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What does a library say about the mind of its owner? How do books map the intellectual interests, curiosities, tastes, and personalities of their readers? What does the collecting of books have in common with the practice of architecture? This book provides an intimate look at the personal libraries of fourteen of the world’s leading architects, alongside conversations(...)
novembre 2009
Unpacking my library: architects and their books (1963-1973)
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What does a library say about the mind of its owner? How do books map the intellectual interests, curiosities, tastes, and personalities of their readers? What does the collecting of books have in common with the practice of architecture? This book provides an intimate look at the personal libraries of fourteen of the world’s leading architects, alongside conversations about the significance of books to their careers and lives. Photographs of bookshelves—displaying well-loved and rare volumes, eclectic organizational schemes, and the individual touches that make a bookshelf one’s own—provide an evocative glimpse of their owner’s personal life.
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This is a unique, absorbing compilation of the best design books of the last 100 years. Covering a huge range of material – from historic titles by pioneering type foundries to the best of recent monographs from today’s leading studios – it provides a striking insight into the evolution of graphic design in the twentieth century.
Bibliographic: 100 Classic Graphic Design Books
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This is a unique, absorbing compilation of the best design books of the last 100 years. Covering a huge range of material – from historic titles by pioneering type foundries to the best of recent monographs from today’s leading studios – it provides a striking insight into the evolution of graphic design in the twentieth century.
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$65.00
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Anselmo, Boetti, Calzolari, Fabro, Kounellis, Mario and Marisa Merz, Paolini, Pascali, Penone, Pistoletto, Prini, Zorio: the protagonists of the most important italian artistic movement in the second half of the XX century are introduced not by their “traditional” works, but from a particular point of view : their publishing production. These artists’ books were(...)
Arte Povera, 1966-1980 : books and documents
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Anselmo, Boetti, Calzolari, Fabro, Kounellis, Mario and Marisa Merz, Paolini, Pascali, Penone, Pistoletto, Prini, Zorio: the protagonists of the most important italian artistic movement in the second half of the XX century are introduced not by their “traditional” works, but from a particular point of view : their publishing production. These artists’ books were conceived, built and re-invented as works of art themselves, and some of them had a very important role in defining the aims and beliefs of the whole artistic movement. A detailed introduction analyses “diagonally” people, times, places and texts involved in the Arte Povera movement and their mutual relationships; then, each artist is individually presented through his books and one-person exhibitions, along with several photos of the mentioned documents. The book is completed by an accurate chronology of the collective exhibitions (1966-2005) and a detailed bibliography of the books, essays and articles about the "poveristi” (1966-2006).
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décembre 2007
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Le livre
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Cet ouvrage retrace les grandes étapes de l'histoire du livre et se présente comme une introduction aux titres suivants plus spécialisés. La mise en perspective de l'évolution des techniques et des enjeux de l'édition interroge notre propre relation au livre. A travers 150 illustrations, des premiers manuscrits aux dernières innovations graphiques, se dessine l'histoire(...)
Le livre
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Cet ouvrage retrace les grandes étapes de l'histoire du livre et se présente comme une introduction aux titres suivants plus spécialisés. La mise en perspective de l'évolution des techniques et des enjeux de l'édition interroge notre propre relation au livre. A travers 150 illustrations, des premiers manuscrits aux dernières innovations graphiques, se dessine l'histoire vivante du livre.
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janvier 2008
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Le livre en lettres
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En abordant le livre du point de vue de sa typographie, cet ouvrage sensibilise le lecteur aux possibilités infinies de cette discipline. L'outil informatique a rendu accessible au plus grand nombre une palette très riche de polices, encore faut-il savoir les utiliser en tenant compte d'exigences aussi bien pratiques, esthétiques que contextuelles. Grâce aux différents(...)
Le livre en lettres
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En abordant le livre du point de vue de sa typographie, cet ouvrage sensibilise le lecteur aux possibilités infinies de cette discipline. L'outil informatique a rendu accessible au plus grand nombre une palette très riche de polices, encore faut-il savoir les utiliser en tenant compte d'exigences aussi bien pratiques, esthétiques que contextuelles. Grâce aux différents ateliers vous pourrez mettre en application de manière ludique les notions traitées dans chaque chapitre et comprendre les choix typographiques des graphistes ou des éditeurs.
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janvier 2008
$108.00
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists(...)
mars 2010
In numbers : serial publications by artists since 1955
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists have seized on magazine and postcard formats as forms in themselves. These are not publications that print criticism, manifestos or reproductions of artworks; rather, they are themselves artworks, in large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. Dating from 1955 to the present, "In Numbers" begins with Wallace Berman's Semina and continues through Joe Brainard's C Comics, Situationist Times, Eleanor Antin's 100 Boots, Ian Hamilton Finlay's Poor.Old.Tired.Horse, Fluxus, amid contemporary examples such as North Drive Press, LTTR and Continuous Project.
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul(...)
février 2010
Kiosk: Modes of multiplication
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. To date, it contains more than 7,000 publications by approximately 500 independent art publishing projects, from magazines, fanzines, newspapers, journals, audio and video labels to institutional publishing, covering the entire bandwidth of publishing possibilities. On the occasion of the archive's final public presentation at the Kunstbibliothek, Berlin, this overview on independent art publishing activities today surveys the Kiosk project. This catalogue contains documentary illustrations and provides information on the contributing publishing projects.
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This publication annually showcases the results of the competition ‘The Most Beautiful Swiss Books’, coordinated by the Swiss Ministry of Culture and aimed at promoting Swiss book design. The catalogue presents the award-winning books and their technical facts and figures, as well as the jury’s verdict. Moreover, it serves as a platform for discourse about book design and(...)
août 2010
The most beautiful swiss books 2009: the future issue
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This publication annually showcases the results of the competition ‘The Most Beautiful Swiss Books’, coordinated by the Swiss Ministry of Culture and aimed at promoting Swiss book design. The catalogue presents the award-winning books and their technical facts and figures, as well as the jury’s verdict. Moreover, it serves as a platform for discourse about book design and production and is in itself an example of contemporary graphic design trends. ‘The Future Issue’ is the third catalogue in the Back To The Future Trilogy, concerned with the past, present and future of book design.
$39.95
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for(...)
Artist's magazines : an alternative space for art
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In this publication, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
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Endlessly diverse, bookplates (also called ex libris, Latin for "from the books of") are small decorative labels to be pasted inside a book's cover to express personal ownership. Originating in their modern printed form in 16th-century Germany, where books were highly valuable and treasured, bookplates became an art form practiced by artists across Europe and beyond. This(...)
Ex Libris: the art of bookplates
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Endlessly diverse, bookplates (also called ex libris, Latin for "from the books of") are small decorative labels to be pasted inside a book's cover to express personal ownership. Originating in their modern printed form in 16th-century Germany, where books were highly valuable and treasured, bookplates became an art form practiced by artists across Europe and beyond. This book traces the evolution of bookplate design over time and across national boundaries, showcasing 100 key examples of ex libris art.