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Architecture meets agriculture in this "cookbook" that encourages sustainable practices in a desert region. Cooking and architecture both start with a set of ingredients that combine to create a whole greater than the sum of its parts. This creative catalog for the UAE Pavilion at ''La Biennale di Venezia'' 2025 features "recipes" ranging from the technical to the(...)
Pressure Cooker recipes: An architectural cookbook
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Architecture meets agriculture in this "cookbook" that encourages sustainable practices in a desert region. Cooking and architecture both start with a set of ingredients that combine to create a whole greater than the sum of its parts. This creative catalog for the UAE Pavilion at ''La Biennale di Venezia'' 2025 features "recipes" ranging from the technical to the fictional to the historic.
Biennale
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This publication unfolds an inside view of the installation by Elizabeth Hatz at the 16th International Architecture Exhibition of La Biennale di Venezia. It shows how the installation has been made using 133 pigmented prints of original drawings from Drawing Matter in Somerset, ArkDes in Stockholm, the architects' private archives and a large hand drawing by Hatz on a(...)
Biennale
mai 2018
Line, light, locus: Elizabeth Hatz
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This publication unfolds an inside view of the installation by Elizabeth Hatz at the 16th International Architecture Exhibition of La Biennale di Venezia. It shows how the installation has been made using 133 pigmented prints of original drawings from Drawing Matter in Somerset, ArkDes in Stockholm, the architects' private archives and a large hand drawing by Hatz on a specially designed table-bench. The fold-out cover illustrates the room's four walls, each of which organise four concept-sets relating to the Biennale theme of Freespace: Ground–Floor, Temple–Shed, Niche–Stoa and Mind–Space. The full-sized colour plates inside show in more detail the collage of drawings on each wall, illustrating how the printing process allowed Hatz to orchestrate the size as well as position of each drawing within these exploratory fields. Hatz's accompanying essay invokes the spatial experience created by the room-drawings and the rich conversations they capture.
Biennale
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The first in a two-volume installment documenting the inaugural Sharjah Architecture Triennial. The inaugural Sharjah Architecture Triennial includes works by architects, artists, activists, choreographers and scientists examining sites of resistance, emancipation and experimentation. The 27 essays featured here—the first of two volumes published for the(...)
Rights of future generations: Conditions. Sharjah Architecture Triennial
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The first in a two-volume installment documenting the inaugural Sharjah Architecture Triennial. The inaugural Sharjah Architecture Triennial includes works by architects, artists, activists, choreographers and scientists examining sites of resistance, emancipation and experimentation. The 27 essays featured here—the first of two volumes published for the triennial—chronicle these sites.
Biennale
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Cet ouvrage examine en détail l’histoire du pavillon du Canada, construit en 1958 dans les jardins de la Biennale de Venise, les forces en présence lors de la réalisation du bâtiment et son utilisation depuis soixante ans pour la présentation et l’exposition d’artistes et d’architectes canadiens. Il s’agit non seulement de souligner l’importance du pavillon dans le(...)
Le pavillon du Canada à la Biennale de Venise
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Cet ouvrage examine en détail l’histoire du pavillon du Canada, construit en 1958 dans les jardins de la Biennale de Venise, les forces en présence lors de la réalisation du bâtiment et son utilisation depuis soixante ans pour la présentation et l’exposition d’artistes et d’architectes canadiens. Il s’agit non seulement de souligner l’importance du pavillon dans le contexte plus large de l’architecture moderne, mais aussi de mettre en lumière son rôle d’avant-poste de la diplomatie culturelle. L’apparat iconographique du livre est constitué de documents d’archives – photographies, dessins et cartes –, ainsi que d’un portfolio réalisé par des photographes contemporains (Francesco Barasciutti et Andrea Pertoldeo) qui montrent l’état du bâtiment avant, pendant et après les travaux de restauration de 2018. Les différentes contributions apportent un éclairage sur le contexte culturel et politique dans lequel s’est inscrite la commande du pavillon canadien (Cammie McAtee); la conception et la construction de la structure architecturale, ainsi que les relations avec l’architecte Enrico Peressutti et l’agence BBPR (Réjean Legault); la place du pavillon dans le contexte culturel italien de l’après-guerre (Serena Maffioletti); son retentissement, de l’inauguration en 1958 à la restauration de 2018 (Josée Drouin-Brisebois); le projet de restauration (Susanna Caccia Gherardine); et, enfin, le lien entre le pavillon du Canada et les jardins de la Biennale (Franco Panzini).
Biennale
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A wooden Japanese house slated for demolition will instead be moved to Venice for exhibition. Yet the house put on display will not appear in its original form. Dismantled for shipping, it will be reassembled on-site in new configurations created by architects and artisans from Japan, who will add new or local materials and other elements in the process. In other words,(...)
Co-Ownership of action : trajectories of elements
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A wooden Japanese house slated for demolition will instead be moved to Venice for exhibition. Yet the house put on display will not appear in its original form. Dismantled for shipping, it will be reassembled on-site in new configurations created by architects and artisans from Japan, who will add new or local materials and other elements in the process. In other words, the exhibition of the house will be a fantastical installation that combines old and new in a composite of creative efforts by multiple designers and craftsmen. This book, edited by architect Kozo Kadowaki, explores the project in detail.
Biennale
Empavillonner
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Ouvrage collectif (premier numéro de la collection « Focus ») consacré à l'analyse des pavillons d'exposition (expositions universelles, biennales) du point de vue de leur architecture, croisant les contributions de designers et architectes, d'historiens, de philosophes et esthéticiens. Qu'il s'agisse, entre autres exemples, du Pavillon France réalisé par l'architecte(...)
Empavillonner
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Ouvrage collectif (premier numéro de la collection « Focus ») consacré à l'analyse des pavillons d'exposition (expositions universelles, biennales) du point de vue de leur architecture, croisant les contributions de designers et architectes, d'historiens, de philosophes et esthéticiens. Qu'il s'agisse, entre autres exemples, du Pavillon France réalisé par l'architecte Jean-Paul Viguier à l'occasion de l'Exposition Universelle de Séville (1992), de celui des Pays-Bas signé de l'agence MVRDV dans le cadre l'Exposition Universelle d'Hanovre (2000) ou encore, avant eux, des pavillons présentés comme « manifestes de la modernité », tels que ceux de Richard Buckminster Fuller (Pavillon États-Unis, île Sainte-Hélène, Montréal, 1967), de Le Corbusier (Pavillon Philips, Bruxelles, 1958) de Robert Mallet-Stevens et des frères Martel (Pavillon du tourisme, Paris, 1925), tous sembleraient procéder d'une même intention (ou prétention)?: celle de définir les voies et préceptes d'une architecture résolument nouvelle laquelle, contestant ou refusant parfois ce qui a cours, préfigure et marque de quoi serait faite l'époque à-venir.
Biennale
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How do city and architecture flourish together ? This question is central to the three-dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and(...)
juin 2021
Bovenbouw Architectuur: Composite presence
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How do city and architecture flourish together ? This question is central to the three-dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and unforeseen collisions are an endless source of energy for contemporary architectural production. Published on the occasion of the exhibition "Composite Presence" curated by Bovenbouw Architectuur in the Belgian Pavilion at the Biennale di Architettura 2021 in Venice, Italy.
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Conceived as a record that delves deeper into a special section of the Biennale Architettura 2021, this publication comprises essays and photo essays that pertain to specific geographic locations. While the main exhibition is primarily organized in five parts that contemplate a new spatial contract at five scales—as diverse beings, as new households, as emerging(...)
Co-habitats: imagining the future of cohabitation in Venice and beyond
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Conceived as a record that delves deeper into a special section of the Biennale Architettura 2021, this publication comprises essays and photo essays that pertain to specific geographic locations. While the main exhibition is primarily organized in five parts that contemplate a new spatial contract at five scales—as diverse beings, as new households, as emerging communities, across borders and as one planet—this volume showcases analytical examples of how we come together at all five of them in and around Venice, as well as in Addis Ababa, Beirut, India, Rio de Janeiro, Hong Kong, New York, Prishtina and more.
Biennale
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What constitutes the social context of architecture? What kind of stories can be told about how lived experiences across global communities, cities, territories, and ecologies resonate with architectural and space-making practices? The 2019 Chicago Architecture Biennial explores the implications of architecture and the built environment as they relate to land, memory,(...)
...And other such stories. 2019 Chicago Architecture Biennial
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What constitutes the social context of architecture? What kind of stories can be told about how lived experiences across global communities, cities, territories, and ecologies resonate with architectural and space-making practices? The 2019 Chicago Architecture Biennial explores the implications of architecture and the built environment as they relate to land, memory, rights, and civic participation — drawing buildings, planning, art, policy making, education, and activism into new conversations at global and civic scales.
Biennale
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In the forty years since the first iteration of Venice Architecture Biennale, the field of architecture has seen a remarkable change in the role played by exhibition-making. While architecture and display have long been intertwined practices, a rapid proliferation of large-scale perennial exhibitions—particularly in the twenty-first century—has resulted in the biennial /(...)
Biennials / Triennials: conversations on the geography of itinerant display
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In the forty years since the first iteration of Venice Architecture Biennale, the field of architecture has seen a remarkable change in the role played by exhibition-making. While architecture and display have long been intertwined practices, a rapid proliferation of large-scale perennial exhibitions—particularly in the twenty-first century—has resulted in the biennial / triennial becoming an integral part of our discipline, a new geography of itinerant display that has profoundly altered the contours of architectural thought. Between format, space, and content, what are the various agencies and effects of these events? Biennials / Triennials asks these questions and others of a range of curatorial agents and visits crucial sites of recent exhibitions that reveal what is at stake in the newfound ubiquity of the architectural –ennial.
Biennale