129 Résultats
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livres
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Behind a plain-looking cover, this volume documents the rich history of book design, accompanying a retrospective exhibition in Bern, looking at 60 years of the Swiss national award for book design. Of course, Swiss giants of design like Max Bill, Karl Gerstner and Emil Ruder make an appearance, along with Jan Tschichold, the founder of the competition. Essays by Robin(...)
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Résumé:
Behind a plain-looking cover, this volume documents the rich history of book design, accompanying a retrospective exhibition in Bern, looking at 60 years of the Swiss national award for book design. Of course, Swiss giants of design like Max Bill, Karl Gerstner and Emil Ruder make an appearance, along with Jan Tschichold, the founder of the competition. Essays by Robin(...)
Titre:
Beauty and the book : 60 years of the most beautiful Swiss books
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Behind a plain-looking cover, this volume documents the rich history of book design, accompanying a retrospective exhibition in Bern, looking at 60 years of the Swiss national award for book design. Of course, Swiss giants of design like Max Bill, Karl Gerstner and Emil Ruder make an appearance, along with Jan Tschichold, the founder of the competition. Essays by Robin Kinross, Mirjam Fischer, Roland Früh, Michael Guggenheimer and François Rappo.
Beauty and the book : 60 years of the most beautiful Swiss books
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Résumé:
Behind a plain-looking cover, this volume documents the rich history of book design, accompanying a retrospective exhibition in Bern, looking at 60 years of the Swiss national award for book design. Of course, Swiss giants of design like Max Bill, Karl Gerstner and Emil Ruder make an appearance, along with Jan Tschichold, the founder of the competition. Essays by Robin Kinross, Mirjam Fischer, Roland Früh, Michael Guggenheimer and François Rappo.
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livres
livres
Publication:
septembre 2004, Berne
septembre 2004, Berne
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livres
livres
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"No Longer Innocent: Book Art in America : 1960–1980" is the first history to trace the emergence of the artist's book in the U.S. during the 1960s and 1970s. This history takes a inclusive view of the varied field of book art and redresses the sporadic or confused acknowledgment from the art world that has long marginalized the artist's book. The book identifies European(...)
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"No Longer Innocent: Book Art in America : 1960–1980" is the first history to trace the emergence of the artist's book in the U.S. during the 1960s and 1970s. This history takes a inclusive view of the varied field of book art and redresses the sporadic or confused acknowledgment from the art world that has long marginalized the artist's book. The book identifies European(...)
Titre:
No longer innocent : book art in America, 1960-1980
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"No Longer Innocent: Book Art in America : 1960–1980" is the first history to trace the emergence of the artist's book in the U.S. during the 1960s and 1970s. This history takes a inclusive view of the varied field of book art and redresses the sporadic or confused acknowledgment from the art world that has long marginalized the artist's book. The book identifies European precursors of these kinds of artists' books, then quickly moves to America with the development of artists and books and non-profit organization. "No Longer Innocent" also addresses the ways book art affected and responded to art movements, such as Pop, Fluxus, or Conceptualism.
No longer innocent : book art in America, 1960-1980
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"No Longer Innocent: Book Art in America : 1960–1980" is the first history to trace the emergence of the artist's book in the U.S. during the 1960s and 1970s. This history takes a inclusive view of the varied field of book art and redresses the sporadic or confused acknowledgment from the art world that has long marginalized the artist's book. The book identifies European precursors of these kinds of artists' books, then quickly moves to America with the development of artists and books and non-profit organization. "No Longer Innocent" also addresses the ways book art affected and responded to art movements, such as Pop, Fluxus, or Conceptualism.
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livres
livres
Publication:
juillet 2005, New York
juillet 2005, New York
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livres
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking(...)
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking(...)
Titre:
Penguin by design : a cover story 1935-2005
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking back at seventy years of Penguin paperbacks, Phil Baines charts the development of British publishing, book-cover design and the role of artists and designers in creating and defining the Penguin look. Coupling in-depth analysis of designers - from Jan Tschichold to Romek Marber - with a wide-ranging look at the range of series and titles published - from early Penguins and Pelicans, to wartime Specials, fiction and reference, this is a distinctive picture of how Penguin has consistently established its identity through its covers, influenced by - and influencing - the wider development of graphic design and the changing fashions in typography, photography, illustration or printing techniques. Filled with inspiring images, "Penguin by Design" demonstrates just how difficult it is not to judge a book by its cover.
Penguin by design : a cover story 1935-2005
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking back at seventy years of Penguin paperbacks, Phil Baines charts the development of British publishing, book-cover design and the role of artists and designers in creating and defining the Penguin look. Coupling in-depth analysis of designers - from Jan Tschichold to Romek Marber - with a wide-ranging look at the range of series and titles published - from early Penguins and Pelicans, to wartime Specials, fiction and reference, this is a distinctive picture of how Penguin has consistently established its identity through its covers, influenced by - and influencing - the wider development of graphic design and the changing fashions in typography, photography, illustration or printing techniques. Filled with inspiring images, "Penguin by Design" demonstrates just how difficult it is not to judge a book by its cover.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
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livres
livres
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In his lifetime, Le Corbusier meticulously planned and realized over 40 books. In this publication these works are thoroughly and comprehensively presented in order to familiarize viewers with the lesser-known book designer. Cathérine de Smet, an art historian and critic with profound knowledge on this aspect of Le Corbusier’s work, is our guide through photographs of the(...)
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In his lifetime, Le Corbusier meticulously planned and realized over 40 books. In this publication these works are thoroughly and comprehensively presented in order to familiarize viewers with the lesser-known book designer. Cathérine de Smet, an art historian and critic with profound knowledge on this aspect of Le Corbusier’s work, is our guide through photographs of the(...)
Titre:
Le Corbusier : architect of books
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In his lifetime, Le Corbusier meticulously planned and realized over 40 books. In this publication these works are thoroughly and comprehensively presented in order to familiarize viewers with the lesser-known book designer. Cathérine de Smet, an art historian and critic with profound knowledge on this aspect of Le Corbusier’s work, is our guide through photographs of the books and previously unpublished archive material. We come to understand the process through which Le Corbusier’s books first came into being as well as the significance that he accorded to books as an essential medium within his output.
Le Corbusier : architect of books
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In his lifetime, Le Corbusier meticulously planned and realized over 40 books. In this publication these works are thoroughly and comprehensively presented in order to familiarize viewers with the lesser-known book designer. Cathérine de Smet, an art historian and critic with profound knowledge on this aspect of Le Corbusier’s work, is our guide through photographs of the books and previously unpublished archive material. We come to understand the process through which Le Corbusier’s books first came into being as well as the significance that he accorded to books as an essential medium within his output.
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livres
livres
Publication:
avril 2005, Baden
avril 2005, Baden
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livres
livres
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"By its Cover" traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight(...)
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"By its Cover" traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight(...)
Publication:
août 2005, New York
août 2005, New York
Titre:
By its cover : modern American book cover design
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"By its Cover" traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight Kauffer, Paul Rand, Alvin Lustig, Rudy deHarak, and Roy Kuhlman along with more recent and contemporary innovators including Push Pin Studios, Chermayeff–Geismar, Karen Goldberg, Chip Kidd, and John Gall.
By its cover : modern American book cover design
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"By its Cover" traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight Kauffer, Paul Rand, Alvin Lustig, Rudy deHarak, and Roy Kuhlman along with more recent and contemporary innovators including Push Pin Studios, Chermayeff–Geismar, Karen Goldberg, Chip Kidd, and John Gall.
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livres
livres
Publication:
août 2005, New York
août 2005, New York
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livres
livres
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$42.99
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Every year The Best Dutch Book Design are put on exhibition in the Stedelijk Museum in Amsterdam. Each book has been submitted by its publisher, designer or printer, or by the person who or body which commissioned it in the first place, and they are all displayed on a stage for the public's attention to be drawn to their handsome appearance and the ways in which solutions(...)
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Every year The Best Dutch Book Design are put on exhibition in the Stedelijk Museum in Amsterdam. Each book has been submitted by its publisher, designer or printer, or by the person who or body which commissioned it in the first place, and they are all displayed on a stage for the public's attention to be drawn to their handsome appearance and the ways in which solutions(...)
Publication:
octobre 2007, Amsterdam
octobre 2007, Amsterdam
Titre:
The best dutch book designs 2006
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Every year The Best Dutch Book Design are put on exhibition in the Stedelijk Museum in Amsterdam. Each book has been submitted by its publisher, designer or printer, or by the person who or body which commissioned it in the first place, and they are all displayed on a stage for the public's attention to be drawn to their handsome appearance and the ways in which solutions have been found in their designing, printing and binding. In fact, the whole point is the care and attention that can still be devoted to the production of printed matter in these hurried and often careless and indifferent times. These are 'good' books, not so much because of what they contain but precisely because of their striking size, format, cover, binding and/or interior- all of which may themselves be an immediate reflection of the contents.
The best dutch book designs 2006
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Every year The Best Dutch Book Design are put on exhibition in the Stedelijk Museum in Amsterdam. Each book has been submitted by its publisher, designer or printer, or by the person who or body which commissioned it in the first place, and they are all displayed on a stage for the public's attention to be drawn to their handsome appearance and the ways in which solutions have been found in their designing, printing and binding. In fact, the whole point is the care and attention that can still be devoted to the production of printed matter in these hurried and often careless and indifferent times. These are 'good' books, not so much because of what they contain but precisely because of their striking size, format, cover, binding and/or interior- all of which may themselves be an immediate reflection of the contents.
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livres
livres
Publication:
octobre 2007, Amsterdam
octobre 2007, Amsterdam
Classification:
livres
livres
Titre:
Le livre et l'artiste
Le livre et l'artiste
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Le livre et l'artiste? Vaste enjeu qui englobe une immense disparité de styles, d'histoires, de concepts, qui voient le jour depuis que ces ouvrages existent, car le livre fait par un artiste est au croisement entre l'univers du livre et celui des arts visuels. Les interventions du colloque, complémentaires ou parfois contradictoires, montrent le foisonnement(...)
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Le livre et l'artiste? Vaste enjeu qui englobe une immense disparité de styles, d'histoires, de concepts, qui voient le jour depuis que ces ouvrages existent, car le livre fait par un artiste est au croisement entre l'univers du livre et celui des arts visuels. Les interventions du colloque, complémentaires ou parfois contradictoires, montrent le foisonnement(...)
Titre:
Le livre et l'artiste
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Le livre et l'artiste? Vaste enjeu qui englobe une immense disparité de styles, d'histoires, de concepts, qui voient le jour depuis que ces ouvrages existent, car le livre fait par un artiste est au croisement entre l'univers du livre et celui des arts visuels. Les interventions du colloque, complémentaires ou parfois contradictoires, montrent le foisonnement esthétique, théorique, développé autour des artistes, quand ils se mettent à s'occuper de ce petit volume rectangulaire d'aspect anodin que l'on trouve le plus souvent sur les tables des librairies: le livre. Ce colloque met aussi en évidence la portée littéraire, artistique et théorique de cette famille de livres, grâce à des spécialistes aux compétences variées: artistes, éditeurs, responsables de collections spécialisées, historiens et philosophes.
Le livre et l'artiste
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Le livre et l'artiste? Vaste enjeu qui englobe une immense disparité de styles, d'histoires, de concepts, qui voient le jour depuis que ces ouvrages existent, car le livre fait par un artiste est au croisement entre l'univers du livre et celui des arts visuels. Les interventions du colloque, complémentaires ou parfois contradictoires, montrent le foisonnement esthétique, théorique, développé autour des artistes, quand ils se mettent à s'occuper de ce petit volume rectangulaire d'aspect anodin que l'on trouve le plus souvent sur les tables des librairies: le livre. Ce colloque met aussi en évidence la portée littéraire, artistique et théorique de cette famille de livres, grâce à des spécialistes aux compétences variées: artistes, éditeurs, responsables de collections spécialisées, historiens et philosophes.
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livres
livres
Publication:
octobre 2007, Marseille
octobre 2007, Marseille
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livres
livres
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$32.50
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Résumé:
In the early 20th century, the soviet architectural press became a forum for an extraordinary group of artist, designers, architects, and theorists to converge in debate over the shape of their present and futur built environment.
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In the early 20th century, the soviet architectural press became a forum for an extraordinary group of artist, designers, architects, and theorists to converge in debate over the shape of their present and futur built environment.
Publication:
décembre 2005, New York
décembre 2005, New York
Titre:
Architecture in print : Design and Debate in the Soviet Union 1919-1935
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In the early 20th century, the soviet architectural press became a forum for an extraordinary group of artist, designers, architects, and theorists to converge in debate over the shape of their present and futur built environment.
Architecture in print : Design and Debate in the Soviet Union 1919-1935
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In the early 20th century, the soviet architectural press became a forum for an extraordinary group of artist, designers, architects, and theorists to converge in debate over the shape of their present and futur built environment.
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livres
livres
Publication:
décembre 2005, New York
décembre 2005, New York
Classification:
livres
livres
Titre:
The pentagram papers
The pentagram papers
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$70.00
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The Pentagram Papers -- Celebrated global design firm Pentagram has produced a series of signature annual documents, known as Pentagram Papers, exclusively for clients and colleagues since 1975. On the occasion of the firm's 35-year anniversary, these quirky and influential Papers are collected here together for the first time. Each Paper explores a unique and curious(...)
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The Pentagram Papers -- Celebrated global design firm Pentagram has produced a series of signature annual documents, known as Pentagram Papers, exclusively for clients and colleagues since 1975. On the occasion of the firm's 35-year anniversary, these quirky and influential Papers are collected here together for the first time. Each Paper explores a unique and curious(...)
Publication:
novembre 2006, San Francisco
novembre 2006, San Francisco
Titre:
The pentagram papers
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The Pentagram Papers -- Celebrated global design firm Pentagram has produced a series of signature annual documents, known as Pentagram Papers, exclusively for clients and colleagues since 1975. On the occasion of the firm's 35-year anniversary, these quirky and influential Papers are collected here together for the first time. Each Paper explores a unique and curious topic of interest to the Pentagram designers—Mao buttons, the Savoy ballroom, rural Australian mailboxes, and the pop architecture of Wildwood, New Jersey, have all been featured subjects. Included here are not only in-depth reproductions and detailed discussion of the Papers' origins, but also an exclusive new Paper created especially for the book and set into a tray inside its back cover.
The pentagram papers
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The Pentagram Papers -- Celebrated global design firm Pentagram has produced a series of signature annual documents, known as Pentagram Papers, exclusively for clients and colleagues since 1975. On the occasion of the firm's 35-year anniversary, these quirky and influential Papers are collected here together for the first time. Each Paper explores a unique and curious topic of interest to the Pentagram designers—Mao buttons, the Savoy ballroom, rural Australian mailboxes, and the pop architecture of Wildwood, New Jersey, have all been featured subjects. Included here are not only in-depth reproductions and detailed discussion of the Papers' origins, but also an exclusive new Paper created especially for the book and set into a tray inside its back cover.
Classification:
livres
livres
Publication:
novembre 2006, San Francisco
novembre 2006, San Francisco
Classification:
livres
livres
Prix:
$34.00
(disponible en magasin)
Résumé:
Elucidating key issues and themes in contemporary photobook culture—from the medium’s post-digital and post-photographic condition to the aims of publishing, issues of accessibility and the act of reading—Matt Johnston’s "Photobooks &" combines research and interviews with key individuals from the photobook world. Informed by his experience with the Photobook Club(...)
$34.00
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Elucidating key issues and themes in contemporary photobook culture—from the medium’s post-digital and post-photographic condition to the aims of publishing, issues of accessibility and the act of reading—Matt Johnston’s "Photobooks &" combines research and interviews with key individuals from the photobook world. Informed by his experience with the Photobook Club(...)
Titre:
Photobooks &: A critical companion to the contemporary medium
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Elucidating key issues and themes in contemporary photobook culture—from the medium’s post-digital and post-photographic condition to the aims of publishing, issues of accessibility and the act of reading—Matt Johnston’s "Photobooks &" combines research and interviews with key individuals from the photobook world. Informed by his experience with the Photobook Club project, Johnston examines current trends and practices, emphasizing connections (made and missed) between makers and readers. Johnston calls for a recalibration of a maker-centric discourse to address the communicative potential of the medium: aligning making with making public.
Photobooks &: A critical companion to the contemporary medium
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$34.00
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Elucidating key issues and themes in contemporary photobook culture—from the medium’s post-digital and post-photographic condition to the aims of publishing, issues of accessibility and the act of reading—Matt Johnston’s "Photobooks &" combines research and interviews with key individuals from the photobook world. Informed by his experience with the Photobook Club project, Johnston examines current trends and practices, emphasizing connections (made and missed) between makers and readers. Johnston calls for a recalibration of a maker-centric discourse to address the communicative potential of the medium: aligning making with making public.
Classification:
livres
livres
Publication:
août 2022
août 2022
