Sandra Meigs: strange loop
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A catalogue of Carleton University Art Gallery's exhibition of paintings of architectural interiors by Victoria painter Sandra Meigs. Rendered in grey-scale and complex linear perspective, the paintings are based on studies of 19th-century mansions in Newport, Rhode Island. The essay analyzes Meigs’s work in relation to Gaston Bachelard’s theories on the psychological(...)
Sandra Meigs: strange loop
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A catalogue of Carleton University Art Gallery's exhibition of paintings of architectural interiors by Victoria painter Sandra Meigs. Rendered in grey-scale and complex linear perspective, the paintings are based on studies of 19th-century mansions in Newport, Rhode Island. The essay analyzes Meigs’s work in relation to Gaston Bachelard’s theories on the psychological meanings of the house.
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Catalogue of the exhibition at the Art gallery of greater Victoria, Victoria, British-Columbia on november 2006-marsh 2007.
septembre 2009
Fantastic frameworks: architectural utopias + designs for life
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Catalogue of the exhibition at the Art gallery of greater Victoria, Victoria, British-Columbia on november 2006-marsh 2007.
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Depuis 2004, l’artiste québécoise Olivia Boudreau allie performance et vidéo dans un corpus qui s’accomplit dans la durée et la répétition en explorant des notions du visible. En mettant à contribution le plan fixe, un cadrage serré et une économie de mouvements, et plus récemment l’interactivité de la narrativité, ses installations et performances en direct proposent une(...)
Olivia Boudreau : l'oscillation du visible
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Depuis 2004, l’artiste québécoise Olivia Boudreau allie performance et vidéo dans un corpus qui s’accomplit dans la durée et la répétition en explorant des notions du visible. En mettant à contribution le plan fixe, un cadrage serré et une économie de mouvements, et plus récemment l’interactivité de la narrativité, ses installations et performances en direct proposent une expérience temporelle et perceptuelle captivante pour le spectateur. Ce premier ouvrage illustré sur son travail comprend des essais des historiens de l’art Christine Ross et Eduardo Ralickas qui discutent de temporalité, de matérialité et de réception dans sa pratique ainsi qu’un long entretien entre l’artiste et la commissaire Michèle Thériault.
Art canadien
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more(...)
Letters: Michael Morris and concrete poetry
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Letters, a series of six painted triptychs executed in the late 1960s that form the basis of this book, embody this interdisciplinary thinking. Incorporating vertical mirrors, they were imagined not only as objects in themselves, expressing the pivotal role light plays in painting, but also as ‘props’, before which a dance performance might take place.
Art canadien
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Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book(...)
The Beaver Hall Group: 1920s modernism in Montreal
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Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book takes on core themes such as the rise of the metropolis, juxtapositions between economic progress and cultural development, and the impact of gender on critical approaches to both artists and their work. The Beaver Hall Group: 1920s Modernism in Montreal sits alongside a major exhibition and is published in partnership with the Montreal Museum of Fine Art.
Art canadien
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A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.
Hans-Ulrich Obrist hear us, featuring Bill Burns
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A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.
Art canadien
LandSlide: possible futures
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ocusing on Markham, Ontario, one of the oldest, most culturally diverse and fastest growing suburbs in North America, 30 artists from Canada and around the world explore themes of multiculturalism, sustainability, and community with site-specific projects created on the grounds of the historic 25-acre open-air Markham Museum.
LandSlide: possible futures
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ocusing on Markham, Ontario, one of the oldest, most culturally diverse and fastest growing suburbs in North America, 30 artists from Canada and around the world explore themes of multiculturalism, sustainability, and community with site-specific projects created on the grounds of the historic 25-acre open-air Markham Museum.
Art canadien
BGL: Venice 2015
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They've been called cheeky pranksters but the immersive environments created by the artistic collective lampoon consumer culture with a razor-sharp wit. BGL's exhibitions have included the staging of an ornamental tree factory, a bonfire and a flea market; and their urban carousel made from security fences and lampposts joyously greeted visitors at MASS MoCA's 2012(...)
BGL: Venice 2015
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They've been called cheeky pranksters but the immersive environments created by the artistic collective lampoon consumer culture with a razor-sharp wit. BGL's exhibitions have included the staging of an ornamental tree factory, a bonfire and a flea market; and their urban carousel made from security fences and lampposts joyously greeted visitors at MASS MoCA's 2012 exhibition, Oh Canada. Through their ingeniously-crafted installations, BGL repositions cultural ephemera and unique sculptures in new and thought-provoking ways, often requiring viewer engagement and always to general delight. This in-depth examination of BGL's practice accompanies the world premiere of their new work, Canadassimo, created especially for 2015 Venice Biennial, where the collective is representing Canada.
Art canadien
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Canadian artist Michael Snow (born 1929) has been a central figure in North American postwar art; his influential films, such as Wavelength, rank alongside those of avant-garde auteurs such as Stan Brakhage and Gregory Markopoulos. Sequences is a complete monograph of Snow's work.
Michael Snow: sequences. A history of his works
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Canadian artist Michael Snow (born 1929) has been a central figure in North American postwar art; his influential films, such as Wavelength, rank alongside those of avant-garde auteurs such as Stan Brakhage and Gregory Markopoulos. Sequences is a complete monograph of Snow's work.
Art canadien
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The multimedia works of Canadian artist duo Janet Cardiff (born 1957) and George Bures Miller (born 1960) are often reminiscent of whimsical childhood experiences such as fairgrounds. This monograph documents six large-scale installations on the subject of the entertainment industry.
Janet Cardiff & George Bures Miller: something strange this way
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The multimedia works of Canadian artist duo Janet Cardiff (born 1957) and George Bures Miller (born 1960) are often reminiscent of whimsical childhood experiences such as fairgrounds. This monograph documents six large-scale installations on the subject of the entertainment industry.
Art canadien