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In "The book", Keith Houston reveals that the paper, ink, thread, glue, and board from which a book is made tell as rich a story as the words on its pages of civilizations, empires, human ingenuity, and madness. In an invitingly tactile history of this 2,000-year-old medium, Houston follows the development of writing, printing, the art of illustrations, and binding to(...)
The book: a cover-to-cover exploration of the most powerful object of our time
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In "The book", Keith Houston reveals that the paper, ink, thread, glue, and board from which a book is made tell as rich a story as the words on its pages of civilizations, empires, human ingenuity, and madness. In an invitingly tactile history of this 2,000-year-old medium, Houston follows the development of writing, printing, the art of illustrations, and binding to show how we have moved from cuneiform tablets and papyrus scrolls to the hardcovers and paperbacks of today.
The book
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What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk(...)
The book
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What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.
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This volume illuminates the current moment of artists' engagement with books, revealing them as an essential medium in contemporary art. Ever innovative and predictably diverse in their physical formats, artists' books occupy a creative space between the familiar four-cornered object and challenging works of art that effectively question every preconception of what a book(...)
Artists and their books/ books and their artists
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This volume illuminates the current moment of artists' engagement with books, revealing them as an essential medium in contemporary art. Ever innovative and predictably diverse in their physical formats, artists' books occupy a creative space between the familiar four-cornered object and challenging works of art that effectively question every preconception of what a book can be. 'Artists and Their Books / Books and Their Artists' includes over one hundred important examples selected from the Getty Research Institute's Special Collections of more than six thousand editions and unique artists' books.
Anne Hoffmann: mostly books
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Anne Hoffmann, born in Copenhagen, runs her own graphic design studio in Zurich and works mainly in the fields of art and culture, collaborating with international artists and museums. Over three decades she has designed a wide range of materials, including posters, flyers, cards, and CD booklets. She is best known, however, for her striking designs for books. She has had(...)
Anne Hoffmann: mostly books
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Anne Hoffmann, born in Copenhagen, runs her own graphic design studio in Zurich and works mainly in the fields of art and culture, collaborating with international artists and museums. Over three decades she has designed a wide range of materials, including posters, flyers, cards, and CD booklets. She is best known, however, for her striking designs for books. She has had her own studio since 1986, now in Zurich, where she has worked closely with Swiss and international artists such as Silvia Bächli, Richard Hamilton, and Karim Noureldin. ?In "Mostly Books", designed by Anne Hoffmann Graphic Design, Hoffmann reviews thirty years of work. The selection comprises some 120 objects, featured in an annotated book diary. In addition to that panorama, the book explores the topic of graphic design from a variety of perspectives through statements by several artists.
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At 420 pages, this comprehensive reference guide explores bookbinding techniques in start-to-finish detail, explaining all possible options in clear illustrations and easy-to-follow text, making it easy for artists and designers to compare and choose among them. From types of paper to folding methods, to all of the available paperback and hardcover bindings, to finishing(...)
avril 2018
Bookbinding: a comprehensive guide to folding, sewing & binding
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At 420 pages, this comprehensive reference guide explores bookbinding techniques in start-to-finish detail, explaining all possible options in clear illustrations and easy-to-follow text, making it easy for artists and designers to compare and choose among them. From types of paper to folding methods, to all of the available paperback and hardcover bindings, to finishing techniques and case studies by contemporary designers, "Bookbinding" is truly the must-have book for professional designers and production staff. Bookbinding is also a work of art in its own right, given an award by the Type Director's Club for typographic excellence.
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The middle decades of the twentieth century saw an extraordinary flourishing of the illustrated, pictorial dust jacket. From the 1920s, as the potential for the book’s protective wrapping to be used for promotion and enticement became clear, artists and illustrators on both sides of the Atlantic applied their talents to this particular art form. Rising to the wide-ranging(...)
The illustrated dustjacket, 1920-1970
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The middle decades of the twentieth century saw an extraordinary flourishing of the illustrated, pictorial dust jacket. From the 1920s, as the potential for the book’s protective wrapping to be used for promotion and enticement became clear, artists and illustrators on both sides of the Atlantic applied their talents to this particular art form. Rising to the wide-ranging challenges posed by format and subject matter, leading artists and illustrators, including John Piper, Edward Bawden and John Minton in the UK and Ben Shahn, Edward Gorey and George Salter in the USA, brought their unique personal vision to bear on the world of books. Many of their designs reflect the changing visual styles and motifs of the period, including Bloomsbury, Art Deco, Modernism, postwar neo-romanticism and the Kitchen Sink School.
Artiste éditeur
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La pratique éditoriale comme réalisation artistique contemporaine, de Mallarmé à Jonathan Monk et Lawrence Weiner en passant par Fluxus, l'Internationale situationniste et les fanzines do-it-yourself. Cette publication est un essai tiré d'une thèse de doctorat en arts plastiques réalisée par Antoine Lefebvre, artiste dont la pratique consiste en grande partie en l'édition(...)
Artiste éditeur
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La pratique éditoriale comme réalisation artistique contemporaine, de Mallarmé à Jonathan Monk et Lawrence Weiner en passant par Fluxus, l'Internationale situationniste et les fanzines do-it-yourself. Cette publication est un essai tiré d'une thèse de doctorat en arts plastiques réalisée par Antoine Lefebvre, artiste dont la pratique consiste en grande partie en l'édition de ses propres publications ou de celles d'autres artistes. Créateur de La Bibliothèque Fantastique (2009-2013), l'ouvrage interroge la pratique éditoriale comme réalisation artistique contemporaine, évoquant le rôle joué par le texte fondateur de Michel Foucault qui fournira l'élan éditorial à Antoine Lefebvre. Il y est question de pratiques rudimentaires, comme l'édition de fanzines, de débrouille et de bricolage à travers le DIY (do-it-yourself).
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The renowned and influential book artist Hedi Kyle shows you step-by-step how to create her unique designs, using folding techniques. Projects include flag books, blizzard books, the fishbone fold and nesting boxes. Hedi Kyle has been described as a book structure magician. She recently retired as Head Conservator at the American Philosophical Society, and was Adjunct(...)
The art of the fold: how to make innovative books and paper structures
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The renowned and influential book artist Hedi Kyle shows you step-by-step how to create her unique designs, using folding techniques. Projects include flag books, blizzard books, the fishbone fold and nesting boxes. Hedi Kyle has been described as a book structure magician. She recently retired as Head Conservator at the American Philosophical Society, and was Adjunct Professor at the University of the Arts in Philadelphia. Her one-of-a-kind constructions have been exhibited internationally. Ulla Warchol graduated from The Cooper Union in New York City with a degree in architecture. After working in the field in the 1990s, Ulla has spent the last two decades developing a multidisciplinary approach to structure. She leans toward a broad exploration of materials and techniques in both large-scale and small-scale works.
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While immersed in the work of editing and publishing trade books at Gaspereau Press, Andrew Steeves has also produced an eclectic array of letterpress-printed, limited-edition books and broadsides. In this book he revisits sixty of these projects, chronicling the influence that using traditional book-arts tools has had on his thinking about culture, design and(...)
Sixty over twenty: letterpress books and broadsides printed at Gaspereau press
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While immersed in the work of editing and publishing trade books at Gaspereau Press, Andrew Steeves has also produced an eclectic array of letterpress-printed, limited-edition books and broadsides. In this book he revisits sixty of these projects, chronicling the influence that using traditional book-arts tools has had on his thinking about culture, design and manufacturing. His frank commentary explores the wider implications of practising handwork in the digital age, exploring the relationship between art, craft and community.
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Beauty lies in the details. Organised each year, the competition for the Most Beautiful Swiss Books recognises outstanding graphic design in the field of books, promotes and showcases high-quality production, and raises public awareness of the winning books, both nationally and abroad. This year’s five-member jury, chaired by Gilles Gavillet, selected 24 publications from(...)
Les plus beaux livres suisses 2016/ The most beautiful Swiss books 2016
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Beauty lies in the details. Organised each year, the competition for the Most Beautiful Swiss Books recognises outstanding graphic design in the field of books, promotes and showcases high-quality production, and raises public awareness of the winning books, both nationally and abroad. This year’s five-member jury, chaired by Gilles Gavillet, selected 24 publications from among more than 400 submissions. The works were appraised for concept, graphic design and typography, quality of printing and binding, and attention to the materials used. The exceptional catalogue for this edition was designed by Hubertus, who takes us literally back to the book and its material essence.