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Publication du Centre Clark dans le cadre de l'exposition La Doublure présentée à la galerie de l'UQAM en 2012.
La doublure, Sébastien Cliche
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Publication du Centre Clark dans le cadre de l'exposition La Doublure présentée à la galerie de l'UQAM en 2012.
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Monographie sur le travail de l'artiste canadienne Cynthia Girard.
Cynthia Girard: tous les oiseaux sont ici
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Monographie sur le travail de l'artiste canadienne Cynthia Girard.
Art canadien
Rick Leong
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Monographie sur le travail artistique de Rick Leong.
Rick Leong
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Monographie sur le travail artistique de Rick Leong.
Art canadien
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Working from the tradition of assemblage, the practice of David Armstrong Six denotes a realm of associative abstraction that extends notions of contingency beyond the object and into a zone of poetic reflexivity, levity and grace. The Canadian artist draws upon a wide range of references and materials, producing works in sculpture, drawing and video, and exploits the(...)
David Armstrong Six: three know points
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Working from the tradition of assemblage, the practice of David Armstrong Six denotes a realm of associative abstraction that extends notions of contingency beyond the object and into a zone of poetic reflexivity, levity and grace. The Canadian artist draws upon a wide range of references and materials, producing works in sculpture, drawing and video, and exploits the dubious nature of cultural prototypes. This book represents a series of sculptural propositions emerging from the cumulative conflation of a studio-based language as a venue for perceptual and spatial inquiry. Includes a critical text by Scott Lyall and an interview with the artist by Kristan Horton.
Art canadien
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Monographie la plus récente de la peintre canadienne Janet Werner.
Janet Werner: another perfect day
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Monographie la plus récente de la peintre canadienne Janet Werner.
Art canadien
Alison Norlen: luna
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Alison Nolen's intricate welded architectural installations reconstitute monumental, 20th-century sites of leisure, fantasy and cultural artifice, such as the Crystal Palace, Luna Park, Brighton Pier, and Las Vegas. Sensational and fantastic spaces have always inspired Norlen, from her early theme park sculptures and pinball landscapes, to her series of drawn Floats with(...)
Alison Norlen: luna
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Alison Nolen's intricate welded architectural installations reconstitute monumental, 20th-century sites of leisure, fantasy and cultural artifice, such as the Crystal Palace, Luna Park, Brighton Pier, and Las Vegas. Sensational and fantastic spaces have always inspired Norlen, from her early theme park sculptures and pinball landscapes, to her series of drawn Floats with their tangled collisions of rural fairgrounds, roadside attractions, and construction sites. 64
Art canadien
Y & G #12 (curtain walls)
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The artistic practice of Daniel Young and Christian Giroux exists at the intersection of art and architecture. From their respective positions as art historian and architect they create sculptures, installations and films that reflect upon the successes and failures of the built environment. This publication brings together for the first time three sculptures (Coaptation,(...)
Y & G #12 (curtain walls)
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The artistic practice of Daniel Young and Christian Giroux exists at the intersection of art and architecture. From their respective positions as art historian and architect they create sculptures, installations and films that reflect upon the successes and failures of the built environment. This publication brings together for the first time three sculptures (Coaptation, Chagrin, and Eunoia) and a film (Camera Tracking a Spiral Drawn Between the Two Curved Towers of Viljo Revell's Toronto City Hall).
Art canadien
Quelques parts / somewheres
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A survey of the work of thirteen emerging contemporary artists living in the Maritimes and their engagement with the question of region. The publication’s title reflects the multiplicity and uncertain origin of the region's identity, defined as much by dreams and myths of escape as by any inherent qualities. One of the most enduring tropes about the creative process is(...)
Quelques parts / somewheres
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A survey of the work of thirteen emerging contemporary artists living in the Maritimes and their engagement with the question of region. The publication’s title reflects the multiplicity and uncertain origin of the region's identity, defined as much by dreams and myths of escape as by any inherent qualities. One of the most enduring tropes about the creative process is the notion that the largest gathering of people generates the most interaction, and thus the greatest production of new ideas. Countering this myth is the proposition that large centres often produce homogeneity, and that incessant communication can even lead to a kind of cultural sameness. It may be precisely the very hindrance to communication - geography, distance, isolation - that produce the new approaches that loom large in the work featured here.
Art canadien
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Depuis 2004, l’artiste québécoise Olivia Boudreau allie performance et vidéo dans un corpus qui s’accomplit dans la durée et la répétition en explorant des notions du visible. En mettant à contribution le plan fixe, un cadrage serré et une économie de mouvements, et plus récemment l’interactivité de la narrativité, ses installations et performances en direct proposent une(...)
Olivia Boudreau : l'oscillation du visible
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Depuis 2004, l’artiste québécoise Olivia Boudreau allie performance et vidéo dans un corpus qui s’accomplit dans la durée et la répétition en explorant des notions du visible. En mettant à contribution le plan fixe, un cadrage serré et une économie de mouvements, et plus récemment l’interactivité de la narrativité, ses installations et performances en direct proposent une expérience temporelle et perceptuelle captivante pour le spectateur. Ce premier ouvrage illustré sur son travail comprend des essais des historiens de l’art Christine Ross et Eduardo Ralickas qui discutent de temporalité, de matérialité et de réception dans sa pratique ainsi qu’un long entretien entre l’artiste et la commissaire Michèle Thériault.
Art canadien
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more(...)
Letters: Michael Morris and concrete poetry
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Letters, a series of six painted triptychs executed in the late 1960s that form the basis of this book, embody this interdisciplinary thinking. Incorporating vertical mirrors, they were imagined not only as objects in themselves, expressing the pivotal role light plays in painting, but also as ‘props’, before which a dance performance might take place.
Art canadien