexte plus large de l’architecture moderne, mais aussi de mettre en lumière son rôle d’avant-poste de la diplomatie culturelle. L’apparat iconographique du livre est constitué de documents d’archives – photographies, dessins et cartes –, ainsi que d’un portfolio réalisé par des photographes contemporains (Francesco Barasciutti et Andrea Pertoldeo) qui montrent l’état du bâtiment avant, pendant et après les travaux de restauration de 2018. Les différentes contributions apportent un éclairage sur le contexte culturel et politique dans lequel s’est inscrite la commande du pavillon canadien (Cammie McAtee); la conception et la construction de la structure architecturale, ainsi que les relations avec l’architecte Enrico Peressutti et l’agence BBPR (Réjean Legault); la place du pavillon dans le contexte culturel italien de l’après-guerre (Serena Maffioletti); son retentissement, de l’inauguration en 1958 à la restauration de 2018 (Josée Drouin-Brisebois); le projet de restauration (Susanna Caccia Gherardine); et, enfin, le lien entre le pavillon du Canada et les jardins de la Biennale (Franco Panzini).

Titre:
Water, kinship, belief. Toronto Biennale of Art 2022

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Résumé:
The inaugural Toronto Biennial of Art in 2019 was the first edition of a two-part biennial that traced interconnected narratives around the city’s ever-changing shoreline. These connections sought to reveal strategies of resistance against industrial-colonial systems, uncover polyphonic histories sedimented around the shoreline, and open up relations between the human and more-than-human. To extend this artistic thinking and expand notions of relationality, in 2022, the second edition moves inland to follow tributaries and ravines, both above ground and hidden, that shape this place. In relation to these two Biennial exhibitions, this publication is a “third” site, a place where the continuities, resonances, and dissonances between Biennial editions are extended. Its pages become a means to bring together the artists, artworks, collaborators, and ideas that have together informed the exhibitions, irrespective of chronology, dispensing with categories, and part of a greater whole.

Titre:
The common in community: Slovenian pavilion 17th Architecture Biennale

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Résumé:
''How will we live together?'' The extensive publication for the exhibition of the Slovenian Pavilion at the 17th International Architecture Biennale seeks to answer this question through research on community centres in Slovenia. By unearthing and presenting the large-scale project of building more than 350 cooperative centres that began 70 years ago, it reveals how these centres have seen changes in the political and economic system, taken on new uses, shaped local communities, and remain relevant today. A closer look at this history provides a better understanding of indoor public spaces as social infrastructure that fosters interaction, communication, and empowerment.